Billy has only ever wanted to liberate the oppressed. He worked as a cop for ten years only to leave that behind and join the priesthood. About half a decade since he left the force and last spoke to his ‘brother’, he is called upon to help with the murder of his goddaughter Julia. He can feel the heavy presence of the devil in Capitol Hill Denver. He is determined to fight with prayer. William Yeats Butler is no weak person. He is a worthy opponent. He is a warrior. Will the killers of Julia be brought to justice? Can Billy and Laskey ever get overcome the past?
Set in the 1980’s this book is the first in a two book series. It’s an account of suspenseful mysteries with a bit of a narrative on spirituality weaved in. Written by a cop, you really can feel the intensity of a police investigation. The pain of knowing the victims on a personal level. The valor required just to get out of bed each day and prepare for this job. One can also clearly see the sheer sacrifice that comes with the job. Timony McKeever is a brilliant storyteller who has mastered the art of setting the scene using simple language.
There are so many characters to love. Moving away from the obvious, Billy, one cannot help but admire the double edged sword that is McDuff. MLM can be tough and mean but she can also be sweet and charming. It is so strange yet so compelling to experience. Laskey on the other hand is a faulty human being. He is great at his job and has better fashion sense now but the cracks in his personality make for some comedic relief. The author, it seems, has developed each character for the sole reason of building a rapport with the reader. To invite the reader into Capitol Hill as opposed to just watching events unfold from the sidelines.
The prose is succinct, and the dialogue is engaging because things are kept short. It is especially fun to see Laskey and Billy fall into their old relations so quick after they are reunited.
Be warned, there is quite a bit of profanity. However, it serves to set the tone of the book and is yet another thing that paints an accurate picture of interactions between brothers in arms. This is a book worth reading. If nothing else you will appreciate what it takes for criminals to be brought to justice.
Pages: 330 | ISBN: 1513648349
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A small-city newspaper publisher lies on his deathbed, unable to speak, looking at his eldest son in hate and heartbreak before he dies. A phone call commences a cross-country journey to a bloody destiny for a man who has existed in the shadows most of his life. Years in the past, a man’s desire to save his family’s legacy leads to an unthinkable deal with a devil, one that will one way or another destroy lives. And private investigator Randall Arthur must race against time to discover a long-held secret and to protect a family from utter catastrophe.
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The Trojan War was the greatest catastrophe of the ancient world. We are told that it devastated Europe and Asia and plunged the known world into a Dark Age that lasted 500 years. This is the ‘Story of Troy’. The truth has never been established – until now!
30 years of painstaking investigative research has finally resolved this 3,000 year-old mystery. Author and Historian, Bernard Jones, uncovers the evidence piece by piece, separating fact from fiction, and unlocking for us the secrets of the past. Unbelievably, Bernard’s research showed that the Trojan War could not have taken place in the Aegean area, or even in the Mediterranean world. This evidence turns our accepted geography on its head and leads us on a fascinating journey of discovery back to the real world in which the Trojans lived. Here, we discover who the Greeks and the Trojans really were, and the parts they played in Homer’s Bronze Age world.
Secret knowledge concealed in the Iliad reveals Homer’s work to be a genuine historical record. Yet, only in the corrected Bronze Age environment can it be understood. Deciphering Homer’s coded information becomes the key to finding the location of the Trojan War and the Bronze Age city of Troy itself. Lost histories also tell the whole story of the migrations that took place following the Trojan War and the nations that arose out of the ashes of Troy. The records of these nations independently verify the author’s findings, and they overturn the theory of a ‘Dark Age’.
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The Cabin: A Murder Mystery by W.D. Frolick is the story of a burned-out detective who can’t escape a murder investigation even during his vacation. Buckley Woods is a homicide detective in New York City, until his partner, Cheryl Jenkins, a married mother of two, is shot and killed when she and Buck are trying to apprehend a murder suspect two weeks before Christmas. Unable to start working with another partner, Buck takes a sabbatical and returns to his hometown in Maine to face the demons from his past. He blames himself for his high school girlfriend, Doreen’s death. Back in Orono again, Buck plans to fix up the log cabin on Pushaw Lake that he inherited from his grandfather. But when he arrives at the cabin, he discovers a dead body with a single gunshot wound to the forehead. Will Buck be able to avoid being drawn into the murder investigation? And will he find proof that Doreen’s death wasn’t just a tragic accident?
