Damnation is a thrilling dark fantasy novel that follows King Lortar as he finds himself surrounded by enemies. What was the inspiration for the setup to this novel?
Loosely, the Warring States period of ancient China.
Asuf was an intriguing character that I enjoyed following. Your book is filled with interesting characters, who was your favorite character to write for?
Princess Alerise. She has an interesting psychology and fun dialogue. Plus I have a thing for tomgirls, villainesses, and blondes, and Alerise just so happens to tick all those boxes.
The characters inhabit a world with a rich backstory. How did you create the backstory for this world and what were some themes you wanted to capture?
From the ground up. First the geography, then the ecology, then the peoples and their cultures, then their histories.
As for themes, I wanted to show a harsh people bred by a cruel and uncaring world—but more importantly, I wanted to show how kindness, however small, can exist even in a world that punishes the kind.
What is the next book that you are working on and when will it be available?
The sequel to this book will most likely be available sometime in 2021.
An Empire fallen. A kingdom beset. A family divided. When King Lortar discovers a savage cult performing heathen rites, he’s forced to battle a foe he never imagined: his own son. Surrounded by enemies, Lortar is trapped in a world of treachery and betrayal, where mercy is vice and malice is glory.
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For most of his life, Bing has prepared ceaselessly to take the civil servant examinations, with little time for anything beyond the collections of texts that dictate political matters. Passing the exams would be the first step in following his father’s path, and also determine nearly everything else about his future. Finally, the day to begin them has arrived, and Bing faces the grueling challenges before him with understandable anxiety, but also a necessary determination. Outside of the exam compound, however, his focus is frequently drawn to a mysterious dream that recurs almost nightly, as well as a glimpse into history from his beloved grandfather.
In 18 Cranes by Robert Campbell, we’re introduced to Bing, his loved ones, and some of the traditions of village life in 17th century China. With an engaging narrative and colorful descriptions of Bing’s world, 18 Cranes does an excellent job of holding the reader’s attention, even while discussing a subject as mundane as civil servant exams. Despite a lack of any real action, the story never seems stagnant. Of course, there’s more going on than just rigorous testing. Bing is also suddenly plagued by a recurring dream, the meaning of which eludes him. The reader learns a lot about Bing and his relationships with his loved ones over the course of several expertly crafted conversations that examine each part of the dream, which always ends with 18 red-crested cranes ascending into the sky. The number 18 in particular holds special intrigue and multiple explanations are suggested for its meaning. To further the feeling of mystery, toward the end of the story, Grandfather Ai begins to tell Bing about the origins of their family. The short oral history is enough to stoke Bing’s stifled imagination. Restricted by his strict studies, Bing has never had the opportunity to read many legends or works of fiction and his curiosity, although kept under control, nonetheless exists. Grandfather Ai’s revelations also provide an interesting twist for the reader.
The uncertainty of the future is an overarching theme throughout the book and is explored through both tangible avenues, like Bing’s performance in the exams, as well as in deciphering the symbolism of his dream. There is also a considerable emphasis placed on Bing’s age, with repeated mentions that he could be one of the youngest people to ever pass the exams on the first try. Because of this, it reads a good bit like a coming of age story.
18 Cranes is subtitled “Kaifeng Chronicles Book One”, in reference to the village that Bing’s maternal ancestors came from. I’d be excited to read the rest of the series and follow Bing further through the avenues of his life. The abundance of detailed descriptions make it easy to picture the aspects of Bing’s village life, from the shores of West Lake to the flowers in the gardens. This book is an interesting and well written story that moves at a good pace.
Pages: 123 | ASIN: B07C8LC32H
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Dreaming on an Arabian Carpet, by Igor Martek, follows the trials and tribulations of Ricky, a man facing one dilemma after another in his life in the Middle East. Ricky is a Filipino man making his way in Kuwait and struggling to come to terms with his career demands while taming the turmoil that is his love life. When Breeze, his girlfriend from China, is not in the picture, Ricky is coping with a love lost with Leoni. The on-and-off love triangle that looms over Ricky leaves him contemplating his life choices and provides readers with a character who is philosophical, introspective, and, at times, a bit morbid.
Ricky often finds himself at odds with his own desires. As a character, he is trusting–far too trusting, in fact. Over the course of the book, he runs the gamut of emotions. He finds himself contemplating religious expectations, the course of his career, and the real reasons he may or may not belong with Breeze.
I found myself hard-pressed to like Breeze; it was a real struggle. As a reader, I wanted desperately for Ricky to find himself, find a way to cope with Breeze’s flighty nature, and realize her true intentions. The author does a wonderful job of keeping frustration levels high in that respect. If anything, Breeze is true-to-life. There is no fairy tale resolution where she is concerned. The relationship between Ricky and Breeze runs hot and cold, and I felt myself quickly realizing that Ricky could do much better than Breeze. Her tendency to talk down to him and to leave him wondering where he stands left me disconcerted and hurting for him.
As much disdain as I held for Breeze, I may have disliked Leoni even more. She, too, comes in and out of Ricky’s life with little or no warning and shakes up his emotions, his intentions, and his choices. Leoni seems to use Ricky to stroke her own ego and comfort herself following each of her subsequent divorces. Martek has created quite the triangle with Leoni, Breeze, and Ricky. Ricky spends a lot of time recounting his past experiences with both women, and the story tends to bounce back and forth fairly randomly.
Martek paints beautiful pictures of his settings. His vivid details in scenery and the cuisines of each of the cultures depicted are quite appealing and provide fantastic visuals as the reader watches the story unfold. In addition, the author includes history lessons throughout Ricky’s story.
