Humphrey Hawksley’s journalistic career, when paired with his fiction-writing expertise, make for excellent non-fiction writing. Asian Waters is a really comprehensive and digestible read, despite its extremely weighty content. Hawksley’s tone and choice of language remains simple yet informative throughout, despite becoming increasingly complex in terms of content matter. Hawksley also manages to maintain a sense of pace and excitement with his writing, as if it were a novel rather than a non-fiction guide, especially when delving into and combing through actual history, geography and social science.
Though there is a hefty scope to cover when it comes to the Asia-Pacific conflict, the South China Sea, Chinese expansion and the territory dispute associated, Asian Waters covers everything you would want to know about the topic without it feeling as if you are being overloaded with information.
You may be tempted to read it as an almanac for the specialist topic it covers, or perhaps as an academic accompaniment, but it also doubles up as a travel book and is arguably best consumed in this way. Asian Waters was fascinating in itself, just for my own interest’s sake, so I imagine that it would be particularly enlightening to consume whilst travelling the very area it covers.
The focus on political tension between the countries of the Asia-Pacific is unpacked with great skill and tastefulness, but without wavering on the hardy facts. This is where Hawksley’s experience as a BBC foreign correspondent is most prominent – his understanding of the dynamics at play remains at the forefront of his writing.
Asian Waters is not simply a retelling of the history and politics which have been at play for years, or solely the facts and information which led to the current situation. There is also vital contextualisation that allows the reader to understand where these issues sit at the time of reading, understanding how a Trumpian government impacts the conflicts, or how the relationship between Moscow and Beijing influence the rest of the world.
Asian Waters connects all the branches of knowledge and intellect to give a clear retelling of the reality, including social influence, historical action which has taken place, and the geographical layout that facilitates as much. As well as clarifying the past and contextualising the present, it focuses on the future. The book predicts how the implications of what has happened and is happening will affect what is to come for Asia.
Pages: 304 | ASIN: B07MXDFQK1
Tags: asia, Asian Waters, author, book, book review, bookblogger, china, chinese, ebook, geography, goodreads, history, Humphrey Hawksley, kindle, kobo, literature, nonfiction, nook, novel, politics, read, reader, reading, social science, south china sea, story, travel, writer, writing
Damnation is a thrilling dark fantasy novel that follows King Lortar as he finds himself surrounded by enemies. What was the inspiration for the setup to this novel?
Loosely, the Warring States period of ancient China.
Asuf was an intriguing character that I enjoyed following. Your book is filled with interesting characters, who was your favorite character to write for?
Princess Alerise. She has an interesting psychology and fun dialogue. Plus I have a thing for tomgirls, villainesses, and blondes, and Alerise just so happens to tick all those boxes.
The characters inhabit a world with a rich backstory. How did you create the backstory for this world and what were some themes you wanted to capture?
From the ground up. First the geography, then the ecology, then the peoples and their cultures, then their histories.
As for themes, I wanted to show a harsh people bred by a cruel and uncaring world—but more importantly, I wanted to show how kindness, however small, can exist even in a world that punishes the kind.
What is the next book that you are working on and when will it be available?
The sequel to this book will most likely be available sometime in 2021.
An Empire fallen. A kingdom beset. A family divided. When King Lortar discovers a savage cult performing heathen rites, he’s forced to battle a foe he never imagined: his own son. Surrounded by enemies, Lortar is trapped in a world of treachery and betrayal, where mercy is vice and malice is glory.
Posted in Interviews
Tags: action, advenutre, alibris, author, author life, authors, barnes and noble, battle, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, china, cult, culture, Damnation, ebook, ecology, fantasy, fiction, geography, goodreads, igor valec, ilovebooks, indiebooks, kindle, kobo, literature, medieval, nook, novel, psychology, publishing, read, reader, reading, shelfari, smashwords, soldier, story, war, writer, writer community, writing
The Masked Queens Lament finds Althea still trying to expand her empire from the shadows but is forced to come out of hiding to ensure victory. What did you want to accomplish in this last novel that was different from the first two books in the trilogy?
