The Twisted Crown is a fascinating story about a free black woman from the North searching for her mother in the post-Civil War South. What served as your inspiration while writing this novel?
My father’s family is from Moncks Corner, SC, and we still own property there. I was born in Ohio and grew up in the North. I have always been fascinated by stories about our land in Moncks Corner, called Bryan Tract, and how it was acquired, as well as our family’s unusual genealogy. My great-grandfather was a white man from Iowa, who went to South Carolina during Reconstruction, and eventually became a wealthy state senator. I have always felt that period in American history was not well documented from the female, Afro-centric point of view. So, I decided to focus on that time period. Once I began to acquire primary source documents that provided details of my great-grandfather’s life, I wanted to pen the novel from the point of view of a woman from the North who travels into the South during Reconstruction.
This is an entertaining novel that is high in social commentary. What were some themes you wanted focus on in this book?
Romance: My family’s mixed race background demonstrates the crossing of racial lines at that time, as is really evident throughout history. I wanted to present this aspect of society through characters who could see past the racial, cultural, and societal barriers that existed during this time period. Political: I wanted to better define what Reconstruction actually was. It was not rebuilding bridges and constructing new buildings, but an effort to establish a solid political structure and an economic base to replace the defeated Confederate government. Societal: My goal was to showcase the work of the Freedman’s Bureau and underscore its importance in helping freed slaves establish new lives in freedom after the Civil War.
Eva is an intriguing character that continued to develop as the story progressed. How did you capture the thoughts and emotions of a young black woman during this tumultuous time in history?
As a novelist of historical fiction, I have always focused on examining a period in history through the eyes of an African-American woman. My own family experiences, coupled with years of researching the role of black women throughout pivotal periods in history helped me shape Eva.
What is the next story that you are working on and when will it be available?
Writing historical fiction takes time, detailed research, and inspiration. I always spend time traveling to the geographic locations that I plan to use in my books I’m mulling time periods, traveling, and pulling my next story together without any release date in mind.
The Twisted Crown takes readers from the bustling streets of Boston at the height of the Abolitionist movement to the war-ravaged landscape of Reconstruction-era South Carolina.
In 1867, Eva Phillips, who was born a slave yet lived in freedom, travels across the chaotic landscape of South Carolina in search of the mother who gave her away. During her journey, she is befriended by a black political activist promoting the rights of the newly freed slaves, a wealthy northern Carpetbagger, and a gutsy lady gambler who teaches Eva how to survive in the tumultuous Post-war environment.
When the spirited young widow’s quest draws her into a dangerous web of theft, lies, and murder, she becomes the target of a long-awaited confrontation that forces her into a fight for her life.
Posted in Interviews
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Antebellum Struggles is told through the eyes of multiple characters whose lives intertwine as a result of slavery in the deep south. We see their varying opinions, experiences and their individual backgrounds that influence their perceptions of the world at present.
Young Amana, from Martinique, a Caribbean island, was born into slavery and was later shipped to a plantation in Louisiana. Colonel Winters, the plantation owner, struggles in his relationship to his wife, Collette, and seeks to fulfill his lust in an affair. Simultaneously, a doctor takes advantage of being admitted to Colonel Winters’ home under dire circumstances.
Throughout the story good intentions are tested and morals are in constant conflict. There is love against lust, an abolitionist receiving money from a slave owner, and deception for personal gain throughout. The book thus serves as an incredibly graphic detailing of society at a time when power and violence ruled by the crack of a whip.
The author, Dickie Erman, is successful at portraying depth to the actions of a distinct variety of characters. The stylistic choices made by the author allows the reader to glimpse a character’s true intentions. For example, the doctor who tries to turn every situation to his advantage despite it being to the detriment of others; where the reader sees the doctor’s thoughts as he tries to manipulate the Colonel.
