Quantum Weirdness
Diverging Streams follows two young lovers who, after an accident, are separated and reunited twenty years later by another accident, leaving them with the ability to travel through time and dimensions. What was the inspiration for the setup of your story?
I began working on this book over 30 years ago, and I really don’t remember any particular inspiration for it. At one point, in 2008, I gave up on it and published Chapters 2 and 3 as a stand-alone short story, but about 2010, I took it up again and finished it in 2015.
Your novel has some interesting characters with their own flaws, yet they are still likable. How do you go about creating characters for your story?
I know it sounds corny, but I listen to my characters and allow them to develop their own personalities. I like to compare it to those old Max Fleischer cartoons in which Betty Boop or Koko the Clown climbs out of the ink bottle onto the paper. And once the characters are fully developed, I let them write the story for me. I feel more like an observer than the creator.
The science inserted in the fiction, I felt, was well balanced. How did you manage to keep it grounded while still providing the fantastic edge science fiction stories usually provide?
I have long believed that time, like space, is three-dimensional, which I maintain offers the best explanation for quantum weirdness. The world I have created—the constantly dividing and diverging time streams, each with its own unique reality, follows necessarily from multidimensional time. Although the afterlife, as I have described it, is more speculative, it is perhaps more a case of probable than merely possible.
Will this novel be the start of a series, or are you working on a different story?
I have no interest in further pursuing this story. I have finished two more novels: Conniption Creek, a dark comedy in the tradition of Catch 22, and The Swing Time Soda Emporium, a coming-of-age story set in small-town America during the 1940s, which I hope to publish by late this year or early next.
Author Links: GoodReads | Amazon
Consistent with the many worlds interpretation of quantum physics, time—like space—is three-dimensional, with a nearly infinite number of constantly dividing and diverging time streams, each stream containing its own unique reality.
Simple Intentional Acts
Sacred Celebrations is a warm and soulful guide to help readers who want to deepen their emotional and spiritual life by marking life’s transitions with intention and love. Why was this an important book for you to write?
As more people identify as “spiritual but not religious,” there’s a real need for a guidebook that can be returned to again and again when big life events arise. I’ve heard from readers who’ve used Sacred Celebrations to plan weddings, funerals, menopause parties, divorce parties, and other intimate gatherings. When they write to share their stories, I often find myself saying “YES!” out loud at my computer—usually startling my cat! It thrills me not only that the message resonates, but that readers are putting it into practice. The world needs more rituals, and one by one, readers are helping bring that vision to life.
We are craving connection and community more than ever. In our fractured world, it’s essential that we find our way back to one another—and rituals help us do that. They ground us, center us in the present moment, and invite us to truly witness one another during life’s milestone moments, whether they are filled with joy, grief, or often both at the same time.
Creating a new ritual or celebration can be overwhelming when someone already feels the need to slow down. What is a good starting point to help someone ease into this new way of thinking and create something meaningful for their lives without feeling overwhelmed?
Start small. Light a candle and write in your journal. Create a simple altar with photos of your ancestors on a bookshelf. Say a gratitude grace with your family at dinner. Invite a few trusted friends to offer prayers or blessings before surgery. Pick flowers from your garden and give them to a neighbor.
Ritual doesn’t need to involve lots of people, elaborate planning, or money to be meaningful. Simple, intentional acts can be incredibly powerful.
I appreciated the candid nature with which you told your story. What was the hardest thing for you to write about?
My miscarriages. I experienced two miscarriages of twins within a 72-hour period. Writing about that time was an important part of my healing journey—though about 75% of what I wrote never made it into the book.
The portion that did remain included two rituals we participated in, one private and one public, that deeply supported us as we moved through profound grief. Rituals have a remarkable ability to help us navigate some of the most devastating experiences of our lives.
What is one thing that you hope readers take away from Sacred Celebrations?
That there is only one right way to do ritual: your way. This book is not prescriptive; it’s an invitation. An invitation to sense what needs to be honored, celebrated, or remembered, and then to use the tools and ideas I offer to create something meaningful and aligned with you and your community.
