Truth and The Serpent explores an alternate creation story that follows the serpent from the Garden of Eden. What were some themes that you felt were important to highlight in this story?
Once I decided to write this story, I immediately determined that I wanted it to be different in some way. If it’s the same old thing then why write it at all. Honestly, I didn’t know if that was even possible, as these stories have been overdone so many times.
The major theme of the story is true versus untrue or consistent versus inconsistent, unlike every other story you hear of about religion. Where God/ religion is all fake and the explanation is aliens, monkeys, and sun worship. Or its all real, and Jesus is coming back tomorrow at 4:30 pm, pack a bag!
The issue with stories dealing with religion is that they are usually examined through the scope of morality. But morality is not a constant, which changes with culture and time. So, as I was developing the Serpent character I searched to find something to argue other than morality, which is based on perception, and not facts. I decided that even though there were may inconsistencies in these stories there was information within them, that was consistent or true for everyone.
Then I realized that that was a good discussion to have, and one that I had never heard of with these stories. Thus the Serpent would argue consistent information, and the Man of the Present, would represent our everyday biased understanding of these stories. The discussion and theme soon changed from morality, to the impact that these stories have had on culture and society. This is why the Serpent does not debate the existence of God, or Heaven or Hell, because it’s irrelevant. As culture and society deem which acts are “wrong” and which acts are “forgivable.” Once I removed that from the narrative, I could then be honest with the Serpent Character.
I felt that there were a lot of great twists and turns throughout the novel. Did you plan this before writing the novel, or did the twists present themselves to you as you writing?
No, there was no way I could have planned that the story would unfold and then end the way it did. I had an idea for each chapter, but once I got in there they became something more. The original story was a page and a half, and was literally just rewriting the Garden of Eden story form the Serpent’s point of view. It came out well, and then I thought to myself, what would it look like if I continued…
To me most of it was not a twist, but merely a change of perspective. One thing to note, is that every time we are told these stories, we subconsciously put ourselves on the side of the “good narrative” or the “victim/ saved narrative.” By doing so we only see certain things. For example, while writing the chapter “The Earth” which covers Noah/ the flood. Once the flood came I instantly put the Serpent inside the Ark, because that’s just what our minds do. I came up with a scenario that the Serpent was camouflaged hiding in the haystacks, which I’m glad I didn’t go with. But then it hit me, why does the serpent have to be inside? The Serpent is a reptile, there are sea snakes, Sea Serpents of legend even… what would happen if I put the Serpent outside.
I did, and then everything opened up. My mind began to explore this world in a way I had never done before. I soon found that the Serpent was the perfect vehicle to do this with, as putting him outside would not affect our opinion of him, while the same couldn’t be done with the human characters. It was difficult to navigate these stories from this perspective, but once I separated my ego from the subject, I was able to write the story.
I felt that the biblical aspects in this novel were expertly used. What kind of research did you do for this story?
One I read the bible for myself. Second, I removed my ego from the equation. Writing this book was not about me, it is at its core a talking animal story that takes place in the what if universe. That is, in itself, about as fictitiously fantastical fake as you can get. However, once I started reading for myself, I quickly saw how inconsistent the biblical stories were. Then on top of that, there is the commercial understanding that we have been taught and sold.
One thing to note, is that Christianity does not own these stories, and they exist in many other cultures and beliefs. For that matter this could very well be Muslim Fiction, Jewish Fiction, or Zoroastrian fiction. We live in a western world, so that is our first thought, but these stories have existed long before there ever was a Christian church. Additionally, this story is not about religion, it is a story of humanity as seen through the eyes of the Serpent character.
Then, once I got started I didn’t limit myself to the bible. As you will note I make references to spirituality, mythology, history, science, and math. I researched and looked up everything, not just say Noah’s Ark the tale, but what Noah’s name meant. I looked up what causes a flood, what happens to flood waters, how does it impact species and topsoil and later plant growth. I viewed the events not as only divine wrath, but in natural real terms. i.e. the animals going to the Ark, is explained as animals changing their migrations. Then I asked, what could cause a change in animal migrations and so on. I then added these definitions to the biblical story, which then added new depth and meaning. I would say that I had about 100 pages of printed notes for each chapter. I looked up everything trying to find something tangible and meaningful beyond the everyday wrath, salvation, and lightshow.
