Category Archives: Interviews
Building Healthy Connections
Coco Goes Skating follows a young girl who sees people in the park wearing shoes with wheels, and becomes curious and wants to try them for herself. What was the inspiration for your story?
My childhood memories of learning to skate about the age of seven, is the same sport I love today.
Are there any emotions or memories from your own life that you put into your story?
Yes, I had lots of fun roller skating as a child in tennis shoes roller skates, then as I got older roller blades, and winning a race as a young adult at a skating rink some years ago.
What were some educational aspects that were important for you to include in this children’s book?
Parental support helping them build healthy connections with their children through the sport of Roller skating and the journey, the process, and the fun kids can have learning to roller skate and ice skate.
What other adventures do you have planned for Coco in the future?
I am still in the formation stages of new books for her as she grows up and continues to explore new life adventures.
Author Links: GoodReads | Amazon
Coco because curious about the shoes
and wants a pair of her own.
Experienced Coco’s skating adventure
in 3D style.
as she rolls her way into lots of fun.
An Age-Old Dilemma
Emergence: The Orbit Stone Saga follows a young man recruited into an ancient order of protectors who must learn how to navigate a world of ancient magic, political intrigue, and try to prevent a genocide. What was the inspiration for the setup of your story?
Ottix’ arc was mostly inspired by my own journey into law enforcement. Much as I did, Ottix has a desire to help others, protect the innocent, and make Orbis a better place. His story is not a rags-to-riches tale though. Other characters like Glacea and Armin follow this classic trope. Ottix however, was born into a good family that cared about him and gave him opportunities. I wanted to emphasize that bad situations or upbringings do not always create good characters. Ottix came from an upper-middle class situation and through hard work, ascended further beyond that station. The elements surrounding Ottix such as magic, politics, and genocide were inspired by classic fantasy stories and real history.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
My settings were inspired by a variety of things and places, as Orbis is a large world. I’ll start with Palagr, since it was the first region I developed. Palagr is based on my home, the southeast U.S. I wanted to share the beauty of this area with my readers. The towering pine forests and bountiful marshes are a sight few get to see and one I thought was worth sharing. Next came Mwantamba. At the time I began writing Emergence, my sister was traveling to Africa to study elephants for a college project. I researched the country’s wildlife, cultures, and history. Mwantamba is home to many fantasy creatures based on real ones. The Watu were inspired by Zulu, Maasai, and Swahili. Next came the icy homeland of the Visoibri, Vorigheim. This nation was developed with Iceland in mind. Many ancient Visoibri words are based on old Norse, such as Vorigheim which means “origin home.” I imagine the structures of Towerton to be norse inspired, though the culture relies more on magic than sea raiding as the vikings did. Every story needs a villain, and Emergence’s live in Metusol. The central land of the Azeri has a varied climate. On the west it is arid but has access to the ocean and plenty of trade routes. On the east side it is more temperate with most of the country’s agriculture. I wanted to reflect the Azeri’s split ideologies with this difference. Many of the people in Metusol just want to live a fair and happy life. But the rulers use the citizens for their own gains. My next creation was the Jah’kuls of The Paw. As I created the map, I ended up drawing an island in the southeast that kind of looked like a paw. Later on, I added an entire race, the Jah’kul, to the island. This race was inspired by the Khajit from the Elder Scrolls series. I figured if there are cat-people, why not make dog-people! Next came my favorite group of characters, the Marinites. These creatures were inspired by many things including the Zora from Zelda, Kitt Fisto from Star Wars, and Abe Sapien from Hellboy. I wanted Orbis to be connected by a large ocean, and the Marinites helped complete that goal. The other thing that connects the world is of course, the Orbit Stone ring. The magic ring of stones is the source of all magic on Orbis.
What were some themes that were important for you to explore in this book?
Throughout history there have been many examples of religion or politics creating opposing groups that are pitted against one another. I wanted to incorporate this age-old dilemma into Emergence. I also wanted to explore the themes of duty and loyalty. Characters are often torn between their loyalties to their family or nation and the greater good. I also wanted to explore how magic could be used other than in the traditional sense. The prevalence of magic and Azeri technology makes for a unique setting in which ancient magic and modern technology collide. Finally, I wanted to write about war and peace. Emergence delves into the fragility of peace and the brutal consequences of war, contrasting the ideals of unity and cooperation with the destructive nature of hatred and ambition.
