He blends in. He is successful, intelligent and methodical. There are no clues. There are no leads. The only thing the FBI and local police have to go on is the method of death: two bullets to the face- gruesome and meant to send a message. But it’s difficult to understand any message coming from a dark and damaged mind. Two adopted boys, struggling in their own world, have no idea they are the next targets. Neither does their family. And neither does local law enforcement.
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DR: How did you come up with Gina S. Miyoko?
MKB: I honestly don’t remember except that she arose from a dream I had, the plot of which (yes, my dreams often have plots) I don’t remember. I knew I wanted to write her as the protagonist of a mystery novel, and I knew I wanted her to be different from the female P.I.s I’d read. I love mystery and crime fiction but I noticed that all the female protagonists were alienated and broken and party to dysfunctional relationships. I wanted Gina to be flawed and have enough pain in her life to be relatable, but I also wanted her to be part of a very functional, if quirky family and support network. Among the Japanese names I was considering, Gina Suzu Miyoko meant ”Silver Bell Temple”; Tinkerbell became an inevitable nickname. And her personality just grew out of that.
DR: And Russian Orthodox witches?
MKB: Around the time I was developing Gina and the characters that would surround her, I was reading a book entitled THE BATHHOUSE AT MIDNIGHT: An Historical Survey of Magic and Divination in Russia (WF Ryan). I was reading it because the novel I was working on at the time (MAGIC TIME: ANGELFIRE, from Harper-Voyager) had a Russian ex-pat as one of the central characters. Okay, and also I’m Russian-Polish on my father’s side and have been fascinated with the folklore and history of slavic culture since I was a child. Probably more so because my grandmother was so adamant that I not be taught anything about the Old Country but be brought up thoroughly American. In any event, the book sparked the idea that I wanted Gina’s mother to be Russian and fascinated by arcana. She was originally going to be a psychologist, but by the time I started writing the book that became THE ANTIQUITIES HUNTER, she had morphed into a cultural anthropologist and folklorist.
As tends to happen with these things, as I began to write the characters, they essentially told me who they were. I’m sure you know the feeling—as if the character is inside your head whispering sweet somethings to your Muse.
DR: Can you talk about Tinkerbell on Walkabout—the novelette that describes how Gina became a detective?
MKB: I wanted to document Gina’s genesis as a PI, but the plot actually came about as a weird synthesis of several real-life moments. I lived in Grass Valley for about 35 years and set it there in part because of an experience I had being a founding member of Nevada County Citizens for Racial Unity, a group that formed after a black man who’d just moved to the area was beaten up by a bunch of white teenagers in a local park. That caused us to consult with the California Highway Patrol about the forces of racism in the area. What our CHP liaison told us about gangs from Colusa and Yuba counties trying to gain a foothold in Nevada County gave me most of the plot elements I wanted for the story. A visit to Charlotte, North Carolina one Christmas occasioned me seeing the mostly scrupulously tidy wrecking yard I have ever laid eyes on and that gave me a key element in Gina solving the crime that lies at the heart of the story.
DR: Did you research PI procedures like the post-it notes and Who/What/When etc?
MKB: I have to laugh. The post-it note method is something I’ve used to plot novels for years. It seemed to me that my post-it process would be as ideal for working out the nuances of a real world mystery as it is for plotting a novel. My editor suggested editing the scene in which you first see Gina use the post-its so that she just wrote on the white board. I declined and explained the beauty of post-its to her by having Gina demonstrate it for the reader.
DR: How did you become interested in the problem of looting of antiquities? Why the Southwest?
MKB: I have loved archaeology for as long as I can remember. I subscribed for years to Archeology magazine, and KMT (Kemet – which is the old Egyptian name for Egypt). I happened to read an article about a female undercover agent for the National Park Service and the sort of work she and her teammates did, chiefly in the Southwest where there are a lot of vulnerable caches of artifacts, mostly on First Nations land. But I’d also been following several international cases at the time—the Elgin Marbles that the British Museum had to return to Greece and the blackmarket cases that big US auction houses and museums alike had been implicated in. I was also following the rediscovery of the Rosalila (an utterly fantastic nested temple at Copán in the Honduras) and some amazing finds at Bonampak, which is in Chiapas, Mexico.