Martek is an eloquent writer of fiction and is more than capable of writing in the romance genre. While Martek has woven an intricate tale that immerses the reader in culture, drama, and clings to intense and realistic personal relationships, it does lack humor. The serious nature of the story doesn’t lend itself well to overtly comedic moments, but the overall tone seems too sober. Well-placed, light-hearted moments would be a welcome addition to the story line.
Pages: 173 | ASIN: B0771PDS4G
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The Immortality Trigger is, what I consider to be, a large scale thriller. There is a lot going on and it feels like so little time for the characters to do it in. How did you set about writing this novel and what did you want to achieve?
The book was to be a standalone with immortality at its core. But as I thrashed a first draft, I realised there were subtle elements in The Apocalypse Trigger, which could be fleshed out very nicely into a sequel. And then the title of the book clicked and I thought, that sounds good. It began as a simple revenge thriller, picking up with Fortesque and Wei Ling, then grew into a more complex story of redemption, unfinished business, the danger of immortality. I’m quite happy with the finished product even in terms of the story construct. I’ve experimented with flashbacks, revelations, suspense, a twist – new for me. I’m still learning the craft.
The characters in this novel are interesting, well developed, and varied. What character did you enjoy writing?
I enjoyed what I did with the protagonist, Luc Fortesque. Readers of The Apocalypse Trigger (the prequel), will be surprised I selected Fortesque to continue the series. He’s basically a guy who’s in the wrong place at the wrong time, and believes life has been unfair to him. That has set him on a path that the world would frown upon. In this book, I want Fortesque to discover his old self – the glimmer of good in him, and wanted the readers to also feel sympathy for him.
The different factions in this story were an interesting mix. What were some themes you tried to capture while creating the different groups in your novel?
For Luc Fortesque, the anti-hero, I wanted the theme to centre around self-discovery and redemption. I’m fascinated by this aspect of human nature. For the villain, I wanted to debunk the grandeur of immortality. Personally, I think it will be a mess if we discover immortality. For the Nazi hunters, I wanted to portray the guilt of false accomplishment. And finally for my masked drug lord and vigilante, I called upon our pop culture of masked heroes and villains. I’ve tried to reduce the prominence of the US in the whole book – there are too many thrillers with an American hero.
What is the next book that you are writing and when will it be available?
The next book introduces a new character, and a new series. I’ve selected a very unlikely nationality for my character because I felt the people of that nation are heroes in their own way. The book is tentatively titled, “LION”, and is due 2018. After that, is the third book in the Ingram series (Haunted, Diablo). That is due 2019.
The Vesuvius Group is destroyed. But not all secrets perished… and none as desirable as the Secret of Immortality. The key to the enigma was unwittingly killed in an Allied raid on a Nazi stronghold in 1945… officially.
Allied paratroopers raid a secret Nazi research facility. The operation is reported as a success. But, the lone survivor, Benjamin Ezra, knows otherwise.
A drug lord, El Fantasma threatens to plunge Colombia into an era of bloody drug wars. DEA Country Attaché, Zachary Mason is in charge of a covert operation to remove El Fantasma, with the help of a vigilante, El Angel, and a retired undercover agent, Raymond Garrett.
In Naples, INTERPOL agent, Sabina Wytchoff, is investigating the death of her parents, when the Wytchoff family’s association with an ancient cabal comes under investigation.
After the events of The Apocalypse Trigger, Luc Fortesque, is scouring the world for the man who tested experimental drugs on him.
Wei Ling works for a shadow Transhumanist faction within China’s State Council, developing drugs that will enhance human longevity.
Their paths will converge… violently… and conclude the mission that began in 1945.
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If you’d like to know how people feel in a country different than your own, you should read collections of their thoughts. Century Sentence by Xu Xue Chun is just that: a collection of previously published thoughts from a man who lives in China. At a staggering volume of over five hundred pages, you will learn how Chun’s thoughts have impacted his life and how he feels about the state of the world. Available in both Chinese and English, for the purposes of this review we will be referring to the English version. Here, readers will be able to see inside the mind of a single citizen of China while learning how one man has taken his upbringing and applied his cultural views on various states and topics of global concern and turning it back again upon his own country.
This book is broken down into three key sections and the thoughts within are organized as such. The first section refers to a commentary on China. Here, readers will find the thoughts of a man who is not always at peace with the decisions of his country. Chun gives readers a glimpse at what his reality is and how he feels about this. He dabbles with philosophical ideas and his views on them. The second section is a commentary on Islam. Chun is not pleased with how things are developing around the world and within China on this subject. The final section is a commentary on Western and other countries. As a writer from a western country, it is interesting to see how others perceive my country from a completely different perspective. By sectioning off his thoughts like this, Chun makes it easy for readers to get into a flow.
As the author is Chinese and has limited English skills, by his own admission, grammatical and spelling mistakes are expected. It can be difficult to read this, however, because of how the translation was done. There is no flow and sentences can feel choppy and uncomfortable. Chun’s thoughts on western countries are fairly archaic. His thoughts on gender roles and how the world can resolve its incessant need to keep fighting itself are also alarming. There are several passages in the book where Chun makes reference to how men and women should treat each other and what Japan can do to be seen in a better light from his perspective.
If anything, Century Sentence by Xu Xue Chun is an exercise in seeing how a citizen of a country as large as China views the world around him. The thoughts are fairly well organized although the translation could use a bit of work. It is an exhausting read, however, and not one that would be easily recommended. This book could be useful for those who are studying international societies or for people who are looking for a wildly different perspective on world cultures.
Pages: 895 | ASIN: B01M8LIWBS
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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