Where does the story go in the next book, and where do you see it going in the future?
The second book, Convergence, will continue the story, focusing more on Razi as the new leader of the paladins. An ancient secret is revealed which changes everything. The truth about what happened to the ancient Visoibri comes to light. And the war against the Azeri rages on and eventually concludes. The second book dives deeper into the relationships between characters and even some romances. The third book, Transcendence, will take place 15 orbits after Convergence, and will focus on the paladin’s new mission after the war.
Author Links: GoodReads | Facebook | Website
The Paladins, an ancient order of protectors, rise up to counter the Azeri threat. Among them is Ottix, a young man recruited into their ranks, determined to fight for his world’s survival. As war erupts across Orbis, the Paladins lose their greatest weapon, and the future of the Republic hangs in the balance.
In the face of impending chaos, the heroes of Orbis must navigate a world of shifting allegiances, ancient magic, and political intrigue. With the stakes higher than ever, it’s unclear who will emerge victorious—and who will be lost forever.
The Orbit Stone Saga 1: Emergence is a high-stakes adult fantasy filled with complex characters, dangerous magic, and a world on the brink of war. Will Ottix rise to the challenge, or will Orbis fall into ruin?
Have Fun With Your Fandom
How to Celebrate Your Fandom is an interactive guidebook structured around 52 activities designed to help fans of any age dive deeper into their chosen fandoms, showing readers that you are never too old to find your passion. What was the inspiration for the original and fascinating idea at the center of the book?
NICHOLAS SEIDLER: We had an experience at a convention, in which we went to a panel on fanzines, and the presenters at the front of the room were talking about how difficult it is to make one. I was honestly totally disappointed in the panel, because doing a fanzine is as simple as writing down your thoughts on a piece of paper, making copies of it, and sharing it with others who are interested in the same topic. The point of entry should be so simple and available to everyone, but the fanzine editor presenters — in an attempt to make themselves a bit self-important – were giving bad advice to the audience. It actually demotivated the new and younger fans in attendance. After that panel, we had a conversation about how we needed to give fans better advice and encourage anyone to be a part of whatever fandom they are interested in!
STEVEN WARREN HILL: Together, we all became friends through our shared interest in several fandoms. We sought to express our enthusiasm for promoting “best practices” among fans by fostering positivity, encouragement, representation, and camaraderie, while rejecting the negative aspects of certain portions of fandom.
LIBBY SHEA: When I was brought into the project, the original idea for the title was “How to Be a SuperFan.” To me, that felt like we were setting a “higher level” of fan, which could very easily be used to separate and discourage those that may already feel excluded. All I could think of is 8-year-old me being told “Oh, you aren’t a superfan because you haven’t done everything in the book” and that set a negative tone for something that we all wanted to be very positive. So, we transitioned away from putting a label on fans to focusing on how to be more involved in what you enjoy. All of us (the authors) have become friends by being in the same fandom and celebrating what made our friendship as strong as it is, is the core of what inspired this book.
ROBERT WARNOCK: We’ve seen too much negativity in fandom over the years. We wanted to write something that was inclusive and non-judgmental, especially if someone was just starting out in their fandom.
What were some ideas that were important for you and the other writers to share in this book, and how did you come up with the activities you suggest?
ROBERT WARNOCK: It was important to keep the activities at the beginning fairly simple, so we didn’t intimidate new fans. We started thinking of activities in a brainstorming session at a convention.
LIBBY SHEA: Because this is a book aimed primarily at kids, teenagers, and those just entering into the fandom space, we really wanted it to be a guide of how to be an overall positive influence in fandom. So often you hear of fans taking it too far and forgetting that everyone they interact with are still people. The activities are there to give you a starting place. We originally came up with over 100 ideas, but wanted to focus on 52, so that you could do one a week for a year and allow yourself to deep dive into your fandom. They are in order from easiest to (our perceived) most difficult to complete. When coming up with our final list of ideas, we tried to keep in mind what it would actually look like for a younger child to complete them. We kept the ideas generic enough so that if you had limited money or resources, you could still have fun and feel like you’re a part of something.
STEVEN WARREN HILL: Coming up with the ideas was a lot of fun. Some of the ideas stemmed from odd things we did ourselves when younger. Once we had a long list of ideas, we grouped them in several different ways (such as by difficulty, and how much we liked each one) and also eliminated the ones that were too similar to others. As Libby said, we decided the final list should number 52, so they could be weekly goals, adding another functional facet to the book.