The book begins with Buck and his partner chasing after a murder suspect, which pulled me into the story right away. I enjoyed the author’s writing style, and I liked that there were several female characters in senior positions within the New York police department. Most other authors that I’ve read seem to have a primarily male cast in law enforcement in crime fiction/mystery.
The author seemed to be dropping some very broad hints in the first few chapters, and I suspected who the murderer was pretty early in the book, even before Buck and Jim discovered the body (although the motive was unclear until much later on in the story). But then, other clues and suspects were introduced, providing a number of false leads, which had me second-guessing myself. I really enjoyed that the story kept me guessing about the identity of the murderer until the very end of the book. And the truth about what happened to Doreen came as a complete surprise to me.
Although I enjoyed the book, I felt that there were too many mundane details, such as what Buck cooked for dinner, and that there were too many unnecessary details about secondary characters that did not relate directly to Buck or the mystery. This slowed the pace of an otherwise entertaining story.
Other than these minor quibbles I think this book is a solid crime novel that uses mystery and intrigue in interesting ways. Bucks character is well developed and the story keeps you guessing until the end.
Pages: 212 | ASIN: B01MR0BGG5
Posted in Book Reviews
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Shipwreck Island is a fascinating treasure hunting mystery that takes readers on a deep water search for a lost ship. What were some driving ideals behind this novel?
I’ve been wanting to write this book for about eight to ten years. When I was younger I traveled to New Zealand and heard about this fabled shipwreck. I was always intrigued about the circumstances around its mysterious disappearance and why after a 150 years no one could find a trace of it. The story always stayed with me and I knew I just had to write about it.
Roy is a salvage and shipwreck expert and helps setup some interesting information throughout the book. What kind of research did you undertake on shipwreck salvage to get things right in this book?
I really didn’t research much for this part on top of what I already knew. I’d read numerous newspaper articles and studied about the latest sonar technology, but that was about the extent of it. As always, I tried to create a relatable hero that all readers could root for and enjoy following.
The book includes a map that showed areas of different shipwrecks, which I found helpful. How much did you rely on history to tell this story, and where did you take liberties to make an interesting story?
Well the map is indeed accurate and shows real shipwrecks. Although the book is fiction, I tried to base everything on real historical facts about the island itself and the prior shipwrecks. The only thing I took liberty on was the location of the treasure, the action scenes, and the characters backgrounds.
How far have you gotten on your latest book, Treasure Fever, and how is it developing so far?
With every book I write, I always try to outdo my last and set the bar high. This one is no different. I did a lot of research prior to starting it and so far I think it’s turning out to be the best one yet! I’m only on page 40 but the plot is coming along faster than expected and even surprising me at times. This one will have plenty of action so it won’t be for the feint of heart. Can’t wait to finish it soon and get it out to the faithful readers! Thank you Literary Titan for this interview.
In the year 1866 a ship named the General Grant lost course on its epic voyage to London and crashed upon a subantarctic island off the coast of New Zealand. Legend has it that its cargo contained one of the richest in history–gold all mined from the Victorian goldfields in Australia. After years of mishap and misfortune–even death–no one has been able to locate its exact whereabouts.
In comes Roy Berenger, one of the world’s foremost experts on salvaging shipwrecks. Recruited to solve the mystery once and for all, he must use all his trademark talents and wits to uncover the historic shipwreck. The strange circumstances around its harrowing disappearance are mysterious and all-too frightening. Putting together a local crew with the latest technological resources at his disposal, Berenger ventures to this far-off island to pull off an audacious search attempt. But in order to find it–he must brave the real-life perils of hypothermia, great white sharks, high-sea squalls, and human treachery.
