LoveQuest by Pamela Jean Horter-Moore is the story of Psyche, a mortal girl blessed by the goddess Aphrodite with great beauty. She is so lovely, that she receives admirers wherever she goes. When Psyche offends Aphrodite, by seeking the approval of her envious sisters and taking her beauty for granted, Aphrodite decides to take revenge. Using her son, Eros, she attempts to punish Psyche to a loveless life. But things backfire because Eros falls in love with Psyche. Both are torn between their families and their love for one another. They must decide what is most important in life.
I am fascinated by Greek mythology with its heroes, monsters and gods, so I knew I was going to love this book before I had even started! This is an epic love story based on an original Greek myth that we know and love, but it is fleshed out with a unique narrative and a fresh take on the characters. Although it is primarily a story of romance, there are obviously fantasy aspects in there–the author excels at writing both genres and combines them expertly. Through a great feat of imagination, Horter-Moore has put a really creative and refreshing twist on what could have been a stale story.
Horter-Moore’s prose is a joy to read, it is straightforward whilst being eloquent and descriptive. It flows beautifully throughout with quite a dream-like tone which captures the milieu perfectly. The narrative is based more on internal thoughts and feelings rather than dialogue, which gives us great insight and understanding of the characters motives and desires. When there is dialogue, it is actually quite modern, for instance, “Why do we have to spend every vacation here?” whined Tanna.“That oracle never has anything interesting to say…”Although this could have felt inauthentic, I actually thought that it was a great way of making the tale more accessible and up to date. The author particularly excels at writing place, and the setting of ancient Greece is magically conjured; it is a world full of gods, superstition, soothsayers, seers and magic. The prose is extremely evocative of scenery and I felt transported to the slopes of Mount Olympus.
The characters really come alive on the page, and they are portrayed with such sensitivity- -the author isn’t afraid of illustrating their flaws and complexities. The relationship between the sisters Medea, Tanna and Psyche are particularly well portrayed, illustrating all of the complicated feelings of jealousy and yearning for approval. The love between Eros, who is the perfect mate, and Psyche, who is deeply imperfect, feels very genuine, and I felt completely invested in their relationship.
Although this is a story of Gods and mortals living in a time unlike our own, the narrative reminds us that ultimately any human heart can suffer and love in universal ways. This is a great read for any lover of myth, fantasy or romance, and I look forward to more from this author!
Pages: 186 | ASIN: B06XTX3TFH
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The Nightbreaker follows a paladin named Daniel as we’re introduced to the conflict between the gods of darkness and light and their conflict on the Mortal Plane. What made you want to write this prequel novella to your Broken Pact Trilogy?
Daniel has a major impact on the history of the Mortal Plane. His secret affair with Lio is the catalyst that directly leads to Lio’s fall and the creation of the Grey God’s Pact. Without Daniel, the world as we see it in the Broken Pact trilogy wouldn’t exist. Without spoiling too much of the next book in that trilogy, Daniel and what happened to him plays a larger role in the story, and how Trent and Ren deal with their own parallels to the Paladin hero.
Daniel is on a mission to defeat Rexin before he plunges the Mortal Plane into darkness. Do you feel that Rexin is Daniel’s antithesis, or did you want them to compliment one another?
I first came up with the story as my spin on the classic dragon-slayer tale where a hero must travel away from the kingdom to kill the beast that threatens to destroy it. Daniel is a conflicted character though, as he struggles with the nature of his birth and the way that he is viewed by society. It made sense for Rexin to be a physical manifestation of the darkness that Daniel sees in himself. In order to overcome this external force he doesn’t just have to banish his own darkness, but accept it and use it.
The battle of good vs evil is a theme we see often in fantasy. Do you think the Gods of Darkness and Gods of Light represent this contrast or is there a grey area?
I’ve tried to take the classic good vs. evil tale and add grey areas within each of the factions. Lio, the villain of the Broken Pact trilogy, is a fallen God of Light, who only fell because of his love for a mortal and his natural desire to avenge him. Daniel commits an objectively evil deed at the end of The Nightbreaker to defeat Rexin the Blasted. Although the Gods of Light and the Gods of Darkness represent that classic dichotomy, the individuals who makeup and serve those groups fall into somewhere between good and evil in their personal morality, which makes their interactions all the more interesting.
