Blog Archives
If I Had One Wish: I’d Wish That You Were Here
If I Had One Wish: I’d Wish That You Were Here, by August E. Allen, introduces us to Wynter, a snowman whose heart aches with loneliness. One quiet winter’s night, he lifts his gaze to the stars and makes a simple wish, for friends to share the snowy world around him. His wish is answered with gentle magic as a pair of cardinals and a colony of bunnies arrive, filling his days with laughter, warmth, and companionship. Though Wynter delights in this newfound joy, a quiet longing remains. He comes to understand that those he misses are never truly gone; they remain close, tucked deep within his heart, and with friends by his side, he will never be alone again.
Wynter is a character brimming with charm and relatability. His yearning for connection mirrors our own human need for belonging. The story’s closing realization, that love endures across distance and even loss, is both poignant and universal. It speaks to anyone who has felt the absence of a loved one and found comfort in the strength of family and friends.
The illustrations enrich the narrative beautifully. They capture Wynter’s solitude with quiet grace, then burst into joy and warmth as his companions gather around him. The snowy scenes evoke the enchantment of winter nights and the anticipation of the holiday season, adding layers of coziness and wonder to the tale.
If I Had One Wish: I’d Wish That You Were Here is a gentle reminder, cloaked in snowy wonder and touched with starlight. For young readers, it offers a way to understand the complexities of missing someone, whether through loss, distance, or change. For adults, Allen provides a reminder of the healing power of companionship. Heartfelt, tender, and visually delightful, If I Had One Wish is a perfect winter read for families to share.
Pages: 30 | ASIN : B0FNDJ4JQ5
Literary Titan Book Award: Nonfiction
The Literary Titan Book Award recognizes outstanding nonfiction books that demonstrate exceptional quality in writing, research, and presentation. This award is dedicated to authors who excel in creating informative, enlightening, and engaging works that offer valuable insights. Recipients of this award are commended for their ability to transform complex topics into accessible and compelling narratives that captivate readers and enhance our understanding.
Award Recipients
Visit the Literary Titan Book Awards page to see award information.
We Are Not Promised Tomorrow
The Long, Lazy Summer follows a young boy who spends one last summer with his terminally ill mother, which deepens into lessons about love, loss, and the beauty of small moments. What made you write a story about this topic? Anything pulled from your life experiences?
Most of the children books I write are fiction fantasy with a lot of humor. The last few years, I’ve watched the Newbery Awards, and the books that won usually have a more serious tone to them. That really is the main reason I tackled this subject matter. I’ve had friends and family who have died of cancer, so that’s mainly why I focused on this area.
Surprisingly, real life ended up imitating art. My illustrator ended up finding out she had cancer when I was ready to start this book. She’s fine now, but this book almost didn’t happen. Then I faced my own mortality as well when I had heart problems this year. The ending of the book reflects the kind of thoughts running through my head at that time period.
What were some ideas that were important for you to share in this book?
The main ideas that were important to me were:
- Honesty of emotion. How would any adult feel going through that – facing their mortality and how do you explain that to a child?
- Love – what do we leave our loved ones after we are gone?
- Legacy – if you have a limited time left, what would be important to still do before you go? What do you want to be remembered for?
What is one thing that you hope readers take away from your story?
None of us are promised tomorrow. Look around you – are you living the life you truly wish to live? What do you think your loved ones will remember as being the most important part of your life?
I hope the Wonders of Childhood & Beyond series continues in other books. If so, where will the story take readers?
This series is intended to be unusual and perhaps unexpected. If the reader can learn to look at the world in a way different than they have before, then I will have done my job well as a writer.
Author Links: GoodReads | X | Instagram | Facebook | Website
For some of us, the greatest love and memories that we will hold in our hearts our whole lives through are the ones we experience and share with our parents.
They are part of our earliest memories and shape the lives we learn to live. They are our whole world, and when they leave us – when they pass over to the other side where pain and death can no longer touch us, we are left with an emptiness we can never again fill. To lose a parent is like losing a limb – you remember it being an essential part of your life even though it is no longer there. In many ways, you can still feel their spirits nearby, but they have moved beyond this realm where our five senses reign supreme and register into other senses of extraordinary perception we never knew we had.
For Raymond, it’s simple. He spends a beautifully long, lazy summer with his mother that he will never forget. His last one with her.
Nobody is promised forever. Any of us could leave this world at any moment. That being the case, what kind of memories would you leave your loved ones if you had a choice?
