Blog Archives
Tracking Ariana
Tracking Ariana opens with a quiet spring afternoon that turns into a nightmare. Ariana Wilkinson, a young Afghan immigrant and mother of two, is detained after an Eid celebration, swept up with other families by ICE despite carrying full legal documentation. Her husband Joe, a newly retired Air Force colonel returning from deployment, arrives home to find his wife and children missing, sparking a desperate search. Meanwhile, attorney Seth Bodner and private investigator Dan Burnett begin uncovering the political machinery and secrecy behind the detentions. The story moves quickly, shifting between Ariana’s terror, Joe’s rising panic, and the investigative puzzle unfolding around them.
I felt pulled in by the writing’s straightforward, almost unvarnished style. The chapters move fast, and the scenes stack tension one on top of the next. The emotional beats land without feeling forced. Ariana’s fear hit me hardest. Her instinctive scanning for danger. Her remorse at wearing a hijab. Her panic as ICE officers question her. These moments felt raw and personal, and they gave me a knot in my stomach. Joe’s chapters brought a different kind of emotional punch. His transition from joyful anticipation to helpless dread felt honest, especially when he struggles to calm his children or walks into an empty house that should have held a reunion.
I also liked how the story brings in bigger themes without sounding preachy. There’s anger simmering under the surface. There’s confusion, too, and the sense that the characters are caught in a machine much larger than themselves. Watching Seth and Dan pull together scraps of information while the government stonewalls them made me feel both frustrated and invested. The narrative balances personal drama with political suspense in a way that feels accessible. I found myself rooting for everyone to just catch a break. The pacing keeps rising, and even the quieter scenes carry tension because the stakes never let up.
By the end of what I read, I felt fully locked into the characters’ emotional worlds, and that’s what made the story work for me. If you enjoy thrillers rooted in family, justice, and real-world tension, this book is a strong pick. It’s especially good for readers who like fast pacing, clear writing, and stories that weave personal stakes with political complications.
Pages: 272 | ASIN: B0FYZNJ81B
The Little Girl’s Mother
The Little Girl’s Mother drops us straight into a police station that turns into a battleground and then never really lets the tension slip. It follows a family whose daughter witnesses a murder and suddenly becomes the target of a powerful criminal syndicate. The parents, both former military with heavy pasts, step back into a world they hoped to leave behind. The story twists from procedural chaos into a dark rescue mission, something between a thriller and a raw look at what parents might do when no one else can keep their child alive. It moves fast. Sometimes brutally fast. And it carries a steady drumbeat of fear and determination.
Reading it, I felt myself leaning in, almost holding my breath. The writing hits with a kind of straight shot energy. There is no drifting around. The scenes move with hard edges and sharp turns. I liked that. It pulled me right into the panic, the cold choices, and the way the parents shift from frightened to focused. I cared more than I expected to and sometimes caught myself rooting for them in ways that surprised me. The emotional weight lands strongest when the parents talk to each other or when they steady their daughter. Those moments feel real. They cool the fire just enough to let the story breathe before it kicks off again.
Some scenes in the workshop are rough. Not because they are gory but because of the calm way they unfold. The tone made me uneasy in a way that felt intentional. I could sense the author pushing me to sit with the question of what desperation does to good people. I liked that the book did not try to pretend those choices are clean or noble. The pacing can feel intense. Yet the emotional through-line keeps things grounded and stops the story from tipping into pure action for its own sake.
I would recommend this book to readers who like high-tension thrillers and stories about families under extreme pressure. It fits readers who enjoy military backgrounds, tactical problem solving, and moral knots that do not come undone easily. If you want a story that grabs you by the collar and refuses to let go, then this will absolutely hit the mark.
Pages: 217 | ASIN ‏ : ‎ B0FHSHXY18
The Pressure of Testing
Tokyo Juku follows an eighteen-year-old student in Japan who, while studying all night in her cram school, discovers one of her teachers has been murdered, leading to an investigation into the education system. What was the inspiration for the setup of your story?
The main inspiration comes from talking with my students. Their struggles inspired me to write about them. I teach at a university, so hearing from my seminar students about what they’ve been through really made me rethink the Japanese educational system from their perspective. One of the largest problems is the pressure of testing. Students hate tests. I mean, really hate them! My job entails evaluation, but more as individual feedback than standardized testing as social gatekeeping. Over the years, when I tell people that I teach at a university, they often cast their eyes down and mumble the name of their school, a little embarrassed at their past failings. Or, just the opposite, very proudly. That’s a sad reaction to what should be a life-transforming experience. In the novel, I wanted to take my students’ stories, my observations, and others’ experiences and condense them into the struggles of the main character, Mana. Like most Japanese, she has to learn how to navigate treacherous educational waters. As an educator and a writer, I’m on the side of improvement, but that’s easier said than done.
How has character development for Detective Hiroshi Shimizu changed for you through the series?