Posted in Interviews
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He blends in. He is successful, intelligent and methodical. There are no clues. There are no leads. The only thing the FBI and local police have to go on is the method of death: two bullets to the face- gruesome and meant to send a message. But it’s difficult to understand any message coming from a dark and damaged mind. Two adopted boys, struggling in their own world, have no idea they are the next targets. Neither does their family. And neither does local law enforcement.
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DR: How did you come up with Gina S. Miyoko?
MKB: I honestly don’t remember except that she arose from a dream I had, the plot of which (yes, my dreams often have plots) I don’t remember. I knew I wanted to write her as the protagonist of a mystery novel, and I knew I wanted her to be different from the female P.I.s I’d read. I love mystery and crime fiction but I noticed that all the female protagonists were alienated and broken and party to dysfunctional relationships. I wanted Gina to be flawed and have enough pain in her life to be relatable, but I also wanted her to be part of a very functional, if quirky family and support network. Among the Japanese names I was considering, Gina Suzu Miyoko meant ”Silver Bell Temple”; Tinkerbell became an inevitable nickname. And her personality just grew out of that.
DR: And Russian Orthodox witches?
MKB: Around the time I was developing Gina and the characters that would surround her, I was reading a book entitled THE BATHHOUSE AT MIDNIGHT: An Historical Survey of Magic and Divination in Russia (WF Ryan). I was reading it because the novel I was working on at the time (MAGIC TIME: ANGELFIRE, from Harper-Voyager) had a Russian ex-pat as one of the central characters. Okay, and also I’m Russian-Polish on my father’s side and have been fascinated with the folklore and history of slavic culture since I was a child. Probably more so because my grandmother was so adamant that I not be taught anything about the Old Country but be brought up thoroughly American. In any event, the book sparked the idea that I wanted Gina’s mother to be Russian and fascinated by arcana. She was originally going to be a psychologist, but by the time I started writing the book that became THE ANTIQUITIES HUNTER, she had morphed into a cultural anthropologist and folklorist.
As tends to happen with these things, as I began to write the characters, they essentially told me who they were. I’m sure you know the feeling—as if the character is inside your head whispering sweet somethings to your Muse.
DR: Can you talk about Tinkerbell on Walkabout—the novelette that describes how Gina became a detective?
MKB: I wanted to document Gina’s genesis as a PI, but the plot actually came about as a weird synthesis of several real-life moments. I lived in Grass Valley for about 35 years and set it there in part because of an experience I had being a founding member of Nevada County Citizens for Racial Unity, a group that formed after a black man who’d just moved to the area was beaten up by a bunch of white teenagers in a local park. That caused us to consult with the California Highway Patrol about the forces of racism in the area. What our CHP liaison told us about gangs from Colusa and Yuba counties trying to gain a foothold in Nevada County gave me most of the plot elements I wanted for the story. A visit to Charlotte, North Carolina one Christmas occasioned me seeing the mostly scrupulously tidy wrecking yard I have ever laid eyes on and that gave me a key element in Gina solving the crime that lies at the heart of the story.
DR: Did you research PI procedures like the post-it notes and Who/What/When etc?
MKB: I have to laugh. The post-it note method is something I’ve used to plot novels for years. It seemed to me that my post-it process would be as ideal for working out the nuances of a real world mystery as it is for plotting a novel. My editor suggested editing the scene in which you first see Gina use the post-its so that she just wrote on the white board. I declined and explained the beauty of post-its to her by having Gina demonstrate it for the reader.
DR: How did you become interested in the problem of looting of antiquities? Why the Southwest?
MKB: I have loved archaeology for as long as I can remember. I subscribed for years to Archeology magazine, and KMT (Kemet – which is the old Egyptian name for Egypt). I happened to read an article about a female undercover agent for the National Park Service and the sort of work she and her teammates did, chiefly in the Southwest where there are a lot of vulnerable caches of artifacts, mostly on First Nations land. But I’d also been following several international cases at the time—the Elgin Marbles that the British Museum had to return to Greece and the blackmarket cases that big US auction houses and museums alike had been implicated in. I was also following the rediscovery of the Rosalila (an utterly fantastic nested temple at Copán in the Honduras) and some amazing finds at Bonampak, which is in Chiapas, Mexico.