Dickie Erman delves into the role of power and hierarchy as a means of controlling others, exploring how different characters use their stature to get what they want. Power and stature play large roles in the story, especially in the carrying out of violence. The array of infringements upon victims in the book are often viewed and justified by the characters causing violence or imposing their power. The reader thus watches the mental gymnastics that the perpetrators use with anguish.
Moreover, with such violence presented in the book it is worth noting that the descriptions are gut-churningly graphic, though appropriate in their realism. Due to the nature of the topic, it is difficult to read, however this is not a negative. This author does not hold back on the details of the conditions on a slave ship, nor haphazard medical procedures. The word choice is bold when referring to people as property and mere flesh, as such it is harrowing to read. It is a disturbingly realistic display of slavery at that time.
For some readers who are not used to the style of narrative that Dickie Erman employs, the switching between character viewpoints may make the story difficult to follow. This is especially true for the flashbacks to various characters’ background stories. However, as the reader follows each account of a character’s experiences, the story never loses its natural flow. The technique is appropriately used in the portrayal of each of the characters’ very distinct viewpoints.
Antebellum Struggles is an engaging book that follows a variety of character arcs all intertwined by a plantation in the deep south. Dickie Erman masterfully switches view point and projects distinct character voices. The events of the novel draw the reader into a disturbingly realistic rendition of life in Louisiana at a time when segregation and slavery were common place. The author manages to disclose the gruesome details of what life was really like at such a difficult time.
Pages: 255 | ASIN: B07DFQLL8Q
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The Pennywells had sold their Alabama plantation and decided to move to Texas, bringing with them Pad Pennywell and his family. However, on the way to Texas, the group are confronted by bandits and Pad is recruited to their ‘clan’. Many years later, a young journalism graduate by the name of Louis Bankston, visits Pad Pennywell and inquires after these bandits. Thus, the story is relayed as a retelling of Pad’s life before and after the run in with bandits. Pad Pennywell is a story of the conflicting morals and struggles of working as a ‘clean-up’ man for bandits to keep oneself and one’s family alive.
As an elderly Pad Pennywell recounts his story to Louis Bankston; it immerses the reader in a similar way as if it were a relative talking about their past. As such the story has all of the natural tangents that someone telling a story face to face would take. Such as when Pad talks about falling in love with his wife, Ruby, or talking with the townspeople, or saying a prayer for the people he ‘cleans up’ after working with the bandits. The narrative course Patrick Horn, the author, has chosen gives the story a sincere quality as if it were being told to them on Pad’s quiet porch in Alabama, in person.
Using this technique of having the main character relay their story, means that all the details are incredibly graphic in their descriptions, especially when Pad talks about death or bodies. As the ‘clean up’ man, Pad has clearly suffered trauma, and this is illustrated in how he speaks of bodies and death. He describes the sound of the air escaping a lung after a bullet to the chest, and the stench of putrid, bloating bodies at the bottom of a well. This gives so much depth to Pad as a character as it is easy to see the stain that these events have left on his mind through how vividly he describes every aspect.
Unlike many novels, there is no omnipotent narrator. We only know what the protagonist knows at that time. However, as it is a retelling, the protagonist sometimes chooses to reflect more on certain aspects of the past or give the reader a snippet of what is to come, for instance describing John West, a bandit leader, as someone he would come to know very well. This leaves the reader wanting to know what happens next and how the protagonist came to know what he knows in the present. Simultaneously, this leaves the reader with as little knowledge of the events as he the protagonist himself had as the events themselves were unfolding. Consequently, this achieves a great level of empathy from the reader for the protagonist.
This book gives an intense representation of a character and their experience with conflicting morals. The author, Patrick Horn, gives a great amount of depth to the character of Pad Pennywell as we follow the story he tells us of his struggles from Alabama to Texas.