Hiroshi has evolved through the series. In the first novel, he had just returned from America and found the detective job through a connection. He works the job reluctantly but gradually finds he is pretty good at it, despite being resistant to crime scenes and the grittier aspects of the job. He reconnects with his college girlfriend, moves in with her, and they start a family in the latest novel. That idea of fatherhood causes him great anxiety because of what he’s seen behind the curtain. Does he want to bring a child into the world he’s glimpsed while working in homicide? But he has a knack for finding the pattern in the chaos of cases, and he’s needed. Â
Was it important for you to deliver a moral to readers, or was it circumstantial to deliver an effective novel?
An effective novel comes first. The moral is something that occurs in readers’ minds. I think if you push a moral or make themes too explicit, it takes away from the beautiful ambiguity of reading. As a writer, I can nudge readers in specific directions, but they will draw their own conclusions. So, if you push a moral without a compelling story, it comes across as preachy. Nobody likes that. Readers have their own reactions to the characters’ conflicts, which might yield a moral they take away, but it might also be something more complex—a conclusion or understanding that doesn’t fit into the frame of a moral. The conflicts and confusions of characters are at the heart of an effective story. I focus on that. My job as a writer is to keep them turning pages, thinking, and enjoying the ride.
Can you tell us more about what’s in store for Detective Hiroshi Shimizu and the direction of the next book?
The next book will focus on the tourist industry, which has really taken off in Japan. I have culture shock—or maybe reverse culture shock—in parts of the city swamped with visitors from abroad. That’s changing the city. I’m not against that, but the influx of tourists and tourist money has not been clearly planned for. And much of Japan is highly planned. Japan is internationalizing, in good and bad ways, so that Hiroshi will be needed even more with his English and accounting skills. He’s got plenty more cases to work on.
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Eighteen-year-old Mana pulls an all-nighter at her juku, a private Japanese cram school that specializes in helping students pass the once-a-year exams. She failed the year before but feels sure she’ll get it the second time—if she can stay awake. The Japanese saying, “Four pass, five fail,” presses her to sleep just four hours a day, and study the rest.
When she wakes up in the middle of the night, head pillowed on her notes, she takes a break down the silent hallway. A light comes from an empty classroom, and still sleepy, she pushes open the door to discover something not covered in her textbooks. Her juku teacher, the one who got her going again, lies stabbed to death below the whiteboard, with the knife still in his chest and the AV table soaked in blood.
Detective Hiroshi Shimizu is called in, and though he’s usually the forensic accountant, not the lead detective, he’s put in charge of the case. With the help of colleagues old and new, he’s determined to find the killer before the media convicts the girl in the press, the new head of homicide pins it on her, or big money interests make her the scapegoat.
Hiroshi follows up on uncooperative witnesses, financial deceptions, and the sordid details of some teachers’ private lives. Even as he gets closer, the accumulating evidence feels meager amid the vastness of the education industry, and the pressures and profits of Japan’s incessant exams.
At the outset of the investigation, Hiroshi listens as an education ministry official lectures him on how education holds the nation together, but he soon discovers how it also pulls it apart, and how deadly a little learning can be.
Overlooked Corners of History
An Unsuitable Job follows the first woman detective in her Las Vegas agency, who is investigating the murder of a salesman at a hotel and encounters a dismissive attitude from those around her. What was the inspiration for the setup of your story?
The idea came from my fascination with overlooked corners of history, especially those involving courageous women who quietly broke barriers. When I discovered the real-life Harvey Girls—young women trained to serve with precision and elegance across the American West—I saw the potential for a deeper story. Many of these women had grit and ambition but were often remembered only for their uniforms or smiles. I wondered: what if one of them refused to fade into the background? What if she stepped into a role no woman had held before—like that of a detective?
The hotel setting, inspired by the historic Castañeda Hotel in Las Vegas, New Mexico, was the perfect place to explore class, gender, and secrecy. A grand old hotel invites both luxury and scandal—and that’s where Josie MacFarland steps in.
I found Josie to be an intriguing character, and I admired her determination to prove herself in a career dominated by men. What was your inspiration for this character?
Thank you—I admire her too. Josie is very close to my heart. She’s smart, observant, and deeply principled, but also shaped by the pressures of 1929: the Great Depression, limited choices for women, and expectations from her family. I gave her my own stubborn streak and added a longing for justice and belonging that I think many of us share.
She’s inspired in part by the women in my own family—strong, capable, and often under-recognized—and by the many female pioneers who were told they were “unsuitable” for one reason or another. Josie doesn’t just want a job; she wants to matter. And she wants to do it her own way.
How did the mystery develop for this story? Did you plan it before writing, or did it develop organically?
A bit of both. I began with a clear sense of the victim and the setting—who died, where, and why it would shake up the community. But the full mystery unraveled as I wrote. I’m a big believer in letting characters surprise me. Once I had Josie on the page, her instincts began to shape the investigation. Clues appeared I hadn’t planned for, and side characters revealed secrets I didn’t see coming.
