Blog Archives
The Capricious Nature of Being
The Capricious Nature of Being is a collection of short stories about the unpredictable turns life takes, and how ordinary people stumble, resist, adapt, or come undone as fate nudges them down unexpected paths. The book opens by framing life as a kind of “Secret Santa,” full of surprises we never signed up for, and the stories that follow lean into that idea with characters who face moments they never planned for and can’t control. In story after story, we meet people caught between who they thought they were and who life seems determined to make them become.
As I read, I kept pausing to absorb the way author Richard Plinke writes about internal struggle. His characters are flawed in ways that feel human rather than dramatic. They think too much. Or too little. They cling to old hurts or old hopes. In “The Safe,” Hope’s entire life tilts because of a single discovered date, and the writing lets her unravel in a quiet, almost tender way. I found myself nodding along, feeling that tug between wanting the truth and wanting the comfort of not knowing. Plinke seems to enjoy letting readers sit in discomfort, not to punish us but to remind us that most turning points in real life aren’t big cinematic events. They’re small realizations that land with surprising weight.
What struck me in many of the stories is how the author uses familiar settings to explore less familiar emotional terrain. A sales manager on a bike ride. A widow cleaning out a house. Someone facing the remains of a broken relationship or a restless conscience. The ideas in the book aren’t complicated, but they’re honest, and the writing doesn’t hide behind fancy language. Sometimes the sentences hit like a quick tap on the shoulder. Other times they stretch out, winding through a character’s history the way a person might ramble when they finally feel safe enough to tell the truth.
By the time I finished the last story, I felt like I’d been listening to a friend talk through the strange business of being alive. That’s probably what I appreciated most. The book has a reflective quality that never slips into preaching. Instead, it invites you to think about your own unexpected turns and how you handled them, or didn’t. If you enjoy character-driven fiction, if you like stories that pause on the small moments where everything quietly shifts, or if you simply want a collection that feels both grounded and thoughtful, this one will likely speak to you.
Pages: 357 | ASIN : B0FFWGLNP7
Emotions as the Catalyst
Seasons of Life and Love takes readers on a journey through themes of loss, regret, longing, and joy in a collection of poems centered on the complexities of human emotion. Can you share a bit about your writing process?
I never force my thoughts or words. Something very simple may trigger a thought: a sunset, a breeze, a cloud, a flower. A single flash from a firefly at evening. Then I form an idea in my mind and begin a mental journey.
How do I feel when I look at that sunset? What has my day been like? Do I have any regrets? I put myself in the picture. I ask myself: What simple thought do I want to express? If I can answer that question, then I proceed slowly. I write from developing emotions and elaborate point by point and try end the final stanza with a powerful thought, to let it linger in the reader’s mind.
.
When I begin to write poetry, I have one rule in mind. Use simple words, paint clear mental pictures, and write so that the reader can easily grasp the message. If my words strike a common chord with the reader’s feelings, then he/she can figuratively “own” it and call it to mind at will. Powerful thoughts can be expressed with simple words. I want the poem to reflect upon the reader, not upon the poet. Words can last forever; poets do not.
Did you write these poems with a specific audience in mind, or was it a more personal endeavor?
It began as a personal experience. When I experienced personal tragedy, I went for long walks. I noticed that the weather resembled my life. It was sunny one day, stormy the next, life-threatening occasionally, and afterward, peacefully calm. I had no audience, I wasn’t writing a novel, I was describing my feelings as they related to the weather.
Sometimes I just wrote about the weather. Nature is a very moving experience if one stops to sense its changes. I wrote about losing love, and finding love; and the doubt that comes to mind, questioning the wisdom of signing up for more pain; and that overwhelming sense of euphoria one experiences when the universe aligns with your heart. But it can also be temporary, and when that came, I wrote about that, too. Not all poems were about me, though. Sometimes I would use a personal feeling and generalize a poem, using my emotions as the catalyst. For example, the poem “Jewels,” a romantic poem about a lover returning home in the early morning hours after visiting his love, was developed around the idea of a modern-day Romeo and Juliet.
I rarely write with a specific audience in mind. I write to express inner feelings. If they find an audience (and who hasn’t lost love?) then, that is my audience. I don’t want my poems to be or sound contrived. They must be genuine. If I sense I am slipping into contrivance, I stop and discard the poem. Do I know what I will write about next? No. I have no idea. If asked to write about a certain subject, I cannot. I can only describe what I feel.
Do you have a favorite poem in the book, and if so, why does it hold special meaning for you?
Do I have a favorite poem? I have many. They must all reach the same standard. “A Ray of Sun” – This was one of my first poems written after losing my family. I was walking a path that took me across a floating bridge over a stretch of water. The day had been cloudy, reflecting my disposition. Midway across the bridge, the sun broke through the cloud, low in the sky. The effect caused me to stop and feel better. It inspired hope. It was the first time I linked the weather to my emotions. Hence: “I knew if I could wait, if I could hang on long enough, I’d see the sun appear.”
