Blog Archives

Bloodless We Go Buried: An Earth Mother Horror

Bloodless We Go Buried unfolds as an Earth Mother horror story that blends myth, ancestral memory, and a feeling of something old waking beneath the everyday world. The book moves through dreamlike scenes where the natural world feels alive and watchful. Its language carries a poetic rhythm, and the Proto Celtic threading through the chapters adds a strange and ancient pulse. The story works like a long walk through dark woods where every shadow seems to breathe, and where the characters find themselves caught between fear, kinship, and something that feels like a summons from the deep past.

The voice of the book has this raw and intimate quality that made me feel like I had stepped into someone’s private ritual. The writing style is bold and emotional. It plays around with language in ways that sometimes made me pause and reread, not because it was confusing but because it felt like I had stumbled into a hidden doorway. I liked that the horror leans more toward mood and spirit than monsters. It creeps instead of jumps. Every time I thought I knew where the story was going it would slide sideways and make me rethink what I thought I understood about the characters and the land.

At times, the prose leans into its own intensity, and I found myself both loving it and wanting to come up for air. Some passages feel almost like a personal journal or a field notebook. That mix made the book feel alive. I appreciated that the author was not afraid to be weird or tender or blunt. There is humor tucked between the shadows, too. A kind of self-awareness that kept me grounded while the story tried to lift me into stranger places.

In the end, I walked away feeling stirred and a little haunted. I would recommend Bloodless We Go Buried to readers who enjoy literary horror, mythic fiction, poetic language, and stories that feel more like a dream you carry with you afterward. If you like books that make you slow down and sink in, this one might be exactly what you are looking for.

Pages: 324 | ASIN : B0F463PNKY

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Literary Titan Book Award: Fiction

The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.

Award Recipients

Childhood’s Hour: The Lost Desert

Visit the Literary Titan Book Awards page to see award information.

Literary Titan Silver Book Award

Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.

Award Recipients

Filaments by KZK Zuganelis Kasling

Visit the Literary Titan Book Awards page to see award information.

CRIMSON BLOODLINES The Rise of King Musa Africa’s First Vampire

Crimson Bloodlines tells the story of Emma Woodford, a passionate genealogist whose quest to uncover her family roots leads her to a shocking discovery, she is descended from King Musa I of Mali, the famed ruler of the 14th century. Her curiosity takes her from the quiet hum of city life to the scorching heart of Africa, where history, myth, and horror collide. The story starts like a historical mystery and slowly turns into a supernatural thriller, blending the grandeur of West African history with the dark myth of vampirism. The book pulls readers from scholarly research tables to ancient ruins and secret cities hidden beneath the desert sands, creating an atmosphere thick with tension and wonder.

I didn’t expect a vampire story to weave so neatly into African history, but author Aubin Jack makes it work. His writing has a cinematic feel. You can almost hear the hiss of the desert wind or see the gleam of a gold-encrusted citadel rising from the dunes. At times, the prose is lush and descriptive, even indulgent, which slows the pace but also deepens the mood. I found myself swept up in the worldbuilding, the Tuareg warriors, the sacred baobab trees, the mystery of Old Mali, though I occasionally wished for a tighter focus. Still, the book’s heart beats with genuine curiosity about ancestry, identity, and power. I felt Emma’s excitement, her fear, her awe at discovering she might be part of something ancient and monstrous.

Underneath the fantasy and bloodshed is a sharp commentary on legacy and climate change, a surprising but fitting connection, given the author’s background in public safety and activism. Some passages veer into lecture territory, but they come from a sincere place. What stood out to me most was how human this story feels despite its supernatural premise. The vampire lore isn’t just for thrills; it’s used to explore how power, greed, and immortality twist even noble intentions. By the time King Musa’s transformation unfolds, the horror feels earned. It’s not just about monsters feeding on blood, it’s about humanity feeding on the planet and on each other.

Crimson Bloodlines is part adventure, part history, part warning. I’d recommend it to readers who like their historical fiction with a bite of the supernatural, especially those drawn to African mythology, lost civilizations, or climate-driven allegory.

Pages: 150 | ASIN : B0DTRL2D52

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The Hunger of the Dragon

The Hunger of the Dragon is a brutal and immersive plunge into a grim world of Norse myth reborn in shadow. The story follows Märren, a haunted warrior mother carrying her daughter’s skull through rain-soaked mountains, hunted by trolls and later captured by the Sea Serpent clan. Her desperate quest to find the Dragon people, to claim a god’s scale, intertwines with Caëtin, a Raven berserker navigating shifting alliances and divine magic. It’s a saga thick with loss, myth, and raw survival, where every battle feels like it was written in blood and mud. The book draws from the bones of Norse legend but rebuilds the myth into something darker, stranger, and heartbreakingly human.

Author R.M. Schultz writes with a grim beauty that’s almost hypnotic. The language is visceral, heavy with texture and sound. It’s not a kind story. There’s no bright hero or warm victory, only people scraping meaning from ruin. Still, the characters burned themselves into me. Märren especially. She’s hard, bitter, tender in private moments. Caëtin feels carved from ice and fire, both ruthless and weary. I found myself pulled between them, torn by their choices.

