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The Witch Trials Book Trailer

Once upon time, women struggled to gain notoriety capable of any feat besides household responsibility. The struggle was life and death in the resistance of recognizing the inevitable rise of women. Starting life in Italy with a wealthy protestant family. Sylvie idolizes her father Dr. Fiore. Sylvie has her hopes set on being one of the first female doctors known to the area. But when Sylvie is married off to a wealthy craftsman named Leon, in France, she quickly realizes that this dream may be out of her reach and possibly run the risk of death. Is Sylvie’s dreams worth dying for? This book starts our journey in a small town of Eze in Southern France in the late 1600’s and tells a fictional story based from real time events in our history. This is book one of a new short story series.

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A Call to Win the Third War of Independence of Haiti

A call to win the third war of independence of Haiti by [Etienne, Ernst]

A Call to Win the Third War of Independence of Haiti is a summary of the history of the island, taking us on a journey starting all the way back from the pre-Columbus times to the modern era. Ernst Etienne takes a distinctly patriotic approach during this condensed, 80 odd page long book, but also provides a very practical overview of a little known history of Haiti. Etienne rounds up his book with his view of the reasons for the downfall of the nation and the ways it could get back to its feet.

Ernst Etienne take on the early history of the island is highly romanticized. Pre-Columbian settlers of the island, one would gather from the pages, lived in idyllic societies without any problems. The cause of all ills of Haiti is the white man, one would gather from this book. Depending on the political views of the reader, Etienne’s view of historical and current events will have to be interpreted by every reader individually, depending on political views that he or she has.

Despite that, the book has some elements that make it universally valuable. Etienne’s recounting of the history of Haiti is well done, following a simple and understandable chronological structure. He points out important events in the history of the island and paints a clear picture of the reasons they happened. He is also relatively unbiased when recounting some of these events, often naming the atrocities done by the islanders themselves.

The highlights of the book are the recounting of military events that littered the small nation. Etienne’s description of the war that Haiti had with the powerful nation of France, and the eventual victory, is a fascinating tale. Another valuable part of the book is the description of The Citadel Laferri’re, a magnificent fortress that was turned into a World Heritage Site in 1982.

The last part of the book covers the downfall of the Haitian nation. Ernst Etienne recognizes that most of the problems of Haiti stem from the population itself. He preaches unity for his people, urging them to unite under the singular goal of creating a powerful nation.

He delves into the root of problems for Haitians through the examination of events done a hundred years ago or more – a common theme in nationalistic works. Then, he shifts to his vision of the future of Haiti, explaining how making his nation prosperous will not only serve the population of the island but the world at large. His proposed policies will, yet again, have to be judged by the reader individually, as they do have a particular political and economic angle to them.

A Call to Win the Third War of Independence of Haiti is a good intro into the history and the current situation of the nation of Haiti. While it does take a distinct point of view of historical and current events, it is a concise and fast read, worth the invested time.

Pages: 88 | ASIN: B07D1YJ1D6

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Exporter of Popular Culture

Linnea Mills Author Interview

Linnea Mills Author Interview

I Spy with My Little Eye analyses and discusses our changing behaviours as a society. Why was this an important book for you to write?

This book was important for me to write for three different reasons. First, on a personal level, researching and writing this book has helped me think through a number of concerns that have been in the back of my mind for a while about the direction in which our society is heading. As a result of this process, I’m more convinced than ever that I, as a parent, need to make active choices that go against some of today’s societal trends if I’m to provide my children with a sensible worldview and a solid starting point in life.

Second, I find it worrying that there isn’t greater debate about the values and norms underpinning our society. I think we need to acknowledge and perhaps rethink many of our behaviours if we wish to solve some of the symptoms of ill-health that are plaguing our societies, such as stress and anxiety, financial indebtedness and shallow aspirations. It’s difficult to change course if we don’t know where we’re heading. Acknowledging the problems is therefore a good start. I raise a lot of issues for discussion in this book and it’s my hope that it will be used for spurring debates in schools, book clubs and other places.