Will this novel be the start of a series, or are you working on a different story?
Yes—this is the beginning of The Harvey House Mysteries, a new historical series set in the American Southwest during the late 1920s and early ’30s. Each book will feature Josie as the recurring protagonist. She’s now a “Harvey House Detective,” solving problems the company wants handled quietly—before the press or police get involved.
The next installment will take Josie deeper into the dusty corridors of power, family secrets, and crimes that echo far beyond one hotel room. I’m currently working on book two, and let’s just say: someone ends up dead in a very public place—and it’s not who anyone expected.
That’s part of the fun and challenge of writing a mystery. It needs a solid structure, but also room to breathe. I knew the ending early on, but the journey there? That unfolded like a case file opening in real time.
Author Links: Facebook | Website | GoodReads
1929 Las Vegas, New Mexico. When a man is murdered at the Castaneda Hotel, Josie MacFarland is given an impossible role: the first Harvey House Detective. Armed with only her determination, Josie faces a dismissive sheriff, the cold shoulder of old friends, and the hardships of the Great Depression.
She can either return home in disgrace—or fight to prove she belongs in a world determined to shut her out.
For readers of Jacqueline Winspear, Rhys Bowen, and Sulari Gentill.
The Grip of Grief
Out of Mind follows a woman rebuilding her life after trauma as the shadow of her violent ex closes in, drawing them into a tense collision neither can escape. What was the inspiration for the setup of your story?
Two years ago, I published Snap Decision, the novel that precedes Out of Mind.  The story ended on a cliffhanger that left readers eager for more, and their visceral responses played a significant role in inspiring the setup for Out of Mind. I still remember receiving emails from readers mentioning how they were “up all night” thinking about the ending and begging me to tell what happens next. With that, heartfelt and serious conversations with readers at various events about Paige and her life served as powerful inspiration. One woman actually growled at me for how I ended Snap Decision! Moments like that made me realize how deeply people connected with these characters and their journeys. It was only natural to continue with Paige and how she rebuilt her life.
Paige’s grief feels so tactile and intimate. Were any personal experiences or research sources especially influential in shaping that emotional texture?
First, thank you for those words. Like everyone, I’ve lost people very close to me. It is impossible to forget the grip of grief- it’s a feeling that never truly leaves. When I write, I am inside the skin of my characters which allows me to create authentic emotional depth and texture. Deep emotions pull in readers and get them to care about-and connect with- the characters. Additionally, emotional connection pushes the reader to find out what is going to happen and want to read more. People begged me to write a fifth novel. I happily obliged.
Max’s chapters are unsettling in a very controlled way. How did you balance showing his perspective without over-humanizing or glamorizing him?
Again, thank you for your words. First, Max is an unsettled character who did not deserve to be over humanized or glamorized. Because I glamorized him in Snap Decision, I knew I had to balance his perspective by constructing realistic flaws/weaknesses-such as greed- to culminate in his deserved ultimate fall from grace. Again, I inhabit my characters and walk through every scenario, hear every word to create a perspective fitting of who they are at heart.
The pacing tightens dramatically in the middle of the book. Did you always envision that rhythm, or did it evolve during revisions?
Truth be told, that rhythm truly evolved during revisions. As I worked to tighten the pace, I discovered that alternating between Paige’s and Max’s perspectives created a tense rhythm that kept the story moving swiftly and intensified the suspense at crucial points. For instance, shifting from Paige’s vulnerable moments directly into Max’s unsettling mindset allowed the tension to build naturally, as each perspective threw the other into sharper focus.
Often, the book seemed to write itself—the tension would pour out unexpectedly, especially when the characters began to take on lives of their own. As the characters developed outside my initial intentions, the suspense/tension was naturally amplified helping to create an emotionally charged story.
Author Links: Amazon | Website | GoodReads
Last year, Paige Buckley survived an unimaginable terror at the hands of a former lover. In search of safety, she relocates far from home under a new identity, hoping peace will finally come.
Driven by a flash of her former life across her television, Paige travels to Florida in search of friends who stood by her in a time of darkness. Unexpected reunions bring comfort and the spark of a new love offers a glimpse of a life she never thought she would see again.
However, fate is not done with her yet. Her new life soon begins to unravel in unforeseen ways as she learns the man who wanted her dead is in Florida and has her in his sights. Paige knows she must end this situation—for good—to protect herself and those she cares about before they all become victims.
Literary Titan Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
Talthybius by Jessie Holder Tourtellotte and Nathaniel Howard
Golem Mine by Donald Schwartz
A Trail in the Woods by Mallory O’Connor
Messenger of the Reaper Part 2 by Jimmy Straley
Missing in Lincoln Park by Staci Andrea
Medusa: Or, Men Entombed in Winter by Kyle Farnworth
Visit the Literary Titan Book Awards page to see award information.
LITERARY TITAN 