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The Kirkwood Killer
Justin Foster’s The Kirkwood Killer is a brutal, fast-moving horror-crime novel that follows Brandon Walls, a man shaped by violence from childhood and unleashed into a quiet golf-club community where his killing spirals into something almost mythic. The story moves from one shocking act to the next, weaving in twisted alliances, bizarre loyalty, and a growing sense that no one in this place realizes the monster living among them. It’s a grisly, relentless ride, and it never pretends to be anything else.
The writing is blunt and unfiltered, almost like someone telling you a wild story they shouldn’t be telling. At first, I wondered if the simplicity was intentional, but the more I read, the more it felt like the right fit for this kind of horror. The murders are vivid and disturbing, not in an artistic way but in an uncomfortably direct way, which honestly makes them land harder. The book doesn’t linger on psychological depth; instead, it barrels forward with raw energy, like the narrative is sprinting to keep up with Brandon’s impulses. It’s not graceful, but it is gripping in that “I shouldn’t look, but I can’t look away” kind of way.
What surprised me most was how strange and darkly fascinating the world around Brandon becomes. This isn’t just one man doing horrible things. The people around him, especially the cart-girl twins and later even the chef, get pulled into his orbit in ways that are unsettling and weirdly believable in the logic of this book. There’s a twisted humor to some scenes, the kind that makes you question whether you should be laughing. And while the plot is outrageous, it’s paced in a way that kept me turning the pages because I truly didn’t know what boundary the story would cross next. Sometimes it felt like watching a late-night slasher film with a friend where you keep elbowing each other with “Are you seeing this?” energy.
The Kirkwood Killer is not subtle. It’s pure horror with a crime-thriller backbone, told in a voice that’s bold enough to commit fully to its own chaos. If you’re someone who loves slasher stories, extreme horror, or villains who are monsters without apology, you’ll probably have a wild time with this. It’s definitely for fans of gritty, bloody, over-the-top horror.
Pages: 130 | ASIN : B0F9ZZCZ4K
Comfort and Risk
In Dead Reckoning, a group of detectives and their families find themselves embroiled in a mystery complete with missing passengers and eerie mysteries on what should have been a relaxing Mediterranean cruise. Where did the inspiration for this mystery come from?
I’ve always been interested in how a normal setting can suddenly turn dangerous. Cruises are supposed to be fun and relaxing, but they’re also closed‑off worlds where people can’t just walk away. That mix of comfort and risk gave me the idea for Dead Reckoning.
How do you balance story development with shocking plot twists? Or can they be the same thing?
For me, they go hand in hand. A twist works best when it grows naturally out of the story. I like to drop little clues along the way so readers feel surprised but also realize the twist makes sense.
What do you find to be the most challenging aspect of writing a trilogy? What is the most rewarding?
The hardest part is keeping everything consistent from book to book — characters, details, timelines. The best part is being able to spend more time with the world and the people I’ve created. It lets me go deeper and give readers more to enjoy.
Can fans of The Stanton Falls Mysteries look forward to more work from you soon? What are you currently working on?
Yes! Dead Reckoning is a stand‑alone mystery, separate from the Stanton Falls trilogy. I wanted to give readers a fresh story with new characters and a different setting. At the same time, I am continuing to develop future projects — including more mysteries — so fans of Stanton Falls can look forward to new work from me soon.
Last of the Autumn Rain
Diana Louise Webb’s Last of the Autumn Rain is an emotionally charged novel that weaves together trauma, tragedy, and mental health through the voice of a haunted narrator named Julie. The story opens with a deadly accident at a nightclub that kills Julie’s best friend and spirals into a psychological journey touching on abuse, betrayal, obsession, and revenge. As Julie revisits past experiences from her childhood in New Jersey to a near-fatal spring break trip to Mexico, she reflects on the forces that shape identity, morality, and the thin line between sanity and madness. With fictionalized events that feel brutally real, Webb holds nothing back in her mission to spotlight the stigma and neglect surrounding mental health.
