Because It Was Raining tells a story of Louis who is a complex man dealing with death, loss, and mourning while trying to find his place in the world. Why was this an important book for you to write?
Well, Louis is in many ways a reflection on myself and my own experiences. Initially, I wrote this story as a therapeutic exercise, but as I progressed I began to see an opportunity to help other people with similar experiences and emotions. I wanted to reach through the pages, hold the readers hand, and tell them that they aren’t alone. From the reviews and feedback that I have received, I believe that I have managed to do that. I feel very fortunate to have been given a five-star review from Literary Titan and to have the opportunity to share my own experiences with others. If I had not written this story I probably would not have published anything ever.
Because It Was Raining is a novel about grief and how we can be trapped within the constraints of our own minds. What experiences from your own life did you put into this novel?
I actually used a significant portion of my own life in the telling of this story. The story depicts a trip to Kansas City, then to another town. I actually did get in a car with two women and drove with them to KC, saw the depicted meth house, picked up a man, then headed back to a house in Aurora Mo. where I stayed for two weeks. I also described situations that were very real to me such as the death of a friend as well as my grandfather, whom I was very close to.
I enjoyed watching the character progression of Boobe who was a complex multilayered character. What was your inspiration for this character?
Believe it or not, Boobe is based on a woman whom we actually called Boobe. In reality, she was a recovering meth addict who fell on hard times and relapsed. I wanted to show her as she was through my eyes over the years that I had known her. I wanted to use her as a means of saying that even meth addicts are people who feel and need love and compassion. I loved Boobe, and I felt that she was an opportunity to humanize those people who we routinely depict as less than human.
What is the next book that you are working on and when will it be available?
Currently I have several projects in the works, but the main focus is on a story which I have tentatively entitled “Eden”. This story will be set in the future and will follow more of a science fiction theme. Writing “Because It Was Raining” was draining enough on my mind that I felt a somewhat more playful story was in order. “Eden” will hopefully show up sometime in the next year.
A young man, tormented by his past, descends into a world filled with drugs, sex, and violence in an attempt to find salvation and meaning in life, knowing full well that the cost of failure could be his very soul…
It is a story that touches on depression, addiction, grief, shame, and the power of hope. Truly a must-read for anyone.
Posted in Interviews
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Dave Matthes’s irreverent, profanity-laced, often hilarious novel, Sleepeth Not, the Bastard, is a fascinating work of writing. It’s half sex, drugs, and rock n’ roll, and half a thoughtful and thought-provoking look at suicide and how it affects family and friends around the incident. Sleepeth Not, the Bastard follows two separate but surprisingly intertwined characters: Lew Ferranna, a deadbeat dad, drunkard, and generally unsavory character, and Sarah Fox, a famous drummer and rockstar from the all-female rock band, The Bastards. Matthes reveals in the opening pages of the story that Lew’s son committed suicide at the age of seventeen, and spends the rest of the novel’s tumultuous pages examining how that incident affected not only Lew and his family, but also how Sarah’s hardcore band, The Bastards, and their wild, rough-living producer, Wolfgang Stephanopolis fits into the mysterious puzzle of life.
I have had the privilege of reading several of Matthes’s works, and he has a skill that I have only seen before in Kurt Vonnegut. He is able to create completely unlikable, frustrating, and obnoxious characters, and turn them into protagonists that, for some unknown reason, you find yourself pulling for. The two stars of Sleepeth Not, the Bastard are superficially very unlikable: Lew has abandoned his daughter and wife after their son’s suicide; Sarah is standoffish, erratic, and crude. But perhaps what’s appealing about Matthes’s characters is the fact that they are so relatable. Though hopefully few of us know people who would commit some of the frankly horrible acts that Matthes’s characters perform, it’s a fact of life that everyone has flaws. It is refreshing to see characters dealing with problems that we, as readers, have likely seen or experienced ourselves: the demise of relationships, parental-child fights, addiction, depression, and death.
Fortunately, though, Sleepeth Not, the Bastard is not all doom and gloom. In his solid novel, Matthes manages to create humor (albeit dark) in the absurd situations he places his characters in. Whether it’s a tiger outside of Vegas, a minivan driving through the garage door, or the insanely gaudy (and proud of it) producer Wolfgang Stephanopolis, Sleepeth Not, the Bastard manages to bring a smile to readers’ faces in the most surprising moments. The story lacks only in a few small facets that irritated me personally, specifically the lack of double L’s in all of Lew’s parts of the story (meaning “walls” would be written as “wal s”).
Though it covers potentially disheartening topics, Sleepeth Not, the Bastard will not dishearten readers. Similar to Matthes’s other works, it manages to address the most unpleasant topics of life while also instilling a positive and motivating force in readers. It often feels as if Matthes’s charactesr are saying to readers what we all know but sometimes want to forget: Life can be ugly, hard, and miserable; but life can also be beautiful, surprising, and wonderful. As a reader whose family has experienced the pain and loss of unexpected death by suicide, I found this novel to be painful, at times, but overall uplifting and a reminder to appreciate the beautiful moments in life.
