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The Kingdom Thief
The Kingdom Thief kicks off in a fantasy world. Princess Sitnalta is happy with her adopted parents, King Gerald and Queen Aud. She has a blossoming friendship, maybe more, with Prince Navor. But then a thief named Wilhelm gets his hands on a magical wish-granting coin. He rewrites reality itself. Suddenly, Wilhelm is king, Sitnalta’s parents are traitors in a dungeon, and she’s a fugitive. The catch is, Sitnalta is the only one who remembers the “real” world. She has to figure out how to fix a history that nobody else knows is broken.
I found this central idea really compelling. It’s a fantastic hook. The “gaslighting-by-magic” concept, where the hero’s entire reality is upended, creates immediate, high-stakes tension. I was completely on board. The writing itself gets the job done. It is clear, and it is direct. It moves the plot forward at a really fast clip. Sometimes, I will admit, it moved almost too fast. I felt the story leaped from one major plot point to the next. It was a whirlwind of a ball, a boat trip, and a new reality all in just a few chapters.
When Sitnalta discovers her world is a lie, I was devastated for her. The connection between Navor and Najort (the troll he is a reincarnation of) was a genuine surprise. I thought that was a brilliant twist. It added a new layer of tragedy and sacrifice to the story. I just wish I’d had more time to explore what that felt like for both him and Sitnalta. Their romance, which I was rooting for, was a really bright spot in the story, and it made total sense that their connection would grow so strong given the magical problems they had to solve together.
I really enjoyed the book’s finale. This book is a lot of fun. It is packed with creative ideas, big twists, and a classic good-versus-evil fight. I would absolutely recommend this for a younger YA reader, or really, for anyone looking for a quick, imaginative fantasy adventure. It’s the kind of book you can read in a weekend and just have a good time with.
Pages: 227 | ASIN: B0G1VTB3C3
Bixby the Peacock on Maple Street
Bixby the Peacock on Maple Street bursts with color, curiosity, and charm, a lively children’s story that transforms a simple neighborhood mystery into an unforgettable adventure. Shani T. Night welcomes young readers into the vibrant world of Bixby, a confident, radiant peacock who saunters through suburbia with effortless flair and a personality as bold as his feathers.
Bixby’s arrival on Maple Street immediately sweeps readers into a lively blend of whimsy and discovery. The rhyming text creates a rhythmic, almost musical flow, ideal for read-aloud moments with children ages 4–8. Night’s spirited word choices and vivid scenes spark laughter and wide-eyed fascination as Bixby weaves through gardens, sidesteps household pets, crosses busy streets, and carries himself as if the entire neighborhood is his personal stage.
Beyond its cheerful storytelling, the book quietly delivers genuine peacock facts, offering an engaging dose of learning within the playful narrative. This smooth fusion of imagination and information nurtures a child’s natural curiosity about the world, presenting knowledge in a way that feels inviting, light, and wonderfully accessible.
As part of the Interesting Tales series, Night once again turns everyday surprises into moments of magic. Bixby’s escapade reminds readers, young and old, that extraordinary wonders often wait just beyond the front door.
Bright, witty, and beautifully composed, Bixby the Peacock on Maple Street is a heartwarming celebration of exploration, nature, and the delight of storytelling. It deserves a spot on bedtime bookshelves, classroom collections, and in the hands of any young reader drawn to animals or unexpected adventures.
Pages: 29 | ASIN : B0FNGVM32L
The Demon’s Deceit
The Demon’s Deceit is the first book in Andria Carver’s “Divine Evolution” series, and it throws you straight into a gritty, supernatural underworld where addiction, trauma, and power all mix with the occult. The story follows Jeanie Bennett, a washed-up addict who wakes up to find herself under the control of Ms. Cummings, a wealthy, manipulative demon. Cummings offers her a deal, freedom from pain and fear, in exchange for becoming her unwilling assassin. What follows is a twisted dive into the world of the “Divines,” beings who exist beyond humanity, feeding on power, blood, and chaos. The story blends dark humor, philosophical reflection, and raw, uncomfortable honesty in a way that makes you both wince and laugh.
I couldn’t stop thinking about how real Jeanie felt. Her sarcasm, her self-loathing, the way she drifts between wanting to die and wanting to live again. The writing is sharp and punchy, and Carver knows how to make even the filthiest alleyway feel alive. There’s grit under every word, and I loved that the book doesn’t try to glamorize the supernatural. Instead, it makes demons bureaucratic, vain, and disturbingly human. Sometimes the dialogue felt very real, like overhearing someone’s breakdown in a dive bar. I liked that rawness, though. The pacing dips now and then, mostly when the lore gets heavy, but the character work keeps it grounded. I found myself laughing at Jeanie’s bleak humor and then suddenly feeling a lump in my throat when her grief crept through the cracks.
