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Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
Wednesday Night Whites by Marci Lin Melvin
Visit the Literary Titan Book Awards page to see award information.
Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
Just Play Like You Do in the Basement: Coming of Age as The Drummer for The Greatest Entertainer in the World by Rick Porrello
An Inconvenient Witness: The Weight of Ordinary Things by Kevin Casebier
Visit the Literary Titan Book Awards page to see award information.
Last Episode
The book tells the story of Mark and Ilona, a married couple drifting apart, wrapped in petty arguments, television addictions, missed connections, and quiet despair. Their life unravels in small humiliations and sharp little moments, where love and bitterness mix until it’s hard to tell them apart. What begins with a spat in a gym escalates into a portrait of two people who can’t quite meet in the middle. The novel is full of irony, awkward humor, and raw sadness, as it peels back the layers of a marriage stuck in stasis.
Reading it, I felt both frustrated and strangely tender toward these characters. Ilona is maddening, with her endless TV watching and excuses, but I could also see myself in her inertia, that feeling of wanting life to change while doing nothing to make it happen. Mark is no better. He’s smug, distracted by work, and so blind to his wife’s pain that it almost hurts to watch him miss the obvious. Yet he still clings to her. He still wants to save something, even as he sabotages it with his own arrogance. I caught myself rooting for them and then, two pages later, wanting to shake them both. The writing makes you sit in that discomfort, and it works.
What struck me most was the bluntness of the prose. The language is plain, sometimes even harsh, and that gives the story its power. There are no grand speeches, just small conversations that sting because they feel true. The humor is dark and awkward, the kind that makes you laugh and then feel guilty for laughing. At times, the dialogue felt almost too on the nose, but maybe that’s the point. The book is unafraid to show people at their pettiest, their most foolish, their most ordinary, and somehow it makes that ordinary mess compelling.
I’d recommend Last Episode to readers who like their fiction sharp, uncomfortable, and painfully honest. It’s not a hopeful love story, and it doesn’t hand you easy lessons. It’s for anyone who has ever sat across the table from someone they loved and felt like strangers, for anyone who has wondered how small habits can hollow out a life. If you’ve ever laughed at the absurdity of your own arguments, this book will hit home.
Pages: 50 | ISBN : 1912831139
Acceptance
The Wild Shepherdess follows a girl born under mysterious circumstances during a storm, and marked by the blessing of a dragon, who, despite growing up tormented, discovers moments of wonder while embarking on an unforgettable quest of self-discovery. What was the inspiration for the setup of your story?
It all started when I was doing an online class about fantasy novel writing when the pandemic struck. So, I was writing out what creatures to involve in the story, the character, and it just evolved.
You took your time in building Clara’s character and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?
I had to think about how much time I needed to put into Clara’s character, where it felt realistic but not over the top or corny. I also had to keep in mind that this was a world of danger, and Clara is not entirely safe from it.
What were some themes that were important for you to explore in this book?
It mostly focuses on the theme of acceptance. I feel that it’s important to surround yourself with people who truly value you as a person and the gifts you have.
Is this the first book in the series? If so, when is the next book coming out and what can your fans expect in the next story?
Yes. The Wild Shepherdess is the first book in the series, and I’m currently working on the sequel. I can’t give a precise date yet, but I can say there will be more human characters Clara interacts with, and the inclusion of Selkies to boot.
Author Links: GoodReads | Facebook | Website
Broken Rooms
Broken Rooms is both a memoir and a novel, though it never settles quietly into one category. It tells the story of Sebastian Cole, a gifted mathematician from Sheffield who stumbles into the world of design, beauty, and wealth through a fateful meeting with Lady Judy Beardsley. What begins as weekend tutoring spirals into an immersion in luxury, power, and temptation. The book follows him through grand houses in London, decadent travels, passionate but destructive relationships, and the search for authenticity in a life caught between duty, desire, and dreams. This is a story about reinvention. It is about the tension between longing for beauty and grappling with the shadows of shame, heartbreak, and secrecy.
Reading it, I felt pulled into Sebastian’s inner world in a way that was both thrilling and heartbreaking. The writing is lush, almost cinematic, full of detail about fabrics, food, interiors, and scents. Sometimes, I caught myself pausing just to savor the descriptions of a chandelier or the taste of a Tarte Tatin. At other times, the excess weighed on me, the same way Sebastian is weighed down by the very luxuries he covets. I found myself admiring the author’s ability to weave emotion into objects, to make a velvet curtain or a marble foyer feel like characters themselves. Yet I also wrestled with frustration at Sebastian’s self-sabotage, at his naivety, at his constant return to toxic people who drained him. That tension kept me hooked, even when I wanted to shout at him to run in the opposite direction.
On a personal level, I connected with the book’s exploration of longing and identity. The novel is about design, yes, but beneath the wallpaper and chandeliers, it is about a man trying to carve out a place for himself in a world that doesn’t quite accept him. That struggle felt raw and real. There were moments that made me laugh, and others that left me sitting in silence, heavy with empathy. At times, I found the prose almost indulgent, yet that indulgence mirrors Sebastian’s journey. It is the language of someone intoxicated by beauty, love, and possibility, even when those things unravel. The book made me think not only about art and design, but also about how we all build rooms, real and emotional, to house our deepest desires.
Broken Rooms is not for everyone. Its pace lingers, its details are rich to the point of decadence, and its protagonist can be both magnetic and exasperating. But for readers who appreciate personal storytelling dressed in velvet and candlelight, who want to be transported into salons and safaris while also being invited into the quiet ache of the heart, this book will be a gift. I’d recommend it to lovers of memoir, design, travel writing, and anyone who has ever chased beauty while carrying their own brokenness.
