The False Prophet is set in a post apocalyptic America and follows Donald of Fisher, our unlikely hero, as he must confront an army raised to conquer the land. What was the inspiration for the setup to this exciting novel?
The question applies to the first novel, The Stonegate Sword as well as The False Prophet although it is not necessary to have read the first book in order to understand the second. The initial idea was to create a character with a world view similar to present-day America and place him in a society with very different values, such as Medieval Europe. I considered a time-travel approach, but then hit on the idea that in the future the world could enter a second Dark Age. So the main character, Donald of Fisher is a lore-man, steeped in the study of the past from an early age. Then circumstances forces him to take up a sword and take on the role of a warrior. The conflict between the evil figure in the west owes a bit to Tolkien and a bit to the prophecies of the last days in Biblical prophecy. I made no attempt to create the details associated with the Antichrist, except that if the imagery in Scriptures is taken literally, it sounds as if the final battles will be fought with antique weapons. I realize that this could be figurative language, but I decided to take it literally, and that implies, again, that a dark age lies in the future.
The story follows two characters, The False Prophet and Donald of Fisher, which I felt were two contrasting characters. What themes did you want to capture while creating your characters?
The story follows the archetypal “hero’s quest.” Don is the hero and must face adversity. The False Prophet is the anti-hero and he does not actually appear in the first novel, being only a rumor, a malignant force driving the forces of evil. In the second novel, he is revealed to be a ruthless despot of the kind with whom we are all familiar. The Prophet’s armies are the driving force behind much of the conflict that Don must face and overcome, though human frailties (his own and those of his companions) are other obstacles in his path.
There were many biblical undertones throughout the novel. Where do you feel you paralleled the Bible and where did you blaze your own path? And how did that help you create an engaging story?
The story of the novel does have some similarities to the Bible in that the Israelites were often raided by their enemies and the kind of weapons were similar. The military tactics I describe are probably not similar to those used in Bible days, although some of the principles are timeless. The use of walled cities reminds one of the Bible and also Medieval Europe. The political situation in the free cities east of the mountains reminds me of Israel during the time of the Judges, when there was no king, and “everyone did what was right in their own eyes.” The apostasy or falling away from the faith is prophesied in the Bible. The rediscovery of lost technology, for example, cannons, is a new path. The idea of a man of sin arising in the last days is found in the Bible.
The False Prophet is the second book in the Stonegate series. Where does book three take readers?
Book three will take place a generation later. The False Prophet was not destroyed, and the evil in the West rises again. It is up to the children of Don, Rachel, Carla and Howard to bring the saga to its final conclusion. Donald, now a middle-aged man, past his prime, attempts to mount an invasion of the West to overthrow the Prophet, but his attempts are met with disunity among his friends and overwhelming might of his foes. As to be expected, the victory depends on help from a totally unexpected quarter.
Stonegate remains the key, and Donald returns to that great walled city and his beloved Rachel just as the hosts of enemy are also closing in. Part adventure, part love story, this epic saga covers the vast panorama of New Mexico deserts and Colorado Rockies in a possible future that looks very much like the medieval past. But duty, love, courage, and honor remain and are even more important than ever.
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Samuel Cardiff had a plan. He had recently graduated from the Teachers College and now he was returning home. The first goal completed, his next step was to find a position and then he could get married.
Samuel was a quiet man, some would say a pacifist. He believed in God, family and education. He was not concerned with the happenings outside his home town.
Outside events, however, were about to drag him from his beloved Elmira. It was the spring of 1861 and Confederate forces had recently attacked Fort Sumter.
Against every moral belief, he enlisted in the Union Army and with his first step toward the south, he changed his life forever.
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Glossolalia is a thrilling ride through the mind of a woman who is seemingly normal but her life slowly unfolds to reveal something bizarre. What was the inspiration that made you want to write this book?
I have a keen interest in mind control of individuals, and the way controlling each individual can effectively affect a large number of people. All my life I’ve studied in depth the methods that agencies such as the CIA has historically used, and they often have manipulated people’s interest in the occult. And that seems like a topic rich with dramatic fictional possibilities, especially for Psychological Suspense, in which gaslighting is such a common element.