“Everything is Beautiful” – this poem was inspired when I visited a retirement home. As I walked along the
hallway, I saw old men and women sitting alone in their rooms with the doors open, virtually abandoned
in a retirement home at the end of their lives. I asked myself: What do they feel inside, and what are their
dreams? I felt sad that someone should end their days like this.
“Hooked” – I love this poem because it is short and sweet and expresses in two stanzas how I felt when I fell in love.
“I Thought of You” – This poem describes perfectly how I felt when I had lost love. Because love lingers long after The Departed have departed.
“Jewels” – I have always loved this poem for the word pictures it elicits and the power of love to push one to great lengths and dangers to experience it.
“Love Whom You Wish” – This is a cautionary poem directed to the one who is leaving the relationship. I love the last stanza. It encapsulates the warning of the one abandoned.
“The Cost of Love” – This poem perfectly reflected my feelings when my relationship crumbled, and it juxtaposes the value each placed on the relationship.
“The Flood” – I wrote this poem with a smile on my face. I was reflecting upon the wonderful experience I had and the intensity of the relationship.
“The Fool” – I think this is one of my most lingering poems. How many have lost love, only to long for its return and be viewed as a fool for remembering it the rest of his/her life?
How has this poetry book changed you as a writer, or what did you learn about yourself through writing it?
I have hundreds of poems. This is my first published book of poetry. Most of my poems are written in the same style. I have been able to express more clearly my feelings of finding love, basking in love, and losing love. Those are experiences shared by many. I found I was able to describe succinctly my feelings without becoming philosophical. I have simply described human nature.
But life is more than just love. We can find delight in living a day, watching a sunset, experiencing a rainstorm, and seeing the seasons change. I think my poetry has made me more keenly aware of the simple things that life has to offer and that are occurring around us all the time. Often, we overlook them. Don’t. They have been here longer than we. They comfort us. Stop and take note of the emotional treasures they bestow.
Author Links: GoodReads | Amazon
A collection of poems about finding love, losing love, the change of seasons, and moments in the day. In short – it’s about life and love.
Freedom
Have You Heard This One Before is a lively mix of short stories that swing between mystery, humor, horror, sentiment, and quiet reflection. What was the inspiration for this collection of short stories?
There were many stories and topics I wanted to write about, but they didn’t merit the length of a novel. I enjoy the short story format, but realize that most published collections are centered on a theme or genre. I didn’t want to write under restrictions on my work, e.g., that it should be all horror stories. On the other hand, I understood that the appeal of a book with multiple genres would be difficult to market. Hopefully, there are readers out there who are open to fun, imaginative, funny, frightening tales, all in one collection.
What is it you enjoy about writing short stories over longer novel formats?
I love the opportunity to explore various types of stories. When people comment on my work as an author, I often tell them I’m more of a storyteller than an author. It’s fun to see if you can engage readers quickly and provide a quick read that entertains and, possibly, even makes a longer impression. You won’t find me writing romance novels anytime in the future, but I have written a romantic short story for this book. Some other tales are not substantive enough for a novel, but they are still worth exploring. Summing up the short stories’ appeal in one word, I’d say freedom.
What was the biggest challenge you faced in putting together this collection of stories?
Placement. What should come first? Should “The Loop Two” come right after “The Loop?” Where do I put my description of a romantic encounter? What do I end with? I also wanted to make sure the more whimsical stories didn’t feel out of place. The final order of the chapters involved a lot of thought. And to make it even more difficult, I kept coming up with new story ideas.
Do you have a favorite story in the book, and if so, why does it hold special meaning for you?
I have several that could qualify as favorites: “The Loop” and “The Loop Part Two,” “Drive,” “Hippity, Hoppity, Bang” (laugh out loud funny), and “Ain’t No Sunshine When She’s Gone.” But my absolute favorite is “A Haunted Diary.” Many readers might find it too sentimental, but I believe the themes of kindness and returning home to relatives who have passed are universal. The final paragraph (spoiler alert) is one of my two favorites in the book (“Ain’t No Sunshine When She’s Gone” is the other).
Dear Diary – November 15, 2019, Friday
This will be my last entry. About three weeks of journaling, just like Mae, oddly enough. I’m heading to the hospital in an hour, and I won’t be coming home. I said goodbye to Mae. I’m sure she heard me, just as I’m sure she’s gone from the house and is saying hello to Josh right now. I’m going to hide this diary somewhere it won’t be found, until it’s needed. Then, it can reveal itself. As I reread this entry, I should make one change. I won’t be coming back to this house again, but I will be going home. And Josh will be waiting to meet me there.
