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Prickly Pears is a collection of short stories that walks the line between brutality and beauty and exposes the tenderness inside pain and the violence hidden in love with fearless, poetic precision. What inspired you to write this collection?
I have had such a rigid past, that Prickly Pears allowed me to delve into experience and observation and write about it in a non-linear manner: Break chronological moments, break patterns in time and place and make something new. On top of all that came the culture in which I grew up in, that I rejected somewhat but writing has become the mediator between past and present, two countries, two cultures. Funnily, I could only write about all this here in France away from the other two places. The journey has been both instructive and healing.
There’s a dreamlike rhythm to your language. Which writers or art forms influence that musicality?
There have been many like Winslow Homer in the visual arts. In literature, you mentioned Clarice Lispector in the review and I said Wow. Yes. She’s a tough read but well worth it, Rosario Ferré, Oriana Fallaci’s Letter to a Child Never Born, prose poets like Francis Ponge and Giovanni Verga’s tales. All blending truth, history and magical realism.
What were some themes that were important for you to explore in this book?
I wanted to explore universal themes, love, violence to self, to others to animals but show that acceptance, hope, resilience and determination can co-exist and move us to a different, healthier and happier path.
What is the next book that you are working on, and when will it be available?
Prickly Pears was a collection of pieces that were first published in literary magazines or anthologies. With my next collection, which I’ve just completed, the short pieces haven’t been submitted or published anywhere yet. I hope they will be accepted by a traditional publisher. In these stories, I experiment more with structure and format.
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Fear Struck
Fear Struck was intense and emotionally powerful, and also kind of creepy. It starts with Orson Kutter, a crime writer whose imagination bleeds a little too close to real life. One minute he’s hammering away on his keyboard, writing about murder and mystery, and the next, the cops are breaking down his door and slapping cuffs on him for killings that look suspiciously like scenes from his books. It’s one of those stories where reality and fiction twist around each other until you’re not sure which one’s real anymore. The whole setup feels like watching someone slowly wake up inside their own nightmare. It’s dark, smart, and honestly a little creepy in that “am I next?” kind of way.
I’ll be honest, this book made me anxious in the best way. I love a good murder mystery, and Fear Struck doesn’t just give you one, it gives you layers of them. I kept trying to guess if Kutter was guilty, if he was being framed, or if he was losing his mind. The writing pulls you into his paranoia so deeply that you start feeling trapped with him. The scenes in the jail, the smell of sweat and fear, the endless echoes, I could almost hear it. The story moves fast, but not in a shallow way. Every chapter left me thinking, “Okay, just one more,” until it was 2 a.m. and I was questioning my life choices. What really hooked me, though, was how Oliver plays with the line between author and character, fiction and truth. It’s almost meta, but not in a pretentious way.
The writing is really sharp. I like how Oliver doesn’t waste time with fancy words or filler. It’s cinematic, full of tension, and just messy enough to feel real. There were moments where I felt sick for Kutter, moments where I didn’t trust him at all, and moments where I wanted to scream at everyone around him for being blind. That’s good storytelling. Some parts slowed a little, sure, and a few twists I saw coming, but the emotion stayed raw. There’s this heavy mix of guilt, fear, and desperation that makes the book feel alive.
If you like stories that make your heart race and your brain spin, this one’s for you. Fear Struck is perfect for murder mystery junkies who like their thrillers dark, psychological, and just a little too close to home. I’d recommend it to anyone who enjoys Gone Girl or Misery but wants something with its own strange heartbeat.
Pages: 392 | ASIN : B0FRRK8HGX
Dark, Cold Eyes
Kay A. Oliver’s Dark, Cold Eyes pulls you straight into a world of sharp tension, mystery, and the unnerving weight of human motives. The story follows Keri and Jade Shaw, private investigators drawn into a string of murders in the otherwise quiet, upper-crust neighborhood of Grosse Pointe. When a couple is found brutally murdered, what begins as a simple research assignment turns into a web of deceit, hidden identities, and moral gray zones. Each chapter builds on suspense while peeling back layers of both the crimes and the people entangled in them. It’s a dark, atmospheric dive into what happens when ordinary lives hide extraordinary secrets.