Once I did that, the stories came alive and were now three dimensional, taking on new meanings that I didn’t see coming. But none of that would have been possible if I didn’t research meticulously. Most of all, I didn’t just ask questions, I sought out rational answers as if, I was actually having this epic discussion. So, in a way, it was me asking the questions that I never got an answer to, and using the “absurd Serpent in the what if universe” as a platform to have this discussion, which somehow worked.
What is the next book that you are writing and when will it be available?
Next is Serpent book 2. It will be the Serpent and another human character who live during the time of Jesus. The Serpent will be his obnoxiously colorful self, adding sarcastic commentary to the events as they unfold. It has a title, but I’m not releasing it until I finish writing it. I have notes started and have started planning out the chapters, but I have not begun writing the dialogue and narrative. Hopefully, I will start officially on it January 2018.
What do we really know of creation, myth, and belief? There was a Man, a Woman, a Garden, and of course… a Serpent. Yet, what we have come to know as temptation, and mortal sin are only one side of the story. You see, three sinned, and three were punished, but only two were expelled from the Garden, but afterwards…what happened to the Serpent?
A present day man finds himself eye to eye with the infamous Serpent of curse and ruin. The Serpent who characteristically makes the man an offer to learn not just what happened, but why.
A tale unlike any other, where the fall of man is not weighed on a scale of good or evil, but in truth and lies. The Serpent whose intellect, sarcasm, and wit cultivates over time as he appraises the history of man and religious lore. The Serpent who is also on a journey of self-discovery to learn the meaning of that ill-fated encounter and the purpose of his own life.
Come to know the unsung story of one who lived through creation, survived the great deluge, witnessed a mass exodus, and the rise and fall of exalted kings of men. Could such a tale, as told by a forked tongue, be the end of lies, and the beginning… of the truth.
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A Burning in the Darkness follows Father Michael serving at an airport when he becomes the prime suspect in a heinous crime. What was the inspiration to the setup to this thrilling suspense novel?
Essentially it was the opening set up/dilemma. An anonymous voice in a darkened confessional confesses a murder to Father Michael Kieh. Circumstance and evidence points to the Michael’s guilt but he remains faithful to the Seal of Confession and doesn’t betray the identity of a young witness. Michael’s dilemma is between remaining true to his ideals or saving himself from a long prison sentence.
Father Michael Kieh is an intriguing and dynamic character. What were the driving ideals behind the characters development throughout the story?
In relation to Michael, I often asked myself: Is it possible to be so good that it becomes self-destructive? Is it possible to have the same degree of love and imaginative sympathy for the entire human race as one’s family and not be overwhelmed? Even asking the question seems exhausting and tiresome but the answer is self-evident. You would be overwhelmed to the point of physical and psychological destruction. Yet Michael comes close to this form of destruction.
Michael’s childhood was forged in the horrors of the Liberian civil war, but he chose a life dedicated to the Good. Michael has the moral freedom and strength to be different to his environment. He was a child witness and was protected from harm so he knows the importance of the strong protecting the weak. But we all need a little selfishness to survive. And Michael certainly has a smattering of selfishness because he is not afraid to assert his need for love as a strong-willed lover. But the reader roots for Michael because he refuses to betray his higher ideals. I wanted the novel to justify Michael’s faith in the ideals of putting the needs of others who cannot protect themselves before your own needs. It’s easy to talk the talk on this, but entirely different to walk the walk when you have to make a big sacrifice.
I wanted to write a page-turner novel, but the action explores a deep morality without, I hope, being preachy and self-justifying. It’s also important to me that whether you’re a diehard atheist or fervent believer that you will be engaged by Michael’s character, dilemma and beliefs.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
I wrote a 5 or 6 page outline which I tinkered around with for a year or so, not sure if it was working as a story. This gave me the main plot and character points. It was more like what they call in the movie/TV business ‘a treatment’. I’m a film school graduate, so it was part of my training. I spoke to a close friend of mine about the story and he encouraged me to write it. (By the way, I work as a cinematographer on TV drama.)
I find a problem in well written novels in that I always want there to be another book. Are you writing another book? If so, when will it be available?
