Cliven Bundy American Patriot is the shocking, yet true, story as told to the author, with twists and turns, highs and lows of intrigue and common sense of the life of one man, his devoted family, and fellow patriots that seem to only be matched by the lives of the Founding Fathers of this American Experiment known as the The United States Of America. It’s a story not yet finished in its telling. It’s a story every family should read and declare their own voice in! It’s a story you must decide for yourself: Is Cliven Bundy a American Terrorist or an American Patriot?
In the Shadow of the Hanging Tree takes place in the 1860s and follows the lives of three people trying to find their way in post-Civil War America. What was the inspiration for your characters; the Henry the ex-slave, Clara and lieutenant Elliot?
I have always been an omnivorous reader. From horror to historical and most genres in-between. The American western is genre that seems to have sort of faded into obscurity over the last thirty years or so. I suppose I can understand why. A lot (not all) of it had become dusty, formulaic, trope-worn, overly-romanticized, and historically inaccurate. I set out to write a story set somewhere between the gold rush and the turn-of-the-century. Something with a different kind of hero from the gunfighter or bank robber. Something that would dust off the genre, add some real humanity, and hopefully spark some renewed interest in this fascinating and sometimes troubling time period.
Henry as the main protagonist was an easy choice. I read a short once, about a man who was freed after the civil war and went on to become a well-known cowboy in Texas. The man had a remarkable way with horses. He was the inspiration for Henry. The challenges African Americans faced even after they were freed from slavery were monumental, and so many extraordinary men and women overcame this adversity and went on to live noteworthy lives.
With Clara I wanted to highlight challenges that women of the period faced. Their oppression can’t be compared equally to African American’s enslavement, but neither can it be marginalized. I also used her character to showcase the disconnect between wealthy easterners and the reality of what was going on in the rest of the country.
John Elliot’s inner conflict wasn’t that uncommon for soldiers both during the civil war and the years following. I have read truly heartbreaking letters sent home disillusioned soldiers from the period, particularly ones from soldier’s involved in what could arguably be called the Native American genocide.
This novel gave a good view of life in 1860s America for slaves and Native Americans. What were some themes you tried to highlight throughout this novel?
Henry and Clara’s relationship is touching but anchored with fear and a desire to find their way to the right side of things. What served as the basis for their relationship while you were writing?
Henry and Clara’s relationship is one of self-discovery for both of them. Henry begins to forgive himself, and finds that he is still capable of love. Clara discovers that her prejudices were misinformed. Her interactions with Henry, and his honesty, later affects how she later handles John’s disturbing revelations.
What is the next book that you are writing and when will it be available?
I have two novels in the works. One is a contemporary drama about a twelve-year-old whose parents both die tragically less than two years apart. He’s subsequently injected into the foster care system and eventually runs away hoping to find an estranged grandparent who lives off-the-grid in Montana. The second is about a man searching for his daughter years after a global catastrophe. Both novels should be released in 2019.
In 1865 a shadow hovers over the nation: the shadow lingers still…
Born into slavery, Henry’s young life is spent working in tobacco drying sheds on Missouri plantations. Freed at the onset of the Civil War, he’s alone, starving, and on the run from Confederate militiamen.
Five years later, Clara Hanfield, the daughter of a powerful New York shipping magnate, escapes her tyrannical father and travels west in pursuit of John Elliot, the man she loves. John, a U.S. Army lieutenant, was sent to the Dakota Territory where he discovers a government conspiracy to incite an all-out war with the Indians; a war meant to finally eliminate them as an obstacle to the westward expansion.
Henry finds himself caught in the middle.
Aided by Clara, John, and his native ally, Standing Elk, Henry must battle hatred, greed, and the ghosts of his past during this turbulent and troubling time in American history.
Posted in Interviews
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In the Shadow of the Hanging Tree, by Michael A. McLellan, takes place in the 1860s and revolves around the lives of three people trying desperately to find their way in post-Civil War America. Henry, a man freed from slavery but never free from the horrors he endured, finds himself assisting Clara Hanfield in her quest to reunite with Lieutenant John Elliott, the man she loves and her father loathes. All three are caught up in the government’s plot to push the Native Americans from their land once and for all. Fate has dealt quite the hand to Henry, and his introduction to Clara and her mission to find John poses yet another obstacle to Henry’s quest to find the freedom and peace he deserves.