It was that last item that gave me the location for some of the action in the book. I sort of let all of that percolate and it seemed natural to have my protagonist have the experience I’d dreamed of having—seeing those antiquities first hand. More than that, I wanted her to have a hand in saving some of them. The lack of funding for preserving these sites is a real and persistent problem in the world of archaeology.
DR: These days cultural appropriation is a sensitive topic. How did you go about portraying Hispanic, Asian, and Native characters in a respectful manner?
MKB: I suppose every writer has their own approach; mine is to love the people I write about and to recognize that they’re people first, not representatives or symbols or archetypes of a particular culture. But, in writing them, I have to recognize that their cultural framework will condition their responses to things. So, to Rose Delgado, though she’s married to a non-Hopi, living in Sausalito and working all over the country, she’s still Hopi. That means that Hopi lands are still sacred to her and that she takes the theft of native artifacts personally. Her job is more than just a job because of her cultural background and her investment in it is different than the other members of her team.
To me, Gina’s tattoo is exemplary of the cultural intersectionality I’m portraying. It’s a Russian Orthodox True Believer cross with a Buddha seated at the nexus in a lotus blossom. The cross is for her mom, the Buddha for her dad. Gina calls herself a Russian Orthodox Buddhist, which is an echo of what I told people who asked about my religion before I became a Baha’i. I’d say I was a Hindu-Buddhist-Christian. So, what I was trying to capture in Gina was a character who was an intersection of three cultures—Japanese, Russian and American.
I’ve been privileged to have been surrounded by people from diverse cultures all my life and I think that if you approach characters of any culture with curiosity, love and an attitude of learning, you’ll strive to portray them as complete, three-dimensional human beings.
DR: Is there such a thing as SASH (Society for the Appreciation of Sherlock Holmes), and would you join?
MKB: There’s a Sherlock Holmes Society of London, but as far as I know, there’s none in the Bay Area—at least not like the one Gina’s dad, Edmund, is part of. I made it up. Or maybe Edmund did. I would totally join SASH if there was one around. I love Sherlock Holmes—in fact, I have a Sherlock Holmes pastiche idea I’d love to write.
DR: What have you written recently?
MKB: I’ve been doing a lot ghostwrites lately. And they have been diverse and interesting. I just finished up a YA set in Seattle, and am still working on one that also makes use of my deep love of archaeology. Beyond that, my dear agent is shopping a crazy range of novels I tossed at him, including an SF novel with a peculiar genesis that I’d love to see be the first of a trilogy, a YA paranormal/contemporary fantasy featuring a 14 year-old-protagonist who discovers she’s a witch from a long line of witches, a magical realism yarn that is my take on the old Russian fairytale, Frog Princess, and a paranormal romance that I collaborated on with a couple of show runners from LA.
DR: What lies ahead? What lies ahead for Gina Miyoko – are new novels in the works?
MKB: I’ve been working on what I hope will be the next book in the Gina Miyoko series—working title, THE FORGETFUL FOLKLORIST. I’ve got about eight or nine novels sketched out and more ideas popping into my head all the time. I’ve also been outlining a steampunk novel I’d like to write, involving yet more artifacts. (I got the idea from a book cover someone asked me to design, then didn’t want.)
DR: How does The Antiquities Hunter fit into your repertoire of published works?
MKB: It’s a real outlier among outliers. I started out writing science fiction. In fact, I’d published a bunch of stories in Analog before I shifted gears and wrote four epic fantasy novels all based on dreams. Then I discovered magical realism and fell madly in love with it. That caused my writing to take a weird turn that peaked with ”The White Dog” (Interzone). In moving over to crime fiction, I’m really pursuing something that’s fascinated me as a reader for years. I’ve been in love with mysteries and detective fiction forever. So, even though THE ANTIQUITIES HUNTER looks like a departure from the outside, from where I sit, I’m just writing what I’ve always read. I also realized, when I looked at the fiction I’ve written, that most of my stories have a mystery embedded at the core—sometimes blatantly, as in ”The Secret Life of Gods” and ”Distance” (Analog), or in a veiled way as in my novels THE SPIRIT GATE (originally from Baen, in reprint from Book View Cafe) and STAR WARS LEGENDS: SHADOW GAMES (Del Rey/Lucas Books).
