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Just Myself and Pen and Paper
Ten Years of Bliss, Poems is a collection of over 300 poems spanning a decade, highlighting topics ranging from spirituality to love and grief, and from the mystical to the mundane.
Were there any poets or other writers who influenced your work on this collection?
I always write alone. Just myself and pen and paper and a whole lot of meditation in between. I’d say that sense of peace was the inspiration. I think it’s a gift that’s more of a reflection of the world around me. I prefer to maintain objectivity rather than seek.
I think I’ve read three poets in my life. Poe, when I was 11 years old, Yeats, I read once, and before I ever picked up a pen to write I found Virgil’s work at the library and I fell in love with Virgil. I spent the summer with a latin dictionary to decipher some of it. I don’t compare my work with his, who could? But wow, it made an impression.
How do you approach writing about deeply personal or emotional topics?
I don’t approach writing with that sense of direction. If someone can glean something from my work that they can reflect on then that’s great. Hopefully it has meaning for them. I try to write positive poetry, with spiritual meaning embedded in every corner of understanding. It may be floral, it might go deep but it’s never really dark and is always spiritual or about the human experience.
There are two kinds of artists, and poetry is a form of art. There are poets who emote, and ones who have something else to say or express themselves differently. There is a perception that poets are all emotion and I don’t think that’s always the case. To me, emotion is baggage. Passion is love, is a better feeling and I’d rather spend time expressing that.
What is one thing you hope readers take away from your collection?
I would hope that they see an evolution within the themes. The point and the growth. That there is enlightenment for the reader. I want someone to feel good, or to feel better after reading it. To know that’s it’s an act of love.
Thank you so much for the opportunity to discuss my work. I appreciate that so much.
Author Website
40 Days of Fasting
40 Days of Fasting, by Glenville Ashby, is a deeply personal and spiritual collection of 40 poetic recitations born during a sacred period of fasting by Glenville Ashby. Each poem is a meditation, guided by an inner voice named Carlos, and thematically grouped across four weeks: forgiveness, service, humility, and enlightenment. The book fuses mystical insight with raw self-examination, drawing from a rich palette of religious traditions and personal memories. As Ashby fasts from dawn to dusk, the poems become transmissions—messages of divine origin channeled through the lens of his lived experience.
What moved me most about this book was its honesty. There’s a rare vulnerability here. He confesses old betrayals and regrets, and rather than justify them, he holds them up to the light. The language is direct but poetic. Sometimes I felt like I was eavesdropping on a prayer, other times it felt like I was reading someone’s sacred diary. The recurring theme that stuck with me was personal accountability: how even the smallest wrongs can weigh on the soul if left unresolved. That’s a hard truth, but Ashby presents it with such tenderness that I didn’t feel judged—I felt invited to reflect, too.
The writing, while poetic and sometimes cryptic, never veers into fluff. These poems demand patience. They’re not meant to be skimmed. They whisper more than they shout. But when they land, they hit deep. Some, like “Roots Run Deep” and “The Veil,” made me stop in my tracks. Others, like “Tantra” and “The Divine Tongue,” explore esoteric ideas with grace and daring. At times, I found myself wrestling with the metaphysical elements—especially the idea of channeling a spirit guide—but even then, I appreciated Ashby’s courage to fully surrender to the experience. He doesn’t try to convince the reader. He simply shares what came.
40 Days of Fasting is a companion for quiet nights and long mornings. It’s for anyone walking through a spiritual fog, for anyone who feels like their prayers echo back without answers. For seekers, grievers, and those in transition, this book holds a gentle power. It doesn’t promise to fix you, but it just might help you find your footing.
Pages: 70 | ASIN : B0F8W1Z87F
Ten Years of Bliss, Poems
Lisa A. Lachapelle’s Ten Years of Bliss is a sweeping and soul-baring collection of 300 poems written over a decade. The work explores spirituality, love, grief, enlightenment, intuition, and the vivid experience of being alive. Lachapelle’s writing shifts effortlessly between meditative verses and emotional bursts, forming a layered mosaic of personal growth and cosmic musings. Divided into thematic clusters, spirituality, love, identity, and time, the book feels like a quiet unfolding of the author’s inner world, told in rhythm, metaphor, and unfiltered thought.
What struck me most was how Lachapelle’s voice dances between the mystical and the matter-of-fact. Her lines are often like whispered prayers or flashes of revelation. Poems like “Greet the Morning” or “The Majesty of Trees” feel rooted in the earth yet always reaching skyward. There’s a humbling beauty in her spiritual reverence, but it never gets self-important. It’s earnest, raw, and sometimes cryptic. A few poems do drift into abstraction, where the emotion is clear but the imagery loses grip. Still, I found myself going back to those pieces, confused at first, then weirdly comforted. The book doesn’t just present poetry; it invites quiet reflection.
