The main character, Nash Bannon, is hopelessly interesting and charming from the very first chapter. We learn so much about his past, his family life, siblings, and upbringing that by chapter two you are utterly fascinated and rooting for him no matter what. His love interest, Cariana Foster, is equally enchanting and the dialogue between these characters is so raw that you can’t help but fall in love with them. There is a huge elephant in the room regarding their relationship, but I don’t want to give away any big spoilers so let’s just say that it keeps you on the edge of your seat.
The idea of the Lifeliners; human beings that have evolved into some other state of existence not yet fully understood, is absolutely engaging. The way the author writes about the political atmosphere of the world surrounding these super-humans is realistic and you can feel the pain of their humanity (or non-humanity?) and the fear elicited from them by the rest of society.
The politics in this book is one of my favorite aspects. Because of how realistically the author conveys these ideas you feel like you’ve been transported into Nash’s world. Even though the idea of co-existing with humans who have super-natural abilities is un-realistic and physically unrelatable, the dialogue and world view portrayed in the book is so natural and believable that you feel like you are really dealing with the emotions of the characters on every page. The relationship between Nash and the homeless child Aleya (a lifeliner) is touching and tragic at the same time. To think of a world that can cast aside children like garbage just because they have different abilities is really upsetting to think about.
I also enjoyed the scientific aspects of the story. Literally no detail is left out when it comes to the genetic anomalies of the Lifeliners and Cariana’s work as a geneticist is fascinating. While liberties were obviously taken (as this is a fictional story), this aspect of the book is also frighteningly realistic. I felt as if this evolution within the human species could actually happen and that these types of moral dilemmas might really someday face the human race.
Overall, I would recommend this book, it was a page turner from start to finish. There aren’t many books that I can see myself reading multiple times, but Lifeliners is definitely one of them.
Pages: 431 | ASIN: B07GN8QV83
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Solstice is the thrilling finale to your Star-Crossed Saga and ends the trilogy with a bang. What were some things you wanted to make sure you touched on in the final book in the series?
I loved every minute of writing Solstice: mainly because it gave me the chance to tie up all the loose ends and make sure the story was complete and the character story arcs were congruent. As you’ve read, there were quite a number of characters throughout the story, although the main focus was centered around Sydney and William; as it should’ve been. And although remaining true to their love, along with maintaining the very cool elements of hard core Scifi was a challenge, I feel that I was successful in accomplishing that and I was proud of the outcome. To date, I written over 14 novels and Solstice is my absolute favorite one of them all.
I felt like the characters went through some large transformations throughout the series. Did the characters end up where you thought they would when you first started writing about them?
Actually, as a writer, I think you have a place (start and end) where you imagine or assume the characters will end up once you’re finished, but I never anticipated how much they’d evolve over time in the story. As pertaining to The Star-Crossed Saga, the story is told over a relative short period – if I were to guess, less than a year – but so much happens because the characters are in this frenetic, action-packed tale where they discover so much about themselves and then they mush figure out how everything ties together in order to save Fabricius and the Star-children. So to answer the question, they ended up showing me things about themselves that I did not anticipate and was like, ‘Oh wo, that’s cool,’ and it made sense to keep it.
What was your inspiration for the ‘Star-Children’ and their plight?
I looked our world today and really just crafted a story that reflected the times we live in now. How we unfairly allow our prejudices to control what we assume about one another. These have serious negative consequences and people are hurt as a result of it. In Star-Crossed, people who know of the Star-children assume they are dangerous because of the powers they posses and think they will use them for bad, when it’s the complete opposite. By the time the story comes to an end, the truth is revealed and now peace is restored. It’s unfortunate that so many people die along the quest of learning the truth. Very reflective of our society today.
Although the series is complete, do you think you will continue this story or characters in some way, or are you moving on to another story?
Absolutely! Already working on branching arcs where characters blend into the other series I’m writing and I’m also working on a solo Bounty Hunter series for Steele Reign.