I know I love that electric shudder I get when realize something is not what I thought it was, when I’m just starting to put the pieces together and it’s first making sense, grim as the truth may be. I wanted to give readers that entertainment as well.
Nancy, is like many women at first, but she suffers from narcolepsy and has an addiction to pills that she is trying to kick. How her character unfolds and develops is fascinating. What was your plan as you wrote Nancy’s character?
The only way she can explain her fugues at first is to believe she has narcolepsy, but when she discovers what she does during her periods of amnesia, she realizes her problem is something entirely different from that illness. Similarly, she thinks she’s addicted to the pills to keep hallucinations and delusions at bay, but once she manages to stop taking them, she realizes her visions have been actual memories.
My plan with her was to create an anti-hero who finds a way to redeem herself while staying true to the dubious skills she’s been taught all her life. And she gives readers a way to inhabit the sympathetic victim as well as to perhaps develop compassion for people who are compelled to commit violent acts. In a way, she stands for all of us, because everyone has fallen prey to disinformation at some point, and thus has been an unwilling promulgator of it. And all of us have some chance at heroically redeeming ourselves for that, though of course, I don’t promote violence in any way.
There are a lot of fantastic twists in this novel along with a variety of surprises that kept me turning pages. Did you plan the novel before you wrote or did the story develop organically?
I planned it out to make sure all the plot points, pinch points, act breaks and all were in proper order. However, as I wrote it, I got new ideas for twists that were great fun to conceive of. For example, Brandon the YouTube conspiracy journalist with gigantism wasn’t in the completed first draft. Just as much as I enjoy the shudder of realization, I love the feeling of coming up with new plot twists. It feels delightful.
Glossolalia is book one in the Agents of the Nevermind series. Where does book two, Remember to Recycle, take readers?
People who like Glossolalia will probably like Remember to Recycle because it falls within the same genre categories including Conspiracy Thriller and Political Thriller, and while book one focuses on how coups are created, book two focuses on how proxy wars are created. In both cases, the emphasis is on how intelligence agents deceive the public into going along with the terrible treatment of other countries for profit motive, while pretending it’s for humanitarian aid.
Glossolalia referenced our society’s history, particularly related to intelligence agencies, as a foundation for the series, as well as a pattern of coups that’s been recurring for a very long time; Remember to Recycle specifically addresses what’s happening right now. It goes into all the types of trafficking that go along with war, which is the secondary meaning of the title.
However, the first meaning of the title is more obvious, because a major character is Dave, a homeless man who survives by going through people’s recycling bins and selling the stuff, like all the other guys on the street. But he comes up with a brilliant plan. As in Glossolalia, there’s a darkly humorous aspect to it, and he provides a lot of that. He was really fun for me to write, especially as it’s first person present tense, while he describes his life moment by moment to the “character” he affectionately calls Mr. Interrogator. He’s got a hell of a personality. He likes to wear a wide variety of costumes that he keeps under the bridge, and fancies himself an actor of sorts. He idolizes the Rescuers, who are based on the White Helmets.
No one but her uncle would hire Nancy, considering her habit of snapping out of amnesiac fugues, wondering where she got her bruises and the scent of men’s cologne. When she sees a crime of poison in progress at the company, she chases the truck carrying away the chemical legally deemed too toxic to use or to dump. Her pursuit leads to a convoluted world of political intrigue, esoteric rituals and an arcane Elizabethan spy code, and assassinations she never imagined – though her imagination is what holds that world together.
This conspiracy novel introduces a young woman with an ambiguous past involving herself in a killer organization with one layer after another of her psyche. DARK, even possibly DISTURBING ROMANCE, is key to finding elusive authenticity.
The old cartoonish formula of good CIA VS bad guys no longer is fresh and relevant. Though through a fictionalized agency, the books in this series, like Barry Eisler’s spy thrillers, explore the shady side of the CIA secret psy-ops, covert experiments, illusions, coups, media theater, psychological warfare, and illicit methods of funding. The Agents of the Nevermind series dares to explore the edgiest controversies and the convoluted lives intelligence agents must endure as they create bizarre delusions for the world in order to hide the truth about their nation’s financial foundation.
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In the lobby of a prestigious Wall Street investment firm, one man is dead and another seriously injured. The man accused of the crime now a fugitive.