McLellan’s writing is simply breathtaking. The richness of the language he gives his characters immediately reels in the reader. The exchanges between Henry and Eliza are tender, and her early attempts to refine his speaking habits are affectionate and determined. The trials the two endure to survive as slaves in the South and their attempt to escape the lynch mobs running rampant tore at my heart. McLellan’s words ring all too true. Henry and Eliza’s story is painful, tragic, and well-crafted to convey the horrific circumstances of the era.
Clara’s rescue by Henry is one of those moments in the book worth rereading. Henry, for all intents and purposes, is making amends in any way he can for the loss he has suffered and the guilt he feels for that loss. Sweeping in and pulling Clara from the hands of the enemy, Henry begins a friendship he never could have seen coming. Theirs is a touching relationship punctuated with fleeting moments of light-hearted banter and anchored with fear and a fierce desire on both their parts to find their way to the right side of things. Clara, described as being much like her father, uses it to her advantage as she faces insurmountable challenges on her journey with Henry. Hers is a character refreshingly unlike any other I have read in the genre of historical fiction.
Randall breaks my heart. He is one of those characters the reader will root for from his first appearance. Without giving away too much of Randall’s subplot, I will say that from those first moments of indecision with Clara at West Point. I wanted to see Randall come out on top. The backstory involving his own child and his love for Clara makes for a unique connection and offers the reader all the more reason to admire Randall.
I am giving In the Shadow of the Hanging Tree an enthusiastic 5 out of 5 stars. McLellan has written a piece of historical fiction incorporating elements for every reader. His plotlines involving a family divided and the tragedy surrounding Henry’s life as a slave intertwine to create a beautiful story of friendship, trust, and stand as a testament to the strength of the human spirit. I highly recommend this book to any fan of novels from the Civil War era. McLellan’s characters are truly unforgettable.
Pages: 268 | ASIN: B071YMXDQL
Posted in Five Stars
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A wave of crime grasped center stage at the beginning of the volcanic summer. The often abused by police, misused by society, shunned, and stereotyped patrons of the “hood” decided that their reparations would no longer be paid by the normal “Smash and grab”. Gun laws had changed. Stiffer penalties and mandatory time was a constant reminder whenever, The Felony Lane Gang clocked in. Blue collar crime was now at an all time low. White collar crime was their new way of life. Three siblings stormed into a world of destruction when the youngest known as Crackaboi decided to part ways with his modest upbringing. For the love of her baby brother Glory unknowingly stepped into a web of drugs and exotic entertainment. Tjohnnie, the oldest and the coldest felt a need to protect his siblings. After losing their parents to unfortunate circumstances, TJohnnie secretly led two lives. A college football player by day. A counterfeiter and money launderer for the Infamous Seminole Indian Tribe by night. Tired of the gruesome torture for hire jobs, Crackaboi teams up with a longtime friend and brutal killer Lil Turk. Together they mastermind the greatest heist in United States history. Surpassing Al Capone and Jon Gotti, the ruthless duo targeted every financial institution that was federally insured. Their lavish lifestyle enticed other potential members. Dodging the Feds, ducking the local authorities and slaughtering anyone who wandered down their path, they notoriously became known as, ” The Felony Lane Gang”. With crooked cops on their trail, the street rogues decide to take on one last heist. Crackaboi and Lil Turk burglarize a century old abandoned warehouse, in search of a quarter of million dollars supposedly stashed inside an old safe. They embark on a journey that leads to their beloved Glory, on life support fighting to stay alive. A bloody street-war against the Mexican Cartel Assassins and a trail of bodies that lead down a sea of destruction. With ties to the Illuminati and a billionaire oil tycoon, the double steel door safe tightly held secrets that would send chills through a psychopath’s spine.