NICHOLAS SEIDLER: We also realized that fandom was a very broad topic – and we wanted to give advice that applies to them all. Whether someone is a bibliophile, a sci-fi fan, interested in gaming, likes to cheer for a sports team, enjoys horseback riding, music, or whatever, the advice in the book applies to their interests. We chose to select activities that everyone can do, regardless of ability, and they become more complex further into the book, as a person’s fandom and experience grows.
What are some tips you have for older generations that are just now learning to embrace the world of fandom and feel behind the curve from the younger generations, or even like a fraud for not being involved sooner?
LIBBY SHEA: It’s okay that you found your fandom when you did. It’s not about younger or older, and it’s not about how long you’ve been in the fandom. Everyone walks different paths to get to where they are. What matters is how you show up to engage today. Feel safe and confident in the knowledge that you are a fan now and that’s all that matters.
STEVEN WARREN HILL: I used to bristle somewhat at younger people joining the same fandom that I’ve been in for decades, for the usual flawed reasons, until I realized that without young people joining my fandom, the fandom would just keep aging until it died. We need to remember, first and foremost, that if someone says they are a fan of something, then they ARE, even if they enjoy it in a different way. Conversely, for older people who have privately been fans of something and are only just stepping into fandom, my number one tip is to treat all your fellow fans as equals, regardless of anything, especially their age or the extent of their knowledge.
ROBERT WARNOCK: It’s never too late to get started. Your involvement can be as immersive as you want it to be. Be observant early on in your involvement to get a lay of the land, so to speak.
NICHOLAS SEIDLER: Be your authentic self. If you love something, own it – most people will love you for it. It’s our interests and fandoms that make us interesting.
What is one thing that you hope readers take away from How to Celebrate Your Fandom?
LIBBY SHEA: Everyone has to start somewhere. When you finally get to the point of feeling fully immersed in your fandom, embrace others who are just starting out, pass this along to them, and join in their journeys.
ROBERT WARNOCK: That anyone can be involved in whatever fandom they choose, at whatever level they choose.
STEVEN WARREN HILL: That it’s okay to focus on positivity! Not just the positivity of your specific interest, but positivity among your fellow fans and across other fandoms.
NICHOLAS SEIDLER: And have fun. We interviewed over 30 fans from ages 5 to 101 years old (their interviews appear in the book) and that was the advice they each shared with us — have fun! I think that’s what our book is all about.
Author Links: GoodReads | X | Facebook | Website
Fandoms build friendships and communities through many engaging activities. With the help of this book, you can learn new ways to enjoy being a fan. Inside are numerous pathways that one can connect with others with similar pursuits! Whether it is through starting a collection, dressing in cosplay, writing a blog, or attending a convention, each of these brings happiness to those who participate.
This book also contains interviews with fans of all ages (5 to 101), who tell their stories and share how they participate in their hobbies. Celebrate your fandom and the things that you enjoy the most! Fun Things to Do! New Things to Learn! Cool Things to Try!
The Wonder of Archaeological Digs
Finders follows a group of university students on an archaeological dig in Cornwall who uncover an ornate, gem-encrusted Celtic relic filled with ancient mystery. What was the inspiration for the setup of your story?
I’ve often felt there’s something magical hiding just out of reach in the British landscape. I like walking to hillforts, standing stones, burial mounds, and the like. And I’m interested in reading about archaeological discoveries, watching videos about digs, and listening to history podcasts. All that came together in the opening of Finders.
Capturing the personalities of college students while keeping the story focused and moving forward can be a challenging task. What character did you enjoy writing for? Was there one that was more challenging to write for?
I especially enjoyed writing as Ozzie, mostly because of his wry sense of humour about the world and himself. I got stuck some way through the first draft when my bare, vague plot plan didn’t work, but Ozzie kept making me want to discover what happened next.
It was hard to express the main antagonist’s narcissistic megalomania and at the same-time make him seem like a real person rather than a moustache-twirling, melodramatic villain.
What were some themes that were important for you to explore in this book?
The fascination of exploration and discovery, particularly the discovery of what lies beyond the material realm; and, tied in with that, shifts in awareness. At least I think those are themes. To be honest, I never thought about the book’s themes until my developmental editor asked me what the central theme was . . .