The writing is sharp, vivid, and unsparing. Webb’s prose can be poetic in one moment and violently raw in the next. Her scenes of abuse and trauma are gut-wrenching without being gratuitous. I often found myself re-reading lines, not just for their emotional weight but because they caught me off guard in how directly they confronted the reader. There’s a beautiful messiness in the storytelling. Fractured timelines, flashbacks, inner monologues, and haunting hallucinations that all blend into Julie’s spiraling mental state. At times, the chaos felt overwhelming, but it always felt deliberate. It’s like the author doesn’t want you to read this passively, she wants you to feel every drop of blood, guilt, and silence.
I found myself torn over the narrator. Julie is not a reliable or particularly likable character. She is violent, self-serving, and damaged. But that’s kind of the point. I couldn’t shake the feeling that Webb was daring me to judge her. One moment, Julie is saving someone from abuse; the next, she’s casually describing a childhood act of horror with a twisted sense of pride. I didn’t always agree with the choices she made. The novel sometimes seemed to blur the line between victim and perpetrator, and I admired Webb’s courage in forcing us to sit with those contradictions. It’s rare to see a female protagonist written with this much moral ambiguity and rage. And it’s even rarer for a book to make me feel that conflicted and still want to keep reading.
Last of the Autumn Rain is not a light or easy read. It’s intense, messy, and emotionally exhausting, but in the best way. This book is for readers who crave raw truth over tidy resolution. It’s for those who have battled demons or known someone who has. I would especially recommend it to fans of Gillian Flynn or Alice Sebold, readers who don’t mind going into the darker corners of the human mind. Webb has something important to say about pain, silence, and survival, and she says it with brutal, unforgettable honesty.
Pages: 235 | ASIN : B0FGQMMC27
Let Them
Until I Come Back for You follows a young girl, the youngest of five siblings, as her family escapes the dangers of Detroit and tries to build a new life in the countryside, only to encounter a menacing and violent new neighbor. What was the inspiration for the setup of your story?
That’s easy – my real life! My family really did leave Detroit in the early 70s, and my city-slicker parents really did buy a small farm on a dirt road in rural Michigan. The bad guy is fictionalized, but the setting and family characters are all real.
What was your approach to writing the interactions between characters?
For me, the key to dialogue is to let it come quickly, naturally, and not overthink it. Don’t argue with your characters – let them speak. Let them stutter. Let them mispronounce words. Because that is how humans talk. Dialogue should “play” in the readers’ heads as if they can hear it, and so it has to “sound” authentic. If a writer edits dialogue the same way she edits the narrative, you lose that authenticity.
How do you balance story development with shocking plot twists? Or can they be the same thing?
For story development, I’m an avid plotter. I map out the big parts of the story, the bones. For this story, I focused on “the event” and worked backwards to include everything that had to come before it. Then worked forward, writing all the consequences and fallout.
The plot twist(s) were afterthoughts that organically stemmed from the story. There is a writing rule: “Get your protagonist in trouble. Then get them in more trouble and more trouble.” When I did that, she really surprised me, and it was just my job to capture that.
What is the next book that you’re working on, and when can your fans expect it out?
For right now, I’m having so much fun with this book, I can’t even think about another. This was a bucket list goal for me, so I’m just allowing myself to revel in this moment.
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Right where she left it.
UNTIL I COME BACK FOR YOU invites you to wallow in the comforting nostalgia of the 1970s, a simpler time when there were only three TV channels, two colas, and one phone in the house. Smell the honeysuckle of lazy summer days; listen to sisters sharing whispers in bunk beds before drifting to sleep. Just when you get comfortable, you’ll find yourself stranded in a tree, dragged across a field, held down on a cold examination table. Taste the blood in your mouth from a lost tooth. Feel the breath of a predator on your neck. Hear the death rattle of a lost soul.
Follow one family’s history woven into the tattered fabric of the Midwest and witness one girl tear at the seams of girlhood, suspended between the generations of women who reinvented womanhood.
