It’s the 22nd century and the world is overpopulated and under-educated. To combat this, the government has decided that male and female students will be segregated for their first 22 years of life. They will have no knowledge of the opposite sex or of their parents. Finn is a brilliant and questioning student, but his intelligence leads him to test boundaries and break rules. When he enters the real world he meets Angela, and they have a son, Leonardo, who awaits the same fate of separation. But Finn cannot let go of his son that easily, and he begins to tread on very dangerous ground…
The Separation by Thomas Duffy is a dystopian speculative fiction novel. Duffy has written a story with a fascinating premise, and some hefty themes are handled deftly by the author. Topics of religion, sex, gender and class are woven through the narrative, and many of the questions posed are philosophical ones such as ‘what is really important?’ and ‘what constitutes a ‘good’ life?’ There are interesting reflections on the complexity of human desire, governmental control, finding meaning in the world, and whether career or love is more important–all of which feel quite relevant in today’s world.
Finn makes for a very likeable hero, behaving in ways which are extremely relatable and understandable considering his circumstances. Duffy has written an empathetic protagonist, which isn’t always the case with dystopian fiction, and I was really rooting for him throughout. Some of the other characters, including Angela, remain quite one dimensional which limited me in really believing in, or caring about, her relationship with Finn. I would have liked some more well rounded female protagonists, but perhaps this was a technique used by the author to represent how detached the sexes are.
The book is written mainly in the third-person limited narrative with the focus on Finn, but we get insight into Angela’s thoughts and feelings too which helped me to feel slightly less detached from her. The writing is full of dialogue and at times it is weighed down with exposition—unfortunately, this made a lot of the dialogue feel quite heavy handed and not particularly natural. I particularly struggled with the conversations between Finn and Angela which were lacking in real emotion. Again, this could have been a mechanism used by Duffy to portray their stunted development when it comes to relationships/the opposite sex and communication. Despite this, the narrative moves at a fairly steady pace. I enjoyed watching Finn’s misdemeanours unfold, and there was plenty of action and intrigue to keep me turning pages.
Overall, this is a fascinating addition to sci-fi/dystopian fiction which might leave you in a slight existential crisis! It throws up profound questions about what is truly important in life, and if this sounds a little too intense, there are also lots of unexpected twists, turns and excitement to keep you on your toes.
Pages: 306 | ASIN: B078YRNM8M
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Triple Bagger is the intricately woven story of one man’s experience in a company that takes him everywhere but leads him nowhere. Why did you want to write a novel that took a close look at the corporate world?
After twenty years of corporate career, I felt exactly how you describe: nowhere despite having had everything and been everywhere. It felt devastating, like I had lived inside a me that wasn’t me, and as such wasn’t worth very much to me at all. And I felt a powerful compulsion to write up about that life that had past, above all to try to make some sense of it, of why I had ended up going through with it, hoping perhaps that it would help me see a way forward.
With this novel you are able to once again capture everyday life and put an interesting twist on it. What is your writing process like?
This was in essence the first novel I wrote, fresh from abandoning the corporate world, although it was not the first I published, and I can confess that the writing process was chaos. There were certain difficult large themes I knew I had to treat in the book because they were at the core of what had deeply upset me for years and ultimately broken me. Firstly, I carried out ample research around these themes to convince myself these were rightful themes and that I wasn’t just being mad and imagining that they were. I needed to convince myself that my account was not to be a one sided rant, but that other people had and would care about the backbone behaviours I would discuss. This was the first phase. Yet after setting the grand map, I constantly battled with whether I should punish, absolve or laugh at the twenty years of past life I had drawn in front of me. So there was the tone to think of… Next, there was the problem of feeling in the detail without making it too dry, too boring or too close to the truth… I definitely didn’t want to take myself too seriously!
I felt that the story had a lot to say about the loss of oneself within the complexities of ladder-climbing and the desire to succeed. What were the morals you were trying to capture while writing your story?
There were a few. Firstly, to beware that in corporate elites we are often chosen not for the strength underlying our ambition but for its vulnerability, in that it inculcates a fear in us of not succeeding which can make us more pliable. Secondly, to resist corporate life when it looks to uniform us, shape us around a common fiction spelling our superiority and fuelling a fantasy around our limitless ability. To fight becoming dependent, to fight growing a fear of anything outside what they have taught us. Thirdly, to question the relentless drive and the virtuosity of endurance preached in corporate life. And finally, to never let work turn us into a robots. Whatever we do, never to let our emotions be turned off.
What is the next story that you are writing and when will it be available?
Caro M, is a short novel exploring the hurricane-like devastation unwavering love is capable of. In it: a woman, alone but for her dog, shares memories with her old tesoro; a wife trusts her sweetheart psychiatrist blindly through her divorce; and a young girl lands a fairy tale wedding soon to turn into a nightmare her cousin yearns to fix. I guarantee you it’s immersive, witty, tender… It will be available October 2017.
A book about identity and… management consultancy! ‘Epic, a wonderfully interesting reading experience, ‘ DeAndra Lupu @unbounders. Meet Vittal. He is a self-and-dad-made man carrying his family’s expectations on his shoulders. He has landed a vocation to work for the most renowned, most secretive, highest-priced, most entrusted, most detested organisation of all times. Vittal should be happy, or maybe frightened, after he is told that he will work with people with an unusual quality of character and, with time, he will become those people. When he meets Peter who reeks of success like a true world shaper, Vittal clings to the saving idea that he wants to become him. But as he climbs through stages at Enterprise over the next decade, life loses its meaning and he grows into a swinging smudge of mortality that advances and retreats with his employer’s tides. He is lonely, surrounded by emotionless, manipulative schemers, under a haunting fear that someone somewhere may be happy and it will never be him. And by the time Lucy arrives to discombobulate this sorry state of affairs, Vittal has become like the others, numbed, out to reach something he does not understand anymore. Lucy won’t be able to save him nor him her from Peter, from Enterprise. He won’t be able to save Peter or Enterprise either. And five years later, Vittal thinks that writing his story for Nuria can rescue him. It might, but not in the way he had thought! Triple Bagger is a story about being enslaved in a world of emotional unavailability and whether vanity, fear and control could be a shortcut to happiness; a tale of shredded life in three acts: Desire, Discipleship and Demise. It treats themes around collective faith and individual identity, stability and disintegration, the sane, the insane and who decides. Parallel to the main narrative there are reflective letters between Vittal and his editor Nuria discussing why we write, to leave a trace, out of revenge, or for redemption. There are as well as visual short passages of hotel encounters between two unknown lovers. The novel is ultimately about whether one person can make the difference when they live up to being that person.
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In the not-so-distant future, population control becomes a necessity. Turning eighteen, Kyle Sonnet leaves the State Orphanage and becomes an employee of the Department of Population Control. As a wagon driver, he follows the ambulance to emergency calls and collects bodies for Government disposal. However, it isn’t long before Kyle understands that, due to the collapse of the healthcare system and contrary to what he has seen on the news, euthanasia has become the universal solution. But when he suddenly witnesses a horror he cannot accept, Kyle is forced to decide whether to become another pawn of Society or risk escape, which will result in certain death.
Posted in book trailer
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