DR: What authors have most influenced your writing? What about them do you find inspiring?
MKB: My greatest prose heroes are Ray Bradbury, W.P. Kinsella (whom I cast in DISTANCE with his permission), and Tim Powers. These are the writers whose use of language, storytelling chops, and sheer imagination made me hungry to write. Bradbury and Kinsella have written some of the most beautiful and evocative prose in the English language and Powers has given me epiphanies about the many ways reality can collide with the fantastic.
I admire Dean Koontz, JK Rowling and Sue Grafton as well, especially for their character development chops and the uncanny way they connect the reader to their characters from page one. I also have to credit Harry Turtledove (who’s written some of my favorite Analog stories) with making me stray into alternate history, with my novelette ”O, Pioneer” (Paradox) which takes an upside down and backwards look at Christopher Columbus’ ”discovery” of the Americas.
DR: Why do you write what you do, and how does your work differ from others in your genre?
MKB: I write what I do because either a character demands to be written about (Gina Miyoko being a case in point) or an idea demands to be explored. I thrive on exploration. It’s why I love road trips (What’s around that next curve?), research, archaeology (What is that thing I just dug up?), first contact stories, and mysteries of every kind. Writing is exploration I undertake to satisfy my insatiable curiosity about what if.
I’ve been told that I write fantasy with rivets, meaning that my fantasy work tends to take a very pragmatic approach to the fantastic. It works the other way, as well. My Gina Miyoko stories have an undercurrent of the supernatural to them if the reader chooses to read the pragmatic references to obereg (the good luck charms her mom is forever sneaking into her pockets), Holy Water, and spells as being more than just a concession to Nadia Miyoko’s avocation. This means that my fiction often falls through the cracks. When I sent ”The White Dog” to Interzone, the editor wrote back and said essentially, ”I loved it, but where’s the fantasy element?” I responded, ”In the eye of the reader.” He bought the story and it was a finalist for the British Science Fiction Award.
DR: How does your writing process work?
MKB: Mileage varies … a lot. With short fiction, I’ll sometimes scribble a handful of questions that become notes and when I see a beginning and end, I start writing. With novels, I sometimes get out the sticky notes. I had a great little flow chart app I used for a while, but they stopped making it. I use Evernote to toss bits and pieces into, as well. The sticky note brainstorming is still the best method I’ve found of plotting a novel because it allows me to visualize relationships between characters, their motivations and other plot elements.
Once I’ve charted something that way, I write a synopsis that becomes a living document that I can add to as I work. At some point the characters start yakking and doing things and I have to start writing. I used to have to write everything in #2 pencil on lined paper first, then edit as I committed it to the computer. Then I’d do that until roughly the last third of the book when the boulder started rolling downhill. But for some time now, while I still love writing notes long hand, I do all my writing at the keyboard. I’ve only ever had a laptop, because I feel the need to be portable. Sometimes a silent house is the best place to write, and sometimes a noisy coffee shop is best. I’ve also learned to give myself permission to do what I heard one writer refer to as ”moodling”. It looks (and feels) like I’m not doing anything, but my mind is hard at work looking for connections. And when enough connections are made between elements and characters, the writing happens.
Whenever I sit down to write, I always read back what I did previously. I tried Hemingway’s stopping in mid sentence and it only led to frustration.
DR: What advice would you give to an aspiring writer?
MKB: First, write without editing. Ray Bradbury famously said of writing, ”Don’t think.” He advised hiding your editor hat and just getting the bones of a story or a scene down without worrying about whether you found the right word. THEN, put on your editor hat and edit. This can make the difference between a story ending up attached to an email on its way to an editor’s inbox or ending up in an obscure file folder.
Second, learn your tools—words. Know what they mean, what they imply, how they taste, how they sound. Read your prose out loud before you submit it. Here, I find Mark Twain’s advice sage: ”Use the right word, not its second cousin.”
