The End of Days follows the tragic story of Avrum as he spends his young life making his way to America to build a life for himself and hoping to reunite with his brother. What was the inspiration for the setup to this emotional novel?
TO THE END OF DAYS can best be understood when the characters and episodes are visualized as allegories of biblical narratives. The saga begins with the covenant between God and Abraham (through his mother). That covenant is in effect a prophesy that foretells of the forced separation between the brothers (the separation between the tribe of Judah and the “lost”, or dispersed tribes of Israel – and their eventual reunification.
Avrum and his brother share a tight bond with one another that I truly appreciated. What were some themes that guided you when creating their relationship?
Ianuk, the giant lumberman at the start of the story is the Pharoah of biblical Egypt who held Avraham (the Hebrews) for those years in slavery. The Hebrews then cross the Red Sea to the land of Can’nan (here the water crossed is the Atlantic – and America is the “promised” land). Bella reflects the infamous Golden Calf, Fanny represents the extremely fanatic biblical clerics obsessed with purity (the Essens) – those responsible for the destruction of the temple and the loss of Jerusalem. “The Doctor” (among the woodsman) and “Strulevitch” in Montreal represent Sodom and Gomorrah. Israel’s prophets are represented in Kapitolnik. Avram’s battle with the street gang that so violated Fanny reflects the wars of Israel against those who had so violated the Holy Land and Jerusalem and successfully redeemed it – bonding with an evolved Fanny. The reunion at that time between Avrum and his brother reflects the reunion between all the tribes of Israel in the rebirth of the land (the ingathering of the exiles)
I felt myself immersed in the sights and sounds of early 1900’s America. What kind of research did you do to ensure you maintained accuracy?
I am 80 years old born in Montreal to parents who reached Montreal in the 20″s. No research was necessary.
What is the next book that you are working on and when will it be available?
There are 2 other books I would like to share with you: Dead-End Sex – 42 accounts from the 42 years of my clinical work as a psychologist. These introduce serious problems with intimacy and failures in relationships, and explaining their core failures. Neurotic Children as Adults: a book as much for people who suffer their lives going nowhere as for truly caring mothers of young infants.
To the End of Days is a pulsing theater rich with allegories of Old Testament narratives. This is the story of a heritage delivered by a mother to her very young sons in the last hours of her life. It is a heritage which man could not modify, time could not temper, and the expanse of oceans could not distance from their lives. This is a book of secrets. The steamy alchemy of will, fate, and destiny deliver a kaleidoscope of everything human and inhuman in man. It is an epic saga charged with life and the thick rich of blood. where lawlessness and anarchy are the vehicles of timeless and inexorable laws of this universe. But all that was promised becomes delivered.
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Have you ever wondered about the importance of communion? What really is the root of all this power the blood of Jesus is purported to have? How can human beings harness this power as God wishes?
Wendy Varga’s Sacred Secret is an in-depth analysis of the Communion. We often use blatant explanations of God’s instructions. But man is protected from all sorts of evil if he marks himself with the blood.
If faith is shallow, little is expected. People should know the limitless capabilities of God as this affects their level of faith and consequently, how impactful He will be in their life.
Wendy Varga’s passion helps to eloquently unravel many biblical mysteries. Her fervent writing had me craving to know more about communion; I found myself often referencing my bible. By the end of this book I felt that I had a better understanding of the power of the New Testament Covenant Meal. The author’s eagerness to truly understand God’s purpose for the Passover is evident. Her break down of the relation between His blood and God by use of scientific explanations is startlingly enlightening. Her insistence to not just know God, but also know Him intimately is a recurring theme. I’ve read other religious books on similar subjects, but they often only touched on this subject before quickly moving on. But it is the focal point in this book. It’s refreshing to see a book take a deep dive into one aspect of faith.
I consider this a knowledge check for anyone who knows their Bible well, but what I truly appreciated was the unique perspective in which the information is presented. Be prepared to ask yourself questions you never have before. In the end, I appreciated how this book left me reevaluating my relationship with God. This book will arm you with the knowledge and power of the blood and thus strengthen your faith. I believe that this book will unlock the potential of God’s power in your life through faith.