Pages: 340 | ASIN : B0FNWB1LZL
A Blood Witch
A Blood Witch by Joseph Stone is a dark and richly layered horror novel that spins a multi-generational tale of supernatural possession, trauma, and resilience. The story begins with a shocking and disturbing prologue and stretches across decades, recounting the legacy of a family of women who are haunted, physically and emotionally, by a mysterious spirit named Daedrian. Told through a mix of modern narrative, historical documents, and deeply personal journals, the book gradually uncovers the cursed lineage of “witches” bound by blood, secrets, and spectral violence. At its core, it’s a ghost story steeped in abuse, inherited suffering, and the complexity of female power.
I found the writing bold and fearless. The book kicks off with a gut-wrenching scene that made my skin crawl, and that tone doesn’t let up. The prose is polished but visceral, with a rhythm that grabs you by the collar. The way Stone weaves historical entries, letters, and journal fragments into the plot makes the story feel deeply rooted in time, almost like unearthing a family’s buried past. That format worked well for me, even though it occasionally slowed the pace. Some passages made me stop reading just to process what I’d read. The emotional weight, the steady dread, and the lyrical yet brutal style are a lot, but it’s good. Really good. This book doesn’t aim for comfort. It forces you to look at what happens when silence, shame, and supernatural power converge across generations.
I admired the ambition of this book. Parts of the book horrified me, not just the ghost, but the humanity behind the horror. The sexual violence, the incest, the generational trauma. It’s all portrayed unflinchingly. There’s a point where you stop being afraid of the ghost and start being afraid of the people, or worse, the way pain becomes inherited. But there’s a strange beauty in that too. Fran’s arc, from confusion to clarity, from being haunted to facing down the legacy, gave the novel its emotional heart. And even though Daedrian is a terrifying figure, he’s written with eerie magnetism that makes you understand why these women, generation after generation, could fall prey to him. That’s good writing.
I think A Blood Witch is best suited for readers who don’t shy away from heavy themes. If you want a haunting that lingers in your chest, something that feels intimate and epic at the same time, this book delivers. I’d recommend it to fans of gothic horror, intergenerational dramas, or anyone who’s not afraid to be uncomfortable.
Pages: 431 | ASIN : B0FMKRR6H3
Lips: Kiss the Lips that Lie
The book begins with a haunting scene of a father walking into the cold vastness of Lake Michigan, and from there it stretches into a sweeping and layered narrative that mixes family history, secrets, art, desire, and the way the past claws its way into the present. At the center is Davis Beckwith, heir to a complicated family legacy, and Selene, a young Englishwoman whose charms and tangled impulses drive much of the story forward. Their relationship unfolds against a backdrop of wealth, decay, and long shadows of tragedy, with the author weaving together voices, memories, and settings in a way that blurs the line between truth and invention.
Reading it pulled me in slowly at first, like wading into deep water. The prose has a deliberate, almost meditative rhythm, and sometimes it lingers on detail long enough to feel claustrophobic. Yet I found that same attention to detail intoxicating. The rooms, the objects, the little observations of human behavior felt alive. I loved the way the author treats silence and absence with as much weight as spoken words. At times, I was frustrated with how opaque the characters could be, but that frustration worked in the book’s favor. It mirrored the way secrets seep into family life, how you can love someone without ever really knowing them.
Emotionally, the book left me uneasy and restless. I alternated between admiration for the writing and irritation at the characters, especially DB, who often seemed passive to the point of vanishing. Selene, on the other hand, is magnetic and maddening, brimming with contradictions. I didn’t always like her, but I couldn’t look away. The novel made me think about the lies we tell ourselves and others, and how much of love is invention. I felt caught between awe and discomfort, which is not a bad place for a novel to put me.
I’d recommend this book to readers who like fiction that doesn’t rush, who enjoy atmosphere and layered family drama, and who don’t mind a story that raises more questions than it answers. If you like being unsettled and pushed to look harder at the ties that bind people together, LIPS is well worth the read.
Pages: 339 | ASIN : B0F9FYY7ZD
Santa’s Last Ride
Santa’s Last Ride tells the story of a family at the North Pole where Santa Claus is nearing the end of his career. His son, Chris, is expected to take on the role of Santa, but he has little interest in reindeer or flying and harbors a deep fear of heights. His daughter, Kristy, however, adores the reindeer and dreams of soaring through the skies. The story unfolds with humor, family tension, and a lot of heart, exploring tradition, expectations, and the possibility of change in a world bound by old rules.
I found myself grinning through the opening chapters. The playful back-and-forth between Kristy and Chris had the messy, real feel of siblings who know exactly how to get under each other’s skin. What struck me most was how ordinary family dynamics were woven into this magical setting. The North Pole felt less like a faraway fairy tale and more like a farm kitchen or workshop down the road. The dialogue often landed with warmth. I liked that it didn’t shy away from showing Santa as tired and even vulnerable, weighed down by age and pain.
The story leans on familiar Christmas imagery, but the book is charming. I would have liked more moments where the tradition of Santa collided with the modern world. Kristy’s longing to step into a role she’s told isn’t hers felt both funny and frustrating, and I caught myself cheering her on. The writing had a cozy rhythm that made the chapters fly by.
This is a story about family, tradition, and courage dressed up in the glitter and frost of the North Pole. I would recommend it to middle-grade readers who enjoy holiday tales that mix humor with heart. Kids who love Santa stories will find a lot to laugh at, and adults might smile at the way it reflects the small struggles of growing up and letting go. It’s best suited for anyone who wants a warm, lighthearted read in the glow of Christmas lights.
Pages: 105 | ASIN : B0DD4LR8QP
LITERARY TITAN 