Pages: 226 | ASIN: B07G5JRDB7
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The Twisted Crown, the newest historical fiction novel by Anita Bunkley is a fascinating look into the post-Civil War South. Focused on the story of a free black woman from the North, Eva Phillips takes advantage of the abolition of slavery in the South to embark on a treacherous journey to South Carolina to try to find the mother who gave her a chance at freedom as a child. Along her way, readers meet a captivating cast of characters ranging from cunning professional gamblers to complex carpetbaggers to innocents turned corrupt by hardship. Eva has to navigate a part of the country decimated by the bitterest of fighting as it struggles to regain its footing. And like Eva, readers will never know if the character with the checkered past they just met will be someone who can be trusted or or who will surprise them with an unexpected betrayal.
Along the way she meets up with Chicago lawyer and profiteer Trent Hartwell who, against the recommendations of his new Charleston acquaintances, offers to help Eva in her quest. Although he came to the South to benefit from the financial opportunities blossoming in the wake of so many people’s misfortunes, he can’t quite understand the unwritten rules governing the South about the proper roles of white people and black people and why there should be any difference.
This book also sheds light on the important and dangerous work that took place during this time by black activists to promote equal participation in government for all races. This work made many who benefited from the pre-war social structure very angry and prone to violence, so the lobbying had to be done secretively.
While the story is solid and flows well, I thought that the characters and dialogue lacked some depth. This book kept me very engaged, however. The quick pace, many edge-of-your-seat situations, and several sultry moments kept me reading along without any lulls.
I also came away with a much clearer understanding of what life in the South was like after the Civil War for both whites and blacks. I didn’t know the depth of poverty freed slaves were faced with and this book provided a very interesting example of the creative and sometimes unfortunate ways that people used to survive and start a new life. Anita Bunkley is famous for writing stories that show what a famous period in history was like from the perspective of black women, and I really appreciated having the opportunity to experience this after so many other Reconstruction books (Gone With the Wind, That Bright Land, ect.) only focus on the white experience. This is important because, clearly, this was a period where the African-American experience is integral to understanding the situation appropriately.
I highly recommend joining Eva on her exciting voyage to the land of her birth and learning more about the United State’s most interesting periods of history in The Twisted Crown by Anita Bunkley.
Pages: 336 | ASIN: B07G7GPX2F
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Two Down: The Inconvenient Truth follows a tangled mess of classified government secrets and the trials and tribulations of military relationships. What was the inspiration behind this book?
As a suspense author, I’m always looking for stories that are different but timely. With two husbands and other family members, who were in the Army and Air Force, I had a birds-eye view of some of the goings on of the military. As well, I worked for both Boeing and Martin Marietta (which is now Lockheed Martin) working with spacecraft engineers and the Pershing missile system during the cold war. I was intrigued by the Oliver North story, which was borne out in my first novel, Behind the Veil.
I thought that Persenia’s character draws on the isolation that a military wife might feel. How were you able to capture the life of a military spouse?
That’s an easy question. I was a military spouse, and believe me I understood Persenia’s predicament well.
There is a vast emotional range in this book from jealousy, revenge, to anger. What were some themes you wanted to explore in this book?
The major theme I wanted to convey was that life is complicated. We have are ups and downs. Marriage is work. However, when we’re thrown a sharp curve and no matter the obstacles that are thrown at you, you can come out victorious. You’re a survivor.
What is the next book that you are working on and when will it be available?
I’ve since released Free to Love, which is a sequel to one of my earlier novels, Betrayed. What’s Love Got to Do With It, will be released in either November or December of this year. It’s the sequel to Silver Bullets, that looks at women over fifty, who’re trying to get their sexy back. I’m also working on the sequel to Two Down: The Inconvenient Truth, as my readers, especially the book clubs that I’ve visited, have demanded. They want to know what will become of Persenia and her new love interest, Remy. Some speculate that she will stay with Reggie. For sure there will be some consequences for Reggie’s involvement with the General he was having an affair with, but will also see that Persenia will have to face some consequences of her own. However, while everyone will want to know what happens with Reggie and Persenia, ISIS remains a threat.