Pages: 156 | ASIN: B072M8R6JG
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Into the Night features an unlikely pairing of characters who set out on a journey to battle barbarians and vampires across the English countryside. I felt like the setting was very detailed in this story. Why did you choose this time and place for your book?
Historically, in the early 1300’s, England became the landing point of the Vikings when they decided to leave their northern towns. Vampire legends were also very well-known and taken seriously throughout almost every century.
Vampire belief peaked and declined and then rose again as time went on. Vampires are indeed everlasting; at first being a tale of horror and then becoming a fascination. It is no doubt that vampires evolved like no other monster in our literature. The lore is still alive today and fills us both with fear and desire.
I studied old maps of the English countryside and manipulated some letters of real older towns to create my locations. I also mentioned some landmarks that still exist today to give Into the Night a more historical background rather than that of pure fantasy. Somehow, barbarians, vampires, and England just seemed to fit perfectly.
The book got its title because one evening I was driving with the sun behind me and darker night skies ahead of me. I was literally driving into the night. It felt ominous and fit the vibe of my story well. Also at that time, was a popular song on the radio that shared the same name by Santana and Chad Kroeger.
The hero’s Samuel and Valencia are dynamic characters that battle vampire matriarchs Isabella and Cerbera who are also well developed. What was your inspiration for the characters relationship and how they contrast with the villains?
Samuel is a drifter with no clear path in life. Valencia is unable to forget a bad memory and is driven to seek revenge. In a way Valencia is too harsh and Sam too meek; together they take what the other has too much of and it makes them a perfect duo.
The vampire sisters mask their vile intentions and wicked deeds with beauty that beguiles those they encounter. Without Valencia, Samuel would not have been able to (or perhaps not want to) resist them. It stems from the duality of our minds – the fear of losing our humanity (Soul, goodness) and the desire to break free from physical obstacles and society’s restraints and give in to lust. Valencia keeps him grounded and stands as an icon of strength and courage; which eventually wins Sam’s admiration.
I felt like this novel did a great job utilizing vampire lore and creating some of its own. How did you set about creating the vampires in your story?
Into the Night was my first screenplay (and my second published book). At the time I was reading: Screenplay: The Foundations of Screenwriting by Syd Field. That’s when I decided to practice what I was reading. My first words of the story were Valencia’s speech to Sam, at their first encounter, about Cerbera stalking her prey. I remember putting the monologue on Facebook and getting replies like: “what happens next?” The truth is I didn’t know. I was just practicing a writing exercise I had assigned to myself, but I knew I had to make something out of it now.
It helped that I took a liking to everything vampire; watching movies from Nosferatu to Interview with a Vampire to Underworld, and collecting a library of vampire literature; from Camilla to Vlad to vampire encyclopedias.
Cerbera’s name is taken from a plant species found in India; known as the suicide tree due to its toxicity. The vampire sisters each have a unique trait. One paralyzes men with a touch, the other with a look. Together they symbolize heightened sexuality that dominates all men and is based on the biblical character, Lilith, who eventually formed the race of the succubus. The vampires in Into the Night are a compilation of everything I read and saw.
I would love to see more of the pairing of Samuel and Valencia. Do you have any plans to expand their story in the future?
I have thought about bringing Samuel and Valencia back together as a vampire fighting couple. With the barbarian threat culled and the vampire’s uncanny trait to keep coming back; I would be able to dedicate the story to just vampires.
In the middle of the story Sam and Valencia rescue a family that escapes to Ireland. That was intended to be the main plot for the continuation. The team rejoins to aid the family and fight a vampire threat in Ireland.
In the autumn of 1325 an army of barbarians invade the south-western region of England. A drifter named, Samuel and a strong-willed woman named, Valencia journey north to Ashborough to seek the aid of the steward’s army.
While on their mission they realize the barbarian army is close behind them along with two vampire matriarchs and their vampire horde. They find themselves in the midst of two wars as they fight northward on, what seems to be, a Sisyphean task.
