Voice of a Crimson Angel is an intimate and thrilling story that leads up to your debut military science fiction book. What was the inspiration that made you want to explore a prequel?
Creating VOCA was something that was on my mind for many years, but it seemed too monumental a task to handle. It wasn’t until I was in the midst of writing Ballad of Demise that I began to see a grand tale in the making. I took that single scene of Julissa Marconi from Reverence and then imagined what her life had been like up to that point and after. That was the only push for the new trilogy. Many reviewers asked questions about how the characters got to where they are, so I figured it was an opportunity to give them answers. It turned out to be a fun experience.
Your currently studying history at the University of Riverside. How has your major helped you write your story and develop your characters?
A TON. The sad but fascinating aspect of history is that the story of the oppressed vs. an oppressor is a familiar one. From ancient Rome to the Spanish Empire, to the British and French empires, superpowers have always had their reign unimpeded for decades before eventual collapse. I wanted to build up the history of the United Nation Republic before it too faces its ultimate crisis. Whether it is still standing when the dust settles is to be determined in future installments.
I also drew influence from the revolutionaries of old, people such as Che Guevara and George Washington. Once the VOCA trilogy is completed, I believe people will see the connections in a new light. History was also a valuable tool in discovering how a revolution starts. First come the words, then the fight to crush those words, and then bullets. The term ‘regime change’ is one perhaps not widely known by the average person, but it is an unquestionable factor in global history. The U.S. has often played a pivotal role in such operations, among them Guatemala, Vietnam, and Iran. The more I read, the more The Expansion seemed very possible.
When writing, do you look at current events, and use them as a springboard for ideas or try to incorporate them into your story?
Current events play a big role most definitely. In VOCA Part I, we see a world where warfare is basically common place. The majority of the people either ignore or don’t care about the conflicts abroad. Once again, I looked to the U.S. The U.S. has been involved in some sort of war for almost its entire history, from the Civil War, Spanish-American, the World Wars, Korea, Vietnam, Desert Storm, and now the war on terror. Vietnam was the first U.S. war to not split the American conscious on a massive scale. Since 9/11, the U.S. hasn’t slowed down its war game, now in Niger, Syria, Iraq, Afghanistan, and other countries. Despite this, there are no longer large protests confronting this reality. As we listen to music and watch the latest films, the war machine goes on expanding.
These issues, primarily our war driven economy, were the focal points for me in writing the VOCA trilogy.
Any chance you’ll write a prequel that shows the rise of Chancellor Venloran? Kind of like how Star Wars episodes 1-3 showed the rise of Darth Vader? In either case, what do you think that would be like?
I actually have played around with this idea, and the framework is definitely there. I can imagine a young Venloran who sees his country struggling and decides to act. In a way, he’d be comparable to Joseph Halsey, which would be a great foil. It would take time to plan out, especially since I have much planned for the Reverence series. The idea is very tantalizing, though. As of now, I’ve only hinted at the rise of the UNR. For this envisioned ‘prequel-prequel’, I would go in depth to the formation of the UNR Party itself.
The evilest of deeds start with the best of intentions.
Julissa Marconi’s life has never been quite the same since her husband slipped into a coma. Her relationship with her daughter is hanging by a thread, she’s lost all her friends, and she’s retreated to the bottle amidst her sorrows. Truth is, Julissa is struggling to find a reason to wake up in the morning. That all changes when the mysterious Dr. Neeson offers her a chance to discover the truth, and reclaim her life. With the help of the scheming Captain Halsey, Julissa finally has a reason to fight again. She’ll have to act fast, however. Her nation, the United Nation Republic, is hungry for aggressive expansion and the ravenous Chancellor Venloran will stop at nothing to achieve his own twisted goals. Return to the world of the Reverence series with Voice of a Crimson Angel Part I: Persecution, the long-awaited story that sets the stage for the entire saga.
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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Black Overalls by Tom Donaldson is an all-American tale of home-grown heroism, set in the struggling farms of Texas during the 1960’s. We follow Roy, failed football prospect turned journalist, as he digs into the history of his football idols – and discovers the tale of an unexpected hero. The story takes us from backwater Texas counties, to the State championships, to the horrors of Vietnam, and beyond. We find two seemingly separate lives are more intertwined than we think, and that there’s not much a small town with a big heart can’t do.
The comeback story has a universal appeal – you don’t have to know much about the game in question to appreciate the little guy standing up to the big team. And that’s exactly what this book is: a classic underdog story.
Black Overalls oozes with heart. Tom Donaldson clearly cares deeply about his subject, about the setting, about old-fashioned American values. The book touches on era-appropriate controversies, particularly around race, which culminates in war-torn Vietnam. I have to admit, it’s not where I expected the book to go. But it gives the story a touchingly human element and a feel-good ending. It’s nice to read a book where there’s no shocking twist, no depressing revelation; just a happy ever after. Occasionally that’s to a fault – scenes can lack conflict sometimes – but you certainly come out of it feeling okay about the human race.
This book is obviously a passion project for the author, but it struggles with a lack of proper grammar and punctuation. The pacing is sometimes confusing. The mixed perspective can occasionally jump between past and present without warning or context. And some chapters are often just technical descriptions of matches, venues, plays and lists of scores more comparable to Match of the Day.
Despite the flaws, a need for an editor, and dry sports commentary, I enjoyed Black Overalls immensely. If you’re a football fan or just looking for a short, light read then I think you might just enjoy it too.
Pages: 145 | ASIN: B01BNR347O
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