The handsome and soon-to-be Brigadier General Reginald Charleston is in a romantic liaison with Major General Kaleah Neal, the sexy seductress, who seems to be all out capture Reggie for herself, never mind that Reggie has been married for the past eighteen years to Persenia Charleston, who’s been the model wife, giving her life totally to her husband and the military.
The inconvenient truth is that Reggie is playing with fire and is about to get burned. The President of the United States, the Joint Chiefs of Staff, Reggie and other generals under the umbrella of the Pentagon are pursuing a worldwide enemy, ISIS. However, Reggie has missed the clues that the enemy might be right under his nose.
Things are put into perspective for Reggie when his next-door-neighbor, Major General Forbes, is gunned down…the second such killing of an Army general in days. Will Reggie be next?
Posted in Interviews
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Two Down: The Inconvenient Truth, written by Suzetta Perkins is a book which draws the reader into an entangled mess of classified government secrets and the trials and tribulations of military relationships. Military wife Persenia is married to Brigadier General Reggie, who’s been committing adultery for years, and she’s just about had enough of it. Fueled by a meeting with the woman she suspects to be his lover, she vows to divorce him and drag his name through the mud. But, this is all before he is called away on urgent business in the Middle East, where ISIS are increasing their presence.
Perkins narrates the story from a number of different viewpoints – mainly Persenia’s, but also from Reggie’s and Rasheed – a terrorist. The relationships are complicated and fiery, full of arguments and strife. Without the different narrators, it would be hard to keep up – but the variety allows a range of different perspectives. It doesn’t stop readers being on Persenia’s side though and feeling sorry for the women of the story, who are regularly messed around on by their husbands.
The book is an emotional one, powered by lots of strong feelings – thoughts of jealousy, revenge, and anger. But through this, we can see there had once been a lot of love in the ruined relationships, and can’t help but feel sad at the loss. Throughout, it’s easy to find yourself getting involved, which is a testament to how well the book is written. There does seem to be a light at the end of the tunnel with a suggestion of real love forming, amidst a story full of unhealthy relationships and immoral behavior.
Alongside the emotional turmoil is the contrasting stoic, male-dominated world of the military. Persenia is known for her upstanding reputation as a wife and party planner and has been Reggie’s rock, supporting him whilst he has built his career. This draws a comparison to what occurs behind different types of closed doors – such as people’s homes and in classified military offices. To the people looking in, Persenia and Reggie’s relationship is perfect and strong, and the government officers are handling the issues in the Middle East. From the outside, it all seems to be in hand. The issues that face military wives are highlighted – the extensive adultery, emotional and physical abuse from dominant men who are used to getting their own way. Persenia’s character also draws on the isolation that a military wife might feel, as she is moved from place to place as her husband is posted all over the country and overseas for months at a time.
Perkins’ book is a story of intrigue – you really want to find out if the characters will reconcile and how they will react when all is revealed. It runs alongside a mysterious terrorist plot that adds pressure to the boiling relationships and forces the plot lines to meet and come to blows.
Pages: 320 | ASIN: B073MC9ZN7
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Ondie Reid, a schizophrenic who is finally living a normal, productive life with the help of medication, finds her world once again spiraling out of control when her daughter’s father, whom she is trying to win back, begins sleeping with her younger sister. Original.
Posted in Book Reviews
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Book of Matthew Part I is a tale of forbidden love in rural Missouri in 1850 which was a tumultuous time in the U.S. What was the inspiration that inspired the setup to this intriguing novel?
It all began with a conversation. I had just started dating the man who is now my husband and we were still getting to know one another. He asked if I would vote in the upcoming election and I replied, “of course I will. My ancestors fought and died to give me the right to. Without their sacrifices I wouldn’t be able to vote, own property, read, let alone attend my university. I wouldn’t even be able to date you.” After that conversation I started to wonder how difficult it would have been to have an interracial relationship centuries ago and my first book was born.
I have always been a lover of suspense, mystery and horror so I decided to write in these genres. My goal was to create a Jack the Ripper sort of villain, while maintaining the drama, romance and personal conflicts that make characters relatable and memorable.