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A short, yet deliciously terrifying read can be found between the covers of Antitheus by G.A. Minton. A secluded inn, a group of religious leaders on a retreat and a well-timed blizzard set the stage for this thrilling horror story. When the aging innkeeper stumbles upon a badly mangled body that used to be one of his guests, the world he knew comes crashing down. Once the town sheriff comes to the inn to investigate our cast is complete. The horrors that await the soon-to-be stranded group evolve into a madness of biblical proportions. What could possibly be hunting them in the blizzard? Who murdered the minister and scrawled such a distasteful message in blood? These are the questions that will be answered in this compacted tale.
There is no shortage of gore and violence in this horror story. The graphic detail Minton puts into his storytelling is captivating while being slightly gruesome. It is not overdone, however, which can happen in tales like this. Not a drop of blood is out of place and the murders occur within a carefully crafted plan. This classic whodunit gets a twist while the characters try to flee for their lives. As each murder occurs it is clear that something is lurking in the blizzard and it very much wants to devour them. The infusion of religious content with traditional horror blends nicely. The religious aspects fit the story and they aren’t overdone or excessive.
The story begins strongly; captivating the reader and pulling them in. But there is the addition of a supernatural occurrence that doesn’t fit the story. The book would have been fine without it and while it serves a purpose, it seems like an afterthought. There is some concern with continuity: the characters refer to what is hunting them as ‘intelligent’, yet the trap they set is mundane. There is some clarification later on, but the tale is slightly marred by this. The ending feels rushed, which is a contrast to how meticulously the opening was laid out. G.A. Minton is a fantastic writer, I just wish that greatness was on display consistently throughout the book.
If you’re looking for a quick read and horror is your genre of choice, this is a tidy little book that will hold your interest. The majority of it has the makings of a terrific horror story; however it could have used some ironing out. There is magnificent potential and the reader will be able to tell that the G.A. Minton put thought and effort into the telling of Antitheus.
Pages: 198 | ASIN: B0744XJ11K
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The Truth and The Serpent written by J. Rutledge is a fantastic work of fiction that explores an alternate creation story than what we’ve been told. Instead of focusing on the man and the woman in the Garden of Eden, this book focuses on the Serpent. The creature known as temptation and sin.
The book shows the Serpent’s side of the story as a present day man. I found this to be a very interesting concept for the book, as this was a story that I’ve known since childhood and had blindly accepted that the serpent was bad.
I really enjoyed the wit of the serpent. And the detail with which his character is developed is superb. If I had to think about what the serpent was like in the Bible, the description in this book would’ve nailed it. The journey that the serpent goes on is a thrilling adventure as well.
I really liked the language of the book although Sometimes The Capitals On Words Like Time took a bit of getting used to. Apart from that, the way the book was easy to read and the prose flowed naturally.
I knew going into this book that it would be heavy on the religion, but I didn’t expect it to be as heavy handed in it’s delivery. It was clear from the start that the author had done his research. Everything was thoroughly examined and fit it’s backstory nicely. I just felt that there was an overabundance of biblical references at times.
This book is very well written. The first line had me melting into the sunset the author painted with his words. That’s why, despite the heavy biblical tones, I was able to finish it. The strength of his writing and the imagery surrounding his words and concepts got me through it.
I really related to all of the characters and what they went through. It was clear that this was done on purpose so I could get the lessons that I was being taught, which wasn’t something that I expected from a work of fiction, but it’s what happened anyway. My curiosity was piqued often and I couldn’t wait to see what happened next. I had to go back and re-read pages as I was going through and consuming the information so quickly. That’s how you know you’re onto a winner.
Pages: 499 | ASIN: B01N7SVJO6
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Mindfulness and mediation are creeping into more parts of society. Things that were once meant for children are evolving for adults to enjoy as well. One of these is colouring books. No longer is this pastime reserved strictly for young children. There is a soothing sense that one can derive from colouring an image. It does not require much artistic talent either. Along with this shift to the adult mindset comes The Contemporary Christian Colouring Book by Rev. Ernesto Lozada-Uzuriada. Coupling the peaceful activity with biblical themes and images this book is a perfect gift for the devout. Each image evokes the idea of a stained-glass window one might see inside a church depicting various scenes from the bible. There is some melding of these scenes with modern technology which just serves to remind us that Christ is still present today.
