Ondie Reid, a schizophrenic who is finally living a normal, productive life with the help of medication, finds her world once again spiraling out of control when her daughter’s father, whom she is trying to win back, begins sleeping with her younger sister. Original.
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Book of Matthew Part I is a tale of forbidden love in rural Missouri in 1850 which was a tumultuous time in the U.S. What was the inspiration that inspired the setup to this intriguing novel?
It all began with a conversation. I had just started dating the man who is now my husband and we were still getting to know one another. He asked if I would vote in the upcoming election and I replied, “of course I will. My ancestors fought and died to give me the right to. Without their sacrifices I wouldn’t be able to vote, own property, read, let alone attend my university. I wouldn’t even be able to date you.” After that conversation I started to wonder how difficult it would have been to have an interracial relationship centuries ago and my first book was born.
I have always been a lover of suspense, mystery and horror so I decided to write in these genres. My goal was to create a Jack the Ripper sort of villain, while maintaining the drama, romance and personal conflicts that make characters relatable and memorable.
While growing up I noticed a double standard in regard to history. If you were white and you wanted to trace your lineage back to the Mayflower this was perfectly acceptable. People were intrigued to hear your family’s history and they encouraged and praised your vast knowledge of a bygone era… but if you were black you were often discouraged from learning anything about your ancestry. I was told things like, “Black people need to leave the plantation,” and “Black people live in the past and need to just forget things.” Yearning to educate myself about the past is not the same as living in it. I didn’t desire someone to blame or scapegoat, all I wanted was the same answers that other races of children were encouraged to seek out.
When I received correspondence from readers in England, France, Ireland and several countries in Africa they applauded my stories and said, “Wow! This was a fascinating look at American history.” Not Black history, nor African American history. Other countries acknowledge this topic as American history because that’s exactly what it is. When I am criticized for this subject matter my response remains the same,
I don’t write racist literature. Nor do I write black history. I write American history.
The book touches on sensitive social topics rarely discussed, slavery and the dynamic between master and slave. What were some themes you wanted to capture in this story?
The main theme I wanted to capture was that every form of this institution was morally reprehensible. When I grew up in school most of my teachers refused to teach this subject whatsoever. We would skip over huge chunks of our textbooks just to avoid it. The few who did teach about it romanticized the hell out of it, and made it seem acceptable because “most slaves were like part of the family” …I actually heard this more than once. What I desired to express in this story was that even if you were a house slave who was treated better than others and much like part of the family, merely being owned endangered your life because someone has diminished your social standing from that of a human being to that of a piece of property. This fact alone placed even the best treated of slaves at risk for kidnapping, rape and murder with no law enforcement to save them.
Second, I wanted to make it known that when some of us are slaves, we all are. Destitute white men, minorities and women of all colors were treated as second class citizens because of that system of inequality.
Third, I wanted to acknowledge all the people who were adamantly opposed to slavery and fought against it at every turn. 400 years of Americans are blamed and villainized for what some people did. Though slavery was socially acceptable, not everyone agrees with 100% of what is socially acceptable. Disagreeing with social norms is what makes us individuals. Fighting against corrupt social norms is what makes us heroes. The people who stood against these heinous acts are rarely recognized, but without them our society would’ve failed to evolve.
Sarah is a slave that is targeted by a serial killer that murders with impunity. What were the driving ideals behind Sarah’s character development?
The driving force behind Sarah’s character development was the total lack thereof I have witnessed in similar stories. In many of the plantation novels I have read the slaves are faceless one-dimensional victims who serve as little more than background for white main characters. The female slave characters were poorly developed and served as little more than objects of lust incapable of inspiring true feelings of love and affection. Reading a plantation novel with no black main characters is like reading Memoirs of a Geisha with no geisha. These stories failed to capture my attention and I found the characters unrealistic and totally unrelatable. When I wrote a book I was determined to make sure there were black main characters as well as white ones, and that ALL of my characters have depth and unique personalities. I wanted Sarah’s character to have hopes, dreams, ambitions, drama and romantic conflicts of her own. I yearned to put a human face on a slave character, an aspect rarely seen in books of this nature. Though there have been many forbidden lust stories in this genre I wanted to give Sarah an against all odds forbidden love story readers wouldn’t soon forget.
What is the next book that you are working on and when will it be available?