What is one thing that people point out after reading your book that surprises you?
I’m usually surprised at many of the little world-building details that people pick up on. I try to seed references to other stories and events in the world that I have planned so that sometime in the future when those stories are written the whole series will feel like a more cohesive whole. It’s a really cool feeling though when people catch some of those now, and ask me, “What’s up with that? When do I get to find out what that meant, or who they were talking about?” My answer: keep reading.
In the years before the Grey God’s Pact, the Gods of Light and the Gods of Darkness waged war upon the Mortal Plane. Fighting alongside them were armies of men and monsters. The Champion Daniel, a Paladin of the Light, leads a band of warriors into the wilderness to defeat one such being, Rexin the Blasted, before the creature engulfs the entire Mortal Plane in an endless darkness.
Daniel, scorned for his heritage as the child of a rapist, must first come to terms with his own identity and what he is willing to do in the name of the greater good. Sometimes wicked deeds can destroy wicked things.
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B.C.R. Fegan’s Don’t Ever Look Behind Door 32 takes young readers on a journey through the magical Hotel of Hoo where Mr. Nicholas Noo gives his first-ever guests constant reminders to avoid, at all costs, door number 32. Behind each door leading up to 32, guests are treated to many surprises, some creepy and some quite humorous. Entertaining rhymes help light the way through the castle-like establishment as both the readers and the guests of the hotel meet and greet a bevy of characters who have taken up residence behind the first 31 doors. What lies behind Door 32? I’ll never tell!
I really love Fegan’s books for young readers. Lenny Wen, illustrator, creates some of the most vivid and striking images you will find in children’s literature. Wen gives his characters amazingly expressive eyes whether they are screaming in terror at ghosts cooking roasts, doing a double-take at a paintbrush-wielding elf, sneaking peeks at tea-drinking monsters, or (my favorite) marveling at miniature giants.
This particular tale takes on a Halloween feel and serves as a fabulous book to read aloud during October or as part of a monster-themed unit for elementary grades. As a third grade teacher, I can see using this book with my students to study rhyme, compare and contrast the findings behind each door, or as an inspiring writing prompt. The possibilities are as endless as the number of creatures housed behind each of the doors in the Hotel of Hoo.
Fegan does an excellent job of periodically reminding the reader that Door 32 is somewhat of an enigma and, possibly, the most feared of all doors in the Hotel of Hoo. Suspense builds throughout the book as the second-person narrative draws young readers into the different rooms, page by page, and treats them to a fantastic assortment of zombies, ghosts, wizards, and many more creatures of lore.
Fegan and Wen are, book by book, mastering the kiddie lit genre. With each successive book, their plots and accompanying illustrations take on more depth and even more vibrant characters. From the very first pages, this one has the feel of a classic in-the-making.
Pages: 36 | ASIN: B078VSML8V
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Sour Lake follows Sheriff Reeves as he tries to solve a brutal murder while navigating the towns racial tensions and economic despair. What was the the inspiration behind the setup to this interesting novel?
It started as a more or less straight horror story, based on legends and tall tales I heard growing up about Texas at the turn of the 20th Century. My wife’s family is from the Big Thicket area, and the more I started talking and writing, the more interested I became in the social history and mores of the people in the area.
The story takes place in 1911 in a small Texas town. Why did you choose this setting for your story?
1911 was something that came to me in a dream, about halfway through the story. In the dream, I was searching through old newspapers for clues about the central mystery in the book. I looked down to turn the page, and I saw the date: October 17, 1911. Weird, right? So I just went with it.
Sheriff Reeves Duncan lost his wife, is a recovering alcoholic, but manages to keep a level head in intense situations. What obstacles did you feel were important to push his character development in the story?
Reeves Duncan is a fun character. I think what I like most about him is that he’s comfortable in his own skin. He knows his own limitations, but at the same time he has a pretty fierce streak of stubbornness that compels him to do the right thing, even if he knows he’s going to be disliked for it. Apart from having to wrestle with the bizarre nature of the crimes he is investigating, the biggest obstacle he faces is having to stand up to his own friends and neighbors in order to protect an innocent man and, ultimately, bring the true killer to justice.
What is the next book that you are writing and when will it be available?
