Dead Air follows Glenn, a security guard investigating the murder of his friend who was shot while on the air at a radio station. What was the inspiration for the setup to this thrilling novel?
Like Beck, my high school best friend owned a radio station. He sold out before being shot, however. The only constant we have is change. Commercial radio exemplifies that change.
Radio was born to play the music that record companies were trying to sell. It soon become the primary form of entertainment for Americans broadcasting the early soap operas. Then came rock and roll. Talk radio attracts a wide range of demographics. Interestingly, I graduated from the same school as Alan Freed, who coined the iconic term Rock and Roll.
Beck struggles to put the past behind him and move forward. The murder at the station was a perfect analogy of transformation as Beck seeks the killer.
Beck is investigating the murder of his friend Zito, who we slowly learn is not who Beck thought. Did you plan this slow reveal of Zito’s backstory or did it happen organically while writing?
Beck and Zito’s friendship started as teenagers. In the decades since school, they have drifted apart. Life leads people down many paths. We become more guarded, reluctant to share the many secrets with those we depended on in youth.
The victim is an important character in a story. Murderers rarely plan to kill without a motive. There must be a reason to want that person dead. All mystery plots boil down to one of three motives, love, greed, or to cover up a crime.
The investigation of any murder, real or fiction, is a slow process. Investigators don’t know the full story immediately. People conceal secrets, they lie. The search is a painstaking pursuit to reveal the skeletons in the closet.
I think of this novel as a whodunit story that puts fascinating characters in interesting situations. Are there any scenes in your story that you had fun writing?
Beck and Irene, his romantic interest/partner, track his missing client to a hunting cabin where she is being held. Nothing in his white-collar career has prepared him for this confrontation. They are fighting through thick woods and underbrush to reach the cabin while carrying guns.
In order to survive, he must physically subdue a hired enforcer and be prepared to kill if necessary. Beck has become a hard ass with a chip on his shoulder. He comes to the epiphany that Irene is the love of his life and he must protect her at all costs.
This is the scene where he recognizes the past is behind him. What the future holds he doesn’t know.
What is the next story that you are working on and when will it be available?
I am writing the second in the Glenn Beckert series, Dead Secrets. In this tale, Beck mistakenly dismisses a missing person case until the body is found on the river bank. Beck endeavors to track the missing time of the deceased’s final hours and find the killer. He is quickly immersed onto the dark web where the secrets of artificial intelligent are a commodity. As a further distraction, Beck’s perplexed by a startling revelation by Irene, creating further conflict for him. He’s searching for a killer in a world where secrets stay secret or you die. Dead Secrets will be available in late 2018.
I have just completed a short story, Who Swiped Bobby Bucco Bear, a Christmas mystery featuring Glenn Beckert. I plan to have this available next year.
Dead Air signals trouble at the radio station. Glenn Beckert discovers his high school best friend is shot in the head while on the air. Beck, the owner of Blue Water Security, is employed to provide security for the station.
He becomes willingly embroiled in the investigation by the not-so-innocent widow. The list of potential suspects is long, gleaned from the numerous extramarital affairs of the victim and widow. The pending sale of the radio station has created friction between his now dead friend, Richie Zito and the major stockholders. Motives for murder becomes increasingly murky after the search reveals an encrypted file on Zito’s laptop.
Beck enlists the help of an old flame, Irene Schade, to break the code, revealing a money laundering network leading to the financial and political powers of his beloved city of Pittsburgh. Their collaboration ignites the flames of passion each had considered extinguished.
A former college teammate, police Lieutenant Paglironi delivers a message to back off. Arrogantly, he ignores his friend’s advice. The threats from less friendly sources are more ominous, forcing Beck to move in an unfamiliar world. A startling revelation from his client forces Beck to deal with his inner conviction of right and wrong, challenging the gray areas of his ethical principles. Betraying his client’s confidence could expose the killer. The alternative is to confront the suspect and take matters into his own hands. Either way his life is in jeopardy.
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It is impressive, nay amazing, what the human soul can withstand. The Beauty of the Fall by Rich Marcello chronicles one such journey. Our protagonist is Dan Underlight, a man approaching the end of his prime who is getting laid off from the company he helped found. Dan has always been involved with hi-technology and the story opens with his seemingly unjust dismissal from a company he has birthed and nurtured much like a child. As Dan leaves RadioRadio Software after being pushed out by his founding partner, Olivia, we are privy to the sensational emotional and physical journey he undergoes. We learn that a few years ago Dan lost his only child, ten-year-old Zack, and that he dropped into a deep depression. We learn that Dan is divorced and that there is nothing in his life that brings him joy as much as working for RadioRadio had. When we begin our story, we meet a battered man who has nothing left. Then he begins a journey, and takes us with him.
