An Invisible Child is a memoir of your life growing up with an abusive mother. Why was this an important book for you to write?
I have an unusual story to tell. It is a true story. It is a story about pain, despair, and a struggle to survive. It is my story. I grew up invisible. I was unloved, abused, and shut away from the outside world. There was no school for me, no classmates, no friendships with other children. Under my psychotic mother’s rules I was not even allowed to be touched or speak to family members. I was my mother’s prisoner, and I lived in panic and fear. Later, when I left my mother’s asylum I found it very difficult to function in the world. I started to write my story for myself, with a need to release my pent-up feelings by writing about them. In the process, I was able to free myself of some of the unbearable pain I experienced in childhood. I soon realized what a compelling story I had to tell. So I decided to put it out into the Universe with a hope that others might learn from what I went through and be able to overcome as I have. Writing this book has also helped me to find my own voice.
The book recounts many memories that were sad and sometimes unbelievable. What served as a guide for you while writing your story?
My feelings and memories were my guide, plus a file my uncle kept on me when I was growing up. My uncle was persona non grata and was not allowed into my mother’s apartment. But he was collecting information from my grandmother and father about the abnormal isolated life I was living with my mother. As I went through the file I found all kinds of information, including a legal document stating that my mother was about to take her life along with mine when I was four. I used the file to write about all sorts of hidden details of my childhood that I never knew about.
Writing a memoir causes one to look back at their life in a different lens.
Writing a memoir causes one to look back on their life in a different lens. Is there anything you see differently now that you wrote this book?
Yes, I am now much more aware of how horrible my life was when I was growing up, I just didn’t want to see it. I didn’t want to deal with the reality of it. Now that I have been able to confront my past, I have been able to feel my feelings, cry my tears, and finally accept my childhood for what it was — and go on from there. I am no longer terrorized by my mother’s demons, and her voice in my head has been replaced by my own. I revised my book several times, and each time I have come closer to the truth of who I really am.
The story ultimately serves as a message of hope. What do you hope readers take away from the book?
I do hope my book will be helpful to those of you who feel lost and alone in a world that can be cold, cruel, and indifferent. What I want to convey to my readers, more than anything else, is a feeling of hope. One can suffer, the human spirit can be crushed and one can plummet into an abyss, but one can rise above despair. I know – because I have, as I went from one crisis to another, learning and growing emotionally, overcoming the pain that dominated my life. By persisting and not giving up, one can eventually succeed and make a life that is fulfilling, with pleasures and joys from just being alive.
Trapped in the twisted world of a psychotic mother, Lenore Ossen is shut away from the outside world. For her, there is no school. No classmates. No friendships with other children. Under her mother’s insane rules, she can’t even turn to family members for solace, and so, day after day, she lives in panic and fear. How can she survive such terrible treatment? In deep despair, Lenore learns to retreat to the safety of her own mind. There she creates a world of fantasy and yearns for someone to take her away from her deranged mother. But there is no one. Most people suffering such abuse would go out of their minds. What makes Lenore different? How does she endure? What drives her to rise above her traumatic past?
In this compelling true story, Lenore Ossen describes what living in isolation with a psychotic mother feels like to an innocent child. In telling how she broke free of the nightmare enslaving her, she reaches out to give hope and comfort to other victims of abuse.
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In …I Just Look Like This, a book fitting for those seeking spiritual guidance, the author, A. Kirk Williams M.D., seeks to guide the reader towards finding peace in a world filled with lies and chaos. Williams provides social commentary in the form of articles, poems, and journal entries pertaining to a variety of topics in history, biology, and spirituality in no particular order.
Every chapter contains a new topic, allowing readers to piece together the greater story as they read. Most of the chapters are short, but ultimately leads to a provocative message pertaining to white males destroying the earth and inflicting misery on the rest of the world with their selfish, capitalistic, and destructive intent.
Williams attracts a large audience by relating to multiple cultures through his interesting genealogy and popular message of finding peace. Slowly, he reveals a controversial message to his initial pursuit of peace by encouraging people to be skeptical of ”those in power” and later equating that to white males. This turns into a biochemistry lesson on why white people are inferior to other races, using his professional background as a medical doctor as leverage to make his point.