The two starcrossed lovers William and Sydney have sacrificed everything to fortify their love, so much so that William dares to brave the depths of space to find a cure for their deadly Supernova bond, leaving both her and Earth vulnerable to alien Torrian Alliance’s attack. But with a full scale civil war in play on Fabricius, the reality of Sydney’s execution from Torrian hands is diminished, only eclipsed by the certainty of a more threats – The Third Faction and The Dagmas Clan – lead by Dominic and his insurgent recruits on a quest to complete the failed assassination of the teenage girl. With overwhelming odds mounting against them, William makes a desperate attempt to find the last of the endangered Star-children only to be captured by a new menace, where he is forced to compete in the dreaded Gauntlet of sport. Allies surge to free Fabricius, seeking alliances across the galaxy while Sydney tries to keep her identity hidden and trains to master the third phase of her Star-child evolution: Solstice. With Sarah’s mysterious return home with clues to unlock the future, Noella’s training and Bill’s symbiotic development hope is restored, but will it be enough to unite the galaxy and destroy evil for once and for all?
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The art and science of manipulation has been formally and informally studied and dissected a countless number of times.
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Pandeism: An Anthology is a collection of work from different authors that seeks to provide intellectual backing to the idea of pandeism. Why was this an important book for you to put together?
Pandeism is a pretty old idea, but is one which has very long been little known — discussed almost exclusively in scholarly and academic settings, and usually in a sort of abstract and theoretical way. Perhaps that will always be its primary locus of discussion, but as scientific knowledge comes to match up better and better with a pandeistic Universe, it would be a wonderful thing for people to be made aware that this possibility is out there. And as the Anthology writings show, it has proved itself worthy of consideration from many angles.
There is surely some long-term gain to be realized, as well, from a world wherein people generally understand that all things are part of our Creator, and all life ought to be accorded the respect due to even a fragment of our Creator. And even as Pandeists bear no club with which to threaten ‘disbelievers’ with eternal torment or the like, imagine how you might react if you felt there was a possibility — a reasonably high probability even — that if ours were a created Universe at all, then it would be the sort of Universe in which your own actions towards others (and, more largely writ, everybody else’s actions towards everybody else) directly dictated the experiences which would be had by your Creator; and not only by your Creator but quite possibly by every entity ever existing — including yourself, to some immeasurable extent, all of these being your Creator, which has momentarily (for perhaps just a few hundred billion years) become fragmented apart. If there is any possibility that we are creating experiences to be shared with by our Creator, ought we not by this knowledge to be motivated to create positive experiences, for ourselves, and for one another?
And though all of these are, in my view, respectable reasons for my advocacy and regular formulation of new arguments, the simple truth is that I love the idea for its elegance, for its simplicity, for the strength of its explanatory power wrapped in extrapolations from a few simple assumptions of logical necessity. And so I want to pull it down from the academic tower and present it in ways suitable for a larger slice of the world to get to grasp it.
You work with sixteen authors on this anthology. How did this book come together and what was it like working with so many bright writers?
As to how it all came about, I first began putting together the ideas for a book on the topic some thirteen years ago. I always knew that I wanted to write about Pandeism, and I researched intensely, and found other people who had written on the topic and in the area. I never intended to do an anthology, but as I worked on my own book, it seemed to just get more and more sprawling. I was trying to grasp in all of the ideas that I could possibly cover, and it was more than I could do. And then, at some point, I simply threw my hands up and decided that it was not something that I would ever be able to finish.
But, as I pored over the many writings which I had accumulated in the area overtime, and the connections I had made with people who write in this area, I was struck by the fact that I might well be able to assemble enough to make a book that captured many of the ideas that I wished to express, but which had already been put into words in other ways by other people. And once I had had that realization, the whole structure of the book, the give and take and opposing viewpoints and variety of possible approaches simply came together, almost instantaneously. I immediately knew, for example, that I wanted to have poems punctuated the sections, and to divide the book in the general sort of way in which it ended up, and I am tremendously gratified with the result.
