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Violations of Natural Order

Carl Parsons Author Interview

Eros and Order: Love That Creates and Destroys explores the fragile boundary between love and control through literary stories of marriage, obsession, rescue, crime, immigration, and moral consequence. What drew you to the idea of examining love as a creative and destructive force?

Actually, the only story written specifically for this collection is “No Good Deed.” All the others had their independent inspirations, with three of them—“Perfect Girl,” “I Am Zico,” and “The Story of Aunt Jenny”—being derived from actual events. The unity of the collection occurred to me later as I began to assemble the collection from stories I had previously written. Then, finally seeing that the unity of the stories consisted of love’s changeable nature, I wrote “No Good Deed” as a commentary on that theme. The story’s character, Nora, has experienced a lack of normal parental love and, to compensate, has retreated from life into a Gothic cult. She has become so distrustful of what most of us regard as normal life—and love—that she hesitates to recognize it, let alone accept it, when it materializes in the character Ronnie, who is attempting to save her from herself.

The title story has a strong classical sensibility, with ideas of vows, order, betrayal, and consequence. How did classical themes influence the collection?​

The ancient Greeks had a keen sense of order, which we shared in a Christianized version from the Middle Ages until it was shattered by the horrors of World War I. The Greeks also recognized that erotic love could, if allowed, challenge and even destroy that order in individuals, even if done unintentionally. Consider the myth of Oedipus, who kills his father and marries his mother, without recognizing their true identities. Nevertheless, a plague descends on Thebes, the city Oedipus rules. And to lift that plague, the double sins that Oedipus has committed must be expiated, which he accomplishes by blinding himself.

Collectively, the stories in Eros and Order deal with violations of natural order: a woman who deserts her husband and young children in the title story, a father who imposes unnatural restrictions on his daughter in “Perfect Girl,” a girl who grows up without parental love in “No Good Deed.” Once the natural order is broken, it must be restored. The fact that the rebalancing does not occur immediately may deceive us into believing that we can escape it, but just as Sandra Patterson eventually learns in “Eros and Order,” we cannot.

A wonderful source for studying the evolutionary history of love in Western culture is C. S. Lewis’s The Allegory of Love (1936).

Several stories explore the danger of confusing love with ownership, rescue, or control. Was there a particular moral question you wanted readers to wrestle with?​

Yes, just what constitutes a beneficial, healthy relationship that we can recognize as love? The answer waits at the end of the collection in “The Story of Aunt Jenny,” a folktale about the Underground Railroad in the Mid-Ohio Valley of what became the state of West Virginia. Aunt Jenny risks her own freedom to help other escaped slaves, for West Virginia was still part of Virginia and therefore the Confederacy during most of her lifetime. Her actions are in sharp contrast to those of Sandra Patterson in the story that opens the collection. Sandra seeks complete personal freedom and so abandons her responsibilities to her husband and children. Aunt Jenny risks her personal freedom to help others achieve it.

Ruggiero Bellafatezza, the crime boss father of Serena in “Perfect Girl,” very well illustrates the dangers of attempting to control others as he imposes unnatural restrictions on his daughter’s romantic life for the benefit of his criminal activity by pledging her in marriage to his underboss, Ricky Lanza. Serena rebels by having a different beau for each day of the week in order to flaunt her independence until tragedy results.

“No Good Deed” offers hope while still questioning whether love can truly save someone. What do you think love can realistically offer people in moments of despair?​

Well, if nothing else, the collection shows that love has a variable and elusive character, but it can be decisive in saving someone. In “No Good Deed,” Ronnie attempts to do just that for Nora, whom he has just met, despite warnings from his coworkers and quite strongly from Nora herself that he shouldn’t. But he emphasizes to her that to lift herself out of a life that at times has involved homelessness, she must create a change in herself; he can only help her do that. Thus, at the story’s resolution, Nora must decide whether she will try to change, with Ronnie’s help, or remain in her adopted family—a Goth tribal cult. Thus, for love to succeed, it must involve a commitment by both participants.

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From author Carl Parsons, winner of Penmaster Global’s best short collection of 2025 for Town and Country, comes a new collection of literary stories—Eros and Order: Love That Creates and Destroys. In this collection you’ll encounter:A wife who deserts her husband and young children for a life of perfect freedom, she thinks.