The writing is vivid and cinematic, almost like watching a detective drama late at night when the rest of the house is quiet. Oliver’s style has a rhythm, it’s crisp when it needs to be and haunting when it lingers. I loved how she gave space for silence, for tension to breathe, for you to feel the pulse of fear. The dialogue between Keri and Jade feels real and warm, the kind of married banter that makes you believe in their partnership even as danger closes in. But sometimes the pace moves so fast that I wished for more time to sit with the emotions of the moment. The action carries you forward, but the emotional aftermath sometimes fades quickly.
What really struck me was how the story blurs the line between justice and obsession. Keri’s drive to solve the case starts to feel personal, like she’s chasing ghosts as much as answers. The way Oliver uses setting, quiet kitchens, dark streets, cluttered evidence boards, to mirror the unraveling of her characters hit me hard. You can sense the exhaustion, the moral weight pressing on everyone. Yet despite all the darkness, there’s a heartbeat of hope running through the pages. It’s not loud, but it’s there, stubborn and relatable.
If you like thrillers that mix grit with empathy, this book’s for you. It’s perfect for readers who love crime stories with layered characters and clever plotting rather than simple chases or explosions. Dark, Cold Eyes is tense, intelligent, and full of heart. A story that keeps your mind racing long after you close the book.
Pages: 395 | ASIN : B0FGWH27M7
Bloodless We Go Buried: An Earth Mother Horror
Bloodless We Go Buried unfolds as an Earth Mother horror story that blends myth, ancestral memory, and a feeling of something old waking beneath the everyday world. The book moves through dreamlike scenes where the natural world feels alive and watchful. Its language carries a poetic rhythm, and the Proto Celtic threading through the chapters adds a strange and ancient pulse. The story works like a long walk through dark woods where every shadow seems to breathe, and where the characters find themselves caught between fear, kinship, and something that feels like a summons from the deep past.
The voice of the book has this raw and intimate quality that made me feel like I had stepped into someone’s private ritual. The writing style is bold and emotional. It plays around with language in ways that sometimes made me pause and reread, not because it was confusing but because it felt like I had stumbled into a hidden doorway. I liked that the horror leans more toward mood and spirit than monsters. It creeps instead of jumps. Every time I thought I knew where the story was going it would slide sideways and make me rethink what I thought I understood about the characters and the land.
At times, the prose leans into its own intensity, and I found myself both loving it and wanting to come up for air. Some passages feel almost like a personal journal or a field notebook. That mix made the book feel alive. I appreciated that the author was not afraid to be weird or tender or blunt. There is humor tucked between the shadows, too. A kind of self-awareness that kept me grounded while the story tried to lift me into stranger places.
In the end, I walked away feeling stirred and a little haunted. I would recommend Bloodless We Go Buried to readers who enjoy literary horror, mythic fiction, poetic language, and stories that feel more like a dream you carry with you afterward. If you like books that make you slow down and sink in, this one might be exactly what you are looking for.
Pages: 324 | ASIN : B0F463PNKY
A Mother’s Determination
Born in Space: Unlocking Destiny follows a mother who donated her eggs to science, only to discover that they were used to conceive seven infants in space, who were raised in isolation and destined to define the next stage of our evolution. What was the inspiration for the setup of your story?
I wanted to explore what happens when the most intimate human act–creation–becomes an instrument of science and survival. The idea came from real debates about fertility research, genetic engineering, and the ethics of creating life beyond Earth. I asked myself: what if the first humans truly born in space were not astronauts’ children, but part of a scientific project designed to save humanity? From that spark came Teagan Ward, a mother who gave something of herself to science, only to find herself blocked from contact with the babies she loved by the doctor who incubated them.