When the Director of the FBI personally orders Special Agent Sean Kruger to New York City to find the fugitive, Kruger questions the reason. Told to shut up and do his job, he starts looking into the case. What he finds is troubling. Eye-witness accounts seem contrived with little variance between individual testimonies. The more he hears, the more he feels someone is manipulating the story.
As the investigation unfolds, he discovers the only information known about the fugitive is a HR file from a former employer. Public records of the man do not exist.
The fugitive is a ghost. A ghost who has disappeared.
When Kruger unearths information the investment firm lied about the incident in the lobby, he learns there is a possibility the fugitive was defending himself. He also discovers another individual is searching for the fugitive. An individual who has no interest in allowing the truth to be discovered.
When the cat and mouse game turns lethal, Kruger must use all of his skills and experience to find the truth, protect the fugitive, and ultimately stay alive.
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The Perfect Teresa follows a 43 year old woman that has hit rock bottom and is given a 2nd chance at high school by an ancient Aztec deity. What was the inspiration for the setup to this imaginative story?
I think we all have those moments we wish we could go back and re-do for whatever reason, whether it be an embarrassing childhood experience or something you wish you’d done differently as an adult. Of course, none of us can go back and do anything over, at least not without something completely absurd and fantastical happening. That’s really how this story came about. The “what if” question was, “What if there was some way, some kind of cosmic intervention that would allow someone to go back in time and re-do an experience?” And, yes, I’ve thought of what I’d do in a situation like that! So little by little, the pieces began to fall into place, and authors like Christopher Moore and Jenny Lawson really helped me to see that sometimes the most absurd things made the most sense. So, yes, an unemployed Aztec deity sending a woman back in time to do a talent show over again? Makes perfect sense to me!
Authors can often fudge the details in time traveling stories, but I felt that the 80’s was captured perfectly in The Perfect Teresa. What kind of research did you do to get it right or did you pull from experience?
So I guess I’ll date myself and say that a lot of the stuff in this novel is from experience and memory because I did attend high school in the late 80s! It was a fun process to re-discover 1988 New York City, and it involved everything from getting back in touch with childhood friends through Facebook, to doing lots of searches on Google Images and Google Maps. My old buddies really helped me piece together our old neighborhood (like remembering the Susan Terry store on the corner of Ditmars and 31st Street), while Google Maps helped me walk through some old haunts and rediscover old landmarks. The other big part of this process was music. I love music, and in 1988 I was really big into the underground metal scene. So just being able to put these playlists together and listen to these old metal and 80s pop songs really helped me situate the story. You can find a YouTube link to this unofficial soundtrack for the story on my website!
Teresa’s character is intriguing and well developed. She can’t move forward and is trapped in this sad, drunken life where happiness eludes her. What was your inspiration for her character?
Thank you! In some ways, Teresa embodies a lot of the self doubt and self sabotage that I’ve had to overcome throughout my life. But in many ways, her character was inspired by Bill Murray’s character in Groundhog Day, which I think is the one of the great stories about personal redemption through service to others. Like his character, Teresa starts off very unlikeable, very self-centered, and, as you said in your review, unwilling to take accountability for her actions. She’s got a long history of dumb, self-destructive tendencies, and she never wants to acknowledge that this is why her life is in ruins. But I wanted her story to be about self-discovery, and about realizing that her selfish actions have real consequences for others. So like Murray’s character, she has to learn through this new experience that there are things more important than a silly talent show, and that there’s real happiness in providing help and happiness to others. I hope that by the story’s end, we find her journey plausible and redeeming.
What is the next book that you are working on and when will it be available?
I’m working on two projects. One is a new time-travel sci-fi series tentatively called Quality Jones and the Time Keepers. But I’ve also started work on the sequel to The Perfect Teresa, titled The Perfect Vicente. I’m hoping to publish one of the other by the end of the year!
Lucky for her, an unemployed Aztec deity applying for Quetzalcoatl’s Trickster Department offers to grant Teresa her wish. He’ll send her back to 1988 to re-do the talent show! Catch? There’s no catch! After all, he’s a fully licensed deity with a Masters in Temporal Displacement Theory and a bachelors in Trickster Sciences and Cosmic Mischief. Besides, a talking coyote can be trusted, right?