I’m actually working on a prequel to Sour Lake, but I can’t say much about it because it’s still in its very early stages. If anyone’s interested in reading something that, like Sour Lake, combines horror and history, please check out my novel The Black Book of Cyrenaica. Or, if you’re not interested in horror, please try my coming-of-age story Color War, which is also set in East Texas, this time though in 1974.
It’s 1911. Someone, or something, is leaving the good citizens of East Texas’s Ochiltree County savagely mutilated and drained of blood. Slow-talking Sheriff Reeves Duncan needs to put an end to the murders, and soon. But it won’t be easy. This is the Big Thicket, dark and brooding, haunted by racial tensions and economic despair. Fortunately, Sheriff Duncan can count on the assistance of an undersized but tough-as-rawhide Texas Ranger, two physicians, a mechanical wunderkind, and a soft-spoken idiot savant who knows the sloughs and baygalls of the Thicket like his own backyard. This league of unimpressive gentlemen is about to be tested by the cunning and ferocity of an enemy that walks by night–and the tentacles of a desperate sectarian plot that threatens the very survival of the human race.
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Keep the lights on when you read this book! Sour Lake Or, The Beast will transport you back in time to East Texas, 1911. Chapter one is called Pray, and that is your only warning of what is to lie ahead. A brutal and gruesome death of the young school teacher Lenard Dalchau leads you into the world of this small Texas county of Ochiltree. Prejudice and racism run high and the locals want this death solved and forgotten quick. Reeves Duncan, the sheriff however isn’t one to just jump to conclusions and hang the wrong man. Agreeing with the sheriff that this is no ordinary murder case is “Doc” Walter McDivitt that has seen enough brutality for a lifetime. These two take the lead in discovering the truth. Together they discover a truth that no one wants to hear, and no one would believe if they did.
Bruce McCandless III is a talented author that is a cross between Steven King and the voice actor Robert Clotworthy. The historical descriptions and language are offensive to modern society but are accurate for 1911. It is so clear you feel like you are really back in Texas in the early 1900’s and living with this society. I’m not typically a person that enjoys horror novels because my imagination will just keep me up all night with every bump in the dark. McCandless however has written a story so engaging I couldn’t put it down. There are so many surprises in the pages it is hard to reveal much for fear of giving away the next piece of the plot. I can say I fell in love with the character of Sheriff Duncan. A man that lost his wife, became an alcoholic and overcame it. A mild mannered man that wants to be fair and not rock the boat. He does have a conscience and uses that to guide him as the story progresses, that inner instinct and unwillingness to follow a mob mentality. Sheriff Duncan believes in facts, and even when those facts point to things that should not be real he doesn’t discredit it. When all is said and done, he just wants to walk away. But how can you walk away from the nightmares he endured?
This is a novel you just can’t put down, it will draw in readers that like historical fiction, horror, a little sci-fi and a lot of action and gore. All the main characters are given rich back stories so you feel you really know who they are and how they ended up in Ochiltree County. The story line is unique and completely original probably because of when it takes places. Overall, I recommend this book to anyone that needs an escape from modern drama, this book will take you away and make you think, as well as surprise you from one chapter to the next.
Pages: 228 | ASIN: B06XR9T91W
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Stirring is a thrilling supernatural novel that sets a towns families against nightmares and tortured souls of evil that will pull them into the depths of their darkest days. What was the inspiration for the setup to this suspenseful novel?
I grew up watching monster movies – vampire movies in particular – with my mom. We especially liked the Hammer film series, starring Christopher Lee and Peter Cushing, and The Night Stalker films and TV series, starring Darren McGavin. Also highly influential on me was the Salem’s Lot miniseries that aired in 1979, starring David Soul and James Mason. Dark Shadows and other such films and television series also played a role in developing my take on the genre.
I started writing stories in earnest when I was a young teenager, and that’s really when Descendent Darkness was born. It was one of the first ideas that I began developing, and was partially born out of a weird experience I had. I got up early one summer morning, well before sunrise, and went out for a walk near a wooded area of our neighborhood. From a distance, I saw a man walking under a street light, and not far behind him, coming up quickly, was a woman with a very creepy expression on her face. Being the imaginative sort, I thought: What if she were a vampire? What if she was stalking the guy and about to jump him and drag him off into the woods? From there, I started down the Night Stalker/Salem’s Lot path, thinking on the subject of how vampires would operate in the modern world.