Carver’s ideas about divinity and morality are what really stuck with me. The book doesn’t hand you clean answers, it muddies everything. Who deserves redemption? What’s the price of feeling nothing? And can survival be noble if it’s built on someone else’s pain? These questions hum beneath the action and the blood. I liked how Carver never lets Jeanie off the hook; she’s messy, flawed, and maddening, but she’s trying, and that made me root for her. The mix of horror, dark comedy, and emotional honesty gave the book an unpredictable rhythm that made it feel alive.
The Demon’s Deceit feels like a gritty mashup of Neil Gaiman’s dark whimsy in American Gods, Gillian Flynn’s raw, damaged characters, and the cynical bite of Chuck Palahniuk’s storytelling, all wrapped in a supernatural noir that’s entirely its own. The Demon’s Deceit is a wild story that I heartily enjoyed. I’d recommend it to readers who like their urban fantasy dark, their humor twisted, and their characters broken but fighting.
Pages: 273 | ASIN : B0FLVVHS8J
Unveiled, A Journey to Soul Realization
Herb Cohen’s Unveiled: A Journey to Soul Realization is part memoir, part spiritual roadmap, and part therapeutic manual. It weaves together personal stories, neuroscience, energy work, and metaphysical exploration into one cohesive, soul-centered narrative. The book begins with Cohen’s background as a trauma therapist and gradually unfolds into a layered study of consciousness, ego, and the soul. Through detailed examples from his practice, he connects emotional pain and trauma to spiritual evolution. He invites readers to step beyond intellectual understanding and instead experience transformation through awareness, energy, and love. The book blends science and spirituality, often questioning what we believe to be possible while presenting exercises for emotional healing and personal awakening.
The writing has a rhythm that’s equal parts therapy session and spiritual transmission. Cohen’s approach is brave, at times raw, and occasionally unconventional. He doesn’t shy away from merging clinical insight with mystical belief, and that tension between grounded psychology and ethereal spirituality makes the book compelling. I found myself pulled in by his metaphors, especially his “rancid food” analogy for emotional pain. It’s simple and unforgettable. The science sections can get dense, yet they serve a purpose. They anchor the spiritual claims in something familiar, and that balance keeps the material from floating too far into abstraction.
What struck me most, though, was that Cohen’s idea of “unveiling” isn’t only about peeling back old layers over time, but about reaching a single, electrifying moment when the soul is revealed in its fullness. Through his Flow technique and compassionate guidance, he describes how the shift happens all at once, the veil lifts, and in that instant, everything feels wide open, limitless, and vividly alive. It’s not a slow climb toward realization but a sudden, breathtaking recognition of who we truly are. That moment, he says, is available to anyone willing to surrender and allow Flow to move through them, and reading his account made me feel the rush of that possibility.
The book ranges from trauma recovery to near-death experiences, from energy work to quantum consciousness. At times, it reads more like a collection of awakenings. Cohen’s voice carries humility and warmth, and his belief in human potential feels genuine. The way he talks about awareness, about simply noticing, resonated with me. There’s a sense of relief in his words, a reminder that maybe we don’t need to fix ourselves as much as we need to see ourselves clearly.
I’d recommend this book to anyone standing at the edge of their own transformation, therapists, healers, or anyone who’s tired of looping through the same pain and wants to see meaning in it. It’s not light reading. It asks you to think, to feel, and to let go of what you think you know. But if you’re ready for that kind of journey, Unveiled offers a heartfelt and practical guide to becoming whole.
Pages: 158 | ASIN : B0FJYMJFY8
The Siren’s Daughter
The Siren’s Daughter is a haunting retelling of the CHamoru legend of Sirena, set in the turbulent period of Spanish colonization in Guam. It follows young Tasi, a spirited girl drawn irresistibly to the sea, her mother Marisol, burdened by loss and duty, and her grandmother Benita, who clings to the old ways. The story blends folklore with history, showing how faith, colonization, and myth intertwine. As Tasi’s fascination with the ocean deepens, a mysterious conch shell and a spectral sea woman lure her away from her family and into the depths, transforming the familiar legend into something darker and more tragic. By the end, what was once a story of disobedience becomes one about possession, inheritance, and the ocean’s unrelenting claim on those who love it too much.
Author M K Aleja’s writing is steady and clear, then suddenly crashing with emotion. The rhythm is almost hypnotic, and I found myself swept along, just like Tasi. The dialogue feels natural, the imagery rich but never overdone. The story’s pacing has the quiet patience of an island tide, moving slow in places but always purposeful. What struck me most was how Aleja breathed life into the CHamoru world, its language, spirituality, and pain under Spanish rule. The historical setting isn’t just a backdrop; it’s a living force pressing on every choice the characters make. It reminded me that legends aren’t made in peace, they’re born from suffering, from people trying to make sense of what they’ve lost.