Marcello is a master with language. The story flows in such a natural way it is easy to get sucked into what you’re reading and lose track of time. There are no unnecessary words. In a tragically beautiful tale like this it is easy to drown your story in frivolous language. Marcello keeps the dialogue short and only uses it when absolutely necessary. We journey through this story from Dan’s perspective as it is told in the first person. Marcello weaves effortlessly between Dan’s thoughts and the words he and those he meets say. Poetry peppers the text due to the creative Willow who will become both a source of strength and sorrow for Dan. He is a man who is grieving: grieving the loss of his child and the loss of his reason for existence. We go with Dan through therapy, we journey with him on his pilgrimage and we arrive at his revival as he creates a company even better than the one he had before. It’s not all roses and sunshine for Dan, however, and we also continue with him through his intense sorrow and his drunken attempts at coping. Marcello’s portrayal of the human condition is fantastic and readers will not be disappointed.
The story is broken down into parts and time flows effortlessly. In some novels time skips are awkward and unnecessary. Even the short six month time skips are effortless and useful. When we meet Dan, he is broken and wounded. He rebuilds, even better than before, but suffers two detrimental losses that may have readers concerned about his recovery. After all, he is only human and the soul can only withstand so much pain. Marcello doesn’t disappoint and the resolution of The Beauty of the Fall is realistic and will leave readers feeling confident in Dan’s choices for the rest of his life.
If you’re looking for a masterful tale that will have you laughing, crying and questioning how you view yourself in the universe, you will not be disappointed with Rich Marcello’s wonderful portrayal of the human condition in The Beauty of the Fall.
Pages: 283 | ASIN: B01MFCTYYW
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The Hungry Monster was given the opportunity to interview JR Hamantaschen and Derek Sotak, the hosts of a horror podcast. We discuss the horror genre, how Queens NY is not the quietest place to record a podcast, and I find out where I can get a 5lb plate of artisanal nachos.
What inspired you guys to start a podcast about horror culture?
Derek: I had always wanted to do a podcast about weird movies, and separately always enjoyed the horror genre, so when one of my favorite authors asked me if I wanted to do a horror podcast I said “Yes Stephen King, more than anything.” That podcast never panned out because he was too busy, so later when JR came to me with the same idea I thought the second time would be the charm, and here we are today.
J.R. Well, I’ve written a couple of dark fiction collections now and have had my hand in editing some others. I felt a bit burned out on writing horror and have been pursuing other subjects, but still want to keep a toe in the genre, so to speak, and, honestly, see if I could rekindle my interest. Also, Derek’s a pretty cool guy and it was an excuse to hang out in some capacity.
How do you two know each other? How did you two meet?
Derek: I was reading JR long before I ever met him in person, becoming enraged upon reading his bio that he was so much younger than me and writing such excellent stuff. When years later we met at a convention it turned out that he was wasn’t so young anymore and a pretty radical dude in general, so I let my rage go. Sometimes that’s all it takes for a magical friendship to blossom.
J.R.: We met at the NecronomiCon Convention in 2015 in Providence, Rhode Island. We were both separately friends with Chris Lackey and Chad Fifer of the H.P. Lovecraft Literary Podcast, and we all went out to lunch. Then the sparks flew. A couple handjobs later and here we are.
You are now 13 episodes into the podcast, what is one thing that you’ve learned about the podcast process that you never considered before?
Derek: Unfortunately a podcast is not as easy as pressing record and shooting the shit for an hour. As part of the Faustian bargain I made with JR at the crossroads at midnight under a full moon I do the tech side of the operation, which involves the editing, syncing, posting, website stuff, and all the other various jazz that a “real” podcast has interns do for them, which was all more than I bargained for. BTW, we will be announcing the Horror of Nachos and Hamantaschen internship contest shortly, and Max Fun or Earwolf, we we are eagerly awaiting your call.
J.R.: This might be the height of spoiled laziness, but fitting in two movies per week or reading a book in a week and trying to think of interesting commentary or insights is harder than I thought it would be. Also, one thing I never noticed before is that it seems a lot of other podcasts pick out or select things that they already know they might like, whereas we don’t, so there’s a decent chance we will dislike what we are commenting on and rag on it. Also, I live in Queens, New York, and it seems the ambulances, taxis and people who hang out on my block must have advanced notice of when I’m recording so they all gather in full force to be as loud as fucking possible. One time while we were recording there was literally a goddamn whistling noise coming out of my pipes. So editing those sounds out has been a challenge (and by that, I mean a challenge for Derek, since he’s the tech guy).
What is your favorite decade for the horror genre?
Derek: The 80’s. I think a lot of the stepping stones for horror these days was laid then, along with the greatest wave of horror movie icons since the Universal Monsters. All my initial horror reading forays in the early 90’s were of books from then as well; King, Koontz, etc, and those are as solid a foundation to get yourself into the genre as you could ask for.