Pages: 453 | ASIN: B00N53IMWW
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Black Sky will take you on a personal journey of addiction through the eyes of a physician, Dr Y. What is addiction? Addiction can come in all shapes and forms and does not discriminate against race, color, age or social status. Addiction has a grasp on our society and Black Sky shows how discovering spirituality and understanding of addiction can awaken someone from the brink of destruction. Follow Dr Y as he unravels the web of addiction and shares his story of life as an addict, his recovery and how you too can overcome the battles of addiction.
Black Sky, written by Dr Y, is a book inspired by addiction and discovering the human soul. From the first few pages, you feel a connection to the author and feel inspired to push through your adversities, regardless of whether you have experienced addiction yourself or not.
Addiction is portrayed in the book as being “asleep” and in order to awaken and begin a life of sobriety, one must overcome their circumstances and begin to feel the void and emptiness that addiction has created. Addiction can also come in various forms such as wealth, drugs, alcohol and sex or even just a compulsive behavior that is rewarding, despite the negative consequences. Regardless of your addiction, each individual must go through a similar process to recovery.
There are religious tones throughout the book, however Dr Y. explicitly states that this book is not centered around one particular religion, and instead is based on the spirituality illness that addicts suffer. One particular quote summed up this sentiment perfectly “It has been said that religion is for those who are afraid of hell while spirituality is for those who have been through hell”.
As I was reading the book, there were multiple times where I felt like I had experienced a “light bulb” moment with understanding people who are battling addiction. It enlightens the reader on the mentality and challenges that addiction creates, but also focuses on the possibility of recovery. There are sections of this book that I believe will be quoted in years to come as Dr Y beautifully explains life and the importance of living. Black Sky shows how complex addiction can be and how hard it is to break free from the chains it has on our family, friends and relationships.
Dr Y allows the reader to explore his personal life and the roads that led to addiction to various substances. Interestingly, there are events which occur due to his addiction earlier on in his life which lead to certain career paths and choices. But addiction is always knocking on the door and it takes a series of events and mistakes that lead to Dr Y’s realization and sobriety.
I would recommend this to anyone suffering from addiction, or for anyone wanting to understand addiction and the hold it has on the human soul. I found the book to be extremely uplifting and truly believe that anyone suffering from addiction would find great solace and understanding from Dr Y’s words.
Pages: 260 | ASIN: B06Y3MVXSX
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Bar Nights by Dave Matthes is the first book of the Mire Man Trilogy, a chronicle of the life of Arlo Smith. Arlo comes home from work to find his wife and another man in the throes of passion on the kitchen counter. He decides that’s as good as a divorce decree, packs a bag, and walks out. In the driveway, his daughter and her boyfriend spark his rage, and he trashes the young man’s car with a baseball bat before he leaves. Arlo drives until his car breaks down, walks to a roadside bar, and stays. The owner, Vance, hires him as the janitor and gives him a tiny apartment above the bar.
Arlo doesn’t want to start over. His soul is already crushed by his former life and marriage, and in this bar, ironically named Purgatory, he has the freedom to be as drunk and indolent as he cares to. His only pleasure is in music. While he gets drunk in his apartment, the piano player downstairs fills his room with music. almost every night. He clings to the music but doesn’t want to meet her. When they do meet, she becomes the catalyst that forces him to face his life, his lies, and the hell he created along the way.
The plot of the story is simple, but there are so many nuances that I’d compare it more to Jazz than literature. Some of the barflies that come and go are character studies of people on the edge, or close to it, and reflect Arlo and Vance’s personal demons. The flow of the chapters adds texture and rhythm. The language is lyrical, sometimes pulling me out of the narrative just to appreciate the prose. Finding these gems was something I enjoyed while reading the novel.
Outside my window, the snow fell like the ash from a volcano…. I remembered looking out my window on Christmas morning as a child, and seeing the snow…. Little moments like that stole me from time to time. Burps and hiccups of nostalgia. A staple of regret temporarily sewing the rips and tears shut.
The author uses chapters in an unorthodox way, some as short as two words. Sometimes this works beautifully, but on occasion, a chapter seems more like a side note, or stray thought. I felt that the novel was repetitive in places, revisiting events and even phrases a few too many times, but in retrospect, some of that was clearly intentional. Addicts can be stuck on emotions or trauma, and that broken-record effect gave more realism to the characters.
Arlo is locked in a vicious cycle of self-hate, addiction, and depression that is reflected in the people he meets. Through Arlo’s eyes, we meet the patrons at the bar, his interactions with them colored by his personal misery. He’s afraid to meet Constance, the piano player, for fear that his illusions will crumble. Of course, fate intervenes, and he finally meets her by accident. They’re not in love, but they need each other to get through the desperation of their lives. Constance shoves him toward rehab, trying to save his life before he kills himself or becomes just like all the other drunks at the bar called Purgatory. Even that irony isn’t lost on Arlo.
This is a book for adults, as the language and situations are not for readers who are easily offended. It’s an examination of addiction and desperation that doesn’t sugar-coat anything. The author doesn’t spare any of the senses on this dive into skid row, and I could see, feel, and smell every detail. If you like Bar Nights, also pick up Paradise City, the next book in the trilogy.
Pages: 209 | ISBN: 1506198961
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