You can easily create simple yet memorable rituals that you and your community will remember for years to come!
Author Links: GoodReads | Facebook | Website | Sacred Celebrations | Amazon
Do you celebrate the joys, grieve the losses, and embrace the changes inherent in life’s natural cycles and seasons? In today’s fast-paced world, our souls are begging us to slow down—we must heed that call!
By blending her personal experiences, information about multicultural celebrations, and practical how-to steps, Elizabeth Barbour shares uniquely accessible advice for designing rituals. You’ll enjoy new elements to invigorate birthday gatherings and holidays and additionally be inspired by:
A beautiful grief ritual featuring white roses
An infant’s spiritual dedication in a labyrinth
A young girl’s playful and educational first moon party
An artist’s creative and meaningful “starting a new business” ritual
A divorce ritual punctuated by beating the furniture with a tennis racket
Sacred Celebrations is a resource you’ll come back to again and again to help you navigate emotional endings and beginnings with more presence, clarity and confidence.
Paddy and the Banshee: A Mythical Memoir Unlike Any Other
Paddy and the Banshee blends memoir and myth in a way that feels both strange and familiar. The book follows young Paddy as he is pulled between New York, rural Ireland, and the harsh mix of reality and imagination that shapes his early years. His world is full of upheaval, poverty, folklore, and fear. The Banshee becomes a symbol of everything he cannot control and everything he tries to understand. The story moves through his childhood with vivid moments of danger, loss, superstition, and humor, and it frames his memories as an adult who still feels the shadow of that mythical scream.
The writing is direct, clear, and unpretentious, and sometimes it even feels like a conversation you might overhear in a pub. I liked how the author shifts between the innocence of a child and the reflection of a grown man who is still trying to sort out what was real. Some scenes hit hard. The candle in the abandoned house. The black comb. The headless chicken sprinting across the yard. They all have this strange mix of terror and comedy that only childhood can produce. I felt pulled in by those moments because they were told with such honesty. Nothing felt polished or dressed up. It was messy and raw, and that made it work.
The book handles fear in an interesting way. The Banshee is a myth, but it is also trauma. Sometimes the writing circles that idea gently. Other times it just charges straight at it. I appreciated that. There is a kind of tenderness hidden beneath the darker scenes, like the book is trying to comfort the boy Paddy used to be. The writing is simple, but the emotions underneath it are not. The mix of family chaos, superstition, and survival created a kind of tension that stayed with me. It reminded me how kids make sense of things long before they have the words for them.
I felt like the book had given me a glimpse into a childhood shaped by folklore, hardship, and imagination all tangled together. I would recommend Paddy and the Banshee to readers who enjoy memoirs that feel unfiltered and a little wild, and to anyone who appreciates stories where myth serves as a mirror for real life. It is especially suited for readers who like cultural folklore, coming-of-age stories under pressure, and the strange ways childhood fear can linger long into adulthood.
Pages: 196 | ASIN: B0FMHFH1GY
Our Lives Mattered
In Stateless in Paradise, you share your family history, personal struggles, and your fight for recognition. Why was this an important book for you to write?
Stateless in Paradise was important for me to write because for most of my life, my existence was defined by paperwork I didn’t have, borders I couldn’t cross freely, and decisions made about me without my voice. When you are stateless, your story is often reduced to a case number, a detention file, or a legal problem. Writing this book was my way of reclaiming my humanity.
I wanted to document my family history and personal struggles, not out of self-pity, but out of responsibility. Statelessness is usually invisible. Millions live it, yet very few stories are told from the inside—from the fear of detention, the humiliation of deportation, the loneliness of exile, and the quiet resilience it takes just to survive. By telling my story, I wanted to put a human face on a condition that is too often discussed only in legal or political terms.
The book was also a way to honor the people who shaped and saved me: my mother, who raised me with dignity despite displacement; the strangers who showed compassion when governments did not; and the few mentors and loved ones who believed in me when the system erased me. Their presence in the book is my way of saying that survival is never a solo act.
Finally, Stateless in Paradise was an act of resistance. Writing it was my fight for recognition—not just for myself, but for others who live in legal limbo. I wanted to leave a record that says: we were here, our lives mattered, and our stories deserve to be heard.