Finally, as I see it, questions around morality have too often been outsourced to, and monopolized by, organized religion. What I want to show by using the seven deadly sins and seven heavenly virtues is that being religious is not a precondition for being concerned about, and engaging in discussions around, morality.

This book uses a combination of statistics, quotes and recent topics to illustrate various points. I thought the research was outstanding. What was one thing that surprised you while you were researching this book?

On the whole, the data I used in the various chapters supported the hunches I already had about the issues I raise. In that sense I wasn’t particularly surprised by what the data showed. That said, I was still horrified to have my suspicions confirmed, especially when it came to statistics concerning children, such as the large amount of time they, on average, spend in front of screens, and the little time they spend outdoors.

This book looks at some of the problems affecting Britain s society today. Is there a problem that is unique to Britain? What is a problem that is shares with the world?

Although I’m drawing on material mainly from the British context, the issues I’m discussing are applicable to many more countries than the UK. I would argue that much of what I write about are trends found across the Western world. For example, in the first chapter titled Pride I discuss how today’s ‘celebritisation’ – the increased celebration of celebrities – affects the aspirations of young people towards careers that come with fame and glamour. This trend is far from unique to Britain. Seeing, for example, that the reality TV series Keeping Up with the Kardashians is apparently aired in 167 countries, I would say this issue is rather widespread.

Also, the role of the West as a predominant exporter of popular culture and information means that the norms and values we experience today in Britain may well be the norms and values experienced across the developing world in the years to come, if they aren’t already.

I think it would be a worth-while exercise to organize cross-cultural debates around the issues I raise in this book. For example, it would be interesting to set up panel debates at universities for students from different countries to discuss commonalities and differences in how they perceive values and norms playing out in their respective societies.

I understand that you currently live in London, but you’ve also lived in various other countries. How has this affected you as a citizen?

I was born and raised in the Northern Swedish countryside and I have moved many times as an adult, both within countries and across countries and continents. For over a decade now I’ve called England my home; starting off in London, moving out to the Essex commuter belt, and more recently setting up shop in rural Devon.

These moves have naturally altered the mirrors in which I see myself in relation to other people and cultures. Each time these contextual mirrors have changed I have had to step out of autopilot mode and take stock. In that sense, I think the many moves have made me wiser and more understanding as a person. They have also added a comparative perspective to my societal observations. For example, I think I have a better grasp of American politics because I’ve lived in both Montana and Washington D.C. And, I think I understand European geopolitics better because I’ve called Sweden, France, Spain and the UK my home.

On the other hand, I would probably have exercised a louder societal and political voice if I had stayed in my home country. Being an immigrant comes with a natural wish to blend in, and to be accepted. Especially after Brexit, I have sadly found myself adding things like ‘my husband is British’ or ‘I’ve been in England for many years’ when I meet new people simply to justify my existence in this country. I must also admit that I’ve had a fear when writing this book that people will think ‘who are you to come here and judge us?’ I sincerely hope the book won’t evoke such feelings.

What is the next book that you are writing and when will it be available?

In my next book I highlight the Western world’s evaporated trust in politics, business, and international institutions and argue that we need to tackle this lack of trust through greater focus on integrity and honesty in public life. I shed light on a number of the mechanisms believed to induce integrity through interesting (and hopefully amusing) cases from around the world, including whether Donald Trump’s fibbing can be stopped by naming and shaming, and if FIFA’s culture of corruption is finally an issue of the past. My intention with the book is to re-package academic research into an approachable format and let interesting cases bring the theories to life.

The book is only in its research phase so it won’t be ready for publishing for quite a while still.

Author Links: GoodReads | LinkedIn

I Spy with My Little Eye: A journey through the moral landscape of Britain by [Mills, Linnea]Which direction is our society heading in? Does it provide a good enough nurturing ground for the next generation to flourish? Is it time we took a good look at our values and behaviour and changed course? Dr Linnea Mills offers a frank discussion about the prevailing norms and values in today’s Britain, interpreted through the seven deadly sins and seven heavenly virtues. She tackles head-on topics as diverse as celebrity culture, work-life balance, immigration politics and economic divisions. This is a book for anyone with a keen interest in society, philosophy and politics. Get inspired and join the debate.