For Teresa, it seems like the chance of a lifetime. But she soon finds that changing the past won’t be as easy as she thought, especially without Wikipedia. And that in a desperate effort to make her life better, she might end up making things much, much worse.
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Proud American is a biography about your journey through life in South Texas; from migrant worker to US solider and then US Border Patrol agent. What was the inspiration behind creating such a thoughtful memoir of your life?
My mother passed away in the summer of 2015. After her passing, I fell into a depression because I felt truly alone in the world. Being the only child of a single parent can do that to a person. I had my wife and kids with me but I still felt utterly alone, and I couldn’t shake it off.
My wife kept pushing me to discuss my thoughts and feelings, but I could not muster up the strength. I didn’t know how to discuss what I was experiencing. My wife suggested that I write my feelings down. For years, my wife has been telling me that she believes I’m a good writer. For years, I’ve been ignoring her compliments.
One night after dinner, she brought a letter to me. She handed me a piece of paper and asked me to open it. When I did, I saw that it was a letter I had written to her eight years ago. Eight years ago was when my wife and I first started dating, and one night she asked me over the phone, why I had joined the Army. I wrote her a letter and poured everything out on paper. It opened up the floodgates for me. That letter is now the first chapter of my book.
Do you remember what your idea of ‘America’ was as a child?
Because I began working at the age of seven, my idea of ‘America’ was that of tough living. It is hard for one to realize so young that his or her childhood is nothing like that of other kids. We were dirt poor and I had the full workload of an adult at the age of ten.
In time though, everything around me was a constant reminder of what else was possible in ‘America’. I knew there were better ways to make a living. At such a young age, I wanted to learn how to pursue my thoughts or dreams of a better life. I didn’t have time to dream of the next best toy or fun activity. I spent all my childhood dreaming and thinking of how to break my family cycle of picking crops for a living.
How did your outlook of ‘America’ change after your time in the US Army?
I must say that in many ways, the Army actually spoiled me. Although it increased my awareness of the harshness of life and the many challenges that it can impose on a person, it also continued to show me all the many possibilities available should one choose to work hard to achieve a desired goal. This only enhanced what I already believed as a kid. More so, I also learned of all the harsh realities of life and how people in other countries are in a far worse state than most of us here can ever possibly imagine or understand. I knew, after my military service, that we lived in the greatest country in the world. Even with all our faults and deficiencies, there is no comparison.
Being the son of a Mexican immigrant, was it hard for you to decide to become an agent in the US Border Patrol?
My decision to join the US Border Patrol was actually a fairly easy one. I was looking for something that would allow me to continue my government service. It’s important to note that my grandfather had never talked to us about his encounters with the US Border Patrol and thus played no role in my decision.
It wasn’t until after I had become an agent that I realized how my decision had impacted the entire family. It was a strange feeling and continues to be a delicate subject since I still have family that lives in Mexico and have not been able to visit them because of the dangers a visit from me would pose on them and even on me. With the violent cartel threat just across the border, it will be years before I can see my family again.
What is one stereotype that you think many Americans have of Mexican immigrants?
At this point in time, immigration has become a great issue for our country. With that said, the moment one begins to speak about immigration it is quickly considered to be a topic of Mexican immigrants and the ‘negative’ impact they have on our society.
I am an American Citizen by birth, but I do come from a Mexican Immigrant family and am now a Border Patrol Agent. I have to deal with criminals from every background one can possibly think of. As a federal agent, I don’t merely deal with immigration issues. I also deal with the issue of human trafficking and narcotics trafficking. In essence, I’m caught in the middle of the transaction.
I say this because in any transaction, there is a person providing a product and a person purchasing or demanding that product. I have to process undocumented individuals for deportation while at the same time prosecute the US Citizens that are committing the trafficking.
What role do you feel Mexican-Americans play in bridging the gap between these two countries?
I think we must all play the role of actual educators by way of providing facts and not opinions or emotional outbursts. I wrote a story in the book of an incident that happened to me while on the job as a Border Patrol Agent. The gentleman I encountered truly believed that he was above me simply because of my appearance and name tag. I chose to educate him and not escalate the situation with an emotional outburst. After that interaction, I earned the gentleman’s respect and he earned mine by showing me that he had learned the error in his thinking.
