Kathryn Berryman’s Erinland infuses Christianity into ancient rites while catapulting 21st Century characters into a 9th Century Viking war. Two teens, Amy and Richard, serve as threads in an intricate tapestry of historical fiction. Sharing the weave is Aiden, a monk protecting valuable antiquities with his life.
The story moves along through the points of view of one of the three most important characters. When Amy and Richard land in their respective, opposing villages, they are fully embraced. Both are long-awaited reincarnations of gods of the time. We’d expect the teenagers to feel displaced and confused, but they adapt quickly.
Berryman provides much in the way of Viking history, landscape, and relic description. Erinland is driven by her vast interest in these. We learn much lore through the tale of these ordinary, troubled children endowed with extraordinary powers from the glorious beings they represent. Berryman’s depictions of the cultures during the time are lovely and detailed as she describes their villages, clothing, and lifestyles. “The kransen, a gilt circlet worn on the head by unmarried girls, is removed from the young bride to be. It is a symbol of her virginity. The kransen is wrapped up by the bride’s attendants and put away until the birth of her eldest daughter who it will pass to.” (Page 194).
In Berryman’s desire to share her knowledge, she writes long monologues. These establish her as a credible authority on ancient history, but do so at the expense of natural dialogue. After suddenly being transported in time, the three primary characters are plunked down and force-fed tons of information. “Richard listened closely to Vagn as he spoke. It was a lot of information to absorb.” (Page 325).
The lack of meaningful exchanges sacrifices character development. This is particularly true for Amy, but less so for Richard. Relating to the characters is essential for us to want to read on.
Because war is the foundation of the plot, we may find it difficult to suspend belief when we are told the teens can learn how to become warriors in a few afternoons. Berryman relies upon descendent memory to take care of the problem. “Familiarise yourself with our ways. Your memories will return. A son of Odin retains his father’s essence and with it his memories and might.” (Page 183).
In the end Erinland is a fascinating story that fuses mythology with well-choreographed battle scenes.
Pages: 278 | ASIN: B01MR9IAQL
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This God, I, is a novel based around a group of teenagers turned Japanese superheroes as they band together in a battle against evil. Where did the inspiration for the thrilling action come from and how did it develop as you were writing?
I’ve always been a fan of comic books, anime and the action genre, so I’ve had ideas brewing in my head on how to construct a story full of car chases, paranormal battles and science fiction. For the scenes with domestic terrorists, I read about the history of nationalist extremism in the United States, such as Ruby Ridge, Waco and the Oklahoma City bombing, and tried to emulate what I learned. For super-powered fights, I had to come up with creative ways the heroes and villains could use their surroundings.
Japanese anime styled characters cross political extremists which sets the tone for this action packed adventure. What were some ideals you hoped would drive the narrative of the story?
Every character needs a believable motivation, and a political agenda can provide just that. Our cultural backgrounds and political views are a reflection of who we are as people, and I sought to create characters that would embody their various ideals and principles. While the extreme villains use their powers to force their ideas onto the world, the heroes have to be open-minded, consider all sides and work together to come to a reasonable conclusion. It was important for the heroes to put their values above the need to win at all costs, lest they end up just as bad as the people they’re fighting.
The superheroes come from a range of backgrounds and have a varied mix of super powers. How did you balance the characters powers to keep them interesting yet believable?
Every superpower has been thought of before, so it was important that my characters would utilize them in different ways, such as turning a roller coaster into a giant robot or controlling a crowd’s emotions to ignite a protest. It was also essential for every ability to serve a purpose, either to move the plot forward, reveal more information and create an action-packed spectacle.
This God, I is book 2 in the series. Where will book 3 take the characters?
In “The Genocide Gene,” Chikara and her friends travel to Africa to stop two demented brothers from starting a civil war and committing genocide. Along the way, they have to save hundreds of kidnapped schoolgirls and take on merciless rebel groups.
“Japanese superhero Chikara Kaminari has accepted her destiny: to save mankind from powerful political extremists. Joined by her friends, the empathic Renka and the shadow-controlling Gen, Chikara journeys to America to rescue her friend Michiko from the Ayn Rand- obsessed billionaire, Chillingworth.
As they search for their adversaries, Chikara and her friends encounter a murderous cell of homegrown terrorists called RAMPAGE (Revolutionary American Militant Patriots Against Government Enslavement). This militia of neo-nazis, white supremacists and anti-government extremists will stop at nothing to bring down the public sector, and only the three heroes can stop them before their war on the state claims innocent lives.
The future hangs in the balance as Chillingworth lures the world’s most powerful leaders to the United Nations. Using Michiko’s mind-controlling voice, he seeks to lead the Earth into a new era of selfishness and Anarchy. The heroes have to stop him, but the conservative Chikara and the socialist Gen have different definitions of the term “save the world.” While one wants to stop the plot, the other wants to control the politicians his own way. The three must put aside their disagreements and work together before America’s most extreme ideologues tear the world apart.”