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She Had a Lot of Secrets

Janelle Dietrick Author Interview

Janelle Dietrick Author Interview

Mademoiselle Alice tells an intimate tale that takes readers on a personal journey through life and love. What was the inspiration that made you want to turn Alice’s life into a story?

I spent three years writing a history book called Alice & Eiffel, A New History of Early Cinema and the Love Story Kept Secret for a Century. As soon as I finished it, my girlfriends said: “We want a novel!” Alice wrote a memoir that is very cryptic, only 120 pages. I felt that she had a lot of secrets which she alluded to, particularly about her father, her experiences at the convent, and her relationship with Eiffel.

Why did you choose to write the novel in the first person?

When I started the novel, I spent several months writing Alice’s story in the third person, but it felt distant. I felt like I was flying over the rooftops, getting an occasional peek through a crack in the curtains. The novel didn’t start to come to life until I switched to first person and told it from Alice’s point of view.

Being basically kidnapped from her grandmother’s home at four and then being dropped off at the convent at six were the heartbreaks in her childhood that most captured my imagination and sympathy. Then of course when her father died when she was seventeen, that was the coup de grâce for her. In her memoirs she began with “My destiny was no doubt traced before my birth,” and I think she was referring to the early connections between her father and Eiffel since Eiffel really did go to Chile the year before she was born.

Alice Guy Blaché was a pioneer with so many accomplishments. What was the one thing that surprised you the most about Alice?

The biggest surprise was that although Eiffel was wildly successful and a very attractive person, Alice is more compelling. I think the story-telling gene that she developed was a result of her early experiences and not a function of ambition to make it in the movies which did not exist when she started.

The first film she wrote and directed, La Fée aux Choux, remains iconic in symbol and mystery. In one minute she tapped into the deepest themes of human experience: romantic love, sexual attraction, and family. We know it when an artist touches that chord, cuts to the core of something deep.

The temptation with a biography of a famous or accomplished person is to stack up their achievements in an intimidating tower. You can do the same thing with Eiffel. Would you like to read about all forty of the bridges he built culminating in his famous tower? That has been the outline of all the biographies about him. They don’t get close to the real person.

What kind of research did you have to do to maintain the historical accuracy of the book?

I look up all kinds of quirky things. It is not at all efficient, but you have to cast a very wide net. I read French and American newspapers from 1890s through the 1920s, and it is surprising what you run across, such as a column entitled “What makes a woman charming?” The old newspapers reflect how people thought back then. The phrase “gender roles” wasn’t coined until 1955. In Alice’s time, being a wife and mother were a woman’s duties, not roles she chose. The “old maids” were viewed as having missed the boat of life.

What is the next story that you are working on and when will it be available?

I am working on scripts for Mademoiselle Alice. I think it would make a good television series starting with the California Gold Rush. Many people came from France to California during that period and I believe Alice’s father was among them. Everyone wonders how Alice was able to do cowboy and western films. I think it was in her DNA.

Author Links: GoodReads | Amazon

Mademoiselle Alice: A Novel (The Life and Work of Alice Guy Blaché Book 1)A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman. Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate. Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.

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Mademoiselle Alice: A Novel

Mademoiselle Alice: A Novel (The Life and Work of Alice Guy Blaché Book 1)

Alice Guy Blaché was a pioneer of her trade with so many accomplishments, feats you could look up and applaud through history. Written fictitiously from the point of view of Alice herself, Mademoiselle Alice tells an intimate and redolent tale, painting Alice in the most relatable way. The reader has a chance to experience through Alice the era she lived in beautiful detail, alongside the relationships that added such color to her life. One, the romance between herself and the renowned Gustave Eiffel himself. Eiffel has no interest in love and yet develops a strong romantic tie with Alice. Their relationship is a cornerstone of Alice’s life and even as she moves on, it reflects throughout her work and pursuits to follow.