Suspense on Every Page
Choice of Evils centers around a former district attorney now working to defend a millionaire accused of killing his best friend on a rock-climbing excursion. Where did the idea for this novel come from?
Colorado really does have a “Choice of Evils” statute in its criminal code. It’s the actual name of the statutory defense. The phrase is in the jury instruction, too. It provided the inspiration for my legal thriller.
The “choice of evils” defense applies when the tragedy the defendant prevented by his act would have been worse than the crime he committed. A textbook example is a runaway train heading for a trestle. Five people, unable to escape, are on the trestle. They are going to die. The defendant flips a switch and causes the train to take a different trestle, where only one person is killed. One died, rather than five. It was a choice of evils, and if the facts are proven, it is a defense to the homicide of the one person.
Most states give the defense the boring name “justification. You’ve gotta admire the creativity of the Colorado legislature.
In most jurisdictions, it cannot apply to murder; in Colorado, it can.
The title of the statute gave me the idea for the book. The title came first, then I needed a plot! But how can “choice of evils” apply to murder? What could be worse than murder? I sought out examples in the Model Penal Code. Sure enough, one provided my overall story. Two men are rock climbing. The survivor claims they slipped, and he had to cut the rope to save himself; otherwise, two would have died, rather than one.
Throw in a couple of complications: (1) the man who fell to his death was having an affair with the wife of the man who cut the rope, and (2) they were business partners with a key man life insurance policy that paid two million dollars to the survivor should one die.
The prosecutor filed the charge. Wyatt Blake, former prosecutor, now criminal defense lawyer, defends it as his first murder case from the dark side, pitted against the current district attorney, who had beaten Wyatt in the election.
So, with Choice of Evils, the title came first.
Where do you find the inspiration for your characters’ traits and dialogue?
I was a prosecutor for over 30 years, so Wyatt Blake has a lot of me in him. His voice is pretty easy for me to use, as is the humor. When writing dialogue, I often cut and shorten it during the editing process.
Ryker Brando, the autistic criminal defendant, was fun to create. I have a cousin who is autistic. Several of his mannerisms were fodder for this character. I pored over books on the topic of how autism can apply to criminal defendants and used that material.
I read a couple of books about how a person can make money by setting up an Only Fans account when creating my fictional Intimate Fans account used by Chloe Brando. I, ahem, subscribed to one Only Fans account as part of the research. It was educational and informative! Alas, I no longer need it so I unsubscribed.
The courtroom scenes are informed by the 178 jury trials (111 homicide cases) I have tried in real life as a prosecutor and criminal defense lawyer.
What is the most challenging part of writing a thriller?
The most challenging parts of writing a thriller are the same things a novelist faces when writing any book: you need to put suspense on every page, to keep the reader interested and turning pages. Furthermore, you need to make the reader care about your main character, so he or she is invested in the outcome. Care must be taken not to make your protagonist too perfect, or your villain too purely evil.
Can we get a glimpse inside the next book in this trilogy? Where will it take readers?
Make My Day picks up the week after Choice of Evils ends. Wyatt Blake gets his second murder case, this time featuring another Colorado defense–the “make my day law.” Under this statute, you can shoot a person who breaks into your home without waiting for them to attack you. Wyatt’s client is a former state senator, who has shot a man he claims he mistook for a burglar. The man happened to be a movie star who date-raped his daughter. Meanwhile, Wyatt’s love life has become complicated. Harper Easton’s former fiance is back in the picture, and another potential love interest is throwing herself at Wyatt. As always, ethical issues abound!
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Choice of Evils
Choice of Evils, by Morley Swingle, is a sharp, twist-filled legal thriller that follows Wyatt Blake, a former district attorney turned defense lawyer, defending a millionaire accused of murdering his best friend during a rock-climbing trip. Set in the snow-draped peaks of Colorado, the story weaves courtroom drama, moral gray areas, and emotional backstories into a compelling tale of justice, loss, and the fine line between right and wrong.