One of the most remarkable experiences and joys of my life has been working with these authors. I ought to mention that two of the writers were deceased — one, nearly one hundred years before, and the other just a few years ago, a good friend who I had been in communication with and who had written his piece for me before his quite untimely death, years before I ever knew I was going to assemble an anthology. But as to all the rest, every one of them was note only a unique and powerfully thoughtful and excellent to communicate with, but remains a friend. Really, it is like we are a family of fellow travelers along the same route. There are several of them who I bounce ideas off of frequently.
The book is separated into three sections, the fundamentals of Pandeism, philosophical implications, and criticism from other views. Why was it important to include alternate analysis of pandeism?
Most works on a specific theological point of view are told from the proposition of that view being true. And indeed, even anthologies written within specific faiths tend often to be single-minded collections of endorsements of that faith. There is something about such an approach which instead rings untrue to me — if your belief system is so ironclad, why only present one side of it? And yet we know there are those who dispute the truth of every theological model, so why not present their arguments directly and let the reader choose who has made more sense? Why collect an anthology at all if all the views provided assume the same position?
If we only present arguments favoring Pandeism, or even present only one view of Pandeism, then we are doing the readers a disservice. It is not the sort of position which can be insisted to be true in a gnostic sense. It is one logical possibility out of a field of them, with certain points of logical appeal, but at the same time with an acknowledged impossibility of knowing the truth of it. And even if there are those who believe that it is untrue, it presents a paradigm which they must contend with. Neither Atheism nor any Theistic faith can escape the intellectual obligation to confront the possibility of this model, and when they do so, and commit to it in a serious way, some great and deep writing is bound to result from this.
What do you hope readers take away from Pandeism: An Anthology?
Well, firstly I really hope that readers take away the sense that Pandeism, as a theological model, is indeed a serious possibility. And secondly, I hope to just really make people think about all the possibilities that are out there, and the fact that there are indeed so many possibilities which are unknown. I want readers to feel a bit challenged and a bit enlightened and more than a bit informed. One thing, I think, about this book, with its breadth of authors and approaches from diverse and sometimes opposing viewpoints, is that it is impossible to read it through without learning something of interest, something which will stay with you for the rest of your life thereafter. I hope that readers take away a lot of feelings like that, and that every reader takes away at least something like that.
Pandeism: An Anthology presents the work of sixteen authors, new and old, examining the implications of the revolutionary evolutionary theological theory of Pandeism – the proposition that the Creator of our Universe created by becoming our Universe, and that this proposition can be demonstrated through the exercise of logic and reason. These authors present a wide range of views originating from their varied experiences, from professional theologians and religious educators to lay philosophers with PhDs in the hard sciences. Collectively, these authors have assembled the most extensive examination of Pandeism put to print in over a hundred years.
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I Spy with My Little Eye analyses and discusses our changing behaviours as a society. Why was this an important book for you to write?
This book was important for me to write for three different reasons. First, on a personal level, researching and writing this book has helped me think through a number of concerns that have been in the back of my mind for a while about the direction in which our society is heading. As a result of this process, I’m more convinced than ever that I, as a parent, need to make active choices that go against some of today’s societal trends if I’m to provide my children with a sensible worldview and a solid starting point in life.
Second, I find it worrying that there isn’t greater debate about the values and norms underpinning our society. I think we need to acknowledge and perhaps rethink many of our behaviours if we wish to solve some of the symptoms of ill-health that are plaguing our societies, such as stress and anxiety, financial indebtedness and shallow aspirations. It’s difficult to change course if we don’t know where we’re heading. Acknowledging the problems is therefore a good start. I raise a lot of issues for discussion in this book and it’s my hope that it will be used for spurring debates in schools, book clubs and other places.
Finally, as I see it, questions around morality have too often been outsourced to, and monopolized by, organized religion. What I want to show by using the seven deadly sins and seven heavenly virtues is that being religious is not a precondition for being concerned about, and engaging in discussions around, morality.