I’m a combat veteran who now has to deport people of my own Mexican Nationality because I have chosen to continue serving my country, the United States of America. And yet, I still have to educate people every single day of my patriotism and the struggles I’ve had to overcome in order to achieve the stability I now have.
Education is key.
“Being the only child of a single mother, Sergio was raised by his maternal grandparents in a South Texas region better known as the Rio Grande Valley. This memoir details the upbringing of a poor Migrant worker of Mexican descent having to pick crops for a living since the age of seven. As a way to break from the family cycle of picking crops and depending on government welfare programs, he joined the United States Army and served ten years active duty. He deployed to Bosnia-Herzegovina shortly after the Bosnian War only to find and deal with the aftermath of the genocide that took place there and be caught in the middle of several attacks. His experiences in Bosnia ultimately led to experiencing signs and symptoms related to PTSD. After completing ten years of military service, Sergio joined the U.S. Border Patrol. Being of Mexican descent, having family in south Texas, and in Mexico gave way to new issues of having to counter threats against his family and ill-willed opinions of him for arresting and deporting “his own kind.””
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Witch Heart follows Jan as she returns to West Point under a cloud of suspicion when several people are killed in unlucky accidents. What was the inspiration for this 3rd book in the Gray Girl Series?
The Gray Girl series (Gray Girl, Area Bird and Witch Heart) is mostly inspired by my experiences as a cadet at West Point from 1981-1985. Jan Wishart’s adventures are embellished, of course, but many of the events are authentic or realistic to what we experienced at that time. Being labeled a “witch,” for instance, certainly happened to some women then. Recently, we have seen examples of derogatory “labeling” used on outspoken and/or ambitious women.
The novel starts out at Army Airborne School in Fort Benning, GA. What experience do you have with the military. Anyone in your family serve?
Well, as stated above, I attended West Point in the early 1980’s. After that, I served five years as a missile maintenance officer in the Army. As part of our training, I attended Airborne School during the summer before cow (junior) year, which follows the storyline in Witch Heart. I wrote most of the Airborne School chapters based on memory. However, I cheated a little and looked at Youtube videos. I also consulted a few friends who went through Airborne training. One of my beta readers was stationed with the 82nd Airborne for a few years.
The book tackles the social issue of women serving in the military. How do you see women in the military and what is a common misconception you’ve come across?
Women have only added value to the military, as they have in all areas where they have been allowed to compete. One common misconception that seems prevalent is that standards had to be lowered for women to enter the military academies. What is surprising, however, is that ALL standards have gone up since women have been admitted. There’s probably a social-gender dynamic that might explain this reality, but physical and academic standards began to rise considerably with the admission of women cadets.
Jan is a well developed character. What were some obstacles that you felt were important for the characters development?
I wanted Jan to be a good person, but flawed. In other words, I wanted her to be authentic. I think hearing her internal dialogue (which is more prevalent in the first two books) is both an obstacle and an opportunity to bring a character to life. The reader sees her inner self, knowing her mixed emotions and the biases that she carries with her. You don’t really hear the inner voices of the other characters, but hopefully, using dialogue and actions, you get a feeling of the well-developed relationships and personalities.
Where does the story go in the next book and where do you see it going in the future?
Jan has to finish West Point. So, the final book in the Gray Girl series will be about her firstie (senior) year. She will encounter another major problem at West Point which can only be solved with the help of her friends and collaborators. This one, if I can pull it off, will involve international espionage—or something like that. I hate to say too much until it’s written because often times the book takes on a life of its own—and I never really know what’s going to happen until it does. It’s called writing.
“Jan Wishart starts cow (junior) year at West Point in Airborne School. Terrified of heights, she narrowly escapes an accident that later turns deadly for another jumper. With a third death in as many years associated with her, Jan returns to West Point under a cloud of suspicion. Ominous signs left for her to find cause Jan to lose a precious and necessary requirement for survival at West Point: sleep. With her mental state in question, a masked intruder makes nocturnal visits to her room. Or is she imagining that? Events escalate to the point of no return for Jan and her two best friends. When they swear an oath of loyalty to each other, they have no idea how much it will cost to fulfill that vow. Leadership always requires sacrifice. So does loyalty. And sometimes, one virtue must yield to the other.”