The Long, Lazy Summer (Wonders of Childhood & Beyond)
The Long, Lazy Summer is a tender and heart-tugging children’s book told through the eyes of a young boy named Ray, who spends one last summer with his terminally ill mother. What begins as a string of playful, simple days filled with scavenger hunts, zoo games, gardening, and homemade forts slowly deepens into lessons about love, loss, and the beauty of small moments. The narrative captures both the joy of being loved and the ache of knowing that time is running out. The season ends with the mother’s passing, but Ray carries her words, memories, and love into adulthood, forever changed by that golden stretch of days.
The writing is warm and straightforward, but the emotions beneath it are rich and deep. I could feel the sunshine in the happy scenes and the heaviness in the quiet ones. What I loved most was how the story balanced light and shadow. It never wallowed in sadness, but it didn’t shy away from it either. The metaphors, like sunflowers and butterflies, weren’t just pretty images; they stuck with me. And there’s something about the way Sayre writes dialogue between mother and son that’s simple, but the love comes through so strongly.
This is not a picture book you can read with dry eyes. The pacing lingers in places, and at first I thought it might be too gentle for my taste, but that rhythm fits the story’s heart. This isn’t about rushing to a twist or a big finale. It’s about letting each moment breathe, like the last summer evening before school starts again. The ideas like living fully, making memories, carrying love beyond loss aren’t new, but the way they’re told here feels fresh because they come through a child’s eyes. That innocence turns the whole thing into a bittersweet reminder of how fragile and beautiful life is.
I’d recommend The Long, Lazy Summer to parents, grandparents, teachers, and anyone who believes in the power of stories to start conversations about love and loss. It’s especially good for families looking to help children process grief in a gentle way. It’s also for grown-ups who need a reminder that even in goodbye, there’s a kind of forever.
Pages: 113 | ASIN : B0FG23Y128
The Widow Chose Red?: My Journey with Jesus, John, and ALS
The Widow Chose Red? is a deeply personal memoir chronicling the life of Rachel Kerr Schneider, from her whirlwind romance with John Schneider through decades of marriage, parenting, and professional shifts, culminating in John’s heartbreaking battle with ALS. Told through a lens of faith and fierce devotion, the book walks readers through the joys of new beginnings, the messiness of real relationships, and the crushing weight of terminal illness, all while clinging to the hope and grace found in God.
The writing is conversational, often funny, and incredibly raw. Rachel doesn’t hide behind platitudes. She’s honest when things are hard, she laughs when they’re absurd, and she leans into her faith with a kind of vulnerability that feels both courageous and familiar. The structure, split into sections of life stages, reflects how grief and growth aren’t linear. I loved how she wove in reflections after each major chunk of the story. It gave me space to breathe and think alongside her.
There were times when I felt gutted by the emotional weight of it all. Watching John’s health decline through Rachel’s eyes was both beautiful and brutal. Her love for him doesn’t flinch. It holds steady through every stage of ALS, even when things got messy and uncertain. But this isn’t just a moving book; it’s a book about showing up. It’s about surviving with grace when life doesn’t let you plan ahead. I admired how Rachel let us see the struggle to stay spiritually grounded when everything feels unfair. And somehow, even in the grief, she writes with humor.
The Widow Chose Red? is a love letter to John, to her sons, and to the God who walked through every minute of it with her. If you’ve ever cared for someone who’s sick, if you’ve wondered where God is in your pain, or if you just want to feel less alone in your own tough season, you’ll find something in Rachel’s story. I’d recommend it to caregivers, to women figuring out who they are after loss, and to anyone trying to make peace with the messiness of life. You don’t need to be religious to connect with her heart.
Pages: 224 | ISBN : 978-1966561101
Out of the Crash
Susan Poole’s Out of the Crash is a riveting novel that begins with a sudden tragedy and spirals into an emotional reckoning for two families in the small town of Shawnee Springs. Caroline Beasley, a breast cancer survivor and bestselling author, returns from a motivational speaking event only to find her son Kyle in a tailspin. At the same time, Ethan Shawver, a high school senior, learns that his beloved mother, Amy, has been fatally struck by a car while biking, a car driven by Kyle. The book follows the emotional fallout, not just from the accident itself, but from the long shadows of grief, guilt, and family strain that it casts. Told through alternating perspectives, it weaves a tense and heartfelt portrait of trauma and how lives can fall apart and rebuild after a single moment.
I was completely pulled in by Poole’s style. Her writing has a natural rhythm, unforced and full of small, familiar details that make the characters feel like people I know. The dialogue felt real, awkward, warm, and messy, and the use of social media and group texts to open the story made it like something from the present day. Caroline’s complicated: resilient but vulnerable, confident but riddled with guilt. Watching her struggle with motherhood, ambition, and marriage felt all too real. Ethan’s side of the story was just as gripping. His pain was raw, unfiltered. The scene when he finds out about his mother’s death actually made me tear up. There’s something honest in how Poole handles grief. Not in a grand way, but in the everyday chaos it causes.