Revelations: The Colburn Curse is a prequel to Book of Matthew that traces the Colburn family back to their beginnings in New Orleans, Louisiana. In this story Matt Colburn Sr. is a young plantation heir who has been given the duty of protecting an aristocrat named, Arial. He falls madly in love with the elusive heiress, but she is hiding a deadly secret that has made her the target of the Louisiana Strangler, a secret that endangers everyone she holds dear, especially Matt. This book is already available for purchase on amazon.com.
The Infinity series is based on the many star crossed lifetimes of Sarah and Matthew. I wrote this series for readers who enjoy historical suspense but prefer a tale with less violence and adult content. Three of the ten books are already available on amazon.com.
Book of Matthew II: Ancient Evil will be released December 2018.
Women of color are not a priority of law enforcement in 1800’s Missouri. They are not even considered human. These social injustices allow a serial killer to run rampant. Sarah, a beautiful black slave, finds herself in the crosshairs of a monster who murders with impunity. The only one concerned with her plight is the master’s son. Will Matthew find the strength to rescue this slave girl, even if he lacks the courage to admit he’s in love with her…
It’s Jack the Ripper meets Roots in this pulse pounding historical thriller. House of Whispers packs the chills of a Stephen King book, the romance of a Nicholas Sparks novel and the in your face irony of an M. Night Shyamalan flic.
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Honor Among Outcasts continues the story of the Dark Horse inhabitants that joined the Union Army as soldiers in the Missouri State Militia Calvary. What direction did you want to take this book that was different from book one in the series?
In the first novel of my DarkHorse Trilogy, The Lies That Bind set in the antebellum South, I wanted to debunk many stereotypes and myths about blacks, whites, rich and poor, regarding slavery and gender. Southern literature is generally about powerful aristocrats who make fortunes, and often ignores the slaves who actually did the work or gives them little credit. So I created a situation where the protagonist, Durksen Hurst, a hustler/drifter, forms a secret partnership with a group of escaped slaves to build their own egalitarian plantation in the fictional hamlet of Turkle, Mississippi. But, rather than the white man, one of the slaves, Big Josh Tyler, who had run his former master’s plantation, is the natural leader of the group and is greatly responsible for their enterprise’s success. (Such was often the case, historically.)
Developing the novel into a trilogy allowed me to show the full historical arc and the resultant changes of the time period: from antebellum South/slave society (The Lies That Bind, book 1); to the Civil War years (Honor Among Outcasts, book 2); and end in post-war Reconstruction (Something in Madness, book 3). You see the arc.
Together, the three novels depict the historical developments and their effects on the men and women, black and white, of all social stations.
So to answer your question, in book 2, Honor Among Outcasts, the milieu, conflicts, plot, and themes all had to be completely different from book 1, as will those in the third.
I felt like you did a great job with the historical details and facts. What were some things that you felt had to be accurate and what were some things you took liberties with?
Although I am a big Civil War buff, I didn’t want to write a typical battle-type novel. Fortunately, the guerrilla war in western Missouri was like modern-day Syria, with terrible murders and depredations like the massacre and burning of Lawrence, Kansas, by Quantrill’s Confederate bushwhackers. In Missouri, combatants of both sides took scalps! I felt it important for the characters to face these major events in order to illuminate humanity’s potential for brutality and cruelty.
Also, in the spring of 1863, President Lincoln began to allow “colored” regiments to be formed, but these required a white officer to lead them. Naturally, having the DarkHorse partners form their own regiment was a nice parallel to their dreams of the democratic enterprise depicted in The Lies That Bind.
Throughout Honor Among Outcasts, I tried to remain faithful to the difficulties and unique dangers these regiments and the local populace actually faced. In rare cases, I had to move minor events around to aid the narrative. For example, a train raid massacre like the one in Honor did take place, but at a later date and at a different location. Nevertheless, in writing book 2, the actual history did very much shape the story.
The characters were very well developed in this story, which led to some heartbreaking scenes when some characters met their end. What was your decision process like in deciding who stays and who goes?
Heightened emotions give your themes greater impact. I hated to kill off some of the characters I’d become attached to, but in doing so, the reader is able to feel the senseless terror and cruelty of the time, which required more than the characters merely observing the conflict.