What really pulled me in wasn’t just the whodunit mystery; it was Wyatt himself. He’s a flawed, smart, funny, sad guy who’s trying to stitch his life back together after losing his wife in a freak skiing accident. His inner thoughts are dry and biting, like when he watches a potential client chew his nails and thinks he hasn’t “encountered scissors in months.” That kind of dark humor is sprinkled throughout the book and made me both laugh and wince. I felt his grief when he hides the photo of his daughter before meeting the accused murderer, Ryker Brando. Swingle writes pain without melodrama.
Ryker Brando is a chilling character; detached, calculating, and unnervingly composed. He openly admits to cutting the rope that led to his best friend’s death, yet displays no visible remorse or emotional turmoil. Instead, he presents his actions with stark, matter-of-fact reasoning. This emotional flatness makes him difficult to read, let alone sympathize with, yet it’s precisely this ambiguity that gives his character such power. Swingle resists the urge to paint Ryker as a clear-cut villain; instead, he challenges the reader to grapple with the unsettling logic behind Ryker’s choice. “Two people die, or just one,” Ryker says, and you’re left genuinely unsure of what you might have done in his place. The novel’s treatment of the “choice of evils” defense is not only compelling but also intellectually provocative, presenting legal nuance in a way that’s accessible without ever oversimplifying.
The courtroom scenes are particularly well-executed. Unlike many legal thrillers that get bogged down in tedious procedural detail, Swingle’s narrative moves with precision and energy. His legal expertise is evident, but what stands out even more is his ability to translate that knowledge into sharp, engaging drama. The pacing is brisk, the dialogue crisp, and the legal sparring, especially between Wyatt Blake and his successor, Chad Coburn, is both intense and layered. Coburn, a former NFL linebacker turned district attorney, brings an aggressive, politically charged edge to the proceedings, making their confrontations not just legal battles, but deeply personal and ideological clashes.
The supporting characters are also given room to shine. Nikki, Wyatt’s resourceful and sharp-tongued secretary, adds both levity and depth, underscoring Swingle’s talent for creating memorable, multidimensional personalities. By the final chapters, I found myself fully invested, not just in the outcome of the case, but in the broader questions the book raises. The narrative explores themes of guilt, justice, and moral ambiguity with both intelligence and emotional resonance. Whether or not Ryker is truly guilty almost becomes secondary to the exploration of what guilt really means. Swingle delivers this with wit, emotional insight, and a firm grasp of human complexity.
Choice of Evils will appeal to readers who appreciate legal thrillers that delve into moral ambiguity and psychological depth. With its layered characters, ethically charged dilemmas, and compelling courtroom drama, the novel offers both intellectual engagement and emotional impact. For those who enjoy thoughtful, well-paced narratives grounded in legal realism, this is a standout choice.
Pages: 731 | ASIN : B0F6M1YJHL
Moonrise
Moonrise is a dark, winding tale that starts off as a corporate retreat and spirals into a visceral horror-thriller packed with strange rituals, power games, and a literal beast lurking in the woods. At its center is Anthony Montgomery, a weary mid-level employee who’s forced to navigate a world where loyalty tests involve taxidermied wolf paws and a monstrous creature might just be real. The book straddles the line between corporate satire and supernatural horror, and the way it flips from mundane work-life nonsense to full-on blood and snow makes for one thrilling ride.
Claiborne starts things off slow, with Anthony being the perfect jaded everyman, reluctantly sipping wine at an awkward office retreat. Then suddenly, we’re howling under the moon with a taxidermy paw full of wine and being told to drink up like it’s a frat party hosted by Satan. The scene with Mr. Morgan and the “Omega” ritual was unhinged. And I loved it. The writing here is sharp and cinematic, capturing that uneasy tension between corporate absurdity and primal chaos. It’s weird, but in the best way.