This is an emotionally stirring novel. There’s a deep sadness running through it, a mother’s guilt and a child’s longing wrapped in superstition and love. I kept thinking about how easily a wish, spoken in anger, can turn into a curse. The siren scenes are chilling yet beautiful, a strange blend of horror and tenderness that left me uneasy in the best way. I loved how the book questioned the version of history we inherit, how the colonizers’ telling of events erases the truth beneath them. By the time I reached the end, I didn’t just see Tasi as a victim; I saw her as a symbol of something older than the Church or the Empire, something that refuses to be forgotten.
I’d recommend The Siren’s Daughter to readers who love stories that feel ancient yet new, mythic yet human. It’s perfect for those who enjoy folklore with teeth and heart, fans of writers like Silvia Moreno-Garcia or Neil Gaiman will find much to love here. It’s a story that is equal parts sorrow and wonder.
Pages: 52 | ASIN : B0FSF9P6LD
Identity Crisis: Who Am I, Really?
Identity Crisis: Who Am I, Really? offers a striking blend of memoir and theology, tracing one man’s journey from abandonment and anger to spiritual renewal. The author begins with a vivid recollection of his upbringing in foster care, marked by instability, neglect, and emotional wounds. His story unfolds through a lens of deep honesty, moving from survival and self-reliance to the gradual recognition of divine purpose. What begins as a personal account of loss transforms into a broader reflection on how individuals construct their identities in an age of distraction, performance, and comparison.
The opening chapter establishes both the emotional and philosophical weight of the work. When the author describes “the names I had been called were weapons,” the reader is immediately drawn into his internal conflict between strength and brokenness. His career as a police officer becomes a metaphor for control, an outward display of stability masking an inward fragility. This contrast anchors the book’s central theme: that human worth cannot be secured through achievement, image, or reputation. The author’s eventual encounter with faith reframes identity not as something earned, but as something received.
Beyond the personal narrative, the book engages thoughtfully with cultural issues. In “The Crisis of Identity,” the author critiques the social and psychological consequences of the digital age, arguing that social media’s obsession with validation has eroded authentic self-worth. His discussion of the “comparison trap” is particularly compelling, weaving together research on narcissism and mental health with theological reflection. The prose maintains clarity even when exploring complex ideas, inviting readers to think critically about how technology shapes the self.
One of the most powerful sections, “When Labels Become Limiting,” exposes the damage caused by societal categorization and contrasts it with the Christian understanding of identity as being “created in the image of God.” The author’s exploration of spiritual adoption, our becoming children of God with a new name and inheritance, provides the emotional and theological resolution of the narrative. This theme of restoration lends the book both its moral force and its hope.
Identity Crisis is deeply personal yet widely relevant. It speaks to anyone wrestling with self-worth, purpose, or belonging in a world that prizes performance over authenticity. The author’s courage in revisiting his past, combined with his grounded biblical insight, makes the work both reflective and redemptive. Readers seeking a thoughtful, faith-centered examination of identity will find this book profoundly moving and intellectually satisfying.
Pages: 241 | ASIN : B0G1NK5V76
Words for a Wounded World: Scriptural Poems of Truth and Hope to Awaken, Convict, and Heal
Mark Richard’s Words for a Wounded World is a striking collection of scriptural poetry that bridges devotion and art. Structured in four parts, it journeys from the foundations of faith to the trials of endurance, calling readers toward reflection, repentance, and renewal. Each poem is rooted deeply in Scripture and followed by supporting verses, reflection questions, and prayer prompts, turning what might have been a simple poetry book into a comprehensive devotional experience.
The opening poem, “From Fig Leaves to White Robes,” immediately reveals Richard’s strength as both a poet and teacher. His retelling of humanity’s fall and redemption through Christ captures the tension between sin and grace with vivid simplicity. The combination of biblical narrative and lyrical rhythm sets the tone for the rest of the collection, earnest, reverent, and unashamedly focused on God’s mercy.
Throughout the book, Richard writes with pastoral sincerity. Many of the poems were originally written for individuals he ministered to, and that intimacy infuses each line with authenticity. His words are direct and urgent, reflecting his desire to reach those caught in spiritual struggle. At times, the tone feels intense, more prophetic than poetic, but it remains grounded in compassion rather than condemnation.
Several poems stand out for their emotional resonance. “Think Again, Let Christ Define” is particularly compelling in its treatment of identity and mental renewal, reminding readers that transformation begins in the mind: “Your thoughts, dear soul, are not benign—They shape your heart, your path, your mind.” Similarly, “Believe in Prayer” offers a tender reflection on faith’s persistence, inviting readers to approach God with both confidence and humility.
By the end, it becomes clear that Words for a Wounded World is not meant for hurried reading. Its structure, poem, Scripture, reflection, and journaling space encourage contemplation and engagement. It is ideal for those seeking a devotional guide that combines poetic beauty with spiritual depth.
This book will particularly resonate with readers who appreciate Scripture-centered writing and desire to deepen their personal walk with God. Thoughtful, sincere, and rooted in faith, Richard’s work reminds us that even in a wounded world, the Word still heals.
Pages: 135 | ISBN : 13: 978-1-63746-564-6
LITERARY TITAN 