As for the setting, my family is from the Shenandoah Valley. It’s such an old area, and so full of history, that it seemed a natural location for a story of this type. The mountains have a mysterious quality to them that isn’t easy to put into words.
Stirrings is a genre-crossing novel with elements of a mystery, crime, and drama as well. Did you start writing with this in mind, or did this happen organically as you were writing?
It was definitely an organic thing. I had a basic story outline formed in my mind, but it changed many times after I started writing and getting to “know” my characters. I had to figure out how to bring vampires into the real world, and that meant dealing with real world issues in an unreal situation: How would the murders be explained? How would law enforcement deal with the situation, given that outsiders would never believe the truth? How would real people react to genuinely encountering the supernatural? What effect would keeping secrets about these things have on people over time? How would relationships change? How would a real vampire seek to protect itself and take victims in the modern world?
All of these considerations caused the story to branch out in many directions and develop a number of layers.
The relationship between the siblings Holly and Mike is intricate and relateable as they battle together, sacrificing their souls to save their family. What were the driving ideals that drove the characters development throughout the story?
Their parents raised them with a strong sense of family loyalty, but the tragic loss of their mother drove them together in a particularly strong way. They share a bond, not only as siblings but also as survivors. Books two and three reveal more of their background and illustrate why they have the relationship they do. This is a key aspect of the story as it moves forward.
Stirrings is book one in the Descendent Darkness series. Where does book two, Legacy, take readers?
Legacy picks up immediately where Stirrings leaves off. The curse the men of the town hoped they had buried forever has finally been set free, and the number one item on its agenda is vengeance. A game of cat-and-mouse is set into motion, with the mice unaware of the game until they’re already caught up in it. We learn something of the true extent of a vampire’s powers and even delve into their origins.
Legacy contains more action and further develops the main characters. The reader also meets some new characters who will factor heavily into the events of the final book. It’s here that everything blows up and the secrets come out, setting up the end game.
In 1982, three men in rural Clarke’s Summit, Virginia, faced an ancient terror, a curse that reached for them from out of the distant past, threatening to destroy them and to draw everyone they loved into everlasting darkness. Together, they paid the ultimate price and drove the shadows back, burying the secret of Clarke’s Summit for what they hoped would be all time.
Now, twenty-one years later, Richard Gaston, deputy sheriff Tom Campbell, and Father Ryan Bennett fear that the power they once defeated may be growing strong once again, ready to break free of its prison. For another amongst them – a tortured soul who was once the bondservant of evil – there can be no doubt. A familiar voice is taunting him, calling him back into the service of darkness.
And for Richard’s son and daughter, Mike and Holly Gaston, the nightmares they’ve had all their lives are about to take shape in the real world.
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2PM On A Black Summer’s Day is a genre-crossing novel with elements of dark fantasy, paranormal, and horror as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Definitely organic – I had a few ideas to begin with, but everything else just came flooding out as I let my imagination work its magic.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
May Walker (the white witch) – I think there’s potentially a lot more to her character than we’re all told…
There is some amazing surprises in store for readers in this book. When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Once I started, it all just came flooding out… so all the little twists and turns just appeared before me. It was like watching my own film inside my head, with the added benefit that I could take the story in any direction and anything could happen.
What is the next book that you’re working on and when will it be published?
Although I am a great fan of horror – primarily supernatural or fear-based horror – when the first thoughts of writing came to mind, I decided to challenge myself to see whether I was actually capable of writing a book, but also whether I was capable of writing different types of story or genre, and not just horror. I wrote the book back in 2015 and since then, I have written a few more, although all unpublished so far, so 2pm is my first and so called trial run.
The next book will be monster based – huge colossal monsters, so completely different in every way, although after repeatedly re-reading it, I do feel like it could definitely be my best work to date.
Finger’s crossed, it will be released later this year.
If that goes well, I’ll then return back to horror again, with another dark and menacing local story that will raise the hair on the back of your necks. This story will not only be a hair raising adventure, but it will also have added elements of real life events that I personally experienced as a teenager….
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Little did Chris know that in years to come, despite being unknown to the world, his actions would have such an impact.
His idea for a bit of alternative fun one night went terribly wrong, leaving his best mate’s house in ruins and a few of his closest friends dead and missing.
No one could foretell the devastation that would occur or the destructive forces that would be released that night, as a series of events ended in total disaster, leaving the city with a multi-million-dollar clean-up bill and the death of thousands.