This book uses a combination of statistics, quotes and recent topics to illustrate various points. I thought the research was outstanding. What was one thing that surprised you while you were researching this book?
On the whole, the data I used in the various chapters supported the hunches I already had about the issues I raise. In that sense I wasn’t particularly surprised by what the data showed. That said, I was still horrified to have my suspicions confirmed, especially when it came to statistics concerning children, such as the large amount of time they, on average, spend in front of screens, and the little time they spend outdoors.
This book looks at some of the problems affecting Britain s society today. Is there a problem that is unique to Britain? What is a problem that is shares with the world?
Although I’m drawing on material mainly from the British context, the issues I’m discussing are applicable to many more countries than the UK. I would argue that much of what I write about are trends found across the Western world. For example, in the first chapter titled Pride I discuss how today’s ‘celebritisation’ – the increased celebration of celebrities – affects the aspirations of young people towards careers that come with fame and glamour. This trend is far from unique to Britain. Seeing, for example, that the reality TV series Keeping Up with the Kardashians is apparently aired in 167 countries, I would say this issue is rather widespread.
Also, the role of the West as a predominant exporter of popular culture and information means that the norms and values we experience today in Britain may well be the norms and values experienced across the developing world in the years to come, if they aren’t already.
I think it would be a worth-while exercise to organize cross-cultural debates around the issues I raise in this book. For example, it would be interesting to set up panel debates at universities for students from different countries to discuss commonalities and differences in how they perceive values and norms playing out in their respective societies.
I understand that you currently live in London, but you’ve also lived in various other countries. How has this affected you as a citizen?
I was born and raised in the Northern Swedish countryside and I have moved many times as an adult, both within countries and across countries and continents. For over a decade now I’ve called England my home; starting off in London, moving out to the Essex commuter belt, and more recently setting up shop in rural Devon.
These moves have naturally altered the mirrors in which I see myself in relation to other people and cultures. Each time these contextual mirrors have changed I have had to step out of autopilot mode and take stock. In that sense, I think the many moves have made me wiser and more understanding as a person. They have also added a comparative perspective to my societal observations. For example, I think I have a better grasp of American politics because I’ve lived in both Montana and Washington D.C. And, I think I understand European geopolitics better because I’ve called Sweden, France, Spain and the UK my home.
On the other hand, I would probably have exercised a louder societal and political voice if I had stayed in my home country. Being an immigrant comes with a natural wish to blend in, and to be accepted. Especially after Brexit, I have sadly found myself adding things like ‘my husband is British’ or ‘I’ve been in England for many years’ when I meet new people simply to justify my existence in this country. I must also admit that I’ve had a fear when writing this book that people will think ‘who are you to come here and judge us?’ I sincerely hope the book won’t evoke such feelings.
What is the next book that you are writing and when will it be available?
In my next book I highlight the Western world’s evaporated trust in politics, business, and international institutions and argue that we need to tackle this lack of trust through greater focus on integrity and honesty in public life. I shed light on a number of the mechanisms believed to induce integrity through interesting (and hopefully amusing) cases from around the world, including whether Donald Trump’s fibbing can be stopped by naming and shaming, and if FIFA’s culture of corruption is finally an issue of the past. My intention with the book is to re-package academic research into an approachable format and let interesting cases bring the theories to life.
The book is only in its research phase so it won’t be ready for publishing for quite a while still.
Which direction is our society heading in? Does it provide a good enough nurturing ground for the next generation to flourish? Is it time we took a good look at our values and behaviour and changed course? Dr Linnea Mills offers a frank discussion about the prevailing norms and values in today’s Britain, interpreted through the seven deadly sins and seven heavenly virtues. She tackles head-on topics as diverse as celebrity culture, work-life balance, immigration politics and economic divisions. This is a book for anyone with a keen interest in society, philosophy and politics. Get inspired and join the debate.