A teen fashion model who plots revenge against her father for the murder of her lover.
A Detroit factory worker who falls for a Goth girl who warns him not to.
A Moroccan immigrant who dies in the tough streets of Napoli.
A married couple mired in a Babel of their own making.
A folktale about a heroic woman and the Underground Railroad in West Virginia.

Hard Work and Sacrifice

Kenechukwu Obi Author Interview

Kenechukwu Obi Author Interview

End it by the Gun follows charismatic and determined Beck who’s eagerness to get a top book deal and screen play ruins his life. What was the inspiration that helped you write the setup to this thrilling novel?

It’s simple! Sometimes the very things we go for end up being our source of worries, misery and destruction.

The first half of the book is characterized by Beck’s tumultuous relationships. What were some obstacles that you felt were important to developing his character?

The major obstacle is the very nature of being an aspiring writer in a creative industry that has been designed to constantly crush the hopes and aspirations of even very talented writers with no name yet. Lots of gate-keepers available to remind you how you don’t have ‘what the market wants right now’. You put in all the hard work and sacrifice into your craft, on and on, without a slight guarantee that you will ever become successful.

Beck ultimately finds success with one of his books that has a science versus nature theme which turns political. Being a writer writing about a writer, did put anything from your own life into this book?

Some of Beck’s struggles and experiences were informed to some extent by my own personal experiences as a writer.

What is the next novel that you are writing and when will it be available?

I currently have two manuscripts that I have finished working on. The first one is TASTE FOR CHANGE and the second one I just renamed and its new title is WHERE IS CASSANDRA?
I am looking to have at least one of these novels published in 2019.

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Strong ambition drives Beck Blades, an aspiring writer from rural Nebraska, to become obsessed with having big Hollywood studios make movies based on his fiction stories. Taking a heavy toll on his marriage, Beck’s writing ambition soon proves hard to achieve. However, he is not a man to give up, even as rejections trail his efforts. He continues to write one fiction story after another with no breakthrough, until he writes his eleventh one, the unusual one, which grabs headlines through an unexpected route. Success begins for Beck, but little does he know his female literary agent has an extra plan way beyond representation.

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I Wanted to Study Obsession

Jesse Teller Author Interview

Jesse Teller Author Interview

Mestlven follows Meredith as she returns to her home at Sorrow Watch to destroy her enemies. What themes did you use as you built this new story in the Perilisc series?

As a man without a father attempting to raise two sons, in a lot of my work, I study fatherhood. In this book, I studied motherhood, and the effects of a mother’s estrangement from her children. I wanted to study obsession and how it can dominate the mind and creep into the soul. So far in the work I’ve published, I’ve played very little with love, and the love that I did show in Chaste was an old and familiar love. In this book I wanted something new and fresh. Of course, I wanted to spend some time on revenge. It is an idea that’s gone through my mind often in my life because of my childhood, and I wanted to develop that theme and play with it in my work. In most or all of these topics, I found a certain amount of cathartic release. Mestlven really did help heal me in a lot of ways, and I’m very thankful for it.

The town of Mestlven is a haven for the depraved, dirty, greedy and perverted. How did you set about creating this vivid world?

In my past, I learned that when you live with darkness, you live in darkness. If you’re violent and ugly, the world you live in can’t help but be the same. Evil breeds more evil. The tragedy of Sob’s situation is that she is so enthralled by the idea of her own revenge that she attracts darkness to her. In many places, she had the opportunity to walk away from this darkness and find some other kind of peace. She had the friendship of Sai Sibbius Summerstone, and the love held out to her by Jeffery. But in both these situations, she turned away from that, seeking darkness. Usually, we find what we go looking for. There were many places in the city of Mestlven where you can find goodness and light. But Sob goes out of her way to avoid those places, to look for deadly pets and vile foes, and so the book is wrought with them.

The Pale is very morbid in this story. What was your inspiration for The Pale? Did anything develop organically?