Third, be flexible. The method you used to write one story may not work for the next one. That’s okay. It doesn’t mean you’re broken or that your process is broken. It just means it’s different this time. This was a hard-learned lesson for me. It took reading Lawrence Block’s learning experience with regard to flexibility (in one of this Writer’s Digest columns), to understand that I wasn’t losing ”it”; ”it” had just morphed a bit.
I’ve learned a lot from the experiences of other writers and from their prose. One of the most valuable learning experiences for me is to read other writers’ prose with an awareness of my own responses to it and analyze why it makes me feel how I feel. Then I try to apply that in my own work.
Oh, and when you’ve written that story and read it out loud, making sure that (as Twain said) you’ve used the right word, not its second cousin, send it to the magazine or agent or publisher you really want to see it with, not something less. When I sent my first story to Stan Schmidt at Analog, the wisdom in all the writing magazines I’d read was that I should send it to a small non-pro market first and work my way up. And I should send something short that stood a better chance of being accepted. I went against that advice and sent a 19,500 word novella to my favorite magazine and got accepted.
Short form: Always shoot for the moon.
This interview was provided by PrentisLiterary.com.
Gina “Tinkerbell” Miyoko is not your typical private eye. Armed with a baby blue Magnum, a Harley blessed with Holy Water by her dramatically disposed mother, and a Japanese mingei tucked in her pocket (a good luck charm from her Sherlock Holmes-obsessed father) Tink spends her time sniffing out delinquent dads in the San Francisco Bay area and honing her detective skills.
But when her best friend Rose, an undercover agent, discovers there’s a stalker on her tail, she hires Tink as a bodyguard. Someone must be trying to intimidate Rose and scare her out of testifying in an upcoming case on looted Anasazi artifacts. But when Tink tries to flush-out the stalker, things take a far more dangerous turn.
Now, with a dead black-market dealer and an injured Rose on her hands, Tink must take her best friend’s place and follow the looters’ trail towards a powerful and lucrative antiquities collector in Cancun, Mexico. Equipped with an ingenious disguise and a teasingly coy persona to match, Tink is determined to find out who is behind the attack on Rose and the illegal trafficking of these priceless artifacts. Along the way, she will find help in the most unlikely of partners…
Deep in the jungle and far from civilization, Tink must decide who she can trust as she tries to unearth the ones responsible behind the pilfering and bloodshed―and still make it out alive.
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The Rabbit Hole Experience reads like a fireside chat between two paranormal field investigators—one specializing in spirit activity, the other in Sasquatches. They’re friends who sometimes work together and always trade notes.
In the book they explore the ways eyewitnesses react to encountering something they believed to be impossible.
One person may have a spiritual awakening. Another may have a psychological breakdown and live in fear. Yet another denies anything happened.
The two investigators wanted to know, why?
So they open their case files of fascinating, real-life stories, look for patterns, create theories, and pioneer an area not often addressed in the paranormal world.
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This is a personal account of a young women’s journey of being kidnapped and surviving dangerous encounters with this man. Juan Carlos Parraga. From Carlos’s personal connections to El Salvador and his training by Che Guevara as a young boy of fourteen in the jungles of Guatemala. Carlos is a violent man destined to live on the edges of crime and violence. Judith not being allowed to communicate with others lives in silence but is observant of all activities he did around her. Changing her name to save her life and living a secluded life to protect herself from being kidnapped and murdered by Carlos was her life after being his victim. Realization of how dangerous he became was revealed on April 19, 1995, as Judith watched the unfolding and recognition of Juan Carlos Parraga as John Doe #2. Judith turning him into the FBI and letting him go her home in White Rock, British Columbia was arson with the intent to murder her per the RCMP investigation.
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Stuart Dyson of the Laredo ATF is missing, and his girlfriend, Tracy, an officer with the Laredo police department, just may know more than she is willing to share with the men and women dedicated to finding Stuart. When the FBI Trackers are assigned Stuart’s case, Tracy cooperates while running her own investigation on the side. The Trackers are a specialized unit within in the FBI and have a stunning track record of successes. They are Stuart’s best hope, but they can barely do their job for keeping Tracy in check. When the entire investigation hinges on determining the significance of a note scrap reading “27.43 pounds”, the Trackers find themselves fighting against the clock to rescue not only Stuart but Tracy as well.