I appreciate the candid nature with which you share your experiences. What was the most difficult thing for you to share?
The most difficult thing for me to share was not a single event, but the emotional truth behind them—the shame, fear, and sense of invisibility that came with being stateless.
It was hardest to write about the moments when I felt completely powerless: sitting in detention knowing my fate depended on signatures and stamps, being deported without dignity, or living in exile in American Samoa, where time felt suspended, and my life reduced to waiting. Those experiences stripped me not only of freedom, but of identity. Admitting how deeply that broke me—how close I came at times to losing hope—was far more painful than describing the physical circumstances.
Equally difficult was exposing the quiet loneliness. Statelessness isolates you in ways that are hard to explain: you cannot plan a future, you hesitate to form attachments, and you learn to survive emotionally by numbing yourself. Writing about that emotional survival mechanism meant confronting parts of myself I had long buried just to keep going.
I also struggled with writing about my family, especially my mother. Her strength, sacrifice, and the weight of what she endured as a refugee still carry deep emotional gravity for me. Putting that on the page meant reopening wounds that never fully healed.
But I chose to include these truths because anything less would have been dishonest. If the book was going to matter, it had to reflect not only what happened to me, but what it did to me. And in sharing that vulnerability, I hoped readers might better understand the real human cost of statelessness—not as an abstract issue, but as a lived reality.
What is one piece of advice someone gave you that changed your life?
What stayed with me—and ultimately became my guiding principle—was very simple advice: stand for yourself. Fight for yourself, because in the end, no one else is going to do it for you. When you are stateless, you learn very quickly that you are on your own. Sympathy is rare, and systems don’t protect people without status.
There was also a sentence someone once said— I don’t even remember who—that became my personal motto: try to take everything from this life, whether it’s good or bad, because one day you’ll turn around and realize the game is over. That thought struck me deeply. It forced me to stay awake, to stay present, even in the worst conditions.
That mindset carried me through six months in a detention center in Houston, through one year and five months of exile in American Samoa, and through nearly twenty years of being stateless in the United States. When everything is taken from you—your documents, your freedom, your future—the only thing left is your will to keep going.
So the advice I lived by was not romantic or comforting. It was survival advice: fight, don’t give up, and keep moving forward, even when you’re exhausted, even when the system is against you. Because stopping means disappearing—and I refused to disappear.
What is one thing you hope your readers take away from Stateless in Paradise?
If there is one thing I hope readers take away from Stateless in Paradise, it is this: a person’s worth is not defined by their legal status.
I want readers to understand that behind every label—stateless, undocumented, refugee, detainee—there is a full human being with dreams, love, intelligence, and dignity. Statelessness is not a failure of character; it is a failure of systems. And yet, even inside those broken systems, people continue to endure, resist, and find meaning.
I also hope readers walk away with a sense of responsibility. Not guilt, but awareness. Awareness that freedom, mobility, and belonging are privileges many take for granted—and that these can be taken away overnight. When readers recognize that, compassion stops being abstract and becomes personal.
Finally, I want the book to leave people with courage. If someone who was erased by borders, detained, deported, and exiled could keep fighting and keep moving forward, then maybe readers facing their own battles—visible or invisible—will feel less alone. If the book does that, then telling this story was worth it.
Author Links: GoodReads | X (Twitter) | Facebook | Website | Instagram | Amazon
Stateless in Paradise is the deeply human journey of a man living between borders. From the South Pacific to West Africa, from Eastern Europe to the United States, Mikhail’s life is shaped by movement, uncertainty, and the constant negotiations required of someone without a recognized nation.
Forced into detentions, threatened with deportations, and stranded for months in American Samoa, he confronts the global systems that decide who belongs — and who does not. Yet this memoir is also filled with connection: the kindness of strangers, the discovery of chosen family, the beauty of cultures encountered, and the love story that becomes his safe harbor.
Weak Boundaries
Mortal Revenge follows a successful executive who is pulled into a deadly reckoning when family secrets and systemic corruption surface. What was the inspiration for the setup of your story?
