Posted by Literary Titan
Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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Posted by Literary Titan
The University of Corporeal and Ethereal Studies is a genre-crossing novel with elements of a science fiction, paranormal, and fantasy as well. Did you start writing with this in mind, or did this happen organically as you were writing?
My idea for The University of Corporeal and Ethereal Studies began when I was falling in love with the Steampunk sub-genre and I knew I wanted to write a series of short stories set in a fantastic, fictional university with the themes of sci-fi and fantasy that are often seen in Steampunk. As I was developing the stories I quickly realized that I wanted to incorporate paranormal and horror elements in order to give the book a darker edge. I was also in the midst of reading a lot of H.P. Lovecraft, which has certainly had an influence on my writing.
The story is divided into a number of different perspectives from each character. What was the inspiration for your characters and what themes did you try to use?
It all started with my friends from college. I have been very to lucky to meet a lot of interesting and diverse people with a wide variety of backgrounds and studies, which inspired me to write about a cast of characters who are all very different, but still wind up becoming the best of friends. The deeper themes of these characters wrestling with inner demons and overcoming fears and flaws actually stemmed from my own darker thoughts and fears, and over the years of writing and editing, the characters also took on lives of their own, evolving into the people you see in the final draft.
The University is an intriguing place that rivals Hogwarts and begs to be explored. How did you set about creating this imaginative world?
As a child I was definitely inspired by J.K. Rowling, so there is an element of Hogwarts about the University, but primarily this world began when I was actually in college and shortly afterward. I was – and continue to be – amazed by the latest breakthroughs in science and the fantastic expressions of artists of all mediums. As I began brainstorming ideas for a Steampunk University I could not help but imagine impossible, dark twists on real studies of arts and sciences. The world that the University is situated in is even more exotic, as it is inspired by the rich diversity of our own real world, as well as history and of course, sci-fi and fantasy elements from a life as a bookworm.
What is the next book that you are working on and when will it be available?
The sequel to The University of Corporeal and Ethereal Studies is still in the first draft stage. I have it all outlined and I am plugging away at writing it, one day at a time. The characters from The University will be traveling abroad – but I am not done with the University itself. I have an anthology book in mind with another variety of short stories set at the University, exploring more of the dark and creative studies there. The first sequel is undoubtedly at least a year or two away, but I am working on it as fast as I can. I am very excited to share my writing with my friends, family and anyone who enjoys sci-fi, fantasy and paranormal fiction.
At the University of Corporeal & Ethereal Studies meddling with unknown powers can be dangerous work. Courses in arts and sciences experiment with supernatural forces to solve the mysteries of the universe, but when school projects go awry, the students may discover more than they would like to about the madness of the cosmic ‘Beyond’.
Eight interwoven stories follow students whose school work, social lives and inner demons crash together, leading to fantastic and horrible experiences, supernatural powers, and a fuller understanding of the dark depths of their world.
Classes include subjects such as time travel, alchemy, oneironautics, psychedelic transformation, rogue automatons, cosmic ghosts, reality-warping crystals, and more.
Posted in Interviews
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