The Witch Trials: The Becoming, by Intrigue Sui Generis, is a short work of historical dramatic fiction. The book is centered around the life and times of Sylvie, a middle-class woman living in southern France during the late 17th century. The story is predominantly about her life, her personal difficulties, and the broader milieu of the time period. Much of the story also concerns her husband Leon and his relationship to the broader Catholic Church, though the nature of this relationship is not well described, or at the least it is unclear how he is so involved with the church despite his main profession. The book also includes content about the broader scope of the time period.
The historical content of this book reads as semi-fictions with the author’s experiences, beliefs, worldview, and sense of morality bleeding into the pages of this book. The 1600’s in France were themselves bloody times, but the author largely washes away that bloody history, due in part to a lack of detail in the story. The story also includes much more active female roles, especially for those of a middle-class status during that time period. While it is heart-warming to think of a female character, seeking to rise above her station in a steeply patriarchal society infused with, what we would consider, harsh and vile religious fundamentalism, much of it is romanticized so that you can follow Sylvie’s story through this dark time without feeling too down about it.
Sylvie’s entire history prior to her marriage to Leon is contained within a single page, which seemed too short for me as I found her to be an intriguing character and I wanted to learn more about her. I enjoyed that this book was a short and concise novella, but at the expense of detail. Sylvie comes from a Protestant upbringing, but I felt it was unclear what kind of Protestant. The brevity of the story helps focus this book into a character driven novella, but leaves you wanting more. Overall, the historical additions of the book are strong and seemingly well-researched (as evidenced by the bibliography at the end of the text), but I would have loved to have this further fleshed out to lengthen the book, and these details would have clarified the setting and character motivations for me.
The Witch Trials: The Becoming is intended for a young adult audience with a decent attempt at historical accuracy. There is sexual content, but it is only slightly more bawdy than a television show from the 1950’s. There are also depictions of human suffering, the outcome of torture, and threats of imminent pain and death, but these are also very sterile. Overall, this book is short and easily provides a few short hours of entertainment.
Pages: 56 | ASIN: B07D68YSQZ
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Once upon time, women struggled to gain notoriety capable of any feat besides household responsibility. The struggle was life and death in the resistance of recognizing the inevitable rise of women. Starting life in Italy with a wealthy protestant family. Sylvie idolizes her father Dr. Fiore. Sylvie has her hopes set on being one of the first female doctors known to the area. But when Sylvie is married off to a wealthy craftsman named Leon, in France, she quickly realizes that this dream may be out of her reach and possibly run the risk of death. Is Sylvie’s dreams worth dying for? This book starts our journey in a small town of Eze in Southern France in the late 1600’s and tells a fictional story based from real time events in our history. This is book one of a new short story series.
Posted in book trailer
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Miss Sally is a portrait of a young girl growing up in Texas in the 1930’s. Why was this an important book for you to write?
Primarily because I was living in Texas when I wrote it and my three daughters, though not yet in their teens, faced the hazards of adolescence, the coming of age which always is difficult and which Sally Halm, the protagonist of his novel, confronted in exaggerated form. I spent my boyhood in a small predominantly Protestant rural community and felt it important to portray what rural life was like for a contemporary audience.
The 1930’s are one of my favorite eras because of how much was going on across the country. Why did you choose this as the time period for your story?
My parents were severely affected by the “Great Depression”: they lost everything and had to start life anew in very changed circumstances. Texas was one of the states most affected by migration and the social changes that the Great Depression triggered. Mere survival became the primary preoccupation of millions of people. These are basic ingredients for the making of a novel.
Sally is a simple minded girl, she is not beautiful, and her family treats her this way. How did you set about capturing the thoughts and emotions of a young girl in the 1930’s?
I had a clear impression of Sally, who she was and what she was like, before I began and in the process of writing became Sally, at least to the extent of feeling what she felt, seeing the world as she experienced it, incorporating my own background of growing up in a socially restricted rural community where failed crops and tent revivals were a reality.
What is the next book that you are writing and when will it be available?
I’ve just completed a novella about how an incapacitating illness affects a marriage. It’s being considered by several editors. Also in the hands of editors is a recently compiled book of published short stories about Mexico. This fall I’m issuing as an ebook a nonfiction account of government repression of a teachers’ movement in Oaxaca, Mexico, which includes firsthand reporting. It’s to be called Kill the Teachers! And I’m beginning work on a freewheeling journalistic appraisal of the confused political and economic shenanigans involving the United States and Mexico.
This is the story of a young girl’s painful initiation into womanhood: the discovery of sex without hope of love, and grief without the release of tears. The setting is rural Texas in the 1930s, a rough and tumble environment in which the thirteen-year-old Sally Halm questions but tries to appease her authoritarian mother’s religiosity, appeasement that leads to misguided attempts to seek a salvation that her environment ruptures
Sally’s father has distanced himself not only from his wife but Sally and her two older brothers and two older sisters. The mother’s ally is the son who hopes to become an evangelical minister; the rebel is Sally’s oldest sister, who Sally and the middle sister Hill’ry discover in a lovemaking tryst with a neighbor boy. Hill’ry is the family’s child protégé who is given privileges that Sally is denied and who Sally both envies and admires, attributes which tumble her into misadventures than Hill’ry sidesteps.
As Sally struggles to reconcile the concepts of “sin” and “salvation” that seem to dominate her life she ricochets between hope and rejection. Inspired by the testimony of a woman evangelist who recounted rising from degradation to achieve happiness and prosperity thanks to accepting Jesus as her personal savior Sally tries to emulate her but realizes “everything I do I do backwards, I can’t even sin without people laughing at me.”
Sent to live with relatives in another part of central Texas, Sally becomes infatuated with an older cousin whom she helps to milk and to breed a mare. Though supportive he’s a man who seems to hate himself, a hard drinker who has no use for religion and prefers the company of prostitutes than that of “churchy people.” Again Sally does things backwards and alienates him as she’s alienated others. Her decision to run away from family, from the she’s leading and has led, thrusts her into even greater entanglements, entanglements that make her realize how difficult it is to have one’s immortal soul saved, even when that’s all that one has left.
A reviewer cautioned, “You’ll love Miss Sally, but she’ll break your heart.”
Posted in Interviews
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