The book begins with a lovely forward from Ruth Finnegan, operator of Living Tree Publishers that has produced this colouring book. In it, she seeks to remind us why we are drawn to art and why we colour. It is the marriage of that simple meditation with something tangible. A brief biography is also given of the artist who designed the pictures, Lozada-Uzuriada himself. The images are carefully crafted to convey the message of a particular scene or passage from the bible in a format that is easily understood. Titles are given to each piece to help the user remember which part of the bible and which story the scene belongs to. The line work is heavy and dark; much like stained glass itself. This is useful for those who colour because it easily defines which sections are contained.
Given that the images impress upon this writer scenes in stained glass windows, it serves to mention that the content of this colouring book is better suited for adults. The expressions of various people within the scenes could be taken as angry, frightening or scary. Young children need to have faith in the beauty and gentleness of the Bible and exposing them to this colouring book without proper context might serve to scare them, rather than inspire them. That aside, this book is a wonderful compilation of some of the more memorable pieces of scripture that one might want to colour and perhaps display in their home. Christ is a central figure in most of the pieces of this book.
With the world’s attention focusing more on mindfulness and meditation for the adults in the world, colouring has become a de-stressor for many. The Contemporary Christian Colouring Book by Rev. Ernesto Lozada-Usuriada is a must-have piece for those of the Christian faith who would like to colour while they meditate. Being able to add a personal touch to such moving and important points of Christian faith allows those who use this book to come closer to the inner workings of their faith. It is nice to see how something as traditional and sacred as someone’s faith can mix and meld with the current needs.
Pages: 46 | ISBN: 1326968165
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The False Prophet, by Harry James Fox, is set in a post-apocalyptic America where a plague wiped out a large majority of its inhabitants. The remaining populace, left angry and bitter, instigated wars and caused even more deaths while seeking retribution from various groups of people. With all remnants of modern civilization long gone, their society was essentially thrown back into the dark ages. At the opening of the book, the son of a mysterious prophet named Hiram Abaddon now seeks to continue his father’s legacy of dominion over any that do not support him.
The book has Biblical references with the main opposition to Abbadon (the False Prophet) consisting of Christians. The story plays out like one would imagine the tribulation as discussed in the Bible, with Abbadon seemingly synonymous with the Antichrist. One man, Donald of Fisher, along with a group of comrades, sets off to gain support in the fight against The False Prophet. The book is definitely picks up speed as the story progresses; the first half is slow to build and relatively uneventful but does well to setup the rest of the story. In this way it reminds me of Game of Thrones, in that it was a lot of information upfront, but once you were caught up, you were hooked. When news reaches Prophet City that there is an uprising, the story line really picks up and keeps you on the edge of your seat. Right from his introduction in the story, The False Prophet’s character is intriguing and easy to hate. Which is a perfect setup and a stark contrast to Donald of Fisher. The fact that the False Prophet is easy to dislike and connect with as an enemy really helped to keep my interest piqued. Although I felt like Donald’s character could of used more depth, it could easily be that I wanted this depth because his character was also so intriguing and begged to be explored.
Personally, I love the Biblical undertones of the story and the fact that a lot of the chapters open with a Bible verse helped to give insight into the chapter’s direction. I also like that the Biblical alignment is less obvious than in some other books that have attempted to use a similar setting or premise. Because of how it is done, I think this book will be more appealing to the general public than to a very specific niche. Overall, I find The False Prophet to be a fascinating and entertaining story. I can’t wait for the next one!
Pages: 368 | ASIN: B01N6PZUU0
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Not Alone is a modern retelling of the biblical story of Job, in which a man’s faith in God is tested by having everything but his life taken from him – his family murdered, his crops burnt, livestock slaughtered, and his physical self covered in boils and sores. Not Alone brings this story into a modern-day setting with Joe Moretti as Job. Joe, with his wife and five children, is mostly content with his life and hopes he is a good person. However, unbeknownst to him, there is a war being waged for his soul between the highest of angels and the lowest of demons. Joe suffers similarly to Job, and has most everything ripped from him. He and his wife must suffer immense pains to see if humanity and faith itself can survive anything.