Where does the story go in the next book, and where do you see it going in the future?
Mercie, Ozzie and Petroc journey through what Petroc calls “a more subtle level” of existence, where the relationship between mind and matter is different, as is the relationship between one mind and another. After confronting two of their enemies there, the three return to the dig. Now seeing the “normal” world in a new light, they confront the third of their enemies in a way they did not anticipate.
Author Links: Website | Instagram | Substack
Meaningful Work Is Messy Work
Serving the Leftovers shares with readers your journey from a fractured marriage and unfulfilling jobs into a life defined by compassion, chaos, and canine companionship. Why was this an important book for you to write?
I thought I was simply documenting the brutal mathematics of animal rescue—the endless cycle of intake and loss that defines the South’s overpopulation crisis. But somewhere between chronicling emergency calls and heartbreak, I realized I was excavating something deeper: the emotional archaeology of a life rebuilt from scratch. People think we just “like” dogs, but I was drowning in stories I couldn’t tell at dinner parties—stories that revealed I’d been rebuilding myself one rescue at a time, transforming from someone just existing through disappointment into someone living with purpose. The book became my way of honoring both the dogs we’ve saved and the ones we couldn’t, while showing readers that animal rescue isn’t charity work—it’s emergency medicine for a crisis most people never see. It is also proof that transformation can happen to anyone brave enough to follow what calls to them, no matter how impossible it seems.
What were some ideas that were important for you to share in this book?
I realized I’d documented a blueprint for quiet revolution—completely reimagining your life when everything feels impossible. The core message: the life you’re meant to live is already speaking to you. For me, it was that first dog I couldn’t turn away from. Each rescue was the universe saying, “This is your work.” Transformation doesn’t require permission or perfect timing. I started with a fractured marriage—hardly ideal conditions for a life-changing mission. Stop waiting for readiness that never comes. That thing pulling at your heart isn’t a hobby—it’s your next chapter trying to get your attention. Sometimes you have to trust the pull toward something that makes no logical sense.
Ultimately, our vision isn’t too big. Our current life is too small.
What was the most challenging part of writing your memoir, and what was the most rewarding?
Untangling the Beautiful Mess
The biggest challenge was trying to impose narrative order on what felt like controlled chaos—how do you create a coherent storyline when one day you’re fielding divorce calls while having an epiphany about purpose? Writing forced me to connect dots I’d been too busy living to notice—that every dog that changed my life had arrived exactly when I needed the lesson they carried, and that I hadn’t just been saving dogs, I’d been saving myself, one rescue at a time, building the person I needed to become to handle the life I was meant to live.
What do you hope is one thing readers take away from your story?
I hope readers walk away understanding that meaningful work is messy work—and that’s not a bug, it’s a feature. I want readers to stop waiting for a calling that comes without complications. The work that will transform your life isn’t the work that fits neatly into your existing schedule or makes sense to everyone around you. It’s the work that demands you become someone bigger than who you were yesterday—and becoming bigger always involves growing pains. The unglamorous parts aren’t obstacles to your dream—they ARE the dream. The sleepless nights, the impossible decisions, the moments when you’re too emotionally spent to remember why you started—that’s not evidence you’ve chosen wrong. That’s proof you’ve chosen something worth the fight.
Author Links: GoodReads | Facebook | Website
The Hope of Heaven
Singing Through Fire shares with readers how your life took an unexpected turn when you developed a chronic illness, leading you to cross paths with a youth pastor facing terminal cancer, and falling in love even though you knew your time together was limited. Why was this an important book for you to write?
Singing Through Fire was important for me to write because I knew God was calling me to share my story to encourage other sufferers. Walking through illness and loss was never the path I would have chosen, but it became a place where God’s presence and grace shone most clearly. Writing the book was an act of obedience, a way to testify to His goodness even in seasons of deep suffering. My hope was simply to be faithful with the story He entrusted me with.
What is one piece of advice someone gave you that changed your perspective on God and faith?
One of the most life-changing truths someone shared with me was that our present suffering, as heavy as it feels, is not the end of the story. Scripture reminds us that the eternal glory awaiting us far outweighs the pain we endure now. That perspective shifted my focus from asking “why me?” to lifting my eyes toward the hope of Heaven. It doesn’t erase the grief, but it gives it meaning and frames it in light of eternity.
What was the most challenging part of writing your memoir, and what was the most rewarding?