The fight soon build’s to an immense and climactic battle, with their only hope being an alliance between age-old opposing enemies that had been fighting each other for thousands of years.”
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The Nightmare From World’s End is a science fiction thriller that begins when various people go missing along a river and a mythical squid may be to blame. What was the inspiration behind the idea for this book and how did that change as you were writing?
It was two things, actually. The first was an offhand comment by my wife one day while we were having lunch along the Hudson River. It was something out in the water that I took a grainy photo (zoom lens) and it came out looking like the classic ‘Loch Ness’ hoax photo. She looked at it and said: “Oh, that’s Ossie!”. “Indeed it is,” I replied, and so it started. The second was a massive crate I discovered along the shore of the Hudson after a big storm. It looked like it had been underwater for some time. That’s how it usually works – something I saw here, a comment there.
Along with that was a genuine curiosity about the American Indians that once populated this area, which go back at least 8,000 years. For me it’s a fluid process of researching and letting it inform the story as it develops. For example, I’d had the concept of the ‘Crazy Jack’ character for years, but dismissed the name as a product of me watching too many movies or TV shows. So, I initially wrote a scene where the American Indian anthropologist – Sarah Ramhorne – is saying as much. Then I discovered (to my shock) that in Munsee/Lenape mythology, there really is an enigmatic trickster named ‘Crazy Jack’. The joke was on me.
Native American folklore around the Hudson River area is a relevant theme within the book. What was the inspiration to infuse such rich culture in this novel?
So little is written about it yet aside from local names – Wappinger, Kitchawank, Weckuaesgeek, Sint Sinck – almost nothing remains of it here. It’s like a ghost hiding in plain sight. Many of the local tribes here were wiped out completely within a couple decades of first contact – we don’t even really know what they looked like. That naturally piqued my interest.
Is there anything that readers connect with in your story that surprises you?
People seem to really be into the characters in this one. That and the American Indian history. A frequent comment I get is: “Is all that stuff true?”. As far as I know, yes.
Your story makes mention of the ancient alien theory. Why did you include this in your novel?
Mainly it was by accident. I was at a local Indian pow-wow researching the story when I ran into an American Indian vendor who in a confidential tone started going off about ‘lost technology’, Atlantis and how the Indians ‘really’ got here in spaceships and had forgotten it. I immediately thought “This is too rich, I have to work this into the novel!” Then it became a running joke through the story: what if some real phenomena was going on to one side while everyone in the story is focused on the hoax phenomena happening on the other?
What is the next book that you are working on and when will it be published?
Currently writing another novel for Severed Press titled The Lost World of Kharamu. It’s an updated take on Michael Crichton and Arthur Conan Doyle themes. It’s due out later this year – stay tuned.
In the aftermath of a major hurricane, a massive antique crate washes up on the shore of Raadsel Point. It’s smuggled cargo from the wreck of the Edmund Wood, an unregistered transport returning from a very unusual expedition. . . a ship that went down in the deepest and most dangerous part of the Hudson known as ‘The World’s End’. The nightmare creature it contains is about to unleash havoc on the citizens of the sleepy river village of Wyvern Falls and inadvertently draw to it a predator thought extinct a millennia ago. It will come down to two people to figure out what both these creatures are and how to stop them: expat CID Detective John Easton and American Indian anthropologist Sarah Ramhorne. The two of them will have to unravel local Indian myths, outmaneuver a corrupt mayor, a failing Ancient Astronaut Theorist TV show and an overzealous Green Folk Festival if they are to stand any chance of saving the day.
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Slippery Things follows Larissa as she tries to navigate high school when she starts having nightmares of blood sucking aliens and can’t tell if they are real or not. How did the idea for this novel develop and how did it change as you were writing?
I love monsters, so of course I knew I had to write a book about them. Also, I’ve always found the concept of alien abduction beyond unsettling. And while I certainly don’t believe extra-terrestrials are visiting planet Earth, I wondered if the idea of creatures venturing from another dimension might make for a creepy tale.
The biggest change in the novel’s development was the point of view. Originally written in first person, I ultimately rewrote the entire book in third person. Two early readers of the the first draft suggested that if written in first person, the reader may not feel as urgent a sense of jeopardy for the main character.