Mortal Revenge is based on true events of my co-writer’s family. When Fernando called me with the story after he got out of the hospital, I knew we had a compelling thriller plot. All we had to do was turn truth to fiction to protect him. It took us two years. The project was cathartic for him, and boy-oh-boy did my Spanish improve!
Alex is successful and capable, yet emotionally exhausted and deeply loyal. What interested you about placing someone like him at the center of this story?
It felt right to me that a damaged personality with shaky self-esteem, weak boundaries, and caretaking tendencies would be likely to take on the task. Although Alex is at the top of his career when the call from his mother comes, his is a patterned response. Between the yearning for his mother’s love and the Mexican culture of family loyalty, Alex has no choice. Watching Alex heal as he took on the medical and legal systems was exciting for us!
The most devastating conflicts in the novel come from family rather than strangers. Why does betrayal cut deeper when it’s personal?
I asked Fernando to answer this question because a) he’s the co-author, and b) he lived through the betrayals. He says, “When betrayal comes from within the family, the wound is far deeper: it originates from within and threatens to destroy even the past. The pain intensifies upon discovering that those who should have been a source of support are hiding a devastating secret. Even more painful is the fact that family members knew about it and, instead of seeking justice, chose to cover up the truth. The shadow of what is hidden lingers, waiting for the moment to be revealed.”
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
This is a stand-alone book, although my co-author and I are researching our next book now.
I’m hoping to launch my next Dafne Olabarrieta Mexico Mystery around the end of the year. It’s (right now) called Dumped and takes on the Mexico City garbage mafia when the new mayor, an old school chum of Dafne’s, is found dead by a pepenador, a trash picker. I’ve already visited a couple of dump sites—not your usual tourist stops!
Author Links: GoodReads | Facebook | Website | Amazon
What happens when the system you served becomes the enemy you must destroy?
Under the blistering heat of Veracruz—where pharmaceutical corruption thrives in the shadows and betrayal can get you killed—former Pharma expert Alex Deltoro is thrust into a nightmare of deadly medical secrets and devastating legal battles. His brother’s murder is written off by authorities eager to bury the truth, and when a calculated hit-and-run leaves Alex fighting for his life, he knows he’s caught in a web of dark secrets and systemic deception that reaches the highest levels of power. As he hunts for answers, every path leads deeper into pharmaceutical fraud, legal manipulation, family betrayal, and buried truths that threaten to destroy everything he once believed.
With knowledge that could cost him everything and unthinkable consequences at every turn, Alex faces ruthless enemies and a justice system turned against him. He’s forced into a brutal fight for survival—one that will push him to the edge of the law, vengeance, and his own moral transformation. In a world where medical corruption meets legal betrayal, the most shocking twists are yet to come.
Mortal Revenge is a gripping medical thriller with relentless suspense and one man racing against time to expose corruption before it kills him. The truth may be deadly, but for Alex Deltoro, it’s the only way out.
The Warmest Memories
Saturdays With Gramps centers around a little boy who learns that love never truly dies after losing his grandfather. Where did the idea for this story come from?
Saturdays With Gramps was inspired by my own experiences with loss. I lost my dad when I was 27, and years later I navigated the loss of my mom—first ambiguously, as dementia slowly changed who she was, and then physically when she passed away. During that time, I was also helping my children grieve their Grammy and find ways to keep both her memory and their grandfather’s memory alive. Writing this story became a way to honor those relationships and the love we shared. My hope is that the book helps children and families feel less alone in their grief, and gently reminds them that love doesn’t disappear—it continues in memories, traditions, and the bonds we carry forward.
Is there anything from your own childhood included in Sam’s story?
Yes! My dad, Henry, co-founded a restaurant named Embers, and they served the most delicious pancakes. When I was growing up, we would go to Embers every weekend for brunch, and I couldn’t wait to devour a syrup-drizzled stack of pancakes! I have the warmest memories from those days. In the story, I named them “Grampscakes” because my dad, who went by Papa to his grandkids, always called himself PapaBurger, as his restaurant also served yummy burgers (namely, the Emberger Royal!). Grampscakes are a way to honor that silly nickname of his, and those awesome pancakes!