The middle dipped slightly as characters circled the same emotions, and I found myself wanting more movement in the plot. But then again, real grief doesn’t follow a tight arc, and maybe that’s the point. The book is strongest when it focuses on the interior lives of its characters. It doesn’t rely on big twists. It leans into emotional honesty, which is brave and a little brutal. There are moments when I didn’t like the characters much, Kyle’s denial, Jordan’s detachment, Caroline’s self-righteousness, but I never stopped caring about them. That’s the magic. Poole makes it hard to look away even when things get uncomfortable.
I’d recommend Out of the Crash to readers who appreciate layered family stories that don’t shy away from hard truths. If you liked Little Fires Everywhere or Ask Again, Yes, this one will be right up your alley. It’s a book for people who aren’t afraid to sit in the middle of the storm and wait for the quiet to come. And if you’ve ever been a parent, a child, or someone trying to hold it together when your world is falling apart, this story will resonate with you.
Pages: 291 | ASIN : B0F89DSZHM
Just Myself and Pen and Paper
Ten Years of Bliss, Poems is a collection of over 300 poems spanning a decade, highlighting topics ranging from spirituality to love and grief, and from the mystical to the mundane.
Were there any poets or other writers who influenced your work on this collection?
I always write alone. Just myself and pen and paper and a whole lot of meditation in between. I’d say that sense of peace was the inspiration. I think it’s a gift that’s more of a reflection of the world around me. I prefer to maintain objectivity rather than seek.
I think I’ve read three poets in my life. Poe, when I was 11 years old, Yeats, I read once, and before I ever picked up a pen to write I found Virgil’s work at the library and I fell in love with Virgil. I spent the summer with a latin dictionary to decipher some of it. I don’t compare my work with his, who could? But wow, it made an impression.
How do you approach writing about deeply personal or emotional topics?
I don’t approach writing with that sense of direction. If someone can glean something from my work that they can reflect on then that’s great. Hopefully it has meaning for them. I try to write positive poetry, with spiritual meaning embedded in every corner of understanding. It may be floral, it might go deep but it’s never really dark and is always spiritual or about the human experience.
There are two kinds of artists, and poetry is a form of art. There are poets who emote, and ones who have something else to say or express themselves differently. There is a perception that poets are all emotion and I don’t think that’s always the case. To me, emotion is baggage. Passion is love, is a better feeling and I’d rather spend time expressing that.
What is one thing you hope readers take away from your collection?
I would hope that they see an evolution within the themes. The point and the growth. That there is enlightenment for the reader. I want someone to feel good, or to feel better after reading it. To know that’s it’s an act of love.
Thank you so much for the opportunity to discuss my work. I appreciate that so much.
Author Website
Ten Years of Bliss, Poems
Lisa A. Lachapelle’s Ten Years of Bliss is a sweeping and soul-baring collection of 300 poems written over a decade. The work explores spirituality, love, grief, enlightenment, intuition, and the vivid experience of being alive. Lachapelle’s writing shifts effortlessly between meditative verses and emotional bursts, forming a layered mosaic of personal growth and cosmic musings. Divided into thematic clusters, spirituality, love, identity, and time, the book feels like a quiet unfolding of the author’s inner world, told in rhythm, metaphor, and unfiltered thought.
What struck me most was how Lachapelle’s voice dances between the mystical and the matter-of-fact. Her lines are often like whispered prayers or flashes of revelation. Poems like “Greet the Morning” or “The Majesty of Trees” feel rooted in the earth yet always reaching skyward. There’s a humbling beauty in her spiritual reverence, but it never gets self-important. It’s earnest, raw, and sometimes cryptic. A few poems do drift into abstraction, where the emotion is clear but the imagery loses grip. Still, I found myself going back to those pieces, confused at first, then weirdly comforted. The book doesn’t just present poetry; it invites quiet reflection.
On the flip side, her poems on love and human connection made me ache in the best way. There’s so much longing and gentle devotion, lines that made my chest tighten or my heart flutter a little. “It Was Always You” and “Count With Me” hit like confessions. She doesn’t write romance for show. It’s the kind of love that feels lived-in, broken a bit, healed again, then handed to the reader. The style can feel meandering at times, almost like journal entries dressed up in rhyme, but that’s part of what makes it feel honest.
I’d recommend Ten Years of Bliss to anyone who finds comfort in introspective writing or enjoys poetry that blends the mystical with the mundane. If you’re someone who has sat in stillness and asked big questions with no expectation of answers, this book will meet you there. It’s not a fast read, and it’s not always easy, but it’s emotionally resonant.
Pages: 328 | ASIN : B0F5N7MWLN
LITERARY TITAN 