Your novel explores the morality and the cost of continuing the human race. What are some things that you find interesting about the human condition that you think make for great fiction?
I’m fascinated by the contradictions within us-our capacity for love and empathy alongside our drive for power and control. When survival is at stake, morality becomes fluid, and that’s where stories come alive. Science fiction allows us to push those questions to their limits: What does it mean to be human when birth, love, and even consciousness are engineered? I think great fiction mirrors that tension between our ideals and our instincts, between the need to preserve what makes us human and the temptation to perfect it.
What were some themes that were important for you to explore in this book?
At its heart, Born in Space is about motherhood, identity, and the ownership of life. I wanted to examine who controls our future-corporations, governments, or the individuals who dare to resist them. There’s also an environmental undercurrent: as Earth falters, humanity’s reach for survival shifts outward, to space, but our flaws follow us. And beneath the science and technology, there’s a deeply emotional core: a mother’s determination to reunite with her children, no matter how far apart they are.
Will there be a follow-up novel to this story? If so, what aspects of the story will the next book cover?
Yes. Born in Space is the first in the Sci-Fi Galaxy series. The follow-up, Space Vault: The Seed Eclipse, takes place years later on the Moon, where humanity’s survival depends on a genetic seed vault built into the regolith. Teagan’s story continues through her naturally born daughter Diana, who becomes a symbol of both hope and fear, a genetically engineered child hunted by those who believe they can control evolution itself. The moral and emotional questions deepen as the struggle shifts from reproduction to survival: who decides which forms of life deserve to endure?
Author Links: GoodReads | X | Facebook | Website | Tik Tok
CAN TEAGAN WIN THE COSMIC CUSTODY BATTLE OF A LIFETIME?
When Teagan Ward donates her eggs to science, she never imagines that the consequences will ripple across the cosmos. As Earth crumbles under the weight of conflict and climate disaster, Teagan discovers that seven children, born from her donated eggs, are the centerpieces of a daring experiment to populate the stars. Determined to reunite with her children, she finds herself entangled in a web of greed, betrayal, and cosmic ambition.
In the year 2068, humanity’s hope for survival lies beyond the confines of Earth. Orbiting space habitats offer sanctuary to the privileged, while the rest fight for survival on a deteriorating planet. Teagan’s journey to reclaim her children pits her against powerful adversaries: a ruthless mining magnate obsessed with the treasures of the universe, a morally ambiguous doctor bent on creating life in space at any cost, and a disgraced general seeking redemption and control.
As Teagan navigates the treacherous shoals of interstellar politics and corporate greed, she uncovers secrets that could change the fate of worlds. Her children, each with unique abilities and destinies, hold the key to unlocking the mysteries of the universe and possibly saving humanity from itself.
Talthybius
Talthybius is a haunting and visceral reimagining of the Trojan aftermath. Told through the weary eyes of a messenger caught between glory and guilt, the story dives deep into the moral wreckage that follows victory. The book begins with the fall of Troy and never looks away from the ruin. Each chapter walks through ash and blood, following the Greek soldiers who linger among the dead and enslaved, unraveling their sanity as they prepare to sail home. The prose is poetic yet brutal, a steady rhythm of horror and reflection. It feels like a lament for everything war strips away, honor, innocence, and the very idea of home.
There’s no clean hero here, just men rotting in their own triumph. I liked that honesty. The dialogue is sharp but weary, like every word costs something. The authors paint the world not with beauty but with a kind of grim elegance, and I couldn’t stop reading. What struck me most was how small everything feels. Even the mighty Odysseus seems shrunken, his cunning dulled by time and grief. The narrator’s voice trembles between obedience and revulsion, and I found myself rooting for his silence to break. The violence is constant, but it’s never mindless, it feels like a slow confession.