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Explosions and mayhem make up the introduction to Lucas Sterling’s debut novel, Srepska, immediately throwing the reader into the after effects of a massive cyber attack in Kenya. Personal, business, and federal accounts have been digitally looted leading to a state of emergency. Fearing repeat on a larger scale, Agent Frederic Ulrich is tasked with seeking out those responsible, though the feared group ‘Srepska’ is immediately suspect. The scant bread crumb trail points to the U.S. as the next target, but a possible mole leaves Agent Ulrich unsure of friend or foe. With the aid of Lars Christopherson, he must find a way to inform and prevent the next attack.
Srepska is definitely deserving of it’s place in the action genre. Lucas Sterling brings to the table an adrenaline packed story that is made all the more intense by it’s relatability. Set in modern day, the Information Age as we like to call it, Srepska is a story you could very well see taking place in our own reality, the focus being a cyber attack. The suspense is therefore intensified given the fact that such attacks in the long scheme of things are still fairly new, meaning effective defenses are still being regularly updated and changed. This is felt throughout the book by many of the characters, with concern on how to combat such a threat that initially seems faceless.
We follow Frederic Ulrich and Lars Christopherson through the story as they team up to put a stop to things. Sterling presents us with two characters very strong in their trade. We are treated to an inside look to their jobs, but the characters themselves lack some dimension. This could be due to how fast paced the story is, moving from action to suspense and back again in quick succession, leaving little room for character development.
Following the bread crumb trail of clues is exciting given how so many countries have been after this group for so long. Things just seemed to fall in to place too easily in some respects. And I felt that there were some sections where settings were over explained, when all I wanted to do was to get back to what this novel does best, the action!
All in all, Lucas Sterling’s Srepska is quite the page turner. The fast pacing keeps the reader engaged and the highly relatable and believable content adds to the feeling of suspense, leaving the reader all the more eager to see the success of the main characters in their goals. A very exciting read!
Pages: 239 | ASIN: B075V8C8HL
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Miss Sally is a portrait of a young girl growing up in Texas in the 1930’s. Why was this an important book for you to write?
Primarily because I was living in Texas when I wrote it and my three daughters, though not yet in their teens, faced the hazards of adolescence, the coming of age which always is difficult and which Sally Halm, the protagonist of his novel, confronted in exaggerated form. I spent my boyhood in a small predominantly Protestant rural community and felt it important to portray what rural life was like for a contemporary audience.
The 1930’s are one of my favorite eras because of how much was going on across the country. Why did you choose this as the time period for your story?
My parents were severely affected by the “Great Depression”: they lost everything and had to start life anew in very changed circumstances. Texas was one of the states most affected by migration and the social changes that the Great Depression triggered. Mere survival became the primary preoccupation of millions of people. These are basic ingredients for the making of a novel.
Sally is a simple minded girl, she is not beautiful, and her family treats her this way. How did you set about capturing the thoughts and emotions of a young girl in the 1930’s?
I had a clear impression of Sally, who she was and what she was like, before I began and in the process of writing became Sally, at least to the extent of feeling what she felt, seeing the world as she experienced it, incorporating my own background of growing up in a socially restricted rural community where failed crops and tent revivals were a reality.
What is the next book that you are writing and when will it be available?
I’ve just completed a novella about how an incapacitating illness affects a marriage. It’s being considered by several editors. Also in the hands of editors is a recently compiled book of published short stories about Mexico. This fall I’m issuing as an ebook a nonfiction account of government repression of a teachers’ movement in Oaxaca, Mexico, which includes firsthand reporting. It’s to be called Kill the Teachers! And I’m beginning work on a freewheeling journalistic appraisal of the confused political and economic shenanigans involving the United States and Mexico.
This is the story of a young girl’s painful initiation into womanhood: the discovery of sex without hope of love, and grief without the release of tears. The setting is rural Texas in the 1930s, a rough and tumble environment in which the thirteen-year-old Sally Halm questions but tries to appease her authoritarian mother’s religiosity, appeasement that leads to misguided attempts to seek a salvation that her environment ruptures
Sally’s father has distanced himself not only from his wife but Sally and her two older brothers and two older sisters. The mother’s ally is the son who hopes to become an evangelical minister; the rebel is Sally’s oldest sister, who Sally and the middle sister Hill’ry discover in a lovemaking tryst with a neighbor boy. Hill’ry is the family’s child protégé who is given privileges that Sally is denied and who Sally both envies and admires, attributes which tumble her into misadventures than Hill’ry sidesteps.