All of my books include examples of the importance of kindness, even in the face of difficulty. “A Haunting Diary” is no exception.
Author Links: GoodReads | Amazon
A lighthouse that holds a spirit and his memory. A diary and haunting that links the past and present. A drive down a road that stretches longer than an ocean of dreams. Snowflakes drifting softly over a horrified snowbird in Orlando. A love story that snares two workaholics, and a horror that brings out a laugh and tears from our protagonist.
From tender to terrifying, whimsical to wicked, these stories linger long after the last page turns. Romance, regret, mystery, laughter, fear—and at least one tragedy involving the Easter Bunny!
Every story is a surprise.
Every surprise is unforgettable.
Find your favorite twist in “Have You Heard This One Before.”
Seasons of Life and Love
Seasons of Life and Love is a wide-ranging collection of poems that moves through weather, memory, loss, longing, regret, and joy as if each emotion were its own season. The book ties nature to human feeling in simple, steady language. Storms mimic sorrow. Sunlight lifts the spirit. Quiet evenings bring reflection. The poet uses these images to guide the reader through moments of love, heartbreak, aging, family, and the slow unraveling and rebuilding that we all face. It is a gentle collection, and it lingers on the enduring hope that tomorrow may feel lighter than today.
I found myself pulled in by how honest the poems felt. The writing is plain and open. I kept thinking how the poet reaches for everyday scenes and somehow makes them feel personal. A shift in weather becomes a shift in the heart. A walk at dusk feels like a confession. Sometimes the rhymes tighten the lines in a way that made me smile. Other times they made the sadness feel sharper. I liked that the book never hid from pain. It met it head-on, almost with a kind of calm acceptance. I felt the weight of past loves, old mistakes, and long memories, and I found myself slowing down to take it in.
I also enjoyed the way the poet moves from the small to the big and back again. One poem sits quietly with a single moment. Another sweeps across years in only a few lines. The tone stays warm even when the subject turns dark. There were points where the sentiment leaned a bit heavy, but I could tell it came from a real place. The emotional sincerity is the glue of the book. I liked how the speaker often steps back to reflect on the choices they made. Those moments felt tender, sometimes even vulnerable. I could feel the author trying to make sense of life as it rushes by.
I feel that Seasons of Life and Love is written for readers who want poetry that speaks plainly yet feels deeply. It will appeal to anyone who loves nature imagery, reflections on love and time, or poems that read like diary entries set to rhythm. If you want something gentle, emotional, and rooted in real human experience, this poetry collection will be a good fit for you.
Pages: 126 | ASIN : B0DXR4YLLT
Emotional Truth
Dirty South Haiku sketches a childhood and young life shaped by family legends, Southern landscapes, and the mix of sweetness and grit that sits in so many memories. What inspired you to write this particular collection of poems?
Growing up in the South, I was surrounded by family stories that were passed down almost like folklore, along with landscapes that left a lasting impression. I wanted to capture the sweetness and grit that often sit side by side in Southern life without overexplaining them. These haiku became a way to sketch moments from childhood and young adulthood in brief, distilled scenes. In many ways, the collection serves as a prelude to my upcoming Southern short story collection, where those same themes will be explored in longer narrative form.
What is it about the format of haiku poetry that you enjoy, and why did you choose to tell your story in this format?
A visit to Japan deepened my appreciation for haiku. The form encourages attention—to language, to silence, and to what can be suggested. That approach felt well-suited to memory, which often arrives in flashes rather than complete stories.
How much do real-life events and personal experiences influence your writing?
My writing is strongly influenced by personal experience, but I’m more interested in emotional truth. Real people, places, and moments often serve as a starting point, then evolve through reflection and imagination.
What was the biggest challenge you faced in putting together this poetry collection?
The biggest challenge was learning to sit with restraint. I had to accept that some moments would remain unresolved on the page, much like they do in real life. Allowing the haiku to stay open was a challenge, but it felt true to the nature of both the form and the memories themselves.
Author Links: GoodReads | Instagram | Website | Amazon
Surviving Cancer: Poetry and Prose
Surviving Cancer is a blend of poems, short reflections, and spiritual notes that trace Frederick Douglas Harper’s journey through cancer, aging, gratitude, and faith. It moves from personal stories about illness and recovery to broader meditations on history, injustice, friendship, love, and the fragile beauty of life. Many pieces are short and direct. Others feel like private conversations caught on the page. Across the book, Harper circles back to survival, divine protection, and a deep belief that life still has purpose for him after cancer, a theme he states openly in his introduction and early poems such as “Cancer: A Sweet-and-Sour Experience” and “God Had My Back.”