Anita Dickason’s A u 7 9 is a unique brand of thriller. The FBI Trackers embody all of the mind-blowing aspects of the FBI, and Nicki Allison stands out among the members of the team. Her dedication to each investigation knows no boundaries, including sleep. Dickason paints a vivid picture of Nicki as she manipulates her way through staggering amounts of data to pinpoint needed evidence. She is a character to be admired.
Eddie Owens, the young reporter receiving anonymous tips as to Stuart’s possible involvement in his own disappearance, plays a key role throughout the book. Not one of the characters readers might put a lot of stock in at the outset of the book, Eddie becomes more and more colorful as the chapters pass. Eddie easily stands as my favorite character from A u 7 9.
I appreciate the way Dickason stretches out each discovery and keeps readers guessing regarding the meaning of the “27.43 pounds.” As each character ponders the meaning and subsequent research is conducted by the Trackers, the reader becomes increasingly invested in finding out how something so seemingly insignificant could impact Stuart and the fight to find him before his time runs out.
I am not sure I can remember the last thriller I read that has such a satisfying way of slowly revealing the connection between the title and the book’s plot. I kept trying to guess the significance of A u 7 9 to the sequence of events and was pleasantly surprised at the ultimate reveal. Dickason pulls together the plot and title in a unique and refreshing way.
Dickason’s writing is engaging to say the least. Many times, books of this genre can be heavy on narrative. Dickason, however, provides the perfect blend of dialogue and narrative adding to the overall depth of her characters.
As far as crime thrillers go, Dickason has hit it out of the park. The team of Trackers who serve as her main characters do not disappoint, consistently provide suspense, drama, and humor. Any fan of crime dramas/mysteries will be drawn to both the writing style and the engaging plot of A u 7 9. Dickason’s own background in law enforcement plays heavily into her writing and makes for a book no fan of crime thrillers will be able to forget.
Pages: 315 | ASIN: B07CWG4DD5
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Imagine just having gotten back from vacation only to find out your best friend’s cousin has been murdered.
This is what greeted Lieutenant Beaudry, a renowned but controversial officer who isn’t particular in living by the police handbook. He is known to solve cases by his own rules. Will he make sure not to ruin it this time after his recent dispute? Or will he tamper the evidence just like his close friend Nico did after seeing his cousin motionless in his car.
Tainted Evidence by Michael Kent could seem like your typical murder novel except that in this story the professional assassin knows the art of prosthetics, perfectly disguising himself and surpassing immigration officers. He also makes his murders seem accidental. Nobody is suspicious until an officer was present in court when the judge suddenly lost consciousness, and later on, his life.
I liked the plot, as it stayed close enough to reality to be believable and there weren’t too many tangled lies and deceit to unravel. The descriptions of scenes are so detailed that even my imagination played it in my head with vivid clarity. Michael Kent is able to offer picture perfect scenes for his superb characters to inhabit.
My favorite character in Tainted Evidence has to be Pat. The book depicted her as an independent woman who successfully came out from an undesirable marriage. She had a struggle with her ex-husband but managed to break free, started over, recovered until becoming fully independent. I admired how she took charge of her own new life, not being discouraged by her
past, and being able to live alone and even choosing the house she and Beaudry would live in. She is a perfect epitome of a strong woman in this day and age. As fierce as her character seems, she did maintain her soft side by being as understanding as possible to Beaudry’s hectic schedule.
I also appreciated the inclusion of Jimmy, an autistic boy with exceptional photographic memory and drawing skills. I applaud the fact that his talent has been highlighted instead of his lack of social skills. I think this is a good example of Michael Kent writing, he always plays to a characters strengths.
Interesting characters and a fascinating murder mystery will give any fan of the mystery crime genre plenty to enjoy.