As Sally struggles to reconcile the concepts of “sin” and “salvation” that seem to dominate her life she ricochets between hope and rejection. Inspired by the testimony of a woman evangelist who recounted rising from degradation to achieve happiness and prosperity thanks to accepting Jesus as her personal savior Sally tries to emulate her but realizes “everything I do I do backwards, I can’t even sin without people laughing at me.”
Sent to live with relatives in another part of central Texas, Sally becomes infatuated with an older cousin whom she helps to milk and to breed a mare. Though supportive he’s a man who seems to hate himself, a hard drinker who has no use for religion and prefers the company of prostitutes than that of “churchy people.” Again Sally does things backwards and alienates him as she’s alienated others. Her decision to run away from family, from the she’s leading and has led, thrusts her into even greater entanglements, entanglements that make her realize how difficult it is to have one’s immortal soul saved, even when that’s all that one has left.
A reviewer cautioned, “You’ll love Miss Sally, but she’ll break your heart.”
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Apples Don’t Sing–They Shine, by George Mardo, is a classic example of literary fiction. The story follows a family over generations from 1930 all the way to 1990. Some of the story does feel dated, but that might be because of historical events that frame the novel. In some ways, it is hard to simply summarize a novel that at its’ core deals with family drama of coming together in times of war and drifting apart after. Mainly it deals with Marie, a German immigrant and her struggles with her son and the family business.
Overall, Mardo does a great job with managing what would normally be an overly complicated or possibly self-indulgent topic to write on. The drama of an inter-generational story is more than enough for the reader to follow on and enjoy. The family does become expansive as it should through the decades, but remembering names and their relations can become cumbersome after a while. The conflict between the characters should be familiar to any reader who has a family and especially one that has first generation immigrants.
The story at times may seem U.S. centralized, but Mardo expands his scope by including a Ukrainian Monastery, family drama in England, and even venturing into South America. The global scale of his story enhances how far reaching and long the narrative is as we follow the rise and fall of family unity and how families change over the decades. As with any drama set over decades, the story can run the risk of being too brief or skimming over the details of the day to day. Mardo falls into this somewhat by giving us broad, quick snippets of events that happen. He sometimes jumps years ahead in the narrative to get to another point. He may have been able to do this with more skill to not create such choppy pacing, though it does lend to the novel’s biographical story of the families of the Nesbits and Reynolds.
In some ways, the main conflict involving the family’s business, Reynolds Enterprise, tends to become too central to what the novel is striving to be, an intimate tale of family and the relations that bind. The focus does seem to shift towards the end and recenter the novel, which is a saving grace.
This work is perfect for those that enjoy tales told over generations involving many different characters. A pure drama that is accessible to anyone of any age.
Pages: 204 | ASIN: B0190UKORY
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The Testimony of a Villain follows Manuel into the gritty alleys of the inner city as he seeks retribution. What was the inspiration that made you want to write such a thrilling novel?
Good question. My inspiration or should I say, “the book that inspired me to write” was The Adventurers by Harold Robbins. In his story, he wrote about a South American character named Dax who lost everything. The book was almost a thousand pages, it covered decades of history. It took me on a ride through time. I enjoyed it.
So, I was compelled to I start writing about Manuel Doggett a man who lost everything. I asked myself, how would it effect a black man here in the United States? So I pulled from the history of the African-American experience. Manuel is born on the tail-end of the civil rights movement. Martin Luther King is dead. Malcom X is dead. The Black Panthers and the original Nation of Islam had been dismantled.
Here comes Manuel Doggett. The future.
As a child, he shows great leadership abilities. He is smart, thoughtful, and a good speaker. Further, there’s nothing stopping him from being anything he wants to be. He has aspirations of being a judge or the first black president.
His family is murdered in front of him. His wealth is stripped. He is forced to live in the inner-city. This young man with so much potential is now faced with dangers from the same black people that his family talked about with so much pride. He realizes that he is a cub that has become prey to a jungle of hyenas.
Manuel had two choices. Try to rise above it or become part of it.
From the spirt of a leader, he took the third choice. He became it. He became the fear. He became the danger. He became the king of the concrete jungle.