The artwork in Saturdays With Gramps is wonderful. Can you share with us a little about your collaboration with illustrator Ellie Beykzadeh?
Ellie is truly the most amazing illustrator. Her work is so stunning and always highlights every emotion beautifully. Her illustrations bring the book to life. I love working with Ellie because she is so talented, collaborative, and has the most creative ideas. She’s such a kind human, to boot!
What is one thing you hope young readers and their families take away from your book?
My greatest hope is that young readers and their families find comfort in knowing that love never truly dies. Even when the people we love are no longer with us, their love continues to live on — in memories, traditions, and the quiet ways they remain part of our lives.
Author Links: GoodReads | Facebook | Website | Amazon
Saturdays were Sam’s favorite—Grampscakes dripping with syrup, lively chess matches, quiet moments spent birdwatching. Just Sam and Gramps, soaking up their special day together.
But when Gramps passes away, Sam is heartbroken—and Saturdays feel empty.
With his mom’s gentle guidance, Sam begins to understand a powerful truth: even though Gramps is gone, the love they shared—and their cherished traditions—will always remain. Because like syrup on pancakes, love sticks around.
Saturdays with Gramps is a tender, heartfelt picture book that helps children process grief and loss with warmth, comfort, and hope. Through gentle storytelling and beautiful illustrations, it reminds readers that the bonds we build with those we love remain long after they’re gone.
✅ Ideal for ages 7+
✅ Introduces loss in an age-appropriate, relatable way
✅ Encourages open conversations about big feelings
✅ Validates kids’ emotions and experiences
✅ Offers healthy, hopeful coping strategies
✅ A supportive resource for parents, educators, and therapists navigating bereavement
Whether a child is grieving a grandparent, parent, pet, or any kind of loved one, Saturdays with Gramps reminds them they’re not alone—and that love lasts forever.
Understanding Grief and Giving Hope
Ghost Brother follows two brothers in the aftermath of a car crash that kills one and leaves the other to pick up the pieces of his life. What is it that draws you to write Young Adult fiction?
I love the YA genre. As a former high school English teacher and the mother of four sons, I have noticed that this age group doesn’t receive the same attention as young children. Reading is essential for all ages, but keeping readers interested and engaged during their teens is critical. I feel that more emphasis and attention need to be placed on junior high and high school students regarding their literary options. There needs to be encouragement from all of us for them to read books of their choice, where they can see themselves in the stories and read for enjoyment.
How were you able to capture the thoughts and feelings of Carlos, the twin who watches his brother move on without him?
When I lost my sister, it was so hard for me to understand and deal with the fact that she was gone. I would talk to my mom about messages I felt were from her. My mom was also feeling the same way. What I realized was that there were so many coincidences that made it clear that her spirit was still with us. I would talk to my mom about the story I had started working on about siblings. I found myself wanting more information and reading anything I could about losing someone. It brought me comfort. When my mom suddenly passed away, I felt I had to publish my book so that it would help others understand their grief of losing a loved one and give them hope that there is more beyond this life.
Can fans look forward to more books from you soon? What are you currently working on?
Reading and writing are my passions. I have many stories waiting to be shared with readers. I’m currently working on a manuscript that focuses on Selena, the girl that Cris falls in love with, in Ghost Brother. She is a strong, intelligent, and interesting female character. I wanted her to have a more active role, but didn’t want to take away from the brothers. I intend to tell her story from her perspective. She is gifted and can see and hear things others can’t. She was able to communicate with Carlos, the dead brother. Selena was misunderstood because she could do things others did not understand. She is now the main character in my new manuscript. I hope to complete her story later this year and will then start submitting in the hopes of getting it published
Author Links: GoodReads | X | Facebook | Webite
Be Aware, Be Ready
To Slaughter a Camel follows a nurse practitioner whose loyalty is tested when she is suddenly pulled into the shadow world of US Intelligence. What was the inspiration for the setup of your story?
I’ll try to give you the short version.