It was that last item that gave me the location for some of the action in the book. I sort of let all of that percolate and it seemed natural to have my protagonist have the experience I’d dreamed of having—seeing those antiquities first hand. More than that, I wanted her to have a hand in saving some of them. The lack of funding for preserving these sites is a real and persistent problem in the world of archaeology.
DR: These days cultural appropriation is a sensitive topic. How did you go about portraying Hispanic, Asian, and Native characters in a respectful manner?
MKB: I suppose every writer has their own approach; mine is to love the people I write about and to recognize that they’re people first, not representatives or symbols or archetypes of a particular culture. But, in writing them, I have to recognize that their cultural framework will condition their responses to things. So, to Rose Delgado, though she’s married to a non-Hopi, living in Sausalito and working all over the country, she’s still Hopi. That means that Hopi lands are still sacred to her and that she takes the theft of native artifacts personally. Her job is more than just a job because of her cultural background and her investment in it is different than the other members of her team.
To me, Gina’s tattoo is exemplary of the cultural intersectionality I’m portraying. It’s a Russian Orthodox True Believer cross with a Buddha seated at the nexus in a lotus blossom. The cross is for her mom, the Buddha for her dad. Gina calls herself a Russian Orthodox Buddhist, which is an echo of what I told people who asked about my religion before I became a Baha’i. I’d say I was a Hindu-Buddhist-Christian. So, what I was trying to capture in Gina was a character who was an intersection of three cultures—Japanese, Russian and American.
I’ve been privileged to have been surrounded by people from diverse cultures all my life and I think that if you approach characters of any culture with curiosity, love and an attitude of learning, you’ll strive to portray them as complete, three-dimensional human beings.
DR: Is there such a thing as SASH (Society for the Appreciation of Sherlock Holmes), and would you join?
MKB: There’s a Sherlock Holmes Society of London, but as far as I know, there’s none in the Bay Area—at least not like the one Gina’s dad, Edmund, is part of. I made it up. Or maybe Edmund did. I would totally join SASH if there was one around. I love Sherlock Holmes—in fact, I have a Sherlock Holmes pastiche idea I’d love to write.
DR: What have you written recently?
MKB: I’ve been doing a lot ghostwrites lately. And they have been diverse and interesting. I just finished up a YA set in Seattle, and am still working on one that also makes use of my deep love of archaeology. Beyond that, my dear agent is shopping a crazy range of novels I tossed at him, including an SF novel with a peculiar genesis that I’d love to see be the first of a trilogy, a YA paranormal/contemporary fantasy featuring a 14 year-old-protagonist who discovers she’s a witch from a long line of witches, a magical realism yarn that is my take on the old Russian fairytale, Frog Princess, and a paranormal romance that I collaborated on with a couple of show runners from LA.
DR: What lies ahead? What lies ahead for Gina Miyoko – are new novels in the works?
MKB: I’ve been working on what I hope will be the next book in the Gina Miyoko series—working title, THE FORGETFUL FOLKLORIST. I’ve got about eight or nine novels sketched out and more ideas popping into my head all the time. I’ve also been outlining a steampunk novel I’d like to write, involving yet more artifacts. (I got the idea from a book cover someone asked me to design, then didn’t want.)
DR: How does The Antiquities Hunter fit into your repertoire of published works?