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Coffin Dodgers takes place on a pre-historic world where thrill seeking competitors fight to be the last man standing. What was the inspiration for the Survivathon the characters must survive?
The story as a whole sprung from a nightmare I had where I was trapped amongst rapids with a bunch of other people, and we were being stalked by predatory dinosaurs – a bit like Jurassic Park! The dream was so vivid that I plotted out a simple outline immediately. As with many of my stories, I weave in a lot of ideas from books, films and experiences in life. I’m fascinated by people who drive themselves to the limits and it seems like extreme sports are springing up left, right and centre. The sports in the story, such as wing-suiting and volcano boarding actually exist and the dangers are very real. Recently, I was reading that two experienced wing suiters died in the US after attempting a risky drop. I imagined a future where this Type T mentality is extrapolated even further. Wouldn’t earth’s challenges seem a bit tame by the year 3154? The rest of the story basically wrote itself and incorporated the horror element of two contestants going rogue and using the whole event as a hunt to satisfy their psychotic desires.
This competition takes place on a dangerous planet called Atrocitas. Where the plants and animals are just as eager to kill as the competitors. What drove the development of this planet and how did that change as you were writing?
I’m a zoologist by training so I have always been fascinated by the living world. One fact I wasn’t aware of until a few years ago, was that at the time of the dinosaurs, grass and other cereal plants had not evolved. Much of the world was covered in more primitive plants such as cycads and ferns. So I researched the Cretaceous period to try and lend some authenticity to the flora and fauna. It was fun inventing the challenges for the ‘Coffin Dodgers’, from the peak known as the ‘Tooth’ to the white water rapids of the ‘Angelwater.’ The setting, the characters and the nature of the challenges worked together to produce what I hope is a fast-paced story.
The contestants range in gender, nationality, and skill-set. They can either work together to survive, or split up to try to win the whole bounty. What were some of the emotional and moral guidelines you followed when creating your characters?
I wanted to stretch myself and write a female lead character, together with a multi-cultural cast that might reflect a more homogenised society in the future (although recent world events seem to show that this is a long way off yet.) The T-type or ‘Coffin Dodger’ mentality is very different from your average person in the street. They crave and live for that adrenaline rush, the dopamine infusion that comes from confronting death full in the face. Such an extremely competitive spirit can, of course, lead to selfishness as everything else is given second place to being the best of the best. This tension is explored in the relationship between two of the main characters, Wade and Eden. They are from the same mould and are engaged to be married, so they think they understand each other’s life goals and motivations and accept them. However, the circumstances they find themselves in challenge this assumption. What is more important, relationships with your fellow men or the prize of knowing you are the number one multi-athlete in the world? Other characters are conflicted in terms of their desire to survive. Are they likely to increase their chances if they go it alone, or is it better to work together as a team? I think it’s fair to say that none of the characters are completely black and white in terms of their morality, and all of them are changed by the terrors they face on Atrocitas.
What is the next book that you’re writing and when will it be published?
I’m already half way through writing the sequel to my first dark fantasy novel. It’s the second book in the Psychonaut trilogy and will be called ‘Demon-Slayer’. This should be out in the late Summer. In the meantime I’m committed to getting my previous books, including Coffin Dodgers out on audio. I narrate my own books as well as produce for other authors and have a profile on Audible/ACX. So I’ve got a lot to keep me busy in the next six months!
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Oliver and Jumpy is book 4 in your children’s series that follows playful characters as they go on various adventures. Why was it important for you to create a children’s story that focused on kindness, friendship and helping others?
Many picture books have lessons to tell, but can be very obvious. Children don’t really like to be told what to do. A good example is always better and Oliver, although he is quite a character, shows that you can have fun and adventure, and at the same time do good.
The art in this book is wonderful. What was the collaboration like with the illustrators?
