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Togetherness
Lucina in Humbra Land a young girl opens a mysterious birthday gift, a ruby necklace, she is suddenly transported into a magical world filled with enchanted creatures and perilous journeys. What was the inspiration for the setup of your story?
Originally I wanted to write about girls having a tea party with their grandma because I grew up loving tea parties. I came up with the idea for the ruby necklace because both a ring and shoes had been used in other famous tales. Ruby is my birthstone and has always been my favorite stone. I wanted Lucina to travel to a fantasy land because that is what children dream about. The characters in the forest mirrored the characters from the grandparents’ farm. The grammy’s art studio is like my art studio.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from and how did it change as you were writing?
The farm in my story is my sister’s farm. I chose the 50s as the time period because I think that would have been one of the best times to grow up. Tea parties happened in the 50s; we need children to spend time having a tea party with their grandparents. I love to take walks in the forest, enjoying the colors, creatures, and fresh air. The setting morphed from being fun to mysterious to creepy to loving.
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What were some themes that were important for you to explore in this book?
The main theme of my book that I want to promote is the theme of family togetherness. It’s very important to spend time with your family. I use Lucina as an example of someone who has courage and strives to do the right thing, not just for herself, but for others. I encourage the theme of working together, and I promote the Celtic or Irish theme because it is my heritage.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story
There is a sequel coming to my Lucina in Humbra Land Book. The story is not complete yet, but I’m hopeful that fans will be equally enchanted with the next book.
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The story unfolds as Lucina, guided by the wise and sturdy Noak, attempts to unite the inhabitants of Humbra Land, including the ethereal Cinda, the mischievous Nutty, and the formidable vine monsters led by Crag. The fate of this enchanting realm rests on their shoulders, and Lucina becomes the linchpin in their efforts to avert disaster.
The urgency to save Humbra Land is intensified by torrential rains, thunderous storms, and a relentless flood that threatens to erase the magical realm. With determination and courage, Lucina faces the challenge of convincing the vine monsters, lost in a misunderstanding, to join forces with the other inhabitants.
As Lucina and her newfound friends embark on a mission to transport a gigantic granite boulder up the Shannon River, they encounter numerous obstacles and confrontations. The story weaves themes of cooperation, empathy, and friendship, emphasizing the transformative power of unity in the face of adversity.
Lucina’s journey is not merely a quest to save Humbra Land; it becomes a personal odyssey of growth, resilience, and self-discovery. Alongside the fantastical elements, the narrative explores family bonds, as Lucina’s commitment to saving her Grammy’s farm becomes a driving force for her.
Amidst the adventure, suspense, and remarkable encounters, Lucina’s character evolves, demonstrating the strength that emerges from facing challenges head-on. The book captures the essence of courage, friendship, and the enduring spirit of resilience.
“Lucina in Humbra Land” offers a captivating blend of fantasy and adventure, suitable for middle-grade and young adult readers. With its richly developed world, relatable characters, and heartfelt themes, this enchanting tale promises to captivate readers and leave a lasting impression.
The Adventurers and the Enigma of the Lagoon
This book is a delightful mix of mystery, history, and good old-fashioned adventure. It follows four kids, Bea, Chris, Tony, and Daniel, plus Jack, a talkative, mischief-loving crow, as they head to Ă“bidos Lagoon in Portugal for a camping trip. What begins as a fun getaway quickly morphs into a suspenseful journey involving odd nighttime conversations, historical legends, sneaky strangers, and a whole lot of curiosity. With its blend of real locations, local folklore, and fast-paced action, The Adventurers and the Enigma of the Lagoon feels both grounded and fantastical.
What really pulled me in was the charm of the characters, especially Jack the crow. His goofy lines like “Shoo, pests! Shoo!” and “Well, whaddya know?” gave the story so much life. The dynamic between the kids was warm and familiar, with snarky sibling comments, inside jokes, and all the awkward chaos of real friendships. One of my favorite early moments is when Jack mimics the train whistle and causes such a ruckus that passengers switch train cars. That’s the kind of energy this book carries, playful and slightly unhinged in the best way.
I also appreciated how rooted the story is in the setting. The descriptions of Ă“bidos are just beautiful, like when Bea exclaims, “I’ll come and live here one day! I’m in love!” I shared the same sentiment. The castle, the winding streets, the lagoon, it all feels vivid and alive. Plus, the historical facts sprinkled throughout (like the tale of Afonso Henriques and the Traitor’s Gate) are fascinating without ever being dry. It’s clear the author knows and loves this place deeply. That passion is contagious.