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Humans are on a constant quest for self-actualization. We have a deep need to live in genuine serenity, to discover selves. People always seek to have full control of their mental faculties such that they can meditate without struggling too much.
Anam Cara: Your Soul Friend and Bridge to Enlightenment and Creativity will get one on the right path. To open the floodgates of creativity, one needs to have peace of mind and be free of emotional baggage. This audio book is a road map to using the soul friend to achieve these. The soul friend is a non-judgmental confidante who helps an individual live to their full God-given potential. The book urges the importance of the body in accessing the mind. The science of breathing is used as an example of how one can access their mind. By breathing properly, one relaxes and eventually accesses the deepest parts of their mind. The science of breathing is often used in meditation. One may argue that the soul friend would best be a therapist or religious leader but that defeats the purpose. The point of anam cara is candor and intimacy.
This book also guides the reader through the 42 confessions to the soul, these are essential in spiritual growth. Among the most important aspects of self-empowerment is selfless service. Glenville Ashby talks about being completely used up by the time of death. Giving oneself to the society with no expectations by doing the simplest of things like offering comfort to a troubled friend. Mr. Ashby also talks about thoughts creating reality. God would not punish his own creations by blessing some and leaving others in anguish. Humans are meant to create their own blessings through hard work. This is a very interesting point of view. It makes a lot of sense upon reflection. To further affirm his stand, Glenville talks about Hellen Keller and Stephen Hawking. Their outstanding positivity and contributions to the world are awe-inspiring. The author also introduces the master keys that unlock the portal to the soul. First on the list is gratitude. This is a testament to the adage; no man is an island. The responsibility to be genuinely grateful awakens a flame within humans.
Glenville Ashby has not written this book to malign other therapies but rather to give a counterproductive approach to enlightenment and creativity. The ideas in this book, supported by views from Buddhist principles and Christianity, will force readers to do a thorough audit of their lives. It calls for a shift in practice and thought. The book is well written and inspiring. It is a useful tool for one who seeks to put themselves on a path to true happiness and fulfillment. To live authentically and unencumbered by travelling back and experiencing the magic of humans’ true essence, the soul.
Quality of life is dependent on the choices one makes and the things they focus their energies on. Achieving self-actualization is a great place to start in seeking to live the best life possible. Anam Cara: Your Soul Friend and Bridge to Enlightenment and Creativity is a necessary audio book.
Listening Length: 2 hours and 27 minutes | ASIN: B01DCHO3XW
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Have you ever wondered why there is such a huge discrepancy between what scientists say about the age of our planet and what the Bible says? According to scientists, the planet is 4.6 billion years old. Yet the Bible says that this planet Earth is only six thousand years old. But what if both were right? What if there was an analysis of creation that combined science with scripture in the search for truth—yielding a unique and provocative conclusion about life’s beginning?
In The Re-Creation of Planet Earth and the Real Account of Life’s Beginnings, author Brian Donnelly explores just this integration of science and biblical truth to provide a more realistic account of creation and re-creation. He addresses the ongoing debate between creation science and evolutionary biology, and he shows how creation is more viable than evolutionary theory and the big bang. The Re-Creation of the Planet Earth and the Real Account of Life’s Beginnings also speaks to the life and ministry of Jesus Christ, and it provides a detailed description of what heaven is like—an account supported by scripture and near-death experiences.
Having a complete view of creation, re-creation, heaven, and life’s beginnings will help you better understand how God relates to us today. But even more, this understanding can go on to help you see through the fog of the world and better relate to God as a believer.
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Same Inside, Different Outside is a wonderful children’s book that teaches biology and promotes diversity. Why do you think this is an important message to teach children?
I’m a nursing professor and one of the courses I teach is on Culture and Cultural Concepts which has certainly changed my worldview. I thought I had a good understanding of the various cultures and their beliefs and practices, however, one of the big lessons I learned was that becoming culturally competent is a journey that can take a lifetime. This made me realize that we need to teach children at a very young age to celebrate their uniqueness yet understand how in many ways we are all very similar. As a nurse, I also believe that children need to learn about the inside and outside of their bodies and although some of the concepts may be difficult for a younger child it is never too early to start introducing concepts that can be built upon as they complete their educational journeys.