I thought a long time about which quality of illustrations I should pursue. I did not want to go cheap with dots for eyes figures. I would have loved to follow the very complex pictures of the fairy-tales books of 100 years ago. Unfortunately, being self-financed, this option would have been far too expensive. I grew up with Walt Disney and decided to follow that style, which is easy enough for most illustrators to create, but with facial expressions possible. I tried out six illustrators. The first one, Marvin Alonso, was outstanding. He did illustrations to about eleven of the stories before finding greener pastures. Then I found Maycee Ann Reyes who works together with her husband. The rest is history. This team was simply fabulous. They needed a minimum of supervision and created the scenes of the stories totally by themselves. I just provided the story and simple instructions. Maycee turned out a picture every 3-4 days. These series has about 500 illustrations. Oliver and Jumpy began 4 years ago and it was a herculean task which is now finished. This is a triumph of self-publishing. No run-of-the-mill publisher would have been able to produce such an elaborate work in that time.
My favorite story is Butterfly Trouble. What is your favorite story in this book and in the series?
I like the Dog story. I wrote this story because every time we have our daily walk through the neighborhood, there is a bored dog barking and my wife is saying that we should knock on the door and see if we can take him for a walk with us. My favorite story of the series is Story 18 called Moon Crystal. Oliver travels to the moon to bring healing crystals back to Sillandia. This book won the Readers Favorite Book Award Gold Medal.
What is the next book that you are working on and when will that be available?
I have been working and finished the Chinese and Spanish version of the series. I am now working on the German one and other languages will follow. My final goal will be to find a company who is willing to invest in a TV series. I would like to see children all around the world to benefit of the marvelous work of my illustrators.
Picture book: A cat series book for kids riddled with mystery and fantasy.
Oliver is an elegant tuxedo cat, who is full of himself. As a matter of fact he says: “I love myself!”, quite often. Naughty, isn’t he? But his best friend Jumpy, a kangaroo lady, is aware that he has a soft heart and will always want to help others. The great thing is Jumpy’s pouch, which Oliver loves to ride in! He calls her his kangaroo taxi! These little bedtime stories with their lovely illustrations are great for small kids. A parent can read the text and tell the child in his own words. These animal stories have sufficient text to keep early readers happy and provide some educational value. Love you all! Meow! Story 10: Unhappy Dog – The friends help an unhappy dog to escape his boredom. Story 11: Kite High – Flying high is everybody’s dream, but how to get down? Story 12: Butterfly Trouble – Butterflies don’t like to be caught.
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Oliver and Jumpy: Stories 10 – 12 is a collection of children’s stories featuring Oliver the cat and Jumpy and Joey, the kangaroos. Written by Werner Stejskal and illustrated by Maycee Ann Reyes and Marvin Alonso, the stories are geared toward young children and early readers. There are three stories in this collection: “Unhappy Dog,” “Kite High,” and “Butterfly Trouble.”
In “Unhappy Dog,” Oliver meets a dog who barks all the time. Instead of being angry, Oliver strikes up a conversation and learns that Barky is lonely and bored, and he can’t get out of his yard to play. Oliver enlists Jumpy and her son Joey to help Barky get over the fence, and they play games to help Barky feel less lonely.
“Kite High” is another adventure where the three friends get swept up into the sky while riding a cart with a parasail attached. They talk to seagulls, and meet some pelicans, too. There’s danger ahead for Joey, but the friendly pelicans help them land their craft.
“Butterfly Trouble” starts when Oliver meets a butterfly named Bluey. Bluey needs Oliver’s help because a boy with a butterfly net is trying to catch him. Jumpy and Oliver stop the butterfly hunt, save the day, and free Bluey’s friends from captivity.
I shared these stories with a three-year-old girl, and she declared that her favorite story was “Butterfly Trouble.” The illustrations are vibrant and full of expression, inspiring her to take the time to point out the little details as we read. The book looked wonderful on the tablet computer – the colors and images were perfect, and it was easy to read.
All the stories emphasize friendship, helping others, and they include a bit of mischief. There is one potentially scary scene in “Kite High” prompting my young friend to exclaim, “Uh oh!” she also pointed at the pelicans helping our heroes. Every story ends happily, and no one is hurt.
One thing I noticed is that the author is clearly aiming for a global audience. Readers in the U.S. may notice a difference in words or usage, but they aren’t incorrect. It’s just the subtle difference between US and European English.
If you’re a parent, you can’t go wrong with this delightful book. It’s perfect for reading aloud to toddlers or a fun addition to your early reader’s digital library. All the Oliver and Jumpy stories are available on Amazon and several are on YouTube, narrated by the author.
Pages: 25 | ISBN: 9781625174079
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