He became the villain.
For me this was thrilling to write.
Manuel Doggett is a boy who lost everything and was formed by the streets and remade in its’ dark image. How did you set about creating such complicated characters?
A loaded question. I will try to answer it the best I can. The characters around Manuel are not complicated to a person who grew up in the inner-city. You see them all the time a car thief, a pick-pocket, or a drug dealer. You see the upset aunt or the concerned mother. Manuel, on the other hand, is a complicated character. He has physiological issues and is force into different environments, his higher intellect compelled him to rise up at any cost. Further, he had become a killer. Now, as an author, I had to navigate Manuel through the streets. I had to take on the mind of a madman. What would an intelligent madman do?
The original title of the book was “Product of Environment”. I named it Product of Environment because while I was writing I noticed how Manuel had to adapt and lead others into each new environment he faced. A leader will be a leader wherever he goes.
The title changed to Product of Environment: The Testimony of a Villain and was later changed again when I sat down with my project manager, Anthony Lindo.
Anthony was putting the book cover together on a computer and I was watching him. We were discussing colors and letter sizes, and then, all of a sudden, he deleted Product of Environment out of the title. After looking it over, it made sense.
Thus, we have The Testimony of a Villain.
I found myself enjoying the book because I found a lot of truth embedded in the story about life, justice and society. What themes did you try to capture while creating this story?
The themes that I tried to capture about social justice revolved around relevant issues: abortion, race, politics and crime. I think most readers found it interesting how “living the life of crime”, didn’t seem like a crime to the people living it.
It was simply a way of life.
To me, the the biggest social issue that the Testimony of a Villain brings to light is that there are people who live like the characters in the story every day. For them, it’s normal. They never had a job and they don’t plan on getting a job. They are just waiting to go to jail or get murdered or hustle another day.
What is the next book that you are working on and when will it be available?
The next book that I’m about to release is called: Wisdom of a Dying God. It’s a crime story about a crime fiction writer who is in prison, dying. He has books floating around the prison system. He is revered by his peers because of his knowledge of the criminal underworld. As the prisoners read his books, they find better ways to commit crimes.
The book should be available in the next 60 to 90 days.
Outsiders call Manuel a villain. After spending his youth entangled in inner city gang warfare, he’s lied, robbed, and murdered his way to the top of the brutal organized crime underworld. His path toward vengeance was set long ago when two killers massacred his family in front of him…
Manuel tracked down one of the murderers and exacted revenge, but his bloodlust grew for the killer who got away. When he got the chance to complete his vengeance, the city cowered beneath his thirst for retribution. As he continues to retrace his old scars, Manuel has one chance for vindication. To succeed, he’ll need to take a hard look at the street life he’s built upon the ashes of his childhood…
The Testimony of a Villain is a dark crime thriller set on the unforgiving streets of inner city Boston. If you like true crime stories, complex characters and an unapologetic look at urban reality, then you’ll love Aaron G. Harrell’s poignant psychological thriller.
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Pamela Schloesser Canepa’s novel, Detours in Time, is anything but your run of the mill science fiction novel. It follows Professor Milton Braddock, who has conveniently developed a time-traveling car, and his assistant turned traveling companion, Tabitha (cutely nicknamed “Pinky” by the professor). The pairing of the older and more experienced Milt with young, spunky Tabitha will feel comfortably familiar to Doctor Who fans, as the two travel through time, encountering futuristic adventures as they begin to feel a bit closer than just friends. Though their time travels begin as scientific examinations into both the past and the future, Milt and Pinky’s present and future lives begin to unravel when they break their golden rule of not disturbing the future.
Canepa’s novel excels by creating three distinct time periods that each feel relatable to readers: 1997 (the “present” for Milt and Pinky), 2018, and 2047 (where most of the novel occurs). By creating a recent past setting, a practically present setting, and a not too distant future setting, Canepa creates a science fiction novel that relies on her well-developed plot and inter-character relationships rather than the spaceships, aliens, and high-tech gadgets of many science fiction works.