Beyond wrapping up every plotline I had hatched in a manner that I felt the characters deserved, I had a few other things to address. One was to sufficiently show how awful war is even when necessary–a point I’m not sure I drove home thoroughly enough in the previous book of the series. Another was to show human stories from every part of the world that I wanted to focus on, because Alathea’s empire is definitely not a realm of pure evil, and she’s not leading some horde of orcs or goblins. Nor was I going to allow Derek and Chandra to be completely responsible for saving everyone when some people have the opportunity to choose, albeit not easily nor simply, to decide differently. I also enjoyed giving text time to characters who may have been barely used in the previous books or whose motivations had not been adequately explored.
The world building in this novel continues to be superb. What were some sources of inspiration that guided you as you continued to build the world throughout the trilogy?
I’ve done a bit of travel in my life, visiting some of Europe/the UK’s castles and memorably the church structures of Lalibela, Ethiopia, carved directly from the rock with minimal brick and repairs needed after centuries of wear and some seismic activity. I follow aesthetic blogs and also try to learn a bit about the cultures that inspired aesthetics and also first names. The rest is having the map drawn up and trying to define each place in the context of the geography I’ve already given it. I once also got some advice about the realities of having a mountain range rather close to a coastline, as it looks in the southwest of Kensrik. If you’d like to know what I mean, consider the geography of places like Chile or New Zealand. I was inspired to make this mountainous edge of the continent seismically active and mentioned “mountains which belch fire”, the possibility of it raining ash, and the potential sulfurous odor.
When a trilogy comes to an end many readers expect an epic showdown, and you deliver on this point masterfully. How did you envision the final chapters playing out and what changed while writing?
The main challenge was not what the final showdowns would be, because I set most of them up in the previous books and just needed to follow through. A key challenge for me was making sure the last conflict with Derek against enemy forces was not just a repeat of the end of the previous book. In the first draft, it basically was the same, in the shadows of the old Wancyek castle, but once more with feeling! During the second-last revision cycle of The Masked Queen’s Lament, the further I went along in the draft, the more completely I rewrote what was there. By the penultimate chapters I was barely looking at the source material because of how wildly the final draft needed to diverge. Keeping in mind, the whole trilogy was written in first draft before the first book in the series was even finalized. I also needed to propagate every change that needed to come as a result of that. It just had to feel coherent to me, and I’m glad the coherent result worked.
Now that the The Gift-Knight Trilogy is complete, do you intend to expand this world with more books, or are you working on something new?
I have four total prequel manuscripts that don’t focus on Derek or Chandra, or even mention them. I could go and start reworking these, or I could write something completely different. For now, I’m enjoying the lack of commitment that comes from not having already promised what comes next! I’ll decide eventually.
Derek, Master and defender of his people, rides with Chandra toward a friendly city in the aftermath of a victory. They will have no time to celebrate as Derek suddenly finds himself up against a foe he can’t kill with a sword. Having delivered her friend and ally to a healer, Chandra contends with more than just waiting in dread: she will be faced with a part of her personal history that she never knew and the promise of a place to belong after her exile from Kensrik. But can she trust it?
And they will have so little time to regroup. Alathea, masked ruler of an expanding empire, still hungers to recreate the world in her image. Dissatisfied with the delays and failures of her minions, she intends to personally oversee the final victory over her most hated foe, the “witch”, Crown Princess Chandra Kenderley.
Whether they battle enemies from without or within, an ensemble cast faces the fight of their lives on every part of the Continent and its inland sea. No one but Alathea has the full picture of what she’s set in motion, and whether they have any chance of stopping her, nothing will ever be the same.
Posted in Interviews
Tags: action, adventure, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, dylan madeley, ebook, empire, epic fantasy, facebook, fantasy, fiction, geography, gift knight, goblin, goodreads, ilovebooks, indiebooks, kindle, kobo, literature, magic, new zealand, nook, novel, orc, publishing, read, reader, reading, shelfari, smashwords, story, suspense, the masked queens lament, thriller, twitter, writer, writer community, writing