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Sicania Rising is a genre-crossing novel with elements of a fantasy, history, and adventure as well. Did you start writing with this in mind, or did this happen organically as you were writing?
My aim was to write a novel embracing events from an earlier time period that had not been explored. Drawing on the legendary battle of Camicus and the siege by the Minoan fleets provided the novel with a solid central theme to build upon. However, the novel during the adding of the campaigns drew on the beliefs of those involved giving the story a vibrancy that evolved during the conflicts that followed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thanks for the positive comments. It was challenging drawing together the character’s and rewarding when they developed their roles within the novel. Because of the historical background, Sancunthian he supported other figures such as Paiawon and Rhadys adding new layers to the novel.
I enjoyed the detail and historical accuracy of the novel. Did you do a lot of research to maintain accuracy of the subject?
Yes the book required a lot of research that involved all the figures within the novel covering books from my own library and the purchase of new books. Having visited Sicily and Crete several times it allowed me to build a clear picture of the islands when writing about the varied locations used within the novel.
JOURNEY BACK IN TIME AND FOLLOW THE CAMPAIGNS IN THE WESTERN SEAS FOR CONTROL OF THE ANCIENT SEA TRADE ROUTES AND THE POWER, RICHES AND CONTROL IT DELIVERS. PHAECIAN SEA CAPTAINS LED BY PAIAWON, AEACUS AND RHADYS BATTLE WITH ARIUKKI, KOKALUS, THESANIS, ENNA and CARAUSIUS. FOLLOWING THE PASSING OFF HAMMURABI THE ANCIENT WORLD SAW THE LEADING POWERS BATTLE TO CONTROL THEIR BORDERS AND LANDS AS THE CITY STATES IN THE EAST FOUGHT BITTER INTER- CITY STATE WARS PROTECTING THEIR VITAL TRADE ROUTES AND SECURING ALLIANCES. WITH THE WESTERN SEA TRADE ROUTES OFFERING NEW MARKETS AND RESOURCES THE RIVAL POWERS ALL LOOKED WEST AND THE ISLAND OF SICANIA WITH ENVIOUS EYES.
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In Stephen S. Arend’s Soul Searcher The Reckoning Part One the reader will find themselves on an incredible journey that will not only take them to the heart of battle but to the depths of the human soul. In a world where magic is as common as breathing, a soul transfer goes terribly wrong. The Mage-Lord Mordeth is attempting to complete a magic ritual where he can obtain a sliver of immortality. Thwarted and split in two the reader will meet the protagonist of Arend’s tale: Rork. A crafted man with half a soul and even less emotion, Rork prowls the world trying to deny the dreams he has which give small betrayals of his involvement with Mordeth. A large man who has been alive for only ten years Rork finds that he is missing much and is less than reluctant to find out where exactly he came from and how.
Arend does a wonderful job when it comes to emotion in his tale. Rork is full of rage and anger for a variety of reasons. He has been alive for a snippet of time. All he knows is battle and the haunting dreams that plague his sleep. Due to his firecracker temper which is liable to go off at the drop of a pin Rork finds himself saddled with an unexpected package: the scout Bregan. It seems like oil and water have met and are now expected to become friends. Rork immediately voices his disapproval over traveling with the young whip but what he will ultimately learn from his adventures with the scout. Both are more like boys in the beginning and Arend captures the metamorphosis into men quite well.
In a fantastically described world where magic is woven with intricacies even the smallest detail is given quite beautiful description. It is quite easy for the reader to picture the story in their minds as they read. You won’t be left guessing what expression the characters were wearing or what color the trees are when you read Soul Searcher.
For a first part Arend does masterfully in capturing the readers’ attention and lays out the ground work for subsequent tales. Information is freely given yet there is still more to be learned. These are key elements in any piece of work that is meant to go longer than the tome at hand.
With carefully crafted battle scenes and delicate explanations of magic Stephen Arend knows what his novel is about and is diligent in conveying the story to the reader. He takes the relationship between two unlikely friends and uses it to tell his tale. He doesn’t over embellish the tale which can be a major faux-pas for many fantasy writers. He uses his skills to convey the story in all it’s glory without diminishing the importance of the relationship between the two men. Other writers would gloss over the importance they play for each other and how they are essential to the development of each man’s personality,
Soul Searcher is a fantastical novel that is sure to delight those who read it. It’s not a fluffy piece where magic is used to make tarts and cakes. This is an involved and epic tale that is sure to keep your eyes glued to the words until the very end.
Pages: 222 | ASIN: B01IQP0QOU
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