Detours in Time begins mid-adventure in 2047, without skipping a beat. Though 2047 is certainly more futuristic than what readers in 2017 experience in their daily lives, it is not so high-tech as to be completely beyond belief. But perhaps most shocking to readers will be how the citizens of 2047 describe the war that tore apart the United States in 2019, with reasons for division painfully realistic: “how tax money was spent, which citizen’s rights could or could not be limited and for what reason, the role of the military, who was allowed to immigrate into the country…” Milt and Pinky are aghast at the country’s divide, but readers’ hearts in 2017 will ache at the accuracy of what Canepa describes.
But, thankfully for readers, Canepa does not spend too much time dwelling on the demise of the United States, but rather takes a closer look at the questions that time travel inevitably brings: What happens when you interfere? Could a single action reroute history entirely? Are you better off not knowing? The last question is one that Pinky and Milt find themselves asking after they look into their own futures and decide to take a bite of the forbidden fruit: trying to change the future.
A truly five-star novel, Detours in Time is a well-written and interesting story with characters who are developed independently and whose relationships are carefully crafted, not flung together as if forced. Detours never stalls or bores readers, but it invests enough time in explanations and detail that it feels thought out. Readers will find Milt and Pinky’s 90s naïveté charming (What’s a text? What does it mean to swipe? Why would anyone eat food out of a truck?) but also eye-opening: how long ago were we asking those same questions ourselves? Milt and Pinky’s present is just twenty years in our past, which begs the question, what wonders or terrors does twenty years in our future hold? Canepa brings Detours In Time to a natural close, but leaves the door wide open for a second novel in the series, hopefully one that readers will not have to travel too far into the future to experience.
Pages: 305 | ASIN: B0711ZW6XF
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Across the Realm: Life Always Finds A Way begins six centuries in the future where the northern and southern hemisphere have been locked in a bitter feud for centuries. What was the inspiration for the setup to this thrilling science fiction novel?
The inspiration was my own country Canada and the United States, a country I also adore. Canada practices segregation of communities. The United States practices the melting pot philosophy. Basically, the North in Across the Realm is Canada and the South is the United States. I found it so fascinating that we are neighbors but have different living ideologies. For making the book scifi? I am a scifi junkie. My contribution to the world has to be more scifi!
The characters were very well developed, each one having their own personalities and quirks. How did you approach character development in this story?
I always say that my characters come to me. I imagine as if in a movie. All I am doing as a writer is sharing what I am experiencing with others. I live in my stories. And so, the characters introduce themselves to me. I get to know them and we become friends. They then tell their story. Weird I know. But it is what it is.
Naledi practically jumped in front of me. She had her name and background. I met a very strong young lady who knows her place in the world and her sense of purpose. Greg came right after her. I was stunned at his beauty and strength. He is the ultimate alpha. I fell in love. I am still in love.
The writing in this book is fantastic what is your experience as a writer and how has this book developed your writing?
This is the first scifi book I have ever written. It is also the first scifi story I ever dared to write. I have been writing ever since I could hold a pen. My mom told me that the day I was born, my dad put a pen in my hand and said I would be a writer and so I became.
I am published under other genres besides scifi. Pen names are great! But scifi is where my heart is. Before I wrote ATR, I actually went back to university to do another Master’s degree in writing so that I could be confident enough. I didn’t think I could do it.
I was also greatly discouraged from doing it by the industry because of my race. So, this book helped me cross boundaries, mentally, psychologically and factually. It freed me in every way.
In this book I found my authentic self.
Set over 600 years in the future, this is the first book in the Across the Realm series! Enter an Earth physically torn between the Northern Hemisphere and the South. Two worlds divided by a boiling sea and on a collision course as ideologies fight for survival in the face of a fate neither side can tackle alone.
Sweeping elegantly between Northern and Southern perspectives, we meet
阿斯卡里 (Askari) Naledi Choto and Colonel Gregory Douglas two people on opposing sides of the war and with whom the bond is instant. Isobel Mitton, seamlessly weaves in filial love, brutality, betrayal, forbidden romance and loyalty in a tale that stands uniquely on it’s own.
This tale is an exciting and subtle exploration of a reality where segregation and communal living have both become necessities for humanity’s survival and hence have been made to work! It is a tale that shows the truth of the human spirit when faced with adversity.
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