The mystery itself, while not wildly complex, is satisfying. There are shady adults, missing items, whispers in the night, and even a bit of environmental commentary on lagoon pollution. I wouldn’t say it had me on the edge of my seat, but I was definitely eager to find out what the deal was with Margarido and the weird noises at night. It’s a mystery more about atmosphere and tension than plot twists, which works for a younger or middle-grade audience.
The Adventurers and the Enigma of the Lagoon is fun and wholesome without being boring, adventurous without being reckless, and smart without being preachy. If you like The Famous Five or Nancy Drew, but with a European twist and a slightly more magical bird, this is right up your alley. I’d recommend it to kids around 9–13, families reading together, or anyone who enjoys lighthearted adventures in charming places.
Pages: 181 | ISBN : 1962185478
Moonrise
Moonrise is a dark, winding tale that starts off as a corporate retreat and spirals into a visceral horror-thriller packed with strange rituals, power games, and a literal beast lurking in the woods. At its center is Anthony Montgomery, a weary mid-level employee who’s forced to navigate a world where loyalty tests involve taxidermied wolf paws and a monstrous creature might just be real. The book straddles the line between corporate satire and supernatural horror, and the way it flips from mundane work-life nonsense to full-on blood and snow makes for one thrilling ride.
Claiborne starts things off slow, with Anthony being the perfect jaded everyman, reluctantly sipping wine at an awkward office retreat. Then suddenly, we’re howling under the moon with a taxidermy paw full of wine and being told to drink up like it’s a frat party hosted by Satan. The scene with Mr. Morgan and the “Omega” ritual was unhinged. And I loved it. The writing here is sharp and cinematic, capturing that uneasy tension between corporate absurdity and primal chaos. It’s weird, but in the best way.
But it’s not just the gore and weirdness that kept me hooked. The characters—especially Anthony—are written with surprising depth. His interactions with Luna, his sense of duty to his girlfriend Sidney, and that internal battle between temptation and loyalty felt real. And then that scene in the woods? Where Anthony sees the creature for the first time? Pure horror movie magic. The tension was unbearable, and I was genuinely sweating. Claiborne describes the creature in such vivid detail. Anthony’s injury, the adrenaline, the decision to play dead—all of it was so well done.
There were a few moments that felt a bit over the top. Some of the hospital scenes ran a little long, and a few of the jokes didn’t quite match the tone of the rest of the book. There’s also a lot of internal monologue—some lines hit just right while other didn’t. But honestly, that added to the charm in a weird way. It gave Anthony this raw, messy humanity. He’s not a hero. He’s just a dude trying not to die and maybe score a promotion, which somehow makes him more relatable. I won’t spoil the ending, but let’s just say it leaves enough questions dangling to make me suspicious of every CEO with a vineyard.
Moonrise is for fans of offbeat horror, black comedy, and corporate satire. If you like your monsters bloody and your protagonists flawed, this book is for you. It’s not for the faint of heart or anyone looking for a polished, buttoned-up read. But if you’re in the mood for something different—something wild, creepy, and a little unhinged—pick this up.
Pages: 267 | ASIN: B0CLYXKZGZ
The Art Collector’s Wife
Susan Knecht’s The Art Collector’s Wife is an emotionally rich, time-skipping novel that weaves together post-war trauma, intergenerational secrets, art-world intrigue, and the sharp edges of teenage rebellion. It starts in the horror of Auschwitz, then unfolds decades later in sun-drenched Venice, following the fractured legacy of one family—particularly the women who survived and the granddaughter determined to uncover the past. It’s part historical drama, part coming-of-age, with a steady undercurrent of longing.
The prologue, set on the day Auschwitz was liberated, is devastating and lyrical—just brutal and beautiful all at once. Lila, the mother, trying to keep her friend and a pregnant girl alive, while praying for a glimpse of her son Leo, had me breathless. Knecht doesn’t hold back, and the imagery stuck with me long after I closed the book.
Then we shift to 1960s Venice, and things change gears in a really compelling way. Now we’re with Isabel, Lila’s teenage granddaughter, who’s navigating Catholic school, first love, and the weight of secrets no one will talk about. Isabel is such a great character—sharp, moody, defiant. I loved her scenes with Antonia, her chain-smoking bestie who has all the bad ideas and a heart of gold. When Isabel steals the ruby rosary and starts skipping school to flirt with Niccolo (who is equal parts charming and sketchy), the tension crackles. You can feel her aching for answers about her father and mother, and the way Knecht slowly drops hints about their story is fantastic.