I loved the pictures in this book. What was the art direction like?
Thanks, I loved the pictures, too. I worked very closely with my illustrator. Initially, I placed notations throughout the manuscript detailing my ideas for the illustrations and where they should be placed. Xavier, of course, used his creative and artistic abilities to bring the illustrations to life. It was fun to collaborate with him on this project and we really worked well together. Final edits were completed based on the input of the Waldorf Publishing team which certainly strengthened the book.
What do you hope young readers take away from your story?
First, and foremost I hope the readers enjoy the story and want to read it over and over again. Secondly, I hope they begin to understand that although we are unique and look different on the outside we are also very similar, especially on the inside. Lastly, I hope they begin to understand how some of the major parts of their bodies work. And that skeletons are really not scary and are somewhat like superheroes because they protect all of our insides.
Will you be writing more kids books that tackle other social issues?
Yes, although I’m currently working on the second pug book I’m also in the early developmental stages of inviting the readers back to Emma’s kindergarten class where I will address other social issues that help children to understand that although in some ways we are very similar it’s okay to be different.
Today is a very exciting day for Emma’s kindergarten class. Emma, Robert, and the rest of the student’s don t understand how they can all look so different on the outside, but look very similar on the inside. So Dr. Shaw is coming to visit, and she’s bringing Mr. Bones, who is a real life-size skeleton. Mr. Bones is going to help Dr. Shaw teach her lesson about the human body. Dr. Shaw has also brought a cool body screening machine with her so the children can see what their insides look like.
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In order to eliminate discrimination and promote inclusion, we need to start with our children. They are the future of this world and if they can learn to love and accept each other regardless of what they look like or act like, then the world will be richer for it. Deborah Hunt takes this idea and uses it in her children’s book Same Inside Different Outside. It’s a lovely short story accompanied by equally wonderful pictures to help bring the message home. The colors are bright and the lines are soft. The story takes place in a school setting which readers should be able to connect with. This makes the message more relevant and easy to understand. It’s a clever way to deliver a sometimes difficult message to such a young audience.
The representation of a medical professional as a woman and the teacher as a man is a nice and subtle way of breaking down gendered stereotypes when it comes to careers. In traditional books teachers are women and any medical or science-related job is played by a man. In a book about acceptance, this is a key idea to get across. The children in the book are aware of their differences from each other, which is a normal discovery at their age. The doctor who is presenting to the children in the book is kind and patient with them as she goes over the parts of our bodies under our skin. As they move through the lesson the children voice their concerns and are answered honestly. This is key for the story because it also teaches readers that it is okay to ask questions and you will receive an appropriate response.
I felt like the children had a vocabulary and an understanding of body parts that were a little beyond kindergarten. But this is a minor concern that does not impact the integrity of the message.
Deborah Hunt is able to deliver a sometimes difficult message with ease in Same Inside Different Outside. The illustrations are very nice and pleasing to look at. The content isn’t difficult to understand and the message is clear and easy to digest without being muddled. Children and adults alike will find that the message this book sends is one we have been trying to share for a long time.
Pages: 32 | ISBN: 1945175702
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Gravity Games follows Nathan and his sidekick as they venture through an international conspiracy full of super-humans and super-villains. What was your inspiration for a novel that turns a foodie into a detective?
About Food: I love food and became intrigued with foodie mysteries but the ones I’ve read seem to have a disconnect between the mystery and the food. Food just happens to be part of the journey. I wanted to write a novel that made food a driver of the plot and the MCs. Top Chefs always talk about tasting as you go. The sense of smell can sample with every breath so it makes sense that someone who could collect that information would have far greater control over the cooking process. The best cooks always buy their own fresh food products and allow their senses to guide their selection. No tool is better than the sense of smell.