The hardest part was returning to memories that were still raw with grief and pain. Writing about them meant reliving them, and at times I wondered if my heart could handle it. But the most rewarding part was seeing how God had been present through it all, and how He wove beauty and love even into suffering. Putting it on paper gave me perspective, gratitude, and a way to honor the people and moments that shaped my story.
What do you hope is one thing readers take away from your story?
I hope readers come away with the assurance that even in the darkest seasons, God has not abandoned them. Life may not unfold as we expect, and suffering may come in ways that feel unbearable, but God is still faithful. If my story encourages someone to hold on to hope and to trust His heart, even when His plan feels hidden, then the book will have done its work.
Author Links: GoodReads | X (Twitter) | Facebook | Website | YouTube | Instagram | Amazon
Enter Matthew Silverman: a witty, wise, and impossibly joyful youth pastor and professor facing terminal cancer. What begins with a few random encounters soon ignites an extraordinary, God-written love story that neither of them saw coming.
As their unlikely romance unfolds between medical crises, late-night laughter, and unexpected musical performances, Matthew’s unshakable faith challenges everything Lara thinks she knows about God’s goodness—and what it means to walk with Christlike faith, resilience, and joy in the face of overwhelming grief and suffering.
But with time against them, one question looms louder than the rest: What if this gift is only for a moment?
Surprisingly funny and spiritually rich, Singing Through Fire is a modern-day “Job meets Lucille Ball.” It explores what it means to suffer, love, and even laugh and make music while your life is burning down around you. It eloquently gives voice to the aching questions many sufferers quietly carry—then takes readers inside the breathtaking story of two people who found miraculous love and defiant joy amid heartbreaking loss.
It reveals how God can use even our deepest pain to write the most beautiful love stories—even on the cusp of eternity.
Life’s Transience
Exits is a collection of poems that moves in and out of nature, memory, and mortality with a sharp eye and an unflinching voice. What inspired you to write this particular collection of poems?
Nearly all of the poems in Exits were written between 2003 and 2021, before the idea of authoring a book ever came to mind. Three years ago, I decided to incorporate what I considered to be my best work into a book entitled Line Drawings. However, during the process of selecting poems, I noticed that a substantial number were related to various aspects of mortality. This led me to curate a more concise, themed collection, and Exits was born.
How did you decide on the themes that run throughout your poetry book?
I think my focus on life’s transience — the finite nature of our biological selves — derives from three sources. First, I was raised without any religious training, so from a very young age, I was left on my own to ponder the enormity of the universe, time and eternity, and the meaning of existence. I remember being cognizant of death as early as age five. Second, as a physician and neuro-ophthalmologist, I’ve cared for numerous patients with serious and/or life-threatening diseases. And third, since 1999, I’ve had to deal with the spinal cord variant of multiple sclerosis and the ramifications of that disease.
Did you write these poems with a specific audience in mind, or was it a more personal endeavor?
During the writing process, the intended audience was always me, or, to be more precise, the facsimile of me that constantly looks over my shoulder and critiques every word I draft. The word ecstasy comes to mind. It captures the elation I feel when a line finally comes together, but it derives from the Greek ek stasis ― to stand outside of oneself.
There’s certainly nothing wrong with writing for a defined audience, or respecting the conventions of a particular genre, or exploring themes and issues that are currently in the public eye. My approach happens to be different. What matters most to me are the words on the page, how they sound in air, and meeting the standards I set for myself.
What did you learn about yourself through writing this book?
The lessons I learned while writing the poems and designing the book (which are outlined below) may be of benefit to other debut authors and/or emerging writers:
- Write poems that reflect your unique aesthetic sensibilities. Try not to be overly influenced by prevailing trends or by contemporary poetic styles.
- Edit mercilessly over an extended period. Satisfying first drafts often begin to show their flaws only after sufficient time has elapsed to afford an objective assessment.
- Begin your foray into publication by submitting poems to literary journals. This will help you determine which of your poems resonates with experienced reviewers. Before each submission, make sure that your poem is a good fit for the journal.
- Be patient. Practically every aspect of the publication process moves more slowly than expected.
- Be persistent. Exits went through twenty-two revisions over the course of a year before I felt it was ready for publication.
