Cooperative Lives is a genre-crossing novel with elements of a mystery, suspense, and romance as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Organically. I began with humble aspirations: to publish a thin collection of stories about various fictionalized neighbors. Their only shared aspect was their abode, a storied New York co-operative. These were simple tales with simple twists: a compulsive planner who locks himself out of his well-equipped apartment during a blackout; a man who exasperates his wife by, with daughter in tow, routinely ignoring Walk/Don’t Walk signals, only to watch his wife mowed down while observing the rules; an aging fund manager who commits an egregious act of negligence but is saved from ruin by the words on a long-forgotten pack of cigarettes. Other stories involved skiing accidents, medical malpractice, writer’s block – a mishmash of themes and occurrences.
The connections came slowly. What if the woman in the second story is saved by the aging money manager? What if the man in the first story was grieving the loss of his family? What if the second family knew the man? What if they both had children?
The book became more character-driven – how New Yorkers deal with the universal challenges of raising a family, making ends meet, preserving relationships, surviving medical ordeals, and growing old. The protagonists were sufficiently varied in age, background and income to address the questions from multiple perspectives.
Also, their eventual interaction enabled story arcs. What if the aging fund manager didn’t, in fact, correct his error in time, and somehow involves the man whose wife he saved? What if there’s a reason the man in the first story lost his family, and that it ties all the protagonists together?
The finished novel did indeed cross many genres, but so, alas, does life.
What was the initial idea behind this story and how did that transform as you were writing the novel?
9/11 and the financial crisis were such specks in time, separated by a scant six years, but they had an intense, lasting impact on the New York and New Yorkers I knew. My goal was to craft a series of short stories that captured New York in transition – from a wild, frenetic, forward-looking community where lawyers, bankers, artists, corporate managers, and theatrical executives (i.e., my neighbors) toiled their way up the ladder, traveled without fear, raised families without fear, and retired in relative comfort and privacy, to one spooked by uncertainty, laid bare by overzealous media, and devoured by the very financial system they created. A tall order – best approached one short parable at a time.
It took me seven years to pull the novel together, to narrow my admittedly subconscious, sweeping vision down to a simple whodunnit. But I was committed to publishing before my 60th birthday, the only writer’s promise I kept. Had I allowed myself another seven years, who knows where the novel would have taken me?
Your characters were all varied, unique, and well developed. What were some driving ideals behind the characters development?
I’m not sure I had ideals, at least not consciously. The characters were montages of people I knew – some alive, some dead. Their thoughts were frequently mine, but they were basic, the logical extension of where and how each scene was set. If there was a goal, it was to make the characters genuine, so persuasive I could sneak in plot liberties and still seem plausible – a magician’s sleight of hand. Heaven knows if I succeeded.
Part of making characters genuine is making them nuanced. In the “real world,” the only world I know, there are precious few saints and even fewer demons. An argument, by definition, has two sides, and everyone, including a seven-year-old child, is complicated.
I am a huge fan of American comedies from the thirties and forties, including those of Frank Capra. He quoted Konstantin Stanislavski so liberally I thought, until now, that he wrote this, “There are no small parts, only small actors.” Truth. Watch any Capra film. Every role makes an impression, even the uncredited, unspoken ones … because they are so real. It was surely not an ideal but a commitment; each of my characters had to be genuine.
What is the next book that you are working on and when will it be published?
Cooperative Lives took me seven years to write, edit and publish. I would love to publish my next volume within five. The locus will be contemporary New York and many of characters will be over forty. There will also be water, lots of water.
A landmarked midtown Manhattan address. Carnegie Hall and Central Park at your feet. Three hundred units. Thirty-two full-time employees. Five hundred neighbors. You’ve hit the big time. Joined the elite. But what do you know about them, the neighbors? Have you ever met them? Really engaged with them? Or do you gaze down in the elevator, the same way you do on the subway and the street?
Oh sure, you’ve heard a famous writer lives on the fourteenth floor, a retired US senator on the eighteenth. You’ve witnessed so many Broadway impresarios glide through the lobby you’ve lost count. But what about your real neighbors – the couple in 7H, for instance, or the family in 8B? Did you know they once harbored the most wanted fugitive in America?