Erika, my protagonist, was featured in my first novel, Topeka ma’shuge, a dark coming of age story. She survived her journey to adulthood, the novel concludes open-ended, but by that time I think I was a little in love with her; she hung around in the back of my mind, always asking me, “What about the rest of my life?”
I’ve known many military personnel in my life, and a handful from the clandestine services. I was aware of the role of being a medical provider embedded with clandestine operators, and the risks they faced, lacking the necessary warrior training to deal with the casualties when a mission goes terribly wrong.
Erika is isolated and looking for a sense of family; her decision to join the CIA is impulsive after the death of her best friend, but she already has unwittingly qualified for the position. It was only natural at that point, as in may thrillers and mysteries, to plop her in a catastrophe she wasn’t prepared for.
What were some challenges you felt were important to defining your characters in this story?
Wellesley is a bit of a cliché, the paternal supervisor with best intentions for his staff. Or is he? He is a bit insular, with a past we suspect. Why is he single? Who is the young woman in the frame by his desk? He understands the real horrors that can occur in his trade, but he tries to protect his young recruit. Was this the best decision? He isn’t sure and asks himself this as she walks away. Adding depth, ambivalence, vices and virtues to a character make them far more credible, but it does require work to do so.
Defining Erika was far easier, her character developing in the first novel. I knew her like a sister. Even when a crisis appeared that I’d only just created, I already knew how she would react. Until she was raped. As a former ER doc I understood a little bit of this, but some extensive research into the psychology of being a survivor of such an event was required. And her ability to kill, instinctively, prudently, slowly grows as the story progresses. Pacing that progress was a challenge. Pacing her evolution from a transparent medical provider devoted to the truth, to understanding how essential lies and deception are to survival in the clandestine theatre, was also a challenge.
What were some themes that were important for you to explore in this book?
“There are people in the world who will kill you for a pack of cigarettes,” Wellesley tells Erika; the warning intended for the reader as well. Don’t be paranoid, but be aware, be ready.
Perseverance in the face of adversity.
The value of patience, occasionally compassion, when one’s instincts tell you to act boldly.
What is the next book you are working on, and when will it be available?
A love story set in the first few months after 9-11. Jack Welsley, GS-13 at Langley, is 42, recently divorced, depressed, facing alcoholism, when he falls in love with the 23 year-old daughter of his best friend. She is a medic, has finished a year of Linguistics, and is slated to deploy in Afghanistan as a first Lieutenant. I hope to have a rough draft by the end of 2026, but the research is going to be exhausting, to review every day in the first year of that war, and get all of the technicalities and logistics believably correct.
Erika will reappear in the next work after that, another espionage thriller.
Author Links: GoodReads
To Slaughter a Camel masterfully charts the journey of Erika Harder from a routine existence in Oregon to a perilous life filled with uncertainty and trepidation in Madrid. Bereaved and lonely, Erika finds solace in her work as a multi-lingual nurse practitioner. Her normalcy is shattered when her proficiency in Farsi piques the interest of the State Department’s Jack Wellesley, who persuades her to serve as a civilian contractor for the CIA.
Erika’s initial excitement at the prospect of a new chapter in her life quickly morphs into a nightmare when a mission in Madrid goes awry, resulting in the death of seven of her colleagues. The explosion at the CIA station leaves her stranded with Guneet Jodal, a hapless translator whose loyalties are suspect. Erika is caught in a maelstrom of danger, with no way out and no one to trust.
Hutson’s narrative is a riveting exploration of the human spirit’s ability to endure and overcome even the most devastating tragedies. Erika, the novel’s protagonist, is a compelling character. Despite her raw wounds, both emotional and physical, she demonstrates an impressive strength and resourcefulness that will inspire readers.
To Slaughter a Camel is a unique blend of suspense and emotional depth. Hutson skillfully intertwines Erika’s personal journey with the broader narrative of international intrigue, creating a story that is as thought-provoking as it is action-packed. With a plot that keeps readers on the edge of their seats and a heroine whose resilience is nothing short of inspiring, this novel is a must-read for those seeking a thrilling, yet emotionally resonant tale.
LITERARY TITAN 