For the most part, all of my work develops organically. My writing style is very much like I go around setting ideas into motion and watching them spin out of control. Very rarely do I plot an idea’s course. I started out with the idea of a festival of death, and tried to picture the city that would willingly hold such a festival. I realized that none would. None would truly welcome in the goddess of death to take over their city. So she would force her will upon them. I started looking at the sort of things that would be held sacred by the goddess of death, thinking of what would be The Pale’s virtues, what would she love? That’s when I realized she would see killers and murderers as her most beloved. She would hold sacred certain diseases, and when she sees someone like Sob, preparing to paint a masterpiece of death, she would send aid. I pictured the face of death, and what that face would look like, and for some reason, the image was of a beautiful woman with pale skin. So I named her The Pale. My gods I cast as people. They’ve all got their own likes and dislikes, loves and desires. They have their own flaws and their own sins. The only trick to creating my religion is understanding the quirks and foibles of the deity.

This being the fourth book in the Perilisc series, are you developing a fifth book or a different story?

We’re going to set this story line here for awhile. In 2019, we’ll pick up where we left off and head into a 5-book epic series I have already written that will take us through The Escape. But for now, we’re going to head southwest and find Rayph Ivoryfist for a trilogy called The Manhunters. When we left Rayph Ivoryfist in Liefdom, he had had a falling out with his king, Phomax. In my next book, Song, Rayph has been wandering the countryside of Lorinth, helping out where he can, and waiting for the king to die. Soon, a new evil organization rises, and he must gather what allies he can and rush off to face it. That’s where we go next. It introduces a set of new characters, characters that will show up again everywhere. With the first seven books I release, my goal is to build a character list. I’m introducing as many different people as I can organically in order to have them in place for later novels. What’s exciting about Song, and really the entire Manhunters series, is that we get to meet a new cast of characters, all unique and varied, all of which are leading somewhere. And we get to make cheese.

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Mestlven: A Tale from PeriliscRevenge, Insanity, and the Bloody Diamonds

Meredith Mestlven was abused and betrayed by her nobleman husband. After a desperate fit of retaliation, she fled for her life and lost her sanity. Now nearly 20 years later, she returns to her home at Sorrow Watch to destroy her enemies and reclaim her jewels. How far will she go to satisfy her revenge? Dark, cunning and beautiful, Mestlven will win your heart or devour your mind.

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See Me Forever

See Me Forever by [Oriel, Susann]

See Me Forever begins in an old alluring home in Erradale Bay where Arianna Harte, a beautiful woman oozing with class, purchases the home in hopes to begin a new life. A spirit is instantly drawn to her, becoming obsessed with wanting her to himself. Edmond Nathaniel Wilde is the man behind the spirit, a well-spoken man who comes from the Victorian era where sins such as infidelity are not to be tolerated. Meanwhile, Logan, a detective, is investigating an incident involved with Arianna’s home and finds himself beginning to fall for Arianna’s beauty and charm. Between a passionate spirit and a detective filled with skeletons in his closet, Arianna will be thrown into a dark and brooding love triangle with supernatural twists.

See Me Forever, written by Susann Oriel, is a beautifully written love story that has a touch of all the right genres; including action, mystery and supernatural elements. It is hot and steamy, romantic and at times frightening, providing a story line that is full of entertainment for all readers.

The words drip with elegance and sweep the reader through a colonial home. Gargoyles adorn the outskirts of the beautiful colonial styled Oak Lane property, giving the reader a glimpse into a home which would have been luxurious in the Victorian era. Susann’s style of writing is easy to read but descriptive; the conversations and interactions between both spirit and human are easily imagined and felt by the reader.

I love the way Susann Oriel describes Arianna Harte. She is innately beautiful but also physically stunning, catching the eyes of suitors around her. But she isn’t sleazy or forward and has a level of class and integrity that is to be admired. Her encounters with others are filled with lustful desire and will leave the reader feeling as though their blood is on fire. Arianna’s is a sensitive, different from a medium in that she sees the spirits as well as feeling them. This particular talent will land her in sticky situations as she sees the faces of those who pass everywhere she goes.

The story begins with more questions than answers and I was eager to know how Edmond had passed. There is an element of suspicion surrounding his death and how his first wife may have died. A woman who previously lived in the home is now an elderly lady and once held Edmonds affections. How do they fit together to form the pieces of the puzzle? You will have to read it to find out!

You’d be mistaken to think that this novel is only a love story. There are mysterious plot changes, broody characters and action scenes that will leave you begging for more. I would recommend See Me Forever for those who enjoy a romantic novel but also enjoy their haunted house styled stories.

Pages: 296 | ASIN: B06XXML53F

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