By the time I finished, I felt wrung out. The book leaves you raw, sitting in silence for a while after closing it. Schultz doesn’t flinch from horror or grief. There’s love here, too, but it’s buried deep, found in loyalty and defiance more than tenderness. I liked that honesty. The pacing runs hot and cold, slow scenes steeped in myth and madness, then sudden violence that makes you jump. It’s harsh, yet beautiful. The kind of writing that crawls under your skin and stays there. I didn’t love every choice, sometimes the lore weighed down the emotion, but the ambition is staggering. The world feels ancient and endless, as if Schultz unearthed it rather than invented it.

I’d recommend The Hunger of the Dragon to readers who want their fantasy rough and full of heartache. If you like sagas that smell of smoke and iron, if you want women who fight and bleed and curse the gods, this is for you.

Pages: 574 | ASIN : B0FSYM7GK3

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The Gifted Series

When Serenity begins to suffer vivid hallucinations, she thinks that she is having a meltdown—until she begins to notice a recurring theme that hints at her destiny.

With no family to turn to, she searches everywhere for answers to no avail. Then, she meets Kendrick. Mysterious and protective, Kendrick reveals the truth: Serenity is the youngest heir of the Salem witch legacy.

With Kendrick’s help, Serenity must learn to control the dangerous power awakening inside her. As she navigates new abilities, she also develops dark connections that are drawing terrifying and strong forces closer to her.

With a story that captures the imagination, this spellbinding novel takes you on a ride of magic, romance, and relatable self-discovery as Serenity finally finds her true power.

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Guilt and Solitude

Clifton Wilcox Author Interview

Where Despair Comes To Play follows a man consumed by the voices in his head who is convicted of murder and sentenced to prison, where the isolation drives him deep into paranoia, delusion, and dissociation. What was the inspiration for the setup of your story?

The inspiration for Where Despair Comes to Play came from a fascination with the fragile boundary between the mind and reality—how isolation, guilt, and fear can twist perception until the world itself becomes an echo of one’s thoughts. I wanted to explore what happens when a person is left alone with their own darkness, with no distractions, no noise—only the voices that feed on doubt and memory.

The prison setting became a metaphor for internal confinement. I wasn’t as interested in the crime itself as in what happens afterward—how a mind begins to fracture when trapped in silence and shame. Each of Malcolm’s voices—Paranoia, Delusion, and Dissociation—represents a piece of his psyche trying to survive the unbearable weight of guilt and solitude.

I always start my books with a well-refined thesis statement, similar to what I did for my doctoral dissertation. In many ways, the story was inspired by the question: If you can’t trust your own mind, where can you hide?

Malcolm is a fascinating character who draws readers into his mind and the horrors that reside within it. What scene was the most interesting to write for that character?

    The most intriguing scene to write for Malcolm was the one where he finally stops resisting the voices—when Paranoia, Delusion, and Dissociation stop feeling like intruders and start feeling like his only companions. It’s the moment where his isolation becomes complete, and instead of fighting for sanity, he begins to negotiate with his madness.

    Writing that scene felt like walking a tightrope between horror and heartbreak. I wanted readers to feel both fear and empathy—to see that Malcolm isn’t a monster but a man slowly breaking under the weight of his own thoughts. Capturing the moment when his inner voices start making more sense to him than reality itself.

    What were some themes that were important for you to explore in this book?

      My key theme was the personification of mental illness—turning Paranoia, Delusion, and Dissociation into living entities. It allowed me to explore how mental struggles can feel external and invasive, like something whispering just behind your thoughts. My ultimate goal for the book was to explore what happens when the mind becomes the battleground—and whether redemption is possible when your worst enemy is yourself.

      What is the next book that you are writing, and when will that be published?

        My next book is actually a love story, Framed in Love, that is steeped in fantasy and explores the psychological condition of “How far will you go, and what are you willing to do to keep that love alive?” In a world where love can be bound by spell and sacrifice, a devoted lover discovers that devotion has no bottom, and is preserving love worth losing everything that makes a person human?

        Author Links: GoodReads | Amazon

        Behind prison walls, despair has its own rules—and its own games. Malcolm was convicted of murder, but the real sentence begins after the verdict. Isolated in a cell where whispers crawl through the cracks, he is never truly alone. Three voices—Paranoia, Delusion, and Dissociation—taunt him, twist his memories, and demand he play their endless game of Hangman.


        As Malcolm struggles to separate reality from nightmare, every letter etched on the wall draws him closer to a final word he may not survive. The line between guilt and madness blurs, and the only question left is chilling: is he haunted by his own mind—or by something far worse that feeds on silence itself?

        Literary Titan Gold Book Award: Fiction

        The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.

        Award Recipients

        The Cauldron: A Struggle for Survival by Joe Clark
        A Jericho’s Cobble Miscellany by Tom Shachtman
        Childhood’s Hour: The Lost Desert by E.E. Glass

        Visit the Literary Titan Book Awards page to see award information.