Pages: 220 | ISBN: 0993713165
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Six months have passed since Dr. Samantha Delaney faced deadly encounters with a man who had sworn to destroy her and take the $60 million she had received as the last remaining heir to the Delaney legacy—a legacy that had been stolen many decades before. Given the demise of her enemy, Samantha thinks the danger is over.
But but she is wrong.
When a distant relative sends her a newspaper clipping reporting the 1914 murder of Samantha’s great-great-grandmother in Costa Rica, Samantha and her husband, Dr. Brett Perry, decide to do some preliminary research, never dreaming that their investigation would imperil Samantha once again.
Beginning their research in Costa Rica, Samantha and Brett hope to learn about the murder of her ancestor and the loss of the family cacao planation. What they find is a picturesque country with clear ocean water, pristine beaches—and more danger than they had ever anticipated. Their investigation quickly catapults them into the middle of a very calculated, lucrative, and illegal gold mining operation where the stakes are high enough to make murder a necessity for anyone who gets in the way. Samantha quickly learns that as a beneficiary to her great-great-grandmother’s company, she will most certainly be in the way.
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Dead Air follows Glenn, a security guard investigating the murder of his friend who was shot while on the air at a radio station. What was the inspiration for the setup to this thrilling novel?
Like Beck, my high school best friend owned a radio station. He sold out before being shot, however. The only constant we have is change. Commercial radio exemplifies that change.
Radio was born to play the music that record companies were trying to sell. It soon become the primary form of entertainment for Americans broadcasting the early soap operas. Then came rock and roll. Talk radio attracts a wide range of demographics. Interestingly, I graduated from the same school as Alan Freed, who coined the iconic term Rock and Roll.
Beck struggles to put the past behind him and move forward. The murder at the station was a perfect analogy of transformation as Beck seeks the killer.
Beck is investigating the murder of his friend Zito, who we slowly learn is not who Beck thought. Did you plan this slow reveal of Zito’s backstory or did it happen organically while writing?
Beck and Zito’s friendship started as teenagers. In the decades since school, they have drifted apart. Life leads people down many paths. We become more guarded, reluctant to share the many secrets with those we depended on in youth.
The victim is an important character in a story. Murderers rarely plan to kill without a motive. There must be a reason to want that person dead. All mystery plots boil down to one of three motives, love, greed, or to cover up a crime.
The investigation of any murder, real or fiction, is a slow process. Investigators don’t know the full story immediately. People conceal secrets, they lie. The search is a painstaking pursuit to reveal the skeletons in the closet.
I think of this novel as a whodunit story that puts fascinating characters in interesting situations. Are there any scenes in your story that you had fun writing?
Beck and Irene, his romantic interest/partner, track his missing client to a hunting cabin where she is being held. Nothing in his white-collar career has prepared him for this confrontation. They are fighting through thick woods and underbrush to reach the cabin while carrying guns.
In order to survive, he must physically subdue a hired enforcer and be prepared to kill if necessary. Beck has become a hard ass with a chip on his shoulder. He comes to the epiphany that Irene is the love of his life and he must protect her at all costs.
This is the scene where he recognizes the past is behind him. What the future holds he doesn’t know.
What is the next story that you are working on and when will it be available?
I am writing the second in the Glenn Beckert series, Dead Secrets. In this tale, Beck mistakenly dismisses a missing person case until the body is found on the river bank. Beck endeavors to track the missing time of the deceased’s final hours and find the killer. He is quickly immersed onto the dark web where the secrets of artificial intelligent are a commodity. As a further distraction, Beck’s perplexed by a startling revelation by Irene, creating further conflict for him. He’s searching for a killer in a world where secrets stay secret or you die. Dead Secrets will be available in late 2018.
I have just completed a short story, Who Swiped Bobby Bucco Bear, a Christmas mystery featuring Glenn Beckert. I plan to have this available next year.
Dead Air signals trouble at the radio station. Glenn Beckert discovers his high school best friend is shot in the head while on the air. Beck, the owner of Blue Water Security, is employed to provide security for the station.