Your kind and positive response makes me want to write another. Most of my time and effort has been spent getting A Burning in the Darkness published. Michael’s story is complete so there’s no room to revisit it. I am working on an outline for another novel. Actually, mostly researching it at this point.
A Burning in the Darkness took me a good 7 years to write. That’s too long! I’d also like to write a novella in the meantime. Maybe 80 to 100 pages. I’d like to be able to do it in about 6 months, but I’m a slow writer.
Sadly I lost my wife to breast cancer 18 months ago. I have three amazing teenage children who are the best thing about my life, but being a single dad and working to keep them fed and housed takes up a lot of time. But that’s my primary responsibility. Nevertheless, my kids are also a powerful source of moral strength and determination. And somehow writers always find the time to write.
A murder at one of the world’s busiest airports opens this simmering crime story where a good man’s loyalty is tested to its limits. Michael Kieh is a full time faith representative serving the needs of some of the 80 million passengers, but circumstance and evidence point to his guilt. His struggle to prove his innocence leads him on a charged journey that pitches love against revenge.
Michael’s loneliness was eased by a series of brief encounters with a soul mate. When she confides a dark secret, he is motivated to redress a heart-breaking injustice. Together they must battle against powerful forces as they edge dangerously close to unmasking a past crime. But Michael faces defeat when he chooses to protect a young witness, leaving him a burning spirit in the darkness.
Michael’s commitment to helping those in need was forged in the brutality of the Liberian civil war. Protected by a kind guardian, he too was a young witness to an atrocity that has left a haunting legacy of stolen justice and a lingering need for revenge. More poignantly there is a first love cruelly left behind in Africa because of the impossible choices of war. When Michael and his former lover find each other once again they become formidable allies in proving his innocence and rediscovering their lost love.
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Part of the Family examines the experiences of the children who came to England from the Kindertransport during the Holocaust. I believe you delivered a compassionate view of this dark time in history. Why was this an important book for you to write?
Before this book, there was one document that attempted to set out in detail the Christadelphian involvement in the Kindertransport––and that was Dr. Chana Kotzin’s thesis that evaluated the reaction of a handful of Christian groups to the Jewish refugees in the 1930s. She was able to go through a lot of the correspondence that took place and really examine the refugee committee side of the Christadelphian involvement––but she was not able to look into the individual stories themselves and how the children lived when they eventually did come to a family. When I attended the Belfer Conference in 2015 at the United States Holocaust Memorial and Museum, the instructors emphasized 10 methodological principles when teaching about the Holocaust, and one of those standards very much resonated with me: translate statistics into individual people. History is not simply about statistics and generalities, but is rather about the lives of individual people. We constantly hear about the six million, and yet so often, the number loses its meaning, not simply because it is such a huge number, but because it is not focused on the individual. When the six million Jews who perished in the Holocaust is mentioned, it should be remembered that these people were fathers, mothers, brothers, sisters, sons, and daughters. When we realize the individuality of the people that we are learning about, it makes them much more relatable and the lessons from their experiences become much more relevant and powerful for us. This was huge for me, and being a writer, lecturer, and teacher, I very much feel a responsibility to tell their stories. A number of the stories told in this book have not been recorded in any way before. As I interviewed the “children,” one of the major things that stood out to me was that they constantly used the phrase “I was part of the family.” Over and over, they emphasized to me that they felt loved and cherished. There were certainly exceptions, as there always will be––but I was amazed at the things that I heard from them. One man, whose story will hopefully be included in volume 2, when I asked him what he would say to the family that had housed him, if he could say one final thing to them, without hesitation, said “I love you.” Though he had not seen them for decades, he still felt that feeling very acutely and strongly––he had become part of the family. Thus, I began to ask myself why these people had such experiences–and the answer came out very clearly, as you mentioned in your review. The Christadelphian families did this and cared for these children because they felt a kinship and a love for the Jewish people. Their beliefs brought them to action––and for me, that was a very powerful statement about the importance of beliefs. In today’s world, it feels as though beliefs are often downplayed and that many are trying to put our the statement that doctrines and beliefs don’t matter––as long as someone is good. While I certainly stand for the idea of tolerance, I think that in attempting to all get along, we cannot lose the lesson that beliefs really do make an impact, and that they can influence us for good or for ill. Therefore, I hope that this book will not only inspire others to help one another, but will also encourage all of us to look at our own beliefs and ask ourselves what kind of influence our beliefs have on our own actions.