No? It was in the papers for weeks; nearly tore the co-op apart. Even that famous writer on fourteen got involved. And all because an M7 bus side-swiped a resident-shareholder while turning down Seventh Avenue.
You’re busy? Oh, I’m sorry. Just thought you should know something about the co-op’s history. And buy more insurance, lots more; I’ve got a friend named Stanley.
Dragon Ascendants is a genre-crossing novel with many different elements in it. Did you start writing with this in mind, or did this happen organically as you were writing?
Yes. Although I intended my novel to be heavy in fantasy and young adult, I also planned to draw in more genre readers. I tried to add comedy, suspense, and romance with hopes of pulling in those readers.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Tallian and Fearoc were the most interesting to write for, but they are the hero and villain. As for supporting characters, Briskarr was my favorite. He was always entertaining, and I had a ton of fun deciding what I will do for him next.
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
I had the major points for this novel and most of the series mapped out from the start. Some action and info came in at the moment, such as the reveal of Angelia being Fearoc’s sister. Worked for the moment and achieved the purpose of knocking the readers off their feet.
This is book one in the Luminess Legends series. Where will book two pickup and when will it be available?
The next novel will pick up approximately three days after the first ended. Tallian will wake up thinking it is the morning of the battle and all that happened was a dream.
I hope to be finished writing book two in a year or so. Then the publishing process will start.
Half-elf, half-human, Tallian lives with dwarves and knows little about his birth parents. After his adopted brother runs away, hundreds of shadow bats decimate his village, and Meerkesh, Tallian’s adopted father reveals the truth about how he came to live with the dwarves in the Furin Mountains. Betrayed by the only brother he has ever known, Tallian and the dwarves flee from Fearoc, the evil elf who controls Luminess. Against what seems to be impossible odds, dwarves, elves, dragons, and men unite against Fearoc in hopes of freeing Luminess.
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Descendent Darkness: Book One: Stirrings, begins in 1982 in Clarkes Summit, Virginia, where an evil curse causes unimaginable horrors to the town’s favourite families. Fast forward 21 years later and three men are once again facing the terrors they thought they had diminished forever. Richard Gaston, Father Ryan Bennett and deputy sheriff Tom Campbell find themselves facing nightmares and tortured souls of evil that will pull them into the depths of their darkest days. This skin prickling adventure will bring your nightmares to reality as they face an evil, cold presence; guaranteed to chill you to your bones.
Descendent Darkness, Stirrings, written by A. J. Macready is a supernatural novel set with a dash of crime and drama. There are tortured souls, family bonds and mysterious servants of darkness in this edge of your seat vampire styled thriller. The story line follows several families as they face horrors and challenges that will threaten the relationships of everyone involved. Hold tight as you are thrown into an adventure where the characters fight evil even when they are in the shadows of exhaustion- in order to save the ones they love. The story will leave you hungry for more, as bullets race across the page and violent killers storm through the darkest of nights.
Unlike a typical demon styled novel, Stirrings storyline is complex and filled with clues and details that far surpass any other supernatural story I’ve read for some time. Forget the Twilight era, this novel is filled with the traditional scares and fight scenes fit for a warrior. I found myself unable to turn away as I dove deeper into the novel, growing attached to the characters and their unknown fate.
The characters in Stirrings are surprisingly relatable and the fear for what may be lurking in the dark is a feeling we have all experienced. The relationship between the siblings Holly and Mike Gaston is one to be marvelled as they battle odds together, sacrificing their bodies and souls to pursue a mission with the belief that nothing is more important than family. As well as being siblings, they have a beautiful friendship and you can feel how much they genuinely care for one another as they battle against the odds. However it seems their family are bound for tragedy and the reader will feel emotionally connected to each family member as they fight for what they believe to be right.
Macready’s marvellous way of using descriptive language will have you huddled up and feeling the chills on the back of your neck. I found myself peering around the corner wondering if the cool breeze was the wind or was actually evil materialising its face in the darkness. The narration flows easily and feels like a picture is painted on the page with how beautifully the story is presented.
This is a heart-stopping novel and would recommend this to anybody who loves supernatural stories mixed with crime, drama and friendship. I look forward to reading the other stories in the series!
Pages: 199 | ASIN: B016WLQTS2
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