But what really got me was the emotional layering. Knecht has a way of showing how grief and silence pass through generations like DNA. Lila is wrapped so tightly in control and shame, you feel her unraveling even when she says almost nothing. There’s a haunting scene at the cemetery where Isabel confronts her grandmother about her parents—Isabel demands answers, and Lila can’t speak. That silence? It screams. And Miriam, the family friend who carries so much of the emotional glue, is a favorite. She’s got this old-Hollywood flair, but also such deep loyalty and sadness. I kind of wanted a whole book just about her.
I loved this book. It’s heavy but worth it. The prose is poetic without being precious, the story moves through decades without losing momentum, and the characters feel real, flawed, and alive. If you’re into multi-generational family sagas, WWII fiction with a heart, or just crave a book that will grab you by the collar, The Art Collector’s Wife is for you.
Pages: 257 | ASIN : B0F38R8KBV
The Light of Faded Stars
The Light of Faded Stars is a detective novel, but it’s also a sprawling, introspective meditation on memory, mortality, and the quiet devastation of time. The story follows Jack Willington, a retired detective on his deathbed, as he reflects on his final, unsolved case—the brutal murder of a young woman named Evie MacMurrough. With the help of his eccentric, bookish partner Marcel, Jack recounts not only the details of the investigation but also the philosophical undercurrents that haunted both men as they waded through the shadows of humanity and themselves.
I was floored by how the book balanced grit with poetry. The crime scene where Evie is found is brutal, but not gratuitous. It’s haunting. And the prose reads like noir. The first-person voice has this almost cinematic texture—world-weary, vulnerable, even funny in that grim detective kind of way.
What really pulled me in, though, was the relationship between Jack and Marcel. Marcel is the type of character you both want to strangle and protect at all costs. He’s maddeningly intellectual, forever quoting French authors and waxing philosophical about death and dreams. But there’s a tenderness underneath, a haunted soul just trying to hold it together. The scene where Jack catches him hiding in his office, surrounded by French literature and cold coffee, was weirdly beautiful.
Another thing I really appreciated is how the city becomes its own character. Fog City, as they call it, is sad, damp, and falling apart. But the descriptions are lush and honest. There’s a passage during a drive where Jack describes the industrial buildings exhaling smoke and the morning sun fighting through the fog like it’s battling to be seen. It’s so rare to see a city rendered with such gritty affection. It’s not romanticized, but it’s not dismissed either.
Jack’s memory wanders. But it fits the voice. He’s dying. He’s reflecting. It’s messy because life is messy. Some readers might get impatient, but if you lean into the detours—into the tangents about dreams, wars, childhood, guilt—they’ll reward you with insight.
The Light of Faded Stars isn’t just a mystery. It’s a story about the damage we carry and the traces we leave. It’s for anyone who’s ever looked back and wondered what it all meant. I’d recommend it to readers who loved The Road by Cormac McCarthy, or those who like their crime novels with a side of existential dread and a dash of heart.
Pages: 206 | ASIN : B0DM97NLH7
The Killing Kind
The Killing Kind is a gritty, high-octane crime thriller that throws you headfirst into the darkest corners of humanity. Set in a bleak Australian city plagued by a string of grotesque abductions and murders, the story follows Detective Sergeant Paul Anderson, a worn-down, whiskey-soaked investigator trying to hold himself and the case together. When Catherine Elliott, a missing woman thought to be dead, reemerges traumatized but alive, a twisted network of abuse, trauma, and corruption begins to unravel. As Paul navigates his crumbling personal life and the mounting pressure from the public and media, the reader is dragged into a murky world where no one escapes clean.
The opening scene with Catherine crawling away from her captors was raw and horrifying. Hamilton doesn’t ease you in. He grabs you by the collar and throws you into it. The prose is punchy, blunt, and sometimes brutally descriptive. The prologue alone had me clenching my jaw. And while it can be over-the-top in its violence, there’s an authenticity in how the characters respond to their trauma. Paul, in particular, is a fascinating mess. His scenes with Billie—the young bar owner who offers him comfort, and then some, walk a strange line between vulnerable and morally muddy, and I couldn’t look away. The contrast between his broken-down soul and her unexpected tenderness made those scenes oddly tender and uncomfortable all at once.
Just when you’re in the thick of a serious plot twist, Hamilton slaps you with a sharp turn into explicit territory. Still, the character work redeems it. Sharon’s chapter, where she wakes up bruised, broken, and unsure of what happened the night before, was honestly one of the most harrowing depictions of domestic abuse I’ve read. And then there’s Danielle Wise, a detective digging through old social media records, who adds this whole layer of procedural nerdiness that I enjoyed. Her backstory with Bridget was refreshingly open and real, it gave me a break from all the pain without feeling like filler.