The Christadelphians were a small christian group who helped many children during this time. Do you think their compassion and determination were reflective of their religion or their personal moral character?
I think that the answer is certainly both. Recently I had the privilege of interviewing a woman who had come to England from Germany––and who had actually lived with two different families after coming to England. I think her story helps to explain the way in which the Christadelphians acted both based off of their strong beliefs about the Jewish people, and also personal moral character: This woman told me that when she first came to England, she was chosen by a family and completely ignored. This was not a Christadelphian family––and the woman didn’t know what religion they were, if any. But, they brought her to their house, put her in her room, and never spoke with her. Eventually, she said, she went hysterical. She started screaming, banging on the floors, banging on the walls––because she had no interaction with anyone. Because of that experience, the Jewish refugee committee was contacted, and she was removed from that family. From there, she went to live with a Christadelphian family in Birmingham. She stated that the first day that she met them, they had a German/English dictionary and tried to talk with her.
When she got to the house, they tried to help her learn English––pointing at their dog and saying “Billy” (subsequently, she thought that all dogs were Billys…).
She stated that she felt like part of the family. I think that the dichotomy between her two experiences can show what life with Christadelphians could have been like if they had acted simply out of a belief that they should help the Jews. When the Jewish children came to England and lived with the Christadelphian families, they did not have to treat them like family members. They did not have to try to learn German. They did not have to tell them bedtime stories. They did not have to try to correspond with the child’s parents back in mainland Europe. But they did. I think that housing the children and in that sense “saving them” could have been considered enough to say “I helped the Jews.” But, the Christadelphian families, for the most part, out of their moral character, attempted not only to help the children, but to give them the best life that they could provide––just as they did with their own children. We were privileged enough to get together with a professional videographer and put together brief interviews (5 minutes each) with Mrs. Ursula Meyer and Mrs. Rella Adler. Both of them share how the treatment that they were given was as though they were daughters:
Part of the Family is not only well written but it’s also well researched. How much research did you undertake for this book and how much time did it take to put it all together?
Oddly enough, I began the research for this book last December. I was simply blown away at how well things came together. Ursula Meyer was the first person that I was able to contact, and we conducted our interview on January 19th. From there, the project just came alive. I had Christadelphian families from all over the world contacting me to tell me that a Jewish refugee had lived with them throughout the war. One of my major rules, however, is that I don’t write about someone and publish it unless I can get their approval for what I have written. And thus, hearing about all of these Jewish children that had lived with Christadelphians presented a problem––how to contact them? A number of Christadelphian families had kept in contact with the Jewish children, and so they could actually get me in touch with them, but in other cases, once the Christadelphian parents passed away, and sometimes the children, the younger generation only knew that their family had housed a refugee, but sometimes didn’t even know their name. Attempting to find the refugees and interview them about their experiences was simply amazing. I’ve called all over the United States, Canada, and the United Kingdom. I’ve had conversations with people in Israel, Australia, Spain, and Sweden. Yet, perhaps one of the most exciting experiences was when I was presenting on the Christadelphians at a meeting of Kindertransport survivors, and one of the men seated at my table explained that he come to this very meeting because he had lived at Elpis Lodge, the hostel set up in Birmingham by Christadelphians! I had no idea––and here I had been having lunch with him! This book came together in a matter of months––something which still astonishes me. Yet at the same time, as things kept coming together, I found myself working at it all the time––often getting up at 4:30, just because I was so excited that another survivor had emailed me, and so I couldn’t sleep anymore.
Part of the Family is the first volume in a series. What will the next volume be about and what will the whole series encompass?
Lord willing, I hope to have the second volume finished this December, as well as an audiobook for this first volume at the end of August. The goal of the entire series is to tell the individual stories––and thus, my hope is that I can keep contacting survivors and their families to tell about their experiences when they were saved from Hitler by coming to England and living with Christadelphians. Thus, volume 2 will be more stories, and so will volume 3. I currently have about 35 testimonies that I would like to write!