The writing is so rich and dense that sometimes I had to stop to take it all in. It’s emotional as well. The scenes of cruelty are written with precision, and that makes them harder to stomach. Yet I admired that courage, to write without flinching. The book feels ancient and modern all at once. It asks what it means to be human when the gods have left, and the answer isn’t comforting. By the end, I felt like I had watched something sacred decay. And somehow, I couldn’t look away.
I’d recommend Talthybius to readers who want to feel something raw. If you love stories that peel back myth and stare straight at the people underneath, this is for you. The book belongs to those who appreciate tragedy not as spectacle, but as truth. Reading Talthybius felt a lot like stepping into the moral shadow of The Iliad, but with the raw intimacy and emotional weight of The Song of Achilles stripped of romance and steeped instead in regret and blood.
Pages: 273
Who Doesn’t Dream of Escape?
Sitnalta follows a young princess trapped in a kingdom ruled by cruelty and fear, who becomes restless, yearning for freedom, and escapes her captivity to embark on a journey of self-discovery. What was the inspiration for the setup of your story?
Originally, Sitnalta began as a short story written for a school project. So, for all budding writers out there: don’t throw away old stories, and inspiration can strike in the most unlikely of places.
In grade seven, my English teacher put up a tic-tac-toe board on the chalkboard and said to make a line. In the line I chose were the words “coin, princess, escape”. From there, the story I was supposed to write should have been two pages. I handed in twelve. This short story just wouldn’t leave me alone. When I got into university, I pulled it out and reread it. Aside from the fact that I found the writing and some of the characterization a little juvenile (I was thirteen!), I felt that there was something there. I worked at it and eventually had a novel, and plans for five more.
Sitnalta was born at a time when most young people can feel trapped. I myself had issues with a bully at school, I didn’t know where I belonged. My friends and I were all figuring out who we were, who we wanted to be, and the character of Sitnalta was very much an extrapolation of that. Who doesn’t dream of escape?
In many contemporary coming-of-age fiction novels, authors often add their own life experiences to the story. Are there any bits of you in this story?
I am very much all over the story. The character of Aud is in many ways inspired by my grandmother who lived with me while I was growing up. Everyone used to say that she was a second mother to me. Aud’s nature, and her relationship with Sitnalta is very her. Sitnalta herself is an amalgamation of my childhood best friend, and characters from books I loved as a child. I used to say that she is my friend Marilyn superimposed on Anne Shirley. Sitnalta’s relationship with Najort, their time together, and how they speak with one another is something that came from every person’s desire to be seen, to be loved for who they are, and the need to be heard.
What were some themes that were important for you to explore in this book?
I wanted to convey the importance of choice. Sitnalta feels that she has hers taken from her continuously. She looks at the world from a place heavy with loss, however, when her back is to the wall, she finds that there is always a choice to be made. It may not always be the best one possible, but it always exists. Everyone has the ability to take their lives into their own hands and run with it. I found that to be an important theme, how even the smallest person can make a choice and better their world.
Can you tell us more about what’s in store for Sitnalta and the direction of the second book?
Well, I don’t want to give too much away, but that pesky coin still exists, and we see so much more of the world Sitnalta lives in, even beyond the shores of Colonodona. The next book is called The Kingdom Thief, and you can read into that title whatever you want to. It’s an adventure book, and may or may not have some hints at a burgeoning romance.
Author Links: Amazon | GoodReads | Website
But Sitnalta has other ideas. Before her father can come for her, she sneaks out of her bedroom window, scales the castle walls, and enters the magical forest that surrounds her kingdom. There she meets Najort, a kind-hearted troll, who was tasked by a wizard decades earlier to protect a valuable secret—with his life, if necessary.
But King Supmylo has vowed that nothing will stop him from returning his daughter to Colonodona, and forcing her to go through with the royal wedding. With the help of friends from both kingdoms, Sitnalta and Najort flee ahead of the rabid king. For if they are captured, Supmylo will become so invincible, no one could stand against him
LITERARY TITAN 