J.R. I don’t really know the answer to that. I’m inclined to say the 70s or 80s for horror movies, but there are enough things I’ve liked over a large enough expanse of time that I can’t commit myself to a decade. Maybe even in the 1920s, when Lovecraft was writing the Call of Cthulhu and a lot of “weird fiction” was of high literary merit.
A question for both of you: XBOX One or PS4?
Derek: PS4, but I grew up in a PS family so I might be biased. I’m not sure if for the most part it matters anymore rather than for a few games, and realistically a good PC is probably the best and most versatile game playing platform out there. It is a lot harder to sit on your couch and kick back with your keyboard and mouse rather than a controller though. I will always gives props to the Virtual Boy though.
J.R.: I was a Nintendo fanboy growing up, so I lived in denial about how superior the PS2 was compared to the Gamecube. I eventually got a PS2 and realized the error of my ways. I currently have an XBOX One that I bought on the advice of a friend, but if I were being honest with myself I should have gotten a PS4. Graphics are marginally better, there are more Japanese RPGs, some exclusives I want to play, and the controller is better.
Do you enjoy horror movies that are more campy slashers or thought provoking mind benders?
Derek: A campy slasher will always have it’s place in my heart, and on my TV if I’m in the mood for something I don’t need to really pay attention to. If I have the time for sitting down and giving something my full attention though, I’ll go for the provoking mind bender any day.
J.R.: I’d like to say thought provoking mind better, but in reality, the campy slasher is more of a safe bet in terms of enjoyment. If we were talking fiction, then of course the mind bender, but movies are a visual medium and there’s more room for error in a visual medium with something that – such as a nuanced, interior, contemplative work – might be better suited for fiction.
I find that horror is different in different cultures. For example, Japanese horror, I find, focuses more on psychological horror and poltergeists. What is your favorite horror culture and why?
Derek: I really like the whole Coffin Joe series and ultra weird and violent horror movies that came out of Brazil in the 60’s. Extremely subversive for the time in Brazil and 10 times that compared to what was going on in America at the same time. Even today if they would be considered a bit much for American audiences.
J.R.: that’s a good question, one that I don’t know if I have any answer to. Unlike Derek and his nacho-loving ways, I don’t know much about horror from Mexico, Central or South America.
Derek, your the author of The Field Guide to Nachos. If you were to create a bucket list of nachos to eat before you die, what would be on the top of the list?
Derek: The two best nachos I’ve ever had are the Big Foot’s Nachos Ur Way pulled pork nachos at Bigfoot Food and Spirits in the Seattle-Tacoma airport (I almost missed my plane getting those, but it would have been worth it) and Mount Nacheesmo at Tios in Ann Arbor Michigan. Mount Nacheesmo is the largest order of commercially available nachos in the US coming in at 5lbs, and while a lot of places would just throw together a bunch of cheap ingredients and try to pass that off, Tios artfully crafts an order that is delicious as you eat it, and while you munch on the leftovers for the next few days. Plus, if you can eat it all in an hour there you get a shirt and your picture up on the wall which is one of the greatest glories one can achieve in this life.
J.R. you’re the author of, You Shall Never Know Security. What do you find appealing about short stories?
J.R.: I suppose I write mainly short stories, though I’ve been working more on novellas recently. My second collection, “With a Voice that is Often Still Confused but is Becoming Ever Louder and Clearer,’ is largely novellas. I write short stories because I think that’s the idealized form for horror and dark fiction. I don’t really need many horror novels, and most of the ones I have seem padded, or would have worked better as shorter pieces. Also, realistically, when I am pressed for time with my day job and side jobs, so short fiction has just been more realistic and manageable. I want to get in and get out.
What are the subjects for upcoming episodes. Are there any that you’re really excited about?
Derek: Our culturally mandated Christmas episode is going to be something really special, but you won’t be able to experience that for some months yet. OR WILL YOU? No. No you won’t, but there are a bunch of pretty cool ones coming up as well.
J.R.: I enjoyed our nostalgia episodes, which we recorded but hasn’t been released yet. We both picked two horror movies we enjoyed as kids and re-watched them with our jaundiced, cynical eyes. I chose Demon Knight and Scream, and Derek chose Evil Dead II and Dead Alive. Surprisingly, we still both liked our selections.
Join marginally popular dark fiction author J.R. Hamantaschen and Derek Sotak as they discuss the world of horror in a light-hearted, frivolous and irreverent way. Expect horror fiction, horror movies, horror culture, and interviews / hang-out sessions with authors and creators in the field.
Listen to The Horror of Nachos and Hamantaschen podcast available every Wednesday of the month streaming on their website thehorrorofnachosandhamantaschen.com or on:
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