The novel has a lot going for it, but it’s held back in many regards. There is an intelligent sincere voice in this novel, but there are many spelling and grammar errors. Many of the scenes are thought provoking, but there are jumps between narration that cause the reader to stop and ask what is happening. The overall pacing hinders otherwise great character development – the jumps in dialogue and setting cause far too much friction to enjoy the areas of the book where the flow moves the reader well. The story really draws you in with the depth of characters and tense scenes, but there is a lack of focus – the book will take its time to describe the visuals of the various angels and demons in the war for Joe’s soul, but then rush through other crucial scenes. A good example of this is when the news of his business being nearly destroyed hits Joe the same time as he is told that his five children have been viciously slaughtered. The whole scene flies by, with the police telling Joe that his children have been murdered in a ritualistic killing and then leaving moments later, with the whole exchange coming off nearly robotic in its utter lack of emotion from either party involved.
While the various descriptions help the reader visualize the setting and characters of the story, I often felt that the focus was on the wrong subjects, for example: pausing to inform the reader how tall every single fantastical entity they meet is really hinders the book. I often found myself engrossed in this novel and Joe’s life being torn apart, but I was often thrown off by common terms used in incorrect ways, like saying ‘beamer’ in non-speech text without capitalization to indicate a BMW, or misspelling the main female character of the original Star Wars (it should be Leia, not Leah, it could be that I’m too much of a nerd to even notice this). Not Alone is brimming with potential, there is nothing in here that a good editor cannot fix, so that this novel can be the truly great novel that I know it can be.
Not Alone is a re-skin of a morality tale from the Good Book; a conglomerate of descriptions; a hope by the author to show how much faith and understanding in a higher power can be pushed to the breaking point, only to bounce back. The author has a fantastic understanding of Christianity and how it can help people.
Pages: 242 | ISBN: 1633063194
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If there’s one thing I can guarantee about this book, it’s that you’ve absolutely never read anything like it before. And that’s no small thing—fantasy as a genre has a bad habit of being predictable, and this book certainly is not that. If you’re looking for new form, experimental writing, and a very unique voice, then this is the book for you.
The form is really intriguing: it’s written like a cross between the Bible and Beowulf, with annotated lines and a very deliberate rhyme scheme (all the lines are end rhyme, which is certainly unique in the modern fantasy genre market). The book is biblical in the sense that a lot of the sentence structures seem to mirror the historical books of the Bible, i.e. “1.2.29 For whosoever believed in other than Lialthas was surely deviant, as was the plain truth as seen by his narration!” The text is also reminiscent of Beowulf in that it has a very tried-and-true formula of an “epic”, with a lot of focus on character development throughout the story. Quite a few of the names have pseudo-Scandinavian roots and the focus is very much on masculine honor, value, etc.
The actual plot is a bit hard to follow, which is the only thing I wasn’t crazy about in this book. Typically, fantasy novels are very plot-driven and follow a certain pattern, but this book completely breaks that pattern (which, don’t get me wrong, can be very good sometimes, but I’m not sure if it works here). The central idea is that there are two groups of people who worship two different gods: the Alakans worship the goddess Akala (who are presumably the good guys), and the others worship Lialthas (definitely the bad guys), and they wage a centuries-long battle that, on the surface, looks like a religious war, but, as we continue to read, we learn the reasons for their fighting are much more complicated. The plot moves incredibly quickly, with at least one major plot event per five pages, so anything beyond that will be a spoiler alert. Suffice to say there is quite a bit of action—it is an epic, after all—and definitely not for the faint of heart, since there are definitely some violent and gory scenes. If you’re a fan of old Norse mythology or Anglo-Saxon epic poetry, you’ll feel very comfortable reading this.
That typical “pull” you get from regular fantasy books is still lurking here, but it’s a bit more obscured than, say, Lord of the Rings or A Game of Thrones. I found myself staying up late because I was so engrossed in reading the book; however, not for the typical reasons I would with other novels… more because I appreciated the uniqueness of the structure and freshness of the author’s voice than the fact that I was attached to the characters or really cared about the movement of the plot. Readers who feel bored with the current state of the fantasy genre: this is for you.
Overall, I’d absolutely recommend this book if you love fantasy but would like to move outside of the typical fantasy novel and into something more unique (“avant garde fiction”, if you will). Even if it’s not something you may personally enjoy, I can definitely see this being a great read for a reader who wants to learn more about using narrative poetry and other old-school fiction elements in modern fantasy.
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