In 1938 and 1939, via a movement known as the Kindertransport, thousands of Jewish children were taken from Nazi-occupied territories to safety in Great Britain. They came to a new family, a new country, and a new life. Approximately 250 of these children were sponsored by Christadelphians, a small Christian group. Often the Holocaust is considered in terms of statistics: how many perished and how many were affected, so much so that at times the individual stories are lost in the numbers. This series examines the experiences of the individuals who came to England as children, and lived with Christadelphians. Ten of these child survivors, and their families, participated in the effort to bring about this first volume. These are their stories.
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Gifts of the Crysnix is about fairies that watch over villagers in a seaside town by granting wishes and comforting them in times of need. When you set out to write this book was it your intention to write a story filled with kindness and morality?
Yes, it was a conscious decision to create a story that would resonate with not only young people, but adults as well. My main intent was the message to trust your gut instincts, or inner voice, to lead you in life. I created the Crysnix to personify your inner voice. I wanted to open the door to the possibility for the reader to dream big, believe in them self and make the best of their life. When I began writing the story it was in the form of a screenplay. There are many “scenes” that are filled with emotion and imagery and a take home value found in films you want to see again and again. I turned the screenplay into a novel and enjoyed taking the story to a new dimension of reaching out to the hearts and minds of the readers.
The fairies must learn to deal with their own issues so that they can mature and help humans with their problems. What were some of the trials that you felt were important to highlight the Crysnix’s development?
I really enjoyed creating the Crysnix world. Although it is perfect, I made the Crysnix have to earn their perfection and also their powers to fly without wings and grant wishes. Some of the early trials are the basic adolescent hurdles of not feeling pretty or good enough, gossiping and being self absorbed. As the story progresses the issues get broader and decisions are made around the value of integrity, believing in yourself against all odds and the simple fact that just being yourself is enough to earn love and respect. The lessons get more and more complex and as a friend said to me, “It is a great read on life lessons for young people and also a good refresher for us adults.” One example is; at the end of the story the protagonist, Elixir finds the value of forgiveness when he realizes his father was doing the best he could and just messed up. Although the mistake impacted Elixir’s life, we learn that we are not responsible for the choices of others and it is not up to us to shoulder the burden. When Elixir finally forgives his father, he becomes free to move on in his life.
The Laws of Light are rules that fairies know very well, but humans struggle with. What was your inspiration for the Laws of Light and how they’re used in the novel?
The Laws of Light are introduced as the basis of the Crysnix belief system and although I described a few, I left it up to the reader to imagine what the others may be. They really spell out the depth of character of the Crysnix and are an inspiration for us humans. When I wrote the story I kept referring to them but only described them at the end of the book. I was hoping to create a sense of reverence and mystery about them. When they were finally revealed as the simple truths of self acceptance, being a source of love for others, living with gratitude, trying to better the world and never forgetting our purpose, I hoped they would resonate with and be remembered by the reader.
There are insightful quotes at the begging of each chapter. How did you choose which quotes to put in your story?
I have always been a fan of descriptive elegance where wisdom is spelled out concisely and beautifully. I have a book of quotes that I referred to and I researched my favorite sources online. Most of the “anonymous” quotes are my own. I enjoy books that use the format of introducing chapters with quotes. I think it lends another dimension to the story and who wouldn’t appreciate input from the eloquent talents of the likes of Marcus Aurelius, Goethe, Aristotle and Henry David Thoreau?
What is the next story that you’re working on and when is it due out?
I have six more children’s books waiting in the wings and a sequel to Gifts of the Crysnix nagging at me. I have finished the first two books of the Presley Series and am in the process of launching them on Amazon etc. They are about a young girl whose imagination gets her into trouble although she always has the best intentions. Currently, I am working with an illustrator on a bedtime story book for young children. It is a lovely illustrated lullaby about the universal love of a parent for a child. I hope in these global trying times it may serve to unite us with the insight that we really are not so different from one another.
What if a simple wish had the power to change your life? Beautiful creatures from a parallel universe watch over the humans in a small seaside town. A breathtaking new world-so perfect, so enchanting that we want to believe-unfolds as we witness the journey of new friends, who lead us toward our own personal triumphs. They have harnessed the power to bend time and grant wishes.
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