While growing up I noticed a double standard in regard to history. If you were white and you wanted to trace your lineage back to the Mayflower this was perfectly acceptable. People were intrigued to hear your family’s history and they encouraged and praised your vast knowledge of a bygone era… but if you were black you were often discouraged from learning anything about your ancestry. I was told things like, “Black people need to leave the plantation,” and “Black people live in the past and need to just forget things.” Yearning to educate myself about the past is not the same as living in it. I didn’t desire someone to blame or scapegoat, all I wanted was the same answers that other races of children were encouraged to seek out.
When I received correspondence from readers in England, France, Ireland and several countries in Africa they applauded my stories and said, “Wow! This was a fascinating look at American history.” Not Black history, nor African American history. Other countries acknowledge this topic as American history because that’s exactly what it is. When I am criticized for this subject matter my response remains the same,
I don’t write racist literature. Nor do I write black history. I write American history.
The book touches on sensitive social topics rarely discussed, slavery and the dynamic between master and slave. What were some themes you wanted to capture in this story?
The main theme I wanted to capture was that every form of this institution was morally reprehensible. When I grew up in school most of my teachers refused to teach this subject whatsoever. We would skip over huge chunks of our textbooks just to avoid it. The few who did teach about it romanticized the hell out of it, and made it seem acceptable because “most slaves were like part of the family” …I actually heard this more than once. What I desired to express in this story was that even if you were a house slave who was treated better than others and much like part of the family, merely being owned endangered your life because someone has diminished your social standing from that of a human being to that of a piece of property. This fact alone placed even the best treated of slaves at risk for kidnapping, rape and murder with no law enforcement to save them.
Second, I wanted to make it known that when some of us are slaves, we all are. Destitute white men, minorities and women of all colors were treated as second class citizens because of that system of inequality.
Third, I wanted to acknowledge all the people who were adamantly opposed to slavery and fought against it at every turn. 400 years of Americans are blamed and villainized for what some people did. Though slavery was socially acceptable, not everyone agrees with 100% of what is socially acceptable. Disagreeing with social norms is what makes us individuals. Fighting against corrupt social norms is what makes us heroes. The people who stood against these heinous acts are rarely recognized, but without them our society would’ve failed to evolve.
Sarah is a slave that is targeted by a serial killer that murders with impunity. What were the driving ideals behind Sarah’s character development?
The driving force behind Sarah’s character development was the total lack thereof I have witnessed in similar stories. In many of the plantation novels I have read the slaves are faceless one-dimensional victims who serve as little more than background for white main characters. The female slave characters were poorly developed and served as little more than objects of lust incapable of inspiring true feelings of love and affection. Reading a plantation novel with no black main characters is like reading Memoirs of a Geisha with no geisha. These stories failed to capture my attention and I found the characters unrealistic and totally unrelatable. When I wrote a book I was determined to make sure there were black main characters as well as white ones, and that ALL of my characters have depth and unique personalities. I wanted Sarah’s character to have hopes, dreams, ambitions, drama and romantic conflicts of her own. I yearned to put a human face on a slave character, an aspect rarely seen in books of this nature. Though there have been many forbidden lust stories in this genre I wanted to give Sarah an against all odds forbidden love story readers wouldn’t soon forget.
What is the next book that you are working on and when will it be available?
Revelations: The Colburn Curse is a prequel to Book of Matthew that traces the Colburn family back to their beginnings in New Orleans, Louisiana. In this story Matt Colburn Sr. is a young plantation heir who has been given the duty of protecting an aristocrat named, Arial. He falls madly in love with the elusive heiress, but she is hiding a deadly secret that has made her the target of the Louisiana Strangler, a secret that endangers everyone she holds dear, especially Matt. This book is already available for purchase on amazon.com.
The Infinity series is based on the many star crossed lifetimes of Sarah and Matthew. I wrote this series for readers who enjoy historical suspense but prefer a tale with less violence and adult content. Three of the ten books are already available on amazon.com.