About the Sense of Smell as a superpower: If the MC has a super sense of smell, why not put it to other uses. In Nate’s case, he didn’t have a choice because he could literally smell murder. As a youngster I bought every Batman comic and read every Sherlock Holmes story. Both detectives (that’s what Batman was known for in the beginning) sniffed every piece of evidence. Recently scientists have discovered that the sense of smell may be the most powerful if all if our senses. We can detect scents important to us as low as a couple parts per billion. Try to pick out two red grains of sand in a billion grains of multi-colored sand.
Gravity Games has a fascinating set of characters that could easily have their own novel. What was your favorite character to write for?
I have two characters that I liked best for different reasons. Bonnie and Big Ed.
Bonnie Nakagowa plays Watson to Nate’s Sherlock but rather than being merely the recorder of events Bonnie serves four key functions:
1. Guide post / moral centre: If you become a world celebrity, you can lose perspective. Bonnie grounds Nate. Bonnie humanizes Nate and the story. She does this as both his conscience and protector. I wanted a strong, non-powered female to protect a superpowered male in a credible way.
2. The best comedy in my mind comes from duos e.g. Abbott & Costello, Martin & Lewis, etc. Nate is the straight man for Bonnie’s cringe humour / attitude. Humour is important to me because it both balances and enhances the darkness.
3. Bonnie is key to advancing the plot. She has insight into Nate and can provide needed background and carry out secret missions. She can also be an unreliable narrator because she may not understand everything that’s happening in Nate’s head.
4. Bonnie, of course, is the love interest.
Big Ed is just plain nasty. I hoped everyone would hate him. My youngest daughter proofread an early draft of Gravity Games and called me one night at 11 p.m.
“Why are you calling me so late?” I asked.
“I hate Big Ed. I’m not going to sleep so I thought you shouldn’t sleep,” she said.
Was it your intention to write a fun and quirky novel that moves along quickly, or did this happen organically as you were writing?
I’m not sure that’s what I intended. It’s just the way I write. My first novel, Late Bite, features a vampirish character who has millions of social media followers and is host of the top-rated late night talk show, Late Bite. It has lots of quirky characters, laughs and lots of darkness. My projects all seem to fall in the same vein.
What is the next story that you are working on and when will it be available?
I’ve completed Lycanthrope Rising, a continuation of the saga of Dragul Mangorian, the MC in Late Bite. It will be on sale Sept. 15.
I’m well into a sequel, prequel, and spin-off of Gravity Games.
The Gravity Games prequel [working title: Where The Nose Goes] is intended to be a permanently free YA novella about secret 14-year-old crime solvers Bonnie and Nate, which I hope to release as an eBook before Christmas 2017.
The Gravity Games sequel [working title: Murder On The Menu] picks up where Gravity Games left off with a non-superpowered Nate facing the world’s top chefs. Nate faces the loss of reputation and his $10 million a year contract. One after another, his competitors are murdered. Fingers point to Nate as the key suspect. Expected release date early summer of 2018.
The Gravity Games spinoff [working title and series: The Revenants, Justice Inc. series] features quiet accountant Rick Summers who has an attack of conscience after he escapes the clutches of Big Ed. He embarks on a mission to right wrongs committed by Big Ed and others and is ably aided by Matches, a transgender teen. The expected launch date is fall 2018.
Gravity Games, a dark and delicious thriller. Nathan Sherlock is the world’s most renowned celebrity chef and wine expert. His fans know him as Nate the Nose, a culinary artist whose incredible sense of smell helps him create dining experiences that jolt the mojo transforming aged couples into hormone raging lovers. But Nathan has a dark secret. Best friend Bonnie has helped him hide the true extent of his olfactory powers. He can literally smell murder. U.S. Homeland Security and CSIS, the Canadian anti-terrorism agency, go into panic mode when a scientist disappears along with all traces of his anti-gravity research. The joint FBI-CSIS task force needs Nathan to sniff down the terrorists before they drop an iceberg the size of Manhattan on New York City.
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