For example, wise Big Josh is the backbone of the DarkHorse partnership, despite the many loses in his past that he carries in his heart. So when his mate, Ceeba, found late in life, is one of the three women killed in the train massacre, the poignancy of the event is increased. Plus, Josh’s emotional state throughout the rest of the novel is deepened. Similarly, in the Lawrence massacre a relatively unarmed colored regiment training there actually was massacred. How could I ignore that in my novel? And with the loss of a favorite DarkHorse character during the Lawrence raid, I hoped to bring out the horror of that event. (I, myself, had to recover after writing that wrenching scene.)
Where will book three in the Dark Horse Trilogy take readers and when will it be available?
In the final novel, Something in Madness, at war’s end the surviving characters return to Mississippi, only to confront new indignities restricting the rights of freedmen in the South.
Researching the Black Codes, lynchings, and other humiliations perpetrated on blacks during Reconstruction made writing book 3 tough, and I expect it will be tough on the reader, as well.
History is not always pretty. I only hope the DarkHorse Trilogy does its part to see that such cruelty and hatred doesn’t re-occur. Something in Madness is planned for release in 2019.
After their harrowing escape from Mississippi, abolitionist Durksen Hurst, his fiancée Antoinette DuVallier, and their friends — a group of undocumented slaves — land in guerrilla-infested Civil War Missouri, the most savage whirlwind of destruction, cruelty, and death in American history. Trapped in a terrifying cycle of murder and revenge, scarred by Quantrill’s cold-blooded Lawrence massacre and the Union army’s ruthless Order Eleven, Durk and everyone he cares for soon find themselves entangled in a struggle for their very survival.
Honor Among Outcasts takes readers on a pulse-pounding journey of desperate men and women caught up in the merciless forces of hatred and fear that tear worlds apart, and the healing power of friendship to bring them together.
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The Ghetto Blues is an autobiography of your life in the projects of San Antonio and how you overcame numerous obstacles. Why was this an important book for you to write?
My legacy is important to me and I want to share my story to inspire people. I want my children and future grandchildren to know the real me, my life story, and that no matter what life throws at you, you are to never succumb or play the victim role. No excuses.
I wrote the book for my family’s history; the saying that every time an old person dies, a history book dies with them.
I don’t want my history book to die with me.
What I liked most about this book was the honesty in the retelling. You left nothing out, good or bad. What was the hardest thing for you to write about?
The hardest to write about, is by far, the suicide of my beloved mother. She was not only my mother, but my best friend and someone that I could talk to about anything. My mother always had my back and she loved all of her children, unconditionally.
The Ghetto Blues is dedicated to my mother and father.
When writing a biography it enables you reflect on life choices. Is there anything that you see differently now that you’ve written this book?
There’s a lot that I see differently as I reflect back on my life’s choices, but without the decisions that I made, there would be no Ghetto Blues.
My experiences taught me to remember the past but don’t let it define my present and future. I’ve learned from my choices and there’s no greater teacher in life than mistakes.
I felt like this book was about perseverance in the face of adversity. What do you hope readers take away from your book?
I hope that readers take away the fact that no matter what you go through in life, you are the director, producer, actor, and the entire cast of your life’s decisions. You are in control of your own life.
There are two choices, to give up or to never give up.
I hope that the Ghetto Blues inspire young children and people in general that are born into poverty, suffer mental, or physical abuse to never give up.
I write this book for future generations to learn, grow, and inspire to be a better you. This book is the story of my life and based on true events. It’s about a young lady that struggled through her identity crisis and was raised in unstable environments and poverty.
A story about a life of tragedy, trepidation, but triumph. I never accepted the ideology of a victim. Instead, I embraced strength, resilience, and a warrior’s philosophy. I fit the perfect description of Tupac Shakur’s meaning of the saying, a rose that grew from the concrete. When the odds were stacked against me, I continued to grow mentally, physically, and spiritually.
I believe that you are only a victim when you have no choice; otherwise, you are an enabler. I had no choice being born into poverty, but I had a choice on whether to rise above my circumstances. My desire was to break the mental and physical chains plagued in our communities and instill new ones for me and my children.
My story goes out to all the people that suffered and survived, The Ghetto Blues. I hope to transform and inspire you to never give up on you.