Author Links: GoodReads | Website | Amazon
We live our lives counting moments, those we hope will last forever, and those we fear. In Exits, award-winning poet Stephen C. Pollock transforms these moments into sublime and magical music. With language both intimate and powerful, he explores the fragility of life, the cyclical truths of nature, and the mysteries of renewal that arise from even the darkest places.
Each poem is paired with evocative artwork, creating an immersive reading experience that lingers long after the final page. From myth to mourning, from dreams to decline, and from flora and fauna to the warming of our world, Exits reminds us that beauty is never far from loss, and that every departure leaves a door ajar.
Winner of the 2024 North Street Book Prize for Poetry, the 2023 Readers’ Favorite Gold Medal, and seventeen other literary honors, Exits is a masterful collection for those who believe that poems should move you, stay with you, and change the way you look at life.
Step into these pages. Lose yourself in poetry that’s both technically exquisite and emotionally arresting. And discover why every exit is, in its own way, an entrance.
Authenticity and Spirituality
Grand Illusion follows a gifted Balinese fabric artist who meets a wealthy heir from the Emirates, who introduces her to a world of opulence and power, far from her roots and heritage. What was the inspiration for the setup of your story?
The setup began at the ending of Moroccan Sunset. Zayn Al Farooq was introduced as the youngest of Elena’s older brothers. We saw that he was into the privileges his family’s wealth provided. Yet he was fascinated by Mara’s ethereal beauty and creative talent.
When I began Mara’s book, I felt like I knew her character by now and could envision her unease in falling into Zayn’s lifestyle. Her cultural beginning was always about authenticity and spirituality. The cultural and religious barriers soon followed, making Zayn and Mara’s romantic connection next to impossible.
The entrance of Wayan, with a similar background, brought home the importance of her roots.
It seemed like you took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
To allow Grand Illusion to be read as a standalone, I had to walk a balance between readers who knew the characters intimately and those who were first being introduced. That required just enough backstory for new readers to catch up.
Basically, I had to focus on speeding up the less important moments between the characters, yet slowing down the primary moments. A good example is with Annie and Mara on the sailing yacht. Throughout the series, readers learned how much Annie loved that moment when the sail is hoisted. I have written it multiple times, so it was easy for me to speed through it. However, in this case, my editor, who had not read the other books, told me to write it like it was the first time, but now seeing it through Mara’s eyes. It completely changed the scene.
Now that you have finished your Annie’s Journey series, have you discovered anything about yourself while researching and writing these women’s stories?
I have a wide circle of friends, many of whom have faced serious stumbling blocks in their lives. The same applies to me. Personally, I believe in the ‘angels among us’ theory. In my writing, there is always someone who comes along to impart wisdom or insight. It can come from typical sources like a relative or close friend. But sometimes it is from a stranger, like the little old woman in the Bali market who cryptically told Annie, “The time to be happy is now.” Or it could be a stone like the one Annie gave to Sarah before her first art exhibition, or the blue diamond ring that Ramone gave Annie.
I finish each of these books with a sense of hope and anticipation about the future. Hopefully, readers experience that as well.
What is the next book you are working on, and when can fans expect it to be released?
Grand Illusion is being referred to as the 5th and final book in the Annie’s Journey series. Currently, I am taking 2 months as an author-in-residence in Blueridge, GA, to find inspiration for a new series. Although there is much to draw from here, I have to admit there are two characters from the series who keep whispering in my ear that their story hasn’t been told. Would it be so horrible if there were a sixth book???
Author Links: GoodReads | Instagram | YouTube | Facebook | Website | Pinterest | Amazon
The 5th and final book in the ANNIE’S JOURNEY series, Grand Illusion: Lesson of a Balinese Lotus, finds young Balinese fabric designer, Mara, at the pinnacle of the fashion world! Her success is bolstered by the charming and enigmatic Zayn, an Arab financier whose influence opens doors to a world of opulence and power. Yet, behind the glittering façade, Mara’s identity is lost in a labyrinth of illusions.
One fateful night, Mara meets Wayan, a fellow Balinese soul and costume designer to the legendary opera diva, Antonella Rossi. Both Wayan and Antonella are entangled in their own webs of deception, struggling to maintain authenticity amidst the pressures of fame and fortune.
As Mara and Wayan’s paths intertwine, the echoes of their homeland call them back to Bali, where the roots of their heritage await to ground them once more. But even if the wisdom and symbolism of their ancestors offer clarity, can they find the courage to redefine their paths?
LITERARY TITAN 