On the flip side, her poems on love and human connection made me ache in the best way. There’s so much longing and gentle devotion, lines that made my chest tighten or my heart flutter a little. “It Was Always You” and “Count With Me” hit like confessions. She doesn’t write romance for show. It’s the kind of love that feels lived-in, broken a bit, healed again, then handed to the reader. The style can feel meandering at times, almost like journal entries dressed up in rhyme, but that’s part of what makes it feel honest.
I’d recommend Ten Years of Bliss to anyone who finds comfort in introspective writing or enjoys poetry that blends the mystical with the mundane. If you’re someone who has sat in stillness and asked big questions with no expectation of answers, this book will meet you there. It’s not a fast read, and it’s not always easy, but it’s emotionally resonant.
Pages: 328 | ASIN : B0F5N7MWLN
WATER
Water by Caroline Allen takes readers on a spiritual journey following a journalist named Pearl, who has worked jobs in America and Europe. She discovers mysticism when she meets a medium as a way to retake control of her life. Pearl explores the abuse she endured from her parents, nuns in the Catholic school and her nonchalant boyfriends. She fights to find her purpose in life. She is supported by her close friends and spirit guides who advise her on decision-making about career and love life. She becomes a Reiki healer, tarot card reader, dream interpreter and adds more spiritual skills to her bucket of metaphysical abilities.
Water, while a work of fiction, educates readers about various spiritual and metaphysical practices, and shares illuminating experiences, all from a medium’s point of view. From this captivating novel, readers will understand why people choose to embrace their psychic abilities and learn about their grounding principles in communing with the spirits. One of the primary lessons learned is that psychics are averse to drugs, alcohol, violence, abuse, and other forms of negativity. It is for this reason that psychics interpret dreams and act as healers; they have a deep sense of needing to help others. What makes the plot of this intriguing novel interesting and immersive, is how well the characters are created. They are well defined and their experiences are vividly described. Reading this absorbing story will transport readers into the often misunderstood world of psychics.
Author Caroline Allen uses strong symbolism when describing Pearl’s dreams and possessive visions, and premonitions. Flashbacks are used in Peals journalism writing, keeping the plot unpredictable and engaging. It’s impressive to see how she meshes themes of abuse, religion, divinity, career, poverty community, and relationships into a spellbinding but cohesive story. This hodgepodge of themes helps the reader understand the chaotic life that Pearl is living and why she is determined to find peace, even if it means leaving a job she is successful at.
Water by Caroline Allen is a riveting novel that will resonate with readers who are interested in mysticism and spiritually. It will also appeal to readers of women’s fiction and those that have a curiosity about divination and philosophy.
Pages: 414 | ASIN : B08HY1VMY7
Liars
Liars by Steven Gillis is a page turner up until the very end. Jaded by his own marriage breakdown, a writer struggling to capture lightning in a bottle twice spies a couple in the supermarket and becomes fixated on them. Eric McManus is the author who has branched out into owning a recording studio, but still chases the dream of again capturing the success that was had with his first book.
I loved this book. I was immediately hooked from the first chapter. The first person narrative style has appealed to me since I devoured Gone Girl, and it’s been rare for me to find a book that I can devour as quickly as I did that one. Liars is well on its way to becoming this.
What I enjoyed most about this book is that the writer doesn’t try to justify how shitty the main character is. He simply paints the character as he is, flaws and all, and leaves you as the reader to deal with it.
This book also brings forth some very interesting ideas about enlightenment as a concept. My favourite quote is from the main character’s live in lover but not girlfriend Gloria, where she explains to McManus that she doesn’t think enlightenment is that great anyway as it only ends up with people being hurt. It’s good that the main character has people who disagree with him and show him alternate views as it becomes very clear that he gets fixated on things and tries to destroy them.
The fixation on the couple in the supermarket only grows throughout the novel, as McManus inserts himself into their relationship by contacting where the female works and getting her to help him with his back garden. I’m glad that the creepiness of this was addressed again by Gloria, because it made me a bit uncomfortable to read this. McManus’ almost compulsive need to destroy this couple and expose their happiness as a ‘lie’, as the title suggests, gets more and more obvious throughout the book. This is especially shown through the passages where McManus says ‘years on, I will write’. It’s almost as if he is using their relationship as an idea for his book because he is stunted and annoyed at his own lack of creative growth.
The book also brings up interesting ideals about love. While McManus is still obviously hurting from the breakdown in his marriage and his tried and failed attempt at having an open relationship with his partner, it’s interesting to read a book that explores this more commonplace idea. I have always been a bit interested in the dynamics of open relationships, and it’s interesting to see whether or not people can put aside their jealousy and truly engage in an open relationship. McManus also mentions that he had sex with women without his wife’s consent, which is another way that open relationships engage. It’s nice that he’s at least a little bit self aware, otherwise this novel would be very difficult to read indeed. I loved reading this book!
Pages: 210 | ASIN: B075F32YR1
LITERARY TITAN 