The author uses some examples from history to boost his claim of white inferiority by presenting cases of war, genocide, and negligence committed by those of European descent. I felt that the historical cases were cherry-picked and ignored similar incidents throughout history perpetrated by other races on different continents.
This book has some great advice for living a happy life. Williams encourages his readers to seek a deeper sense of spirituality by pursuing mental, spiritual, emotional, and physical discipline. He details how to balance each of these four areas by seeking the innate truth of the world. This allows allows readers to find the truth that lies within them. Mostly, this is done by prayer and seeking the will of God, but I would have liked to have read a more defined description of this this search for truth.
Another inspiring concept addressed in …I Just Look Like This pertains to the benefit of close communities and seeking the wisdom of those who have experienced more in life. It’s the author’s view that wisdom comes with age and how he wished he had listened to his father’s advice on many things, saving him from his shortsighted nature.
While there are many life lessons and entertaining passages, I felt that this book blames many of the world’s woes on whites. Those uneducated in world history might be easily persuaded by Williams, but it’s always important to fact check authors with such bold claims of racial inferiority. This book has the potential to accomplish the opposite of the author’s stated intent, to promote peace, and instead, inspire hatred of others.
Pages: 158 | ISBN: 0964189453
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Energy Medicine – A Collective Approach: This book provides a consolidated approach to healing the body on a mental, emotional and physical level. It includes five healing systems: Neo-light healing, Reiki, Chakra healing, Color healing, Crystal healing. When combining all five systems, one is opened up to a powerful energy force and healing occurs in the metaphysical, spiritual and physical dimensions. This book is set out in a way that allows one to also access a collective healing approach to specific weaknesses or disorders in the body. It contain an A-Z list of diseases/ailments, giving a collective healing approach for each. This book provides the metaphysical benefits of crystals, listed in alphabetical order for easy reference. Neo-light is a new healing system and, to date, information on this energy healing technique can only be found in this book. It describes how to use the healing technique, the Neo-light symbols and how to create a Neo-light healing box. Reiki is usually passed on from teacher to student, which hampers those who are unable to reach out to a Reiki master. Whilst not discrediting Master to Student attunements, this book offers the gift of self-attunement to all. ‘Hon Sha Ze Sho Nen’ removes time and distance, and the attunement has been channeled into the script. It describes how to perform Reiki, and has pictures of the hand positions. Learn how to create healing boxes for healing, manifestation, weight loss, fertility, abundance and much more.
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Walking Over Eggshells is an autobiography about your life and how you survived growing up and living with mental abuse. What inspired you to put your experiences into a book?
Originally I never intended to publish my experiences of growing up, I wrote about my life solely for my children to explain my parenting skills, or lack of them and to give them a greater understanding of me as a person. I was aware of the effects of the fraught relationship I had with my mother but totally unaware of the cause. As I recount in the closing chapters, it was only after her death that quite by chance I read about Narcissistic personality disorder and my mother’s reactions, behaviour and responses ticked all the boxes. I was over 60 when she died and only then I learned that no matter what I’d done, I would never, ever have been able to make her love me. If only I had walked away decades earlier I could have saved myself years of heartbreak. From talking to other victims in various forums I realized there were thousands of people out there in a similar position and that’s when I decided to publish my story. From the huge number of emails I’ve received, I know it has helped many others and that has been the greatest award of all.
In this book you talk about many of your life experiences. What was the hardest thing for you to write about?
The way my mother behaved towards me, belittled, mocked me and hurt me. I was also aware that many people would not understand why I was so stupid and returned time and time again only to receive more abuse. Only those who have been conditioned and brainwashed from birth to revere parents and respect families would understand this, many other people wouldn’t. As I wrote it opened the wounds, but at the same time pouring it all out on paper helped the healing process.
The novel covers the entire span of your life including your childhood. What is one common misconception you find people have about child abuse?