MKB: It’s a real outlier among outliers. I started out writing science fiction. In fact, I’d published a bunch of stories in Analog before I shifted gears and wrote four epic fantasy novels all based on dreams. Then I discovered magical realism and fell madly in love with it. That caused my writing to take a weird turn that peaked with ”The White Dog” (Interzone). In moving over to crime fiction, I’m really pursuing something that’s fascinated me as a reader for years. I’ve been in love with mysteries and detective fiction forever. So, even though THE ANTIQUITIES HUNTER looks like a departure from the outside, from where I sit, I’m just writing what I’ve always read. I also realized, when I looked at the fiction I’ve written, that most of my stories have a mystery embedded at the core—sometimes blatantly, as in ”The Secret Life of Gods” and ”Distance” (Analog), or in a veiled way as in my novels THE SPIRIT GATE (originally from Baen, in reprint from Book View Cafe) and STAR WARS LEGENDS: SHADOW GAMES (Del Rey/Lucas Books).
DR: What authors have most influenced your writing? What about them do you find inspiring?
MKB: My greatest prose heroes are Ray Bradbury, W.P. Kinsella (whom I cast in DISTANCE with his permission), and Tim Powers. These are the writers whose use of language, storytelling chops, and sheer imagination made me hungry to write. Bradbury and Kinsella have written some of the most beautiful and evocative prose in the English language and Powers has given me epiphanies about the many ways reality can collide with the fantastic.
I admire Dean Koontz, JK Rowling and Sue Grafton as well, especially for their character development chops and the uncanny way they connect the reader to their characters from page one. I also have to credit Harry Turtledove (who’s written some of my favorite Analog stories) with making me stray into alternate history, with my novelette ”O, Pioneer” (Paradox) which takes an upside down and backwards look at Christopher Columbus’ ”discovery” of the Americas.
DR: Why do you write what you do, and how does your work differ from others in your genre?
MKB: I write what I do because either a character demands to be written about (Gina Miyoko being a case in point) or an idea demands to be explored. I thrive on exploration. It’s why I love road trips (What’s around that next curve?), research, archaeology (What is that thing I just dug up?), first contact stories, and mysteries of every kind. Writing is exploration I undertake to satisfy my insatiable curiosity about what if.
I’ve been told that I write fantasy with rivets, meaning that my fantasy work tends to take a very pragmatic approach to the fantastic. It works the other way, as well. My Gina Miyoko stories have an undercurrent of the supernatural to them if the reader chooses to read the pragmatic references to obereg (the good luck charms her mom is forever sneaking into her pockets), Holy Water, and spells as being more than just a concession to Nadia Miyoko’s avocation. This means that my fiction often falls through the cracks. When I sent ”The White Dog” to Interzone, the editor wrote back and said essentially, ”I loved it, but where’s the fantasy element?” I responded, ”In the eye of the reader.” He bought the story and it was a finalist for the British Science Fiction Award.
DR: How does your writing process work?
MKB: Mileage varies … a lot. With short fiction, I’ll sometimes scribble a handful of questions that become notes and when I see a beginning and end, I start writing. With novels, I sometimes get out the sticky notes. I had a great little flow chart app I used for a while, but they stopped making it. I use Evernote to toss bits and pieces into, as well. The sticky note brainstorming is still the best method I’ve found of plotting a novel because it allows me to visualize relationships between characters, their motivations and other plot elements.
Once I’ve charted something that way, I write a synopsis that becomes a living document that I can add to as I work. At some point the characters start yakking and doing things and I have to start writing. I used to have to write everything in #2 pencil on lined paper first, then edit as I committed it to the computer. Then I’d do that until roughly the last third of the book when the boulder started rolling downhill. But for some time now, while I still love writing notes long hand, I do all my writing at the keyboard. I’ve only ever had a laptop, because I feel the need to be portable. Sometimes a silent house is the best place to write, and sometimes a noisy coffee shop is best. I’ve also learned to give myself permission to do what I heard one writer refer to as ”moodling”. It looks (and feels) like I’m not doing anything, but my mind is hard at work looking for connections. And when enough connections are made between elements and characters, the writing happens.
Whenever I sit down to write, I always read back what I did previously. I tried Hemingway’s stopping in mid sentence and it only led to frustration.
DR: What advice would you give to an aspiring writer?