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The Civil War was filled with pain, suffering, and too much death for both the North and the South. The often-untold stories of suffering and valor are those of the slaves and former slaves. Out in Missouri and Kansas some of the most brutal fighting occurred, not from the armies, but from guerrilla warfare. Honor Among Outcasts continues the story of the Dark Horse inhabitants that have joined the Union Army as soldiers in the Missouri State Militia Ninth Calvary. This is a story of how a group of former slaves fight for their freedom along with their half Indian partner. They face war, racism, and the loss of family and friends, and a multilevel conspiracy; but through it all, their spirit and honor never waver.
Ed Protzel uses historical fiction to bring light to things that went on during the Civil War. While the story of Durk and Antoinette is fabricated there is truth underlying their situation. Generals in the war often didn’t agree with the side they were on; but cared more for their political status than the men they sent off to die. Colored soldiers were especially expendable and were not given adequate supplies and provisions to fulfill their missions, yet few cared. Protzel does an amazing job showing the fear for each decision and action that the soldiers in the Dark Horse regiment had to make. It was never a simple decision of what makes the most sense, it was always about, what will keep us alive the longest while maintain honor. Paralleling their story, is the one of the women from the Dark Horse plantation. These women could not join the army, so they had no protection when all their papers are lost. This was a common issue among freed slaves. You could not go anywhere without your documentation or you were at risk of being put in jail or hung. This fear is so prevalent in the writing.
Reading about the harsh conditions in Missouri that the soldiers lived in is hard, starvation, lack of medical care, equipment shortages in the way of horses and weapons. Soldiers being sent out with little more than their bare hands to fight off guerrilla attacks. I know growing up and learning history I never heard about the guerrilla warfare and the complete brutality of it all. It didn’t matter who you supported, they were merciless and only cared about collecting the spoils of war. Killing meant nothing to these mercenaries. Double agent spy’s playing to whatever side they could is not a far-fetched idea and I’m sure it happened more often than even Protzel makes mention of. Lives and families torn apart and those left alive must suffer from it all.
Reading Honor Among Outcasts, I can see where Ed Protzel got the title. Everything is stacked against the Dark Horse group, men and women, but through it all they retain their honor. They refuse to take the easy way out of things to save their own lives. As I read this book I wanted to see the happy ending, I wanted everything to be okay, but true to real life, that isn’t always the case, not everyone will live, not everyone has a happily ever after. There is still another book in this series and I look forward to reading it to see what happens with the remaining Dark Horse members’, just maybe they will find peace.
Pages: 269 | ASIN: B077YRFB9J
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This hard to put down, exposure of the, ‘hidden truth,’ that could change, your World View, and the Course of History! Jaw dropping secrets, hidden for decades; are revealed, in this book; written by a former member, of the US Organization, in the ’60’s! From the perspective, of the Author, and Barbara’s exceptional research, is an eye-witness, eye-opening, and shocking account, about the inner-workings, of the US Organization, in The Black Power Movement, of the ’60’s & ’70’s!
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The Ghetto Blues by Tammy Campbell Brooks unexpectedly won my heart. The book’s full title is The Ghetto Blues – An Autobiography of Tammy Campbell Brooks’ Trepidation, Tragedy, and Triumph, and it follows the life of Tammy from childhood through adulthood. In the opening pages of the prologue, Tammy’s daughter writes, “In this book, you will go through different stages of emotions from tears, laughter, happiness, and joy of growing up in poverty and impoverished environments, but not letting the circumstances define you.” As I began the book, I was skeptical that I would experience all these emotions, but as I concluded the final chapter, “Bells Will Be Ringing,” I found that Tammy’s daughter had been entirely right all along.
Typically, authors are referred to by their last names in reviews, but after reading Tammy’s story, I feel it only right to call her by her first name. Tammy’s story was incredibly challenging for me to read at the beginning because it is so disparate from my own experience in suburban America. Growing up in the projects of San Antonio, Tammy had an upbringing that is almost unbelievable for most readers – gunshots, emotional and physical abuse, poverty, extreme hunger – but she avoids writing about her experiences in such a way as to say, oh woe is me! Completely the opposite, Tammy describes herself as driven and dedicated. Even though she experiences setbacks and succumbs to vices that will have readers wanting to call her up and say, what were you thinking?!, she does not let her weaknesses or mistakes define her, and she is always striving for the best out of herself.