The media is full of stories relating to sexual abuse. To the outside world I was an only child, with all the comforts, food, nice clothes, private school, even the hated ballet lessons, living in a beautiful area in England. But what went on behind closed doors was ongoing mental abuse, and I think this has a more damaging effect that any other kind of abuse. It strips away your sense of worth, your self confidence, destroys any chance of achieving your potential. It doesn’t stop the day you are old enough to say ‘no this is not right’ because you can’t rely on your own judgement you have been taught that you are the problem. It follows you through life and while some simply give up, others will try again and again to be the perfect person and will fail again and again. I grew up in the days when there was no such thing as Child Line, no one to talk to, all adults stuck together, no one criticised the older generation. I was totally alone in an ongoing nightmare.
What is the next book that you are writing and when will it be available?
I published Walking over Eggshells in 2013, and since then, I had written two further memoirs about my career in writing for radio and television full of funny and tragic stories.
I have also written four action/adventure books set in Africa featuring my heroine Amie and the latest of these is Cut for Life published in October 2017.
I am taking a month off to co-ordinate my marketing strategies (which are a disaster!) and then I will begin the next Amie book.
Walking Over Eggshells is an autobiography that tells the story of a mentally abused child, who married a “Walter Mitty” clone who took her to live in many different countries. They moved from England to Kenya, from Libya to Botswana and on again to South Africa. It took all her courage to survive in situations that were at times dangerous, sometimes humorous, but always nerve wracking. She had a variety of jobs, different types of homes, and was both a millionairess and totally broke. At one end of the scale she met royalty, hosted ambassadors, and won numerous awards for her writing and for her television programmes. At the other end, she climbed over garbage dumps, fended off the bailiffs, and coped with being abandoned in the African bush with a seven week old baby, no money and no resources. She admits to being the biggest coward in the world, but her survival instincts kicked in and she lived to tell her story. This book will make you laugh and cry, but also it also explains the damage being brought up by a mother with a personality disorder can inflict on a child. However, it is not all doom and gloom, and hopefully it will inspire others who did not have the best start in life either. All names have been changed to protect both the guilty and the innocent – and that includes the author as well!
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Sleepeth Not, the Bastard is a fascinating and thought-provoking look at suicide and how it affects the people around the tragedy. Why was this an important book for you to write?
While I myself have had no direct experiences with suicide, I’ve been around many people who have, and have also been stuck in situations surrounded by people who literally teetered on the edge of themselves with staying alive being on one side of that edge, and ending it all being on the other. It’s a sticky subject to talk about because so many people have a fixed concept in their minds that suicide is always, always, ALWAYS a bad thing. I’ve often questioned it myself, the idea of what it would be like to kill myself (albeit not seriously, just what the scenario would be and why and what would happen after the fact). I suppose it may be strange to think that yes, there can be reasons for one to want to end themselves. After all, we aren’t asked to be born, why can’t we have the freedom to decide when enough is enough? Then again, that’s not exactly the motive behind the suicide factor in this book. It’s become a wonder to me why so many people see victims of suicide as being selfish or even cowardly when it feels as though those left behind couldn’t possibly make that call themselves. To end one’s own life, depending on the circumstances of course, may be the most brave thing someone can do. I wanted to explore that with this book, because when Josh does take the leap, he puts into motion a train wreck that can’t, but also SHOULDN’T be stopped.
Your characters are always well thought out and often go through dramatic transformations throughout the story. What is your writing process like in developing your characters?
Generally, especially as of late, I can’t plan out from the start where my characters will end up by the end of the story. Most of the time I just start writing, and sometimes something in the background or from my memories will inspire me to expand upon said idea. The characters, as with all if not most writers out there, all have a little part of me in them. Sometimes characters turn into what I wish I could be. Sometimes they exist in a world in which I wish I existed, and so on. With “Sleepeth Not, the Bastard”, the characters just sort of came out of me; the dialogue, the exposition, the plot surrounding their actions and influencing their motives. I can’t describe it as well as I’d like. Maybe, if anything, I take the worst of me and put it into the story hoping the characters can figure out for themselves what would be the best course of action.
I understand that you work in the service industry and often travel from state to state. How has your work helped you write your books?