Larissa is a typical teenage girl dealing with a cheating boyfriend and a self absorbed best friend. What were some characteristics that you tried to capture while writing all three of these characters?
For Larissa, it’s anger and disappointment. These emotions spring from a feeling of being trapped. Luckily, her sense of humor will help get her through the day. As for the others, I believe it’s typical for high schoolers to feel that the world revolves around them. Perhaps it’s difficult for young people to see just how deeply their behavior can affect others around them.
Slippery Things gives a unique twist to the science fiction genre. What was your approach to writing an alien abduction/invasion story while to keep it entertaining?
My personal interest in this story has always lived more with the main character than with the plot. That said, I was born with a dark sensibility. I thought about what I personally find creepy and tried to exploit that.
As far as entertainment goes, my favorite scene in genre films tends to be the point where “all hell breaks loose.” A goal of mine was to emulate this moment by building to a chaotic chase scene towards the end of the book.
What is the next book that you are working on and when will it be published?
My next book doesn’t have a title yet, but you can expect another young adult sci-fi novel entering the universe down the road. There will be a couple of similar themes, but an entirely new setting and diverse cast of characters. And although creepiness will certainly be on the menu, I’m working towards an overall shift in tone.
Jaded high school Junior and detention hall regular Larissa Locke has a recurring dream in which creatures sneak into her bedroom at night to perform experiments and extract her blood. Tiny scars on her arm suggest that perhaps she isn’t just dreaming. But wait! If she’s really the victim of blood-sucking alien intruders, then why is her bedroom window still locked each morning?
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Architects of the Illusion is about adopted royal sisters Eva and Ashy, members of a bird-like alien species. After Ashy is convicted of killing Eva’s husband, she is exiled to a refugee planet in another system, all the while maintaining her innocence, even though all evidence points to her as the killer. Eva turns to training and discipline, and, inspired by her late husband’s political career as a means to affect real chance, becomes a mercenary. Years later, Ashy escapes and sets off to find her own way in the universe, wondering if she’ll ever stop running, or if her sister will ever believe and forgive her. As an invading force threatens the planets with mutant monsters and destructive chaos, Eva and Ashy must confront their pasts if they are to save their futures.
The strength of this book is the characters. You really grow to care for Eva and Ashy, both as individuals and as estranged sisters. Eva’s mercenary lifestyle forcing her young son far away for his own safety, Ashy’s constant flight from the law and lawless – they’re both sympathetic characters, removed from the world both by their own choices and external influences, and both struggling to examine their relationship as sisters. Themes of love and duty are examined, leaving both characters and readers to wonder if familial bonds can ever be fully broken, or if they even want them to be healed. The secondary characters are also thoroughly unique and fleshed out, both through physical description and dialogue. The author has them often speak aloud to themselves when they’re alone, and while it can seem a little conveniently explanatory at times, there’s no denying that it always reveals more about the character. The author also has the characters speak about events in their past as part of their natural dialogue, without further explanation, allowing the reader to infer themselves, and making the whole thing feel a lot more organic, as if you were talking among old friends – mentioning past events without describing it shot-for-shot in a flashback, because you were all there. This is often hard to achieve in books, as a lot of writers feel they have to explain everything for their readers, but when handled correctly, the hints and quick dialogue with minimal set up work perfectly for better immersion.
The settings and world building are handled really well. Cities, space stations, even whole planets, are beautifully described without getting too bogged down in flowery language or extraneous explanations – they almost become characters themselves. The many varied alien species are also described well, with details about their physical appearances revealed naturally within the context of the story, as opposed to a solid paragraph of description, and their appearances are unique, yet plausible, and intriguing as you consider the evolution that brought them to their present forms. The actions scenes are appropriately heart pounding and tense, especially the exploration of the dying space station, and the quiet scenes are allowed to play out to further invest us in the characters. I will say there is a lot of colloquial language used in the dialogue, which I appreciate for attempting more natural banter than speech-like conversation, but it also has a few too many “like,” “it’s just,” and “errs” that bring it into present day, as opposed to distant future. Gangs of ellipses also litter the dialogue, but in the end, these linguistic and grammar problems do not ruin or negatively influence the book overall for me. Blending science fiction, a little bit of the unexplained, and the nature of human relationships, Architects of the Illusion has something for everyone.
Pages: 314 | ASIN: B00AW6AXZO
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