Mademoiselle Alice was a powerful and moving story. I applaud Janelle Dietrick and her dedication to bringing Alice Guy Blaché off the dusty pages of history and into present mind. The amount of research alone is worth its own accolade, and Dietrick chose to deliver beyond just that, combining the scholar and the storyteller to create a wonderful recollection of the life of Alice.

One factor that truly stood out to me as a reader, was Dietrick’s innate skill of drawing one in to the many emotions of Alice’s tale. From the budding and fleshed out romance between Eiffel and Alice, her apprehension and excitement when building her own studio, to her joys throughout her journey of motherhood. I found myself feeling the same as Alice and I continued further through her recollection and telling of her own life. Dietrick used the first-person narrative in a masterful and gripping manner, allowing readers to fully immerse themselves in the personality of Alice and her intriguing mind.

Usually, I find myself caught up in some novelists writing style; their sentence structure and syntax. I can honestly say that Dietrick writes such an enriching and powerful story. The writing style flows well. I can’t recall any particular moment while reading where I found myself jarred out of the story as I often have with other writers. There was a well weighted balance of descriptive setting, dialogue, interaction, and historical detail that kept me immersed and entertained.

I have a strong affinity for historical fiction but such does not negate that Mademoiselle Alice: A Novel stands up for itself as a wonderfully well written and fun review of the life of Alice Guy Blaché. You can tell that Janelle Dietrick takes pride in not only her work, but in the dedication to presenting the important role Alice has played in history. Her writing compels the reader to appreciate such without the dryness or brevity of a history book. She breathes life in to Alice, allowing the reader to really appreciate her as a relatable person.

Pages: 369 | ASIN: B074MB6QTH

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Mademoiselle Alice: A Novel

A deeply evocative story inspired by real events: the love affair between two unforgettable people—Gustave Eiffel, the builder of the Eiffel Tower, and Alice Guy Blaché, a pioneer in the art of cinema. Mademoiselle Alice steps out of the shadows into the reader’s mind as an endlessly intriguing and entirely relatable young woman.

Told through Alice’s eyes, we get to know her, her family, and Monsieur Eiffel. Eiffel is not looking to fall in love—he is a widower who has everything—wit, wealth, fame, and brilliance. He was a friend of Alice’s father who died when she was seventeen, and the story she tells of falling in love with him is funny and emotionally intimate.

Alice and Eiffel forge an enduring romantic and intellectual bond. But while she wants to marry him, he refuses because he is so much older than she is. Out of her desire to have a family, she marries a handsome Englishman and travels to the United States, where she works with D. W. Griffith and then opens her own film studio. Some of her emotional experiences find expression in the scenarios she writes for film. Her relationship with Monsieur Eiffel continues on in her mind and leads to some surprising developments. Mademoiselle Alice tells us much about women’s lives during the silent film era in France and the United States. Combining a biographer’s knowledge of her subject with the novelist’s gift for narrative, Janelle Dietrick has crafted a novel that will capture the interest of every reader.

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The Power of Life and Death

Linnea Tanner Author Interview

Linnea Tanner Author Interview

In Apollo’s Raven we follow a Celtic princess Catrin and her star-crossed Roman lover Marcellus on opposing sides of a fierce battle. What was your inspiration for the setup to this exciting series?

Since childhood, I’ve been an avid reader of mythology and legends that portrayed females as goddesses, warriors, and cunning sorceresses. I’ve always been drawn to bigger than life epic heroes and heroines who steered the destiny of their people. In my travels to London, I was struck by the statue of Boudica and her daughters riding in a chariot near the Thames River. I discovered that she was a celebrated warrior queen who united the Britons in a revolt against the Romans, almost throwing them out of Britannia in 61 AD. As I did more research, I became intrigued that Celtic women were considered as equals in this war-like society. The Roman historian Dio Cassius describes Boudica as having the mystical powers of a Druid. Other Roman historians wrote of Celtic women’s ferocity as they fought alongside their husbands.

