Posted by Literary Titan
Sleepeth Not, the Bastard is a fascinating and thought-provoking look at suicide and how it affects the people around the tragedy. Why was this an important book for you to write?
While I myself have had no direct experiences with suicide, I’ve been around many people who have, and have also been stuck in situations surrounded by people who literally teetered on the edge of themselves with staying alive being on one side of that edge, and ending it all being on the other. It’s a sticky subject to talk about because so many people have a fixed concept in their minds that suicide is always, always, ALWAYS a bad thing. I’ve often questioned it myself, the idea of what it would be like to kill myself (albeit not seriously, just what the scenario would be and why and what would happen after the fact). I suppose it may be strange to think that yes, there can be reasons for one to want to end themselves. After all, we aren’t asked to be born, why can’t we have the freedom to decide when enough is enough? Then again, that’s not exactly the motive behind the suicide factor in this book. It’s become a wonder to me why so many people see victims of suicide as being selfish or even cowardly when it feels as though those left behind couldn’t possibly make that call themselves. To end one’s own life, depending on the circumstances of course, may be the most brave thing someone can do. I wanted to explore that with this book, because when Josh does take the leap, he puts into motion a train wreck that can’t, but also SHOULDN’T be stopped.
Your characters are always well thought out and often go through dramatic transformations throughout the story. What is your writing process like in developing your characters?
Generally, especially as of late, I can’t plan out from the start where my characters will end up by the end of the story. Most of the time I just start writing, and sometimes something in the background or from my memories will inspire me to expand upon said idea. The characters, as with all if not most writers out there, all have a little part of me in them. Sometimes characters turn into what I wish I could be. Sometimes they exist in a world in which I wish I existed, and so on. With “Sleepeth Not, the Bastard”, the characters just sort of came out of me; the dialogue, the exposition, the plot surrounding their actions and influencing their motives. I can’t describe it as well as I’d like. Maybe, if anything, I take the worst of me and put it into the story hoping the characters can figure out for themselves what would be the best course of action.
I understand that you work in the service industry and often travel from state to state. How has your work helped you write your books?
Travel has had a huge influence on my writing. Constantly being in a state of motion is more or less the cheapest drug I’ve ever been able to get my hands on, but with it also comes a slew of emotions. Being away from the people I love, not being able to feel the comfort of my own bed, things like that have a heavy effect on what goes on the page. Meeting people everywhere I go aids significantly in fueling the personalities and behaviors of my characters. As nasty as my job can get, even with the worst days I’ve had while on the clock, being on the road is more than enough to make up for it.
Your stories often cover a wide range of themes in many different genres. What is one genre or theme that you haven’t yet touched but want to write about?
I’ve dabbled in science fiction and fantasy in the way WAY past but don’t think I’ll ever go back, but that could change. I’ve considered tackling psychological horror, sort of in the vein of Edgar Allen Poe and Eli Roth, but there’s very little in the works in that department. Sometimes I’ll watch a horror movie and think, wow… I could definitely write something like that, and it’d be fun and terrifying. But then I get stuck on my other writing, my contemporary fiction kick that I’ve been on for a while. Who knows? After the book I’m currently working on, I might make a go at something completely different.
“The gravity of fate is nothing in comparison to the fleeting warmth of a loved one’s last kiss…”
….thus reads the final words of High School Senior Joshua Feranna.
Several years later, Lew, his father, currently working for a faceless loan shark, has dipped into a drug and lust-filled method of cope. Separated but not divorced, his wife Autumn finally tracks Lew down, begging him to come home to help take care of their identity-in-crisis daughter Zoey.
But when Lew’s friend from high school, Sarah Fox, having lived the life of a drummer in the all-but extinct rock band “The Bastards” returns to town stalked by a rumored “Resurrection Tour”, Lew’s world truly becomes a thing of legend….and doubt.
What transpires from then on is a continuing snowball effect that will inevitably lead to the cataclysmic destruction of one family and others as the world continues to busy itself around them in seamless melancholy.
“Sleepeth Not, the Bastard” is a story about people, each one steadily climbing towards a foreseeable yet undeniable end. Each person influencing the other in one massive string of events escalating and culminating at the end of their respective worlds whether those worlds be of mental, emotional, psychological, or delusional origin.
Part drama, part dark comedy, part rock ‘n roll epic, with a copious and perhaps endless helping of sex, drugs, and infamy… “Sleepeth Not, the Bastard” is a romp for this generation, an homage to those that came before, and a warning for those that follow.
Posted in Interviews
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Posted by Literary Titan
Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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