I recommend The Killing Kind. This book isn’t shy. It’s for people who can stomach the dark stuff and appreciate characters that feel real even when they’re doing ugly things. If you’re into thrillers that flirt with noir, crime procedurals with grit, and stories where the city feels like a character in itself, you’ll want this on your shelf.
Pages: 266 | ASIN : B0DZPFX5D9
Beyond Blood Ties
The Shadow and the Scream follows a woman struggling with trauma who encounters a distressed teen girl, and she is drawn into a supernatural mystery to find a killer. What was the inspiration for the setup of your story?
I have a really good friend who has been diagnosed with complex PTSD as a result of long-term chronic relational family trauma. I remember having a lot of conversations with her over the years about how she struggles to find books that represent the ongoing, long-term recovery of trauma survivors. I’m also really interested in the idea of female rage, and how this manifests, especially in female survivors of trauma. I’ve also always been fascinated by the concept of monsters, what makes something a ‘monster’, and what being a ‘monster’ means. I decided I wanted to combine all these ideas to create a world where monsters were drawn to human rage and pain, providing a way for my characters to explore their feelings and learn to accept them as part of themselves. In the story, and in the series as a whole, the creatures called ‘monsters’ are often not the ones perpetrating real harm. I liked the idea of the monstrous deeds not actually being carried out by the creatures labelled as ‘monsters’, but by ordinary human beings working within the confines of a society that allowed them to behave monstrously.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from and how did it change as you were writing?
I’ll admit, I struggle to stick to a story plan! A lot of the worldbuilding for Wilderness, the world Annie and Sheb travel to, emerged organically as I was writing. I had some idea about the Dread King and who he was, but the power of the Wood, and its magic, was something that evolved over the course of the first two drafts. I am a huge advocate for ecological sustainability and respecting our living planet, so a lot of my books tend to have a nod toward that, including through using settings like the Wood as characters in their own right.
What were some themes that were important for you to explore in this book?
A key one for me was the importance of found family, and building a positive, protective community for yourself. I have an extremely supportive family, whom I love dearly, but not everyone does, and I wanted to provide room in my stories for the idea of family to go beyond blood ties and genetic relations and move more toward communities of people who care for and look out for each other. Trauma recovery was also another big one for me, including the fact that it takes time, and there are often setbacks. I also really wanted to explore the idea of how we can harness our emotions to better understand ourselves. That’s the whole point in the relationship that grows between Annie and her monster, Wriggler. She believes her rage makes her wicked and evil. What Wriggler shows her is that emotions are neither good nor bad and, if we learn to harness them properly, even anger can be a force for positive change.
What will your next novel be about, and what will the whole series encompass?
I’ve actually already published book 2 of The Nowhere Chronicles! It’s called ‘Flight of the Bone Crow’ and, in it, Annie and her friends venture into Sheb’s world, where he must contend with his past. Like ‘The Shadow and the Scream’, there is a monstrous mystery to solve, a whole new world to explore, a natural setting that has its own personality, and plenty of new characters to get to know! You can grab the book from my website, or from most of the large, popular online bookstores. I’ve just finished the developmental edits for book 3, which is called ‘A Fearsome, Lonely Heart’, and, in this one, Annie will have to confront someone important from her own past. It’s due to be released later this year!
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***Feathered Quill Bronze Award 2025***In a world of hidden monsters, she must catch a killer – without becoming one herself.
Annie has spent five years hiding in the parallel universe of Nowhere, wrestling with a terrible, uncontrollable power. But her fragile peace shatters when a distressed teenage girl emerges through a mysterious portal, claiming to have witnessed a monstrous murder. Reluctantly, Annie is drawn into a supernatural mystery that will test her resolve and challenge her very nature.
As she delves deeper into this twisted tale, Annie uncovers unsettling secrets and faces off against a monstrous force she barely understands. With each step, she battles not only external threats but also her own inner demons.
Can she solve the mystery and catch the killer without becoming as monstrous as the beast she hunts?
This coming-of-age fantasy novel blends suspense, complex characters, and immersive worldbuilding with themes of love, forgiveness, and family. If you enjoy the eerie atmosphere of Stranger Things combined with the heart of How to Train Your Dragon, you’ll love this adventure that explores trauma and self-acceptance.
Don’t miss out on the dark fantasy sensation that’s mesmerizing readers. Grab your copy of The Shadow and the Scream now and lose yourself in a world where shadows whisper and screams echo with untold secrets!
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
Visit the Literary Titan Book Awards page to see award information.
LITERARY TITAN 