Tammy’s autobiography is written in an almost spoken format, and not at all how Strunk & White might have preferred. While the typos and grammatical errors irritated me at the beginning on the book, I came to realize that if it had been written like Faulkner, for example, it would not have truly been Tammy’s autobiography. Her story is edgy and uncomfortable, and sometimes painful to read. It is the opposite of polished, but it is honest and eye-opening. That said, the book would have benefitted from some additional editing to correct some of the simple spelling errors and word usage errors. Those glaring errors are the only reason I would give the story four stars instead of five, because Tammy’s story is undeniably a full five stars.
Describing Tammy to someone who hasn’t read her autobiography feels almost as if she must be fictional: how could one woman overcome all those challenges thrown at her? Not only is Tammy an inspiration, but she was also eye-opening to me. I knew nothing of the ghetto lifestyle in the projects that she describes, and her story reiterates the age-old adage of “don’t judge a book by its cover.” At the conclusion of her autobiography, my overwhelming emotion was one of thinking that Tammy’s story would be amazing to share through radio or podcast. The courage and strength that it took Tammy to share her and her family’s story with readers should not be underestimated, and I hope that many readers have the opportunity to learn from her experiences.
Pages: 257 | ASIN: B07BFKCQZ9
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William Bowie a slave and skilled carpenter along with his family were freed by the will of Roderick McGregor of Prince George County Maryland in the year 1858. Fifty- Five years later in 1913, his grandson William Augus Bowie and John Whitelaw Lewis co-founded the Industrial Savings Bank in Washington DC and together they would make important and lasting contributions to the African-American community of Washington. Thomas and John Vreeland Jackson were manumitted by Richard Vreeland in 1828 in Bergen County NJ. Oystermen by trade they would go on to become two of the first black property owners in Bergen County and conductors of the Underground Railroad who helped thousands of slaves to escape to freedom. In 1823, Joseph VanArsdale was freed by the will of Abraham VanArsdalen in Somerset County, New Jersey. Joseph would become one of the earliest black property owners in Princeton, New Jersey. This is their story in Slavery and Freedom.
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In the Shadow of the Hanging Tree takes place in the 1860s and follows the lives of three people trying to find their way in post-Civil War America. What was the inspiration for your characters; the Henry the ex-slave, Clara and lieutenant Elliot?
I have always been an omnivorous reader. From horror to historical and most genres in-between. The American western is genre that seems to have sort of faded into obscurity over the last thirty years or so. I suppose I can understand why. A lot (not all) of it had become dusty, formulaic, trope-worn, overly-romanticized, and historically inaccurate. I set out to write a story set somewhere between the gold rush and the turn-of-the-century. Something with a different kind of hero from the gunfighter or bank robber. Something that would dust off the genre, add some real humanity, and hopefully spark some renewed interest in this fascinating and sometimes troubling time period.
Henry as the main protagonist was an easy choice. I read a short once, about a man who was freed after the civil war and went on to become a well-known cowboy in Texas. The man had a remarkable way with horses. He was the inspiration for Henry. The challenges African Americans faced even after they were freed from slavery were monumental, and so many extraordinary men and women overcame this adversity and went on to live noteworthy lives.
With Clara I wanted to highlight challenges that women of the period faced. Their oppression can’t be compared equally to African American’s enslavement, but neither can it be marginalized. I also used her character to showcase the disconnect between wealthy easterners and the reality of what was going on in the rest of the country.
John Elliot’s inner conflict wasn’t that uncommon for soldiers both during the civil war and the years following. I have read truly heartbreaking letters sent home disillusioned soldiers from the period, particularly ones from soldier’s involved in what could arguably be called the Native American genocide.
This novel gave a good view of life in 1860s America for slaves and Native Americans. What were some themes you tried to highlight throughout this novel?
Henry and Clara’s relationship is touching but anchored with fear and a desire to find their way to the right side of things. What served as the basis for their relationship while you were writing?
Henry and Clara’s relationship is one of self-discovery for both of them. Henry begins to forgive himself, and finds that he is still capable of love. Clara discovers that her prejudices were misinformed. Her interactions with Henry, and his honesty, later affects how she later handles John’s disturbing revelations.
What is the next book that you are writing and when will it be available?