Book of Matthew II: Ancient Evil will be released December 2018.
Women of color are not a priority of law enforcement in 1800’s Missouri. They are not even considered human. These social injustices allow a serial killer to run rampant. Sarah, a beautiful black slave, finds herself in the crosshairs of a monster who murders with impunity. The only one concerned with her plight is the master’s son. Will Matthew find the strength to rescue this slave girl, even if he lacks the courage to admit he’s in love with her…
It’s Jack the Ripper meets Roots in this pulse pounding historical thriller. House of Whispers packs the chills of a Stephen King book, the romance of a Nicholas Sparks novel and the in your face irony of an M. Night Shyamalan flic.
Posted in Interviews
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Honor Among Outcasts continues the story of the Dark Horse inhabitants that joined the Union Army as soldiers in the Missouri State Militia Calvary. What direction did you want to take this book that was different from book one in the series?
In the first novel of my DarkHorse Trilogy, The Lies That Bind set in the antebellum South, I wanted to debunk many stereotypes and myths about blacks, whites, rich and poor, regarding slavery and gender. Southern literature is generally about powerful aristocrats who make fortunes, and often ignores the slaves who actually did the work or gives them little credit. So I created a situation where the protagonist, Durksen Hurst, a hustler/drifter, forms a secret partnership with a group of escaped slaves to build their own egalitarian plantation in the fictional hamlet of Turkle, Mississippi. But, rather than the white man, one of the slaves, Big Josh Tyler, who had run his former master’s plantation, is the natural leader of the group and is greatly responsible for their enterprise’s success. (Such was often the case, historically.)
Developing the novel into a trilogy allowed me to show the full historical arc and the resultant changes of the time period: from antebellum South/slave society (The Lies That Bind, book 1); to the Civil War years (Honor Among Outcasts, book 2); and end in post-war Reconstruction (Something in Madness, book 3). You see the arc.
Together, the three novels depict the historical developments and their effects on the men and women, black and white, of all social stations.
So to answer your question, in book 2, Honor Among Outcasts, the milieu, conflicts, plot, and themes all had to be completely different from book 1, as will those in the third.
I felt like you did a great job with the historical details and facts. What were some things that you felt had to be accurate and what were some things you took liberties with?
Although I am a big Civil War buff, I didn’t want to write a typical battle-type novel. Fortunately, the guerrilla war in western Missouri was like modern-day Syria, with terrible murders and depredations like the massacre and burning of Lawrence, Kansas, by Quantrill’s Confederate bushwhackers. In Missouri, combatants of both sides took scalps! I felt it important for the characters to face these major events in order to illuminate humanity’s potential for brutality and cruelty.
Also, in the spring of 1863, President Lincoln began to allow “colored” regiments to be formed, but these required a white officer to lead them. Naturally, having the DarkHorse partners form their own regiment was a nice parallel to their dreams of the democratic enterprise depicted in The Lies That Bind.
Throughout Honor Among Outcasts, I tried to remain faithful to the difficulties and unique dangers these regiments and the local populace actually faced. In rare cases, I had to move minor events around to aid the narrative. For example, a train raid massacre like the one in Honor did take place, but at a later date and at a different location. Nevertheless, in writing book 2, the actual history did very much shape the story.
The characters were very well developed in this story, which led to some heartbreaking scenes when some characters met their end. What was your decision process like in deciding who stays and who goes?
Heightened emotions give your themes greater impact. I hated to kill off some of the characters I’d become attached to, but in doing so, the reader is able to feel the senseless terror and cruelty of the time, which required more than the characters merely observing the conflict.
For example, wise Big Josh is the backbone of the DarkHorse partnership, despite the many loses in his past that he carries in his heart. So when his mate, Ceeba, found late in life, is one of the three women killed in the train massacre, the poignancy of the event is increased. Plus, Josh’s emotional state throughout the rest of the novel is deepened. Similarly, in the Lawrence massacre a relatively unarmed colored regiment training there actually was massacred. How could I ignore that in my novel? And with the loss of a favorite DarkHorse character during the Lawrence raid, I hoped to bring out the horror of that event. (I, myself, had to recover after writing that wrenching scene.)
