Judging Athena follows a humble and kindhearted research assistant who meets a curator at an art gallery, and what begins as a chance encounter over a necklace for a young girl’s birthday unfurls into a deep and poetic romance. What was the inspiration for the setup of your story?

The idea came to me while I was walking one evening last October. There is a real art gallery gift shop in a charming New England town. Many years ago, I purchased some custom nickel jewelry from the shop manager, a lovely woman with an accent (the nationality of which I cannot recall). On my walk, I suddenly suspected a story was lurking in the memory. As I strolled along, it all began to coalesce in my mind, blending with a few other ideas. I decided to go home, start typing, and see how far it went. Three and a half weeks later, I had a rough draft.

I enjoyed the romantic relationship between Josh and Athena. How did their relationship develop while you were writing it? Did you have an idea of where you wanted to take it or was it organic?

I’m glad you enjoyed it! I had a notion about both characters and their interaction. While they eventually presented themselves well in the first draft, initially, both were somewhat difficult for me to conceptualize. Josh was a challenge because of his humility and piety, and because I wasn’t sure how he would relate to Athena. She was very challenging due to her rarified nature and utterly unique circumstances. And her essence changed quickly in my mind, from a mere legend into something higher and in keeping with her arc of redemption. Fortunately, all my quandaries were resolved as I wrote. Once I was used to the sincerity and kindness in both characters, writing them became a nearly effortless pleasure.

Because of my marital deliverance theme, and partly in defiance of postmodern trends, I knew I wanted the relationship to progress from meeting to matrimony as quickly as possible. Yet in getting there, I decided to dwell on the details of dates, thoughts, emotions, and so forth. And many, many roses! That is why the betrothal period, less than two months long, essentially occupies half the book. I felt the emphasis on clean and honest dating and development, along with genuine understanding behind the marriage, was that important. As an aside, part of me almost wishes I could have dedicated the same level of attention to the rest of the story. However, that would have resulted in a book of 95,000 pages, not words, and I was pleased with the second half anyway.

I did have an idea of where I wanted Athena and Josh to go, though the idea evolved a bit. Most unusual for me, the ideas pretty much landed in the word processor in an organic fashion. Ordinarily, I erratically plot, fill in via scattershot, overthink, and stall manuscript development for months or even years. I practically wrote Judging Athena straight through from page one to “The End.”

What were some themes that were important for you to explore in this book?

Perhaps the most important element is the Christian concept of joint salvation, manifested through the three primary reasons for marriage, as explained by Father Josias in Chapter Four. This is a core tenant of the Church, however, too much of its veracity has been lost or diluted in our era. The tale I tell is, sadly, not my own. Rather, it is an idealistic expression of the ideal romance. My plot device or hook regarding Athena’s true nature is an admittedly extreme use of speculative theology. However, given the extreme state of the real world around us, I thought it was important to provide a strong counterbalance.

Another important concept, for me and, hopefully, for readers, is the complete deference to God offered by two imperfect people who, by dispensing with solipsism, offer anathema to the postmodern concept of the individual über alles. Fiction provides a forum for letting be what should be, even if the imagined vehicle approaches the fantastical.

Many of the themes and subthemes in Judging Athena stem from First Corinthians. I really enjoyed working various metaphors into the characters’ perceptions, their relationship, and their interaction with God, others, and the world. In addition to all else, the titular matter of judgment requires a real apophatic leap of faith. While hinting all around, I do not expressly explain how it happens. I don’t know technically how these matters unfold. No one does. Hence, a degree of trust is warranted. Had I delivered a detailed verdict, I doubt anyone would have liked it—least of all the author.

Also, I really like writing “innocent” fiction. All too often, my work veers into the polemical and the expositive. I may have finally discovered it is better to suggest than to force certain matters. Beyond telling what I hope is a sweet and entertaining story, I ultimately hope to encourage young men and women to defy the world, unite, be fruitful, and help each other redeem themselves through and into the glory of the Almighty.

What is the next book that you’re working on, and when can your fans expect it out?

Next up, Tom Ironsides returns in AURELIUS, a hard-charging action novella wherein the CIA’s former best blasts through the ranks of assorted international criminals. It’s another book that’s been simmering for a while, since around 2020. With any luck, it should be out late this year or in the winter of 2026. As with Judging Athena and The Substitute, it will come to market via Green Altar Books, the growing and outstanding literary imprint of Shotwell Publishing.

I generally have four or five manuscripts in development at any given time, and now is no exception. My “save the world” inclinations are slowly giving way to something more genteel and with more genuine literary quality. I have a few more romances in the works, including an outline for something of the levels of apologetics in Judging Athena. And there’s always more coming along—in due time.

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