I have two novels in the works. One is a contemporary drama about a twelve-year-old whose parents both die tragically less than two years apart. He’s subsequently injected into the foster care system and eventually runs away hoping to find an estranged grandparent who lives off-the-grid in Montana. The second is about a man searching for his daughter years after a global catastrophe. Both novels should be released in 2019.
In 1865 a shadow hovers over the nation: the shadow lingers still…
Born into slavery, Henry’s young life is spent working in tobacco drying sheds on Missouri plantations. Freed at the onset of the Civil War, he’s alone, starving, and on the run from Confederate militiamen.
Five years later, Clara Hanfield, the daughter of a powerful New York shipping magnate, escapes her tyrannical father and travels west in pursuit of John Elliot, the man she loves. John, a U.S. Army lieutenant, was sent to the Dakota Territory where he discovers a government conspiracy to incite an all-out war with the Indians; a war meant to finally eliminate them as an obstacle to the westward expansion.
Henry finds himself caught in the middle.
Aided by Clara, John, and his native ally, Standing Elk, Henry must battle hatred, greed, and the ghosts of his past during this turbulent and troubling time in American history.
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The Gumdrop House Affair, volume 2 in The Monk Mysteries, takes readers on a journey from the untimely death of Saul Greenberg, the financial officer for the Diocese, through the gruesome discovery of a horribly decomposed body no one can seem to explain, to the recurring appearance of the menacing turquoise eyes. Timony McKeever’s characters, Sergeant Jack Laskey and Father William Butler are both painfully aware of the presence and part played in the string of violent acts by the evil they refer to as “The Ugly.” Somewhere between Aunt Rhoda’s World Famous Apple Cobbler and Mona Monahan’s famed Gumdrop House lies the answer to the Laskey and Butler’s questions.
Mysteries top my preferred reading list, and The Gumdrop House Affair ranks among my favorites of recent years. Not having read volume 1 in the The Monk Mysteries, I don’t feel that I was lost. Readers need not read the first installment to fall nicely in step alongside Laskey and Butler as they struggle against “The Ugly.” McKeever does an excellent job bringing readers up to speed on his main characters’ backgrounds.
By far, the McKeever’s character, Aunt Rhoda, is my favorite among the many players in this work. Her strength and no-nonsense attitude permeates every scene in which she is featured. She is capable of curing most any ill with her frying pan alone–that includes the odd home invasion.
The Gumdrop House and its proprietor, Mona Monahan, are as unique as they are colorful. The Gumdrop House is a place of refuge and operated by Mona with open arms and no judgements. Mona is yet another of the author’s strong female characters. The account she relates of her face-to-face encounter with her grandfather, a mobster in his own right, demonstrates her tenacity.
Dialogue is one of McKeever’s most obvious strengths. The author transports readers to the scene of the crime with the colorful conversations between Laskey, Mona, Paisley Bob, and the rest of his lengthy list of players. Nowhere is this more evident than in the most violent and climactic scenes. I am not a fan of excessive profanity, but McKeever uses it sparingly enough and in the most appropriate circumstances to drive home his characters’ emotions.
Within The Gumdrop House Affair, the author intersperses an added layer of first person observations of Deputy Chief Thomas Dugan between authentic dialects and heated exchanges in order to explain his characters’ choices and actions. I truly appreciated this additional twist in McKeever’s writing. He gives his writing the feel of the classic detective novel with these ventures into the mind of one of his characters. This introspection is a welcome addition to the already engaging tale.
Fans of the mystery genre will not be disappointed with Timony McKeever’s police drama. Each of his characters has a rich personality and is portrayed in vivid detail. The multifaceted plot addresses everything from inherent evil to the corrupt dealings within the Catholic church itself. From beginning to end, McKeever’s mystery installment is laced with humor and brimming with everything that makes for an authentic and enjoyable thriller.
Pages: 266 | ASIN: B06Y4S6P44
Tags: african american, alibris, author, author life, authors, book, book club, book geek, book lover, bookaholic, bookblogger, bookhaul, bookish, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookworm, catholic, church, conspiracy, crime fantasy, crime fiction, detective, ebook, goodreads, ilovebooks, kindle, kobo, literature, mystery, nook, novel, paranormal, publishing, read, reader, reading, shelfari, smashwords, story, supernatural, suspense, The Gumdrop House Affair, the monk mysteries, the ugly, thriller, Timony McKeever, writer, writer community, writing