Travel has had a huge influence on my writing. Constantly being in a state of motion is more or less the cheapest drug I’ve ever been able to get my hands on, but with it also comes a slew of emotions. Being away from the people I love, not being able to feel the comfort of my own bed, things like that have a heavy effect on what goes on the page. Meeting people everywhere I go aids significantly in fueling the personalities and behaviors of my characters. As nasty as my job can get, even with the worst days I’ve had while on the clock, being on the road is more than enough to make up for it.
Your stories often cover a wide range of themes in many different genres. What is one genre or theme that you haven’t yet touched but want to write about?
I’ve dabbled in science fiction and fantasy in the way WAY past but don’t think I’ll ever go back, but that could change. I’ve considered tackling psychological horror, sort of in the vein of Edgar Allen Poe and Eli Roth, but there’s very little in the works in that department. Sometimes I’ll watch a horror movie and think, wow… I could definitely write something like that, and it’d be fun and terrifying. But then I get stuck on my other writing, my contemporary fiction kick that I’ve been on for a while. Who knows? After the book I’m currently working on, I might make a go at something completely different.
“The gravity of fate is nothing in comparison to the fleeting warmth of a loved one’s last kiss…”
….thus reads the final words of High School Senior Joshua Feranna.
Several years later, Lew, his father, currently working for a faceless loan shark, has dipped into a drug and lust-filled method of cope. Separated but not divorced, his wife Autumn finally tracks Lew down, begging him to come home to help take care of their identity-in-crisis daughter Zoey.
But when Lew’s friend from high school, Sarah Fox, having lived the life of a drummer in the all-but extinct rock band “The Bastards” returns to town stalked by a rumored “Resurrection Tour”, Lew’s world truly becomes a thing of legend….and doubt.
What transpires from then on is a continuing snowball effect that will inevitably lead to the cataclysmic destruction of one family and others as the world continues to busy itself around them in seamless melancholy.
“Sleepeth Not, the Bastard” is a story about people, each one steadily climbing towards a foreseeable yet undeniable end. Each person influencing the other in one massive string of events escalating and culminating at the end of their respective worlds whether those worlds be of mental, emotional, psychological, or delusional origin.
Part drama, part dark comedy, part rock ‘n roll epic, with a copious and perhaps endless helping of sex, drugs, and infamy… “Sleepeth Not, the Bastard” is a romp for this generation, an homage to those that came before, and a warning for those that follow.
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Fractured is a captivating story of heroism, greed, and fulfilling one’s destiny. What was the initial idea behind this story and how did that transform as you were writing the novel?
Dune is perhaps my favorite book ever. I read it back in the day. After reading Dune Messiah, I was sure I knew what would happen next. When Children of Dune was published, I read it and threw it across the room, saying, “If Frank Herbert won’t write the book I want to read, I’ll write it.” I had no idea what I was doing, and I certainly had no concept whatsoever of where this first step of the journey would take me. But I knew I needed a “gimmick.” That’s when the idea of a world where sexism had never existed entered the story, but what began as a gimmick became an opportunity to define character with the facets of light and dark that exist in all of us rather than by the character’s genitalia and served as a significant guide to my world-building. Who are these beings that in their society there is no division of labor by gender? What differences between earth humans and the people of Garla (physical and mental) would bring such a thing about?
Lisen is a complex teenage girl that is brought to life by your writing style. What were the morals you were trying to caputre while creating your characters?
None of my characters is either all good or all bad. I revel in the gift of digging down deep and finding the darkness in the light and vice versa. For me, each character deserves the opportunity to show the reader all they’ve got and allow the reader to judge for herself. As for morals, I believe that one must know how to think before one can make any moral decision. Even then, the moral decision may not be the best decision at the moment. Sometimes, we have to sacrifice the “good” thing for the “right” thing (a major decision in book 2 illustrates that). Luckily, Lisen comes into the story with some pretty strong ethics that have been taught to her by the Holts, her guardians on earth. This allows me as the writer to challenge those ethics and see how she does.