But it’s not just the gore and weirdness that kept me hooked. The characters—especially Anthony—are written with surprising depth. His interactions with Luna, his sense of duty to his girlfriend Sidney, and that internal battle between temptation and loyalty felt real. And then that scene in the woods? Where Anthony sees the creature for the first time? Pure horror movie magic. The tension was unbearable, and I was genuinely sweating. Claiborne describes the creature in such vivid detail. Anthony’s injury, the adrenaline, the decision to play dead—all of it was so well done.
There were a few moments that felt a bit over the top. Some of the hospital scenes ran a little long, and a few of the jokes didn’t quite match the tone of the rest of the book. There’s also a lot of internal monologue—some lines hit just right while other didn’t. But honestly, that added to the charm in a weird way. It gave Anthony this raw, messy humanity. He’s not a hero. He’s just a dude trying not to die and maybe score a promotion, which somehow makes him more relatable. I won’t spoil the ending, but let’s just say it leaves enough questions dangling to make me suspicious of every CEO with a vineyard.
Moonrise is for fans of offbeat horror, black comedy, and corporate satire. If you like your monsters bloody and your protagonists flawed, this book is for you. It’s not for the faint of heart or anyone looking for a polished, buttoned-up read. But if you’re in the mood for something different—something wild, creepy, and a little unhinged—pick this up.
Pages: 267 | ASIN: B0CLYXKZGZ
Unanswered Questions
CONVOLUTED: The 1972 Durham Family Triple Homicide takes readers through the fifty-year-long investigation of the murders of Bryce, Virginia, and Bobby, exploring the multiple leads, theories, motives, and suspects that have been put forth in the case. What inspired you to write this book and tell their story?
These murders took place in my hometown when I was not quite seven years old and only two miles from my family’s home, so I grew up with knowledge about the case. It held my attention throughout the decades because of how heinous it was and because it continued to be unsolved. I had periodically considered writing about the case, and I ultimately decided to do so when, fifty years after the murders, authorities announced that the killers had been identified. This surprising development and the questions it generated were the catalysts for me finally deciding to move ahead with a book about the murders.
One thing that stands out in your book is the depth of your research. What was the process like to collect all of this information, and how long did it take to put it together?
I worked on the book for a solid two years. Initally, I was not convinced I had enough material to warrant a book, but after I delved into a plethora of news articles, ordered court documents, gained access to investigative files and audio recordings, and conducted my own interviews, I ended up with more than enough. In fact, it was so much material that I had to decide what to leave out without compromising the story as well as take the remainder and figure out how to present it in such a way that would both engage and make sense to the reader. Some of the materials – particularly the taped interviews with one of the alleged perpetrators and the son of another – were especially difficult to acquire, and it took many months of begging for them before I was ultimately granted access.
Did you find anything in your research of this book that surprised you?
Throughout the history of this case, most people have agreed in their suspicion of the son-in-law’s involvement, but there was never enough concrete evidence to link him to the murders. When it was announced that four members of Georgia’s Dixie Mafia had killed the Durhams, the remaining and unanswered questions were who instigated the murders, and if these four Georgia men really were the killers, who arranged to bring them to North Carolina? With suspicion of the son-in-law in mind, I hoped to find links between him and the Dixie Mafia. I did find it curious that he eventually moved to Georgia and became an attorney, establishing his law practice only about thirty minutes from the alleged killers’ home base. It was also very odd that his second wife was the step-daughter of an attorney, who not only defended one of the alleged killers in another murder case that would eventually be compared to the Durham case but also married into a family that this same alleged killer’s wife was also connected to. While these things may have been purely coincidental, I find them odd and was quite surprised by them.
What is the next book that you are writing, and when will it be published?
Prior to this book, I was already working on another book detailing the history of crime in my home county in North Carolina, in which the Durham case was going to be discussed among many others. When the 2022 developments occurred in the Durham Case, I decided to put that book on hold and write a stand alone book on this case. Although I am not sure when it will be ready for publication, my plan is to return to working on the original book as well as write some short stories or something along the line of blog posts on my author’s website. I also have other book ideas in mind, mostly dealing with local history and family stories, and hopefully those will be realized in the years ahead.
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LITERARY TITAN 