The heroine Catrin is based on historical and legendary accounts of Celtic warrior queens such as Boudica in Britannia where women were held in higher esteem and could serve as warriors and rulers. The storyline of star-crossed lovers in Apollo’s Raven series is inspired by the legacy of Cleopatra and Mark Antony but with a Celtic twist. Archaeological evidence and sparse historical accounts suggest that Rome heavily influenced the politics of southeast Britannia prior to Claudius’s invasion in 43 AD—a political situation similar to Cleopatra’s Egyptian kingdom. I was also drawn to the tragedy of Mark Antony and his son, Iullus Antonius, whose downfalls were associated with powerful women. Their infamy cast a shadow on Marcellus, the great-grandson of Mark Antony, which will be further explored in the Apollo’s Raven series.

Your story is able to portray ancient Roman life in a believable yet entertaining way. What kind of research did you do to make sure you got everything right?

I did extensive research on the Roman life by reading books, journal articles, and blog posts by historians and archaeologists. Of particular interest are the written accounts by Julius Caesar which he sent to the Roman Senate as propaganda to support his military expeditions in Gaul and Britannia. I’ve also explored several Roman archaeological sites in Britain and France where scenes from the Apollo’s Raven series take place. Locations include Dover, Bath, Fishbourne Roman Palace, Colchester and Hadrian’s Wall in England, and Lyon in France.

As I researched Roman historical events and culture, I also tried to understand their mindsight. In Rome, the male head, the paterfamilias, had complete control over his family—wife, children, and slaves. If they disobeyed him, he had the power of life and death over them. Women were held in higher esteem in Celtic societies which is in sharp contrast with the paternalistic, empire-building Romans.

Catrin is a princess, yet she is not fragile. She’s tough and trains to be as strong as her sister. What themes did you want to capture while creating Catrin’s character?

It is my hope that modern women can draw on the rich traditions of the ancient Celtic civilization where females owned property and could become rulers and Druids. These women fought, hunted, rode horses and used weapons, just like the men, to protect their homeland.

Deeper themes that will be explored in the Apollo’s Raven series as Catrin matures and faces new challenges on her journey of becoming a warrior queen are as follows:

  • Coming of Age
  • Power to change destiny
  • Sacrifice and love
  • Corruption of power
  • Quest for redemption

What is the next book that you are working on and when will it be available?

I am in the process of finishing Book 2: Empire’s Anvil, which should be available by the summer of 2018. The epic tale continues when King Amren accuses Catrin of treason for abetting her Roman lover, Marcellus. She must prove her loyalty to her father and people by forsaking all men and defending her kingdom even to death. Forged as a fierce warrior, she begins a quest to redeem herself and to break the curse that foretells her father’s kingdom will be destroyed. Yet, when she is reunites with Marcellus, she must face her greatest challenger that could destroy her life, freedom, and humanity.

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Apollo's Raven

The world is in turmoil. Celtic kings hand-picked by Rome to rule are fighting each other for power. King Amren’s former queen, a powerful Druid, has cast a curse that foretells Blood Wolf and the Raven will rise and destroy him.

King Amren reveals to his daughter, Princess Catrin, the grim prophesy that his former queen pronounced at her execution for treason to him.

The gods demand the scales be balanced for the life you take. If you deny my soul’s journey to the Otherworld by beheading me, I curse you to do the same as mine. I prophesize your future queen will beget a daughter who will rise as a Raven and join your son, Blood Wolf, and a mighty empire to overtake your kingdom and to execute my curse.

Catrin is trained as a warrior and discovers she is the Raven and must find a way to block the curse of the evil former queen. Torn between her forbidden love for her father’s enemy–Marcellus, the great-grandson of Mark Antony–and her loyalty to her people, she must summon the magic of the Ancient Druids to alter the dark prophecy that awaits her.

Will Catrin overcome and eradicate the ancient curse? Will she be able to embrace her forbidden love with Marcellus? Will she cease the war between Blood Wolf and King Amren? Will she save Ancient Britannia?

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