What I loved most about the novel is that it plays with the idea of who is truly in charge of shaping our path in life. Did you put any of yourself or your experiences into this book?
I have always had a strong connection to the dead, but certainly not to the extent that Lisen does with her gift as a necropath. I think one of the most interesting aspects of the story is the character of Flandari, a woman too tightly wound to give her son any love at all and who is ultimately stolen away from Lisen before Lisen gets a chance to know her. My mother was a distant woman, and I realized after creating the character of Flandari that she was very like my own mother. Unlike me, however, Lisen finds a way to love. She makes a friend in Jozan, and there is clearly something going on with her Captain Cutie. She’s open to the possibilities, and this is thanks to her time with the Holts.
Fractured is book 1 in the Lisen of Solsta series. Where does book to take the characters and what do you invision for the series in the future?
There are 3 more books already available: Tainted, book 2, in which Lisen must come to terms with what to do about her brother (and which contains the true beginning of the match between her and Korin); Blooded, book 3, which finds Lisen struggling with this new mantle on her shoulders of Empir; and Protector of Thristas, book 4, which begins fifteen years after the end of Blooded because I wanted to know who these people became when they grew up. I am currently working on what was originally book 5 and the final book. However, it’s turning into a longer project than originally planned, and although it will still put an end to the story, it’s likely to be two books rather than one.
“Seventeen-year-old Lisen Holt only begins to realize that her life is fractured after a sorcerer abducts her from a California beach and brings her home to Garla. She awakens at Solsta Haven, a refuge for the spiritual members of Garlan society known as hermits. The sorcerer, Hermit Eloise, has returned Lisen?s body to its true form?a human-like marsupial with no visible breasts and a fuzzy pouch just above where her bellybutton once was. She then restores Lisen?s memory of her first ten years in Garla, leaving her earthly existence behind but not forgotten. Although she is Lisen of Solsta now, questions haunt her, questions Eloise refuses to answer. Who are the parents who left her at Solsta? Why did Eloise send her to Earth? And what is so important about her that Eloise has manipulated so much of her life? The answers will propel Lisen into a quest for a throne, and all that will stand between her and her birthright is her matricidal twin of a brother.”
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Echo by Marguerite Valentine is a coming-of-age tale that dabbles with mental instability and the crazy world of teenagers. It starts off slow as we learn about the main character, Echo, and her turbulent relationship with her mother. Echo is an adult when she starts telling her story, and goes back in time to when she was nine years old. She grew up in a single parent household and it’s obvious that there are strained feelings with her mother. The story is told in the first person as Echo tells us of her summers in Wales and meeting a boy, Ifan, who seems much like an apparition. The story weaves and turns as Echo grows up and learns more about who she is and how the idea of sex can have such power. Without giving too much away so as not to spoil the read let’s just say that Echo goes on a very long journey of self-discovery that both begins and ends at the farm in Wales.
The tale is broken into six parts and takes place mainly at the farm in Wales and then in London, England. The split between nature and the bustling city serves as a good divide for Echo’s life: the farm holds her youth, her innocence and her naiveté. The city holds her adult life, her disillusions with society and her pain.
The story jumps about and the grammatical issues can sometimes detract from the actual tale. As we learn more about Echo it becomes easier to attribute the choppy parts and the strange emotions the main character seems to go through to the fact that Echo is a teenager dealing with the complexity of growing up.
The central themes of self-discovery and dealing with abandonment are very prevalent in this story. Echo knows only her mother, whom she dislikes, and subsequently gets rejected or hurt by every male presence in her life. These are very real and heavy themes, but the way Valentine has Echo react to their heaviness is very realistic. Echo has been at a disadvantage from the beginning. While she has food to eat and roof over her head she is never treated quite like a child should be allowed to be. This becomes very important later in the story as we watch Echo make some questionable choices. It’s impossible for Echo to react in a ‘normal’ way because she was never taught how.
Aside from some continuity errors, Echo was definitely a more realistic coming-of-age story that suits our current world. There are no rose-colored glasses as Valentine gives us the very raw experience of Echo and her journey to adulthood.
Pages: 278 | ASIN: B0196YHSNC
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