MKB: First, write without editing. Ray Bradbury famously said of writing, ”Don’t think.” He advised hiding your editor hat and just getting the bones of a story or a scene down without worrying about whether you found the right word. THEN, put on your editor hat and edit. This can make the difference between a story ending up attached to an email on its way to an editor’s inbox or ending up in an obscure file folder.
Second, learn your tools—words. Know what they mean, what they imply, how they taste, how they sound. Read your prose out loud before you submit it. Here, I find Mark Twain’s advice sage: ”Use the right word, not its second cousin.”
Third, be flexible. The method you used to write one story may not work for the next one. That’s okay. It doesn’t mean you’re broken or that your process is broken. It just means it’s different this time. This was a hard-learned lesson for me. It took reading Lawrence Block’s learning experience with regard to flexibility (in one of this Writer’s Digest columns), to understand that I wasn’t losing ”it”; ”it” had just morphed a bit.
I’ve learned a lot from the experiences of other writers and from their prose. One of the most valuable learning experiences for me is to read other writers’ prose with an awareness of my own responses to it and analyze why it makes me feel how I feel. Then I try to apply that in my own work.
Oh, and when you’ve written that story and read it out loud, making sure that (as Twain said) you’ve used the right word, not its second cousin, send it to the magazine or agent or publisher you really want to see it with, not something less. When I sent my first story to Stan Schmidt at Analog, the wisdom in all the writing magazines I’d read was that I should send it to a small non-pro market first and work my way up. And I should send something short that stood a better chance of being accepted. I went against that advice and sent a 19,500 word novella to my favorite magazine and got accepted.
Short form: Always shoot for the moon.
This interview was provided by PrentisLiterary.com.
Gina “Tinkerbell” Miyoko is not your typical private eye. Armed with a baby blue Magnum, a Harley blessed with Holy Water by her dramatically disposed mother, and a Japanese mingei tucked in her pocket (a good luck charm from her Sherlock Holmes-obsessed father) Tink spends her time sniffing out delinquent dads in the San Francisco Bay area and honing her detective skills.
But when her best friend Rose, an undercover agent, discovers there’s a stalker on her tail, she hires Tink as a bodyguard. Someone must be trying to intimidate Rose and scare her out of testifying in an upcoming case on looted Anasazi artifacts. But when Tink tries to flush-out the stalker, things take a far more dangerous turn.
Now, with a dead black-market dealer and an injured Rose on her hands, Tink must take her best friend’s place and follow the looters’ trail towards a powerful and lucrative antiquities collector in Cancun, Mexico. Equipped with an ingenious disguise and a teasingly coy persona to match, Tink is determined to find out who is behind the attack on Rose and the illegal trafficking of these priceless artifacts. Along the way, she will find help in the most unlikely of partners…
Deep in the jungle and far from civilization, Tink must decide who she can trust as she tries to unearth the ones responsible behind the pilfering and bloodshed―and still make it out alive.
Posted in Special Postings
Tags: A Gina Myoko Mystery, alibris, american, anthropologist, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, crime fantasy, crime fiction, detective, ebook, fantasy, fiction, folklorist, goodreads, ilovebooks, indiebooks, investigation, japanese, kindle, kobo, literature, magic, Maya Kaathryn Bohnhoff, mystery, nook, novel, Prentis Literary, publishing, read, reader, reading, russian, science fiction, shelfari, sherlock holmes, smashwords, star wars, story, The Antiquities Hunter, writer, writer community, writing
The Rabbit Hole Experience reads like a fireside chat between two paranormal field investigators—one specializing in spirit activity, the other in Sasquatches. They’re friends who sometimes work together and always trade notes.
In the book they explore the ways eyewitnesses react to encountering something they believed to be impossible.
One person may have a spiritual awakening. Another may have a psychological breakdown and live in fear. Yet another denies anything happened.
The two investigators wanted to know, why?
So they open their case files of fascinating, real-life stories, look for patterns, create theories, and pioneer an area not often addressed in the paranormal world.
Posted in book trailer
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