Reading this book felt a little like sitting with someone who has lived many lives and refuses to hide what any of them meant. I found myself pulled in by the plainness of the writing. It surprised me how steady and open his voice stayed, even when he talked about pain or fear. I felt that steadiness most in the pieces about his surgery and chemo, where he shares his relief, his gratitude, and even his frustration in simple, almost conversational lines. There was something honest in how he chose clarity over polish. It made me slow down and listen.
What moved me most was how wide he cast his net of concern. On one page, he reflects on his own scars. Next, he is calling America to stand up to injustice, to mourn the Trail of Tears, or to speak softly to someone who feels broken. I felt warmth rising off these pages. I also felt a kind of stubborn hope. There were moments when I wanted the book to push deeper into the contradictions of survival, but even when it didn’t, I could feel Harper’s heart working hard to stay open. That sincerity hit me harder than I expected. It reminded me that writing can be a kind of prayer or maybe a hand held out to strangers.
I would recommend this book to readers who enjoy reflective writing, people who are healing from illness, anyone who leans toward spiritual or faith-colored poetry, and anyone who wants a book that speaks plainly about gratitude and survival without pretending life is perfect. It drifts and circles back, yet that wandering shape fits a man who has lived through fear and come out wanting to share whatever wisdom he has gathered. I felt comforted, and I felt nudged to think more tenderly about my own life.
Pages: 175 | ASIN : B09RSVZ32H
Have You Heard This One Before
Have You Heard This One Before is a lively mix of short stories. Each tale jumps into a different mood, scene, or style, and the collection opens by proudly admitting that nothing links these stories except the author himself. You move from haunted lighthouses and eerie déjà vu to strange pumpkins with suspicious personalities and even a falling piano that changes a gambler’s life. The stories swing between mystery, humor, horror, sentiment, and quiet reflection, and they do it with a kind of carefree confidence that feels refreshing in a world obsessed with strict genres.
Reading it, I kept finding myself surprised at how quickly the tone could shift. One moment, I was following a family heading toward an old lighthouse in The Loop, and the next, I was inside a gambler’s mind as he dodged two thugs moments before a piano drops out of the sky in Surprise. The writing has a steady clarity, and the ideas land fast. Sometimes the twists feel sharp enough to make me sit back for a second. Other times, I felt a simple warmth, like the narrator in Surprise looking back on a messy young life with equal parts regret and humor.
I enjoyed the way the book leans into its own freedom. The author admits right in the foreword that he wasn’t sure who would read a genre-free collection, which almost made me root for the book before I even hit page one. That honesty softened me. Then the stories did the rest. Some ideas feel whimsical. Others dig into darker corners. A few made me laugh out loud because of how strange and blunt they were. I liked the looseness of it all. I liked that every story seemed to shrug at the idea of rules. Even when a moment made me uncomfortable or confused, I felt like the book wanted me to just ride the wave and trust it.
If you like stories that pick you up, spin you around, and drop you somewhere unexpected, this book will treat you well. Readers who crave strict genres might feel lost, yet readers who enjoy surprises, playful ideas, and quick bursts of emotion will have a good time. I’d recommend it to anyone who enjoys short stories that don’t mind being weird, heartfelt, eerie, or funny, sometimes all in the same breath.
Pages: 165 | ASIN : B0FXCKZB4W
Dirty South Haiku
Dirty South Haiku sketches a childhood and young life shaped by family legends, Southern landscapes, and the mix of sweetness and grit that sits in so many memories. The book moves through tiny scenes. Grandmas with sharp edges, gumbo secrets, cousins who grow strange, drums and guitars, pageants, honeysuckles, hot sauce, hoodoo, moonshine, and music that hums through it all. Each haiku captures one quick flash. Together, they paint a loose but vivid portrait of a Southern girl growing up around beauty, chaos, and deep roots.
While reading, I found myself smiling at the warmth tucked into these short lines. The poems feel plainspoken and familiar. I liked how the author keeps the tone light, even when hinting at hard things. Nothing gets weighed down. The rhythm stays airy. A poem might nod toward heartbreak or trouble, then slip into a memory of food or song. That contrast felt honest. Life in these pages is messy, yet the speaker holds it with affection. I felt that softness, and I enjoyed it.
Some scenes passed so fast that I wanted a fuller picture, but that is part of the charm. The book plays with nostalgia in a way that feels almost slippery. One moment, we are with a machete-wielding grandmother. Next, we are at a pageant. Then, suddenly, moonshine under a night sky. The jumpiness gave the book a dreamy, scrapbook vibe. I loved that loose flow.
I would recommend Dirty South Haiku for readers who enjoy poetry that is easy to slip into and full of mood and memory. It fits anyone who likes Southern culture, family stories, or short poems that carry a lot of heart.
Pages: 39 | ASIN : B0DXQG5C42
LITERARY TITAN 