Where will book three in the Dark Horse Trilogy take readers and when will it be available?
In the final novel, Something in Madness, at war’s end the surviving characters return to Mississippi, only to confront new indignities restricting the rights of freedmen in the South.
Researching the Black Codes, lynchings, and other humiliations perpetrated on blacks during Reconstruction made writing book 3 tough, and I expect it will be tough on the reader, as well.
History is not always pretty. I only hope the DarkHorse Trilogy does its part to see that such cruelty and hatred doesn’t re-occur. Something in Madness is planned for release in 2019.
After their harrowing escape from Mississippi, abolitionist Durksen Hurst, his fiancée Antoinette DuVallier, and their friends — a group of undocumented slaves — land in guerrilla-infested Civil War Missouri, the most savage whirlwind of destruction, cruelty, and death in American history. Trapped in a terrifying cycle of murder and revenge, scarred by Quantrill’s cold-blooded Lawrence massacre and the Union army’s ruthless Order Eleven, Durk and everyone he cares for soon find themselves entangled in a struggle for their very survival.
Honor Among Outcasts takes readers on a pulse-pounding journey of desperate men and women caught up in the merciless forces of hatred and fear that tear worlds apart, and the healing power of friendship to bring them together.
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The Ghetto Blues is an autobiography of your life in the projects of San Antonio and how you overcame numerous obstacles. Why was this an important book for you to write?
My legacy is important to me and I want to share my story to inspire people. I want my children and future grandchildren to know the real me, my life story, and that no matter what life throws at you, you are to never succumb or play the victim role. No excuses.
I wrote the book for my family’s history; the saying that every time an old person dies, a history book dies with them.
I don’t want my history book to die with me.
What I liked most about this book was the honesty in the retelling. You left nothing out, good or bad. What was the hardest thing for you to write about?
The hardest to write about, is by far, the suicide of my beloved mother. She was not only my mother, but my best friend and someone that I could talk to about anything. My mother always had my back and she loved all of her children, unconditionally.
The Ghetto Blues is dedicated to my mother and father.
When writing a biography it enables you reflect on life choices. Is there anything that you see differently now that you’ve written this book?
There’s a lot that I see differently as I reflect back on my life’s choices, but without the decisions that I made, there would be no Ghetto Blues.
My experiences taught me to remember the past but don’t let it define my present and future. I’ve learned from my choices and there’s no greater teacher in life than mistakes.
I felt like this book was about perseverance in the face of adversity. What do you hope readers take away from your book?
I hope that readers take away the fact that no matter what you go through in life, you are the director, producer, actor, and the entire cast of your life’s decisions. You are in control of your own life.
There are two choices, to give up or to never give up.
I hope that the Ghetto Blues inspire young children and people in general that are born into poverty, suffer mental, or physical abuse to never give up.
I write this book for future generations to learn, grow, and inspire to be a better you. This book is the story of my life and based on true events. It’s about a young lady that struggled through her identity crisis and was raised in unstable environments and poverty.
A story about a life of tragedy, trepidation, but triumph. I never accepted the ideology of a victim. Instead, I embraced strength, resilience, and a warrior’s philosophy. I fit the perfect description of Tupac Shakur’s meaning of the saying, a rose that grew from the concrete. When the odds were stacked against me, I continued to grow mentally, physically, and spiritually.
I believe that you are only a victim when you have no choice; otherwise, you are an enabler. I had no choice being born into poverty, but I had a choice on whether to rise above my circumstances. My desire was to break the mental and physical chains plagued in our communities and instill new ones for me and my children.
My story goes out to all the people that suffered and survived, The Ghetto Blues. I hope to transform and inspire you to never give up on you.
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