He becomes willingly embroiled in the investigation by the not-so-innocent widow. The list of potential suspects is long, gleaned from the numerous extramarital affairs of the victim and widow. The pending sale of the radio station has created friction between his now dead friend, Richie Zito and the major stockholders. Motives for murder becomes increasingly murky after the search reveals an encrypted file on Zito’s laptop.
Beck enlists the help of an old flame, Irene Schade, to break the code, revealing a money laundering network leading to the financial and political powers of his beloved city of Pittsburgh. Their collaboration ignites the flames of passion each had considered extinguished.
A former college teammate, police Lieutenant Paglironi delivers a message to back off. Arrogantly, he ignores his friend’s advice. The threats from less friendly sources are more ominous, forcing Beck to move in an unfamiliar world. A startling revelation from his client forces Beck to deal with his inner conviction of right and wrong, challenging the gray areas of his ethical principles. Betraying his client’s confidence could expose the killer. The alternative is to confront the suspect and take matters into his own hands. Either way his life is in jeopardy.
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Sentinels of the Night is an action-packed novel that follows tracker Cat Morgan who uses forces beyond her understanding to find murder victims. What was the inspiration behind this story and how did you turn that into a novel?
I’ve always been intrigued with characters who have an extra edge, that ability to overcome adversity and danger. Add to that my infatuation with Native American myths and legends and Scottish and Irish folklore, and you have the backdrop for my characters.
In Sentinels of the Night, I created an elite FBI unit—Trackers. Each has a secret, that extra edge that defies reason and logic. Tracker Cat Morgan’s paranormal element was pulled from a Native American myth.
As for the plot, I have twenty-seven years of law enforcement experience. I served in patrol, undercover narcotics, advanced accident investigation and the SWAT team. I was a unit sniper. Several incidents in the book were based on those experiences. Early in my career, I crossed paths with a serial killer who was convicted on eleven counts of homicide. I have never forgotten the dead look in his eyes. That memory was the basis for the serial killer.
Cat Morgan is a mysterious and alluring character. What were some of the trials that you felt were important to highlight the character’s development?
The character had to deal with issues she couldn’t ignore. While her extraordinary gift added to her investigative ability, it made her different and there was the ever-present fear of rejection if her fellow agents found out.
I enjoyed the tension that builds between Cat and Kevin. Was their relationship something that was mapped out or did it grow organically?
It developed as I began to add depth to the characters. Kevin questioning his sanity as the plot progressed added another dimension of trust.
What is the next novel that you are working on and when will it be available?
I published the second of the Tracker novels, Going Gone! about two months ago, and a third is on the way. I hope to have it completed by the end of the year.
FBI Tracker Cat Morgan has an unusual talent, one she has successfully concealed, even from her fellow agents. That is–until she finds a body with a strange symbol carved on the forehead during a stop in Clinton, Mississippi and crosses paths with the town’s rugged police chief, Kevin Hunter.
Despite his instant attraction to the sexy agent, Kevin is suspicious of her presence at the crime scene and isn’t buying her dubious explanations. He wants her out of the investigation and out of his town.
The discovery of another mutilated body with the same symbol sends Cat back to Clinton, and this time she isn’t leaving. To stop the killer, Cat must find a way to overcome Kevin’s distrust and will face an impossible impasse–truth or lies.
But will either one matter, when the killer fixates on her for his next sacrifice?
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An intricate scheme to abduct the children of the most powerful politicians on Capitol Hill gets disrupted when Kerry Branson, ex-homicide detective turned private investigator, inadvertently rescues one of the victims on a fog-laden backroad in the Piney Woods of East Texas.
When Kerry discovers the six-year-old boy is the son of a U.S. Senator kidnapped from his Austin home, her call to the FBI is just the beginning of her problems. Pursued by a ruthless band of mercenaries who seem to know her every move, Kerry is forced into an uneasy alliance with the agent assigned to the case, FBI Tracker Ryan Barr.
As the abductions continue, their search for the children will pit Kerry and Ryan against a formidable adversary who uses his wealth and political power to cloak a psychopathic obsession. His manipulation extends deep into the government even to the Office of the President.
A horrific plan slowly emerges—one that has drug cartels and terrorist groups lined up to cash in.
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