The Twisted Crown is a fascinating story about a free black woman from the North searching for her mother in the post-Civil War South. What served as your inspiration while writing this novel?
My father’s family is from Moncks Corner, SC, and we still own property there. I was born in Ohio and grew up in the North. I have always been fascinated by stories about our land in Moncks Corner, called Bryan Tract, and how it was acquired, as well as our family’s unusual genealogy. My great-grandfather was a white man from Iowa, who went to South Carolina during Reconstruction, and eventually became a wealthy state senator. I have always felt that period in American history was not well documented from the female, Afro-centric point of view. So, I decided to focus on that time period. Once I began to acquire primary source documents that provided details of my great-grandfather’s life, I wanted to pen the novel from the point of view of a woman from the North who travels into the South during Reconstruction.
This is an entertaining novel that is high in social commentary. What were some themes you wanted focus on in this book?
Romance: My family’s mixed race background demonstrates the crossing of racial lines at that time, as is really evident throughout history. I wanted to present this aspect of society through characters who could see past the racial, cultural, and societal barriers that existed during this time period. Political: I wanted to better define what Reconstruction actually was. It was not rebuilding bridges and constructing new buildings, but an effort to establish a solid political structure and an economic base to replace the defeated Confederate government. Societal: My goal was to showcase the work of the Freedman’s Bureau and underscore its importance in helping freed slaves establish new lives in freedom after the Civil War.
Eva is an intriguing character that continued to develop as the story progressed. How did you capture the thoughts and emotions of a young black woman during this tumultuous time in history?
As a novelist of historical fiction, I have always focused on examining a period in history through the eyes of an African-American woman. My own family experiences, coupled with years of researching the role of black women throughout pivotal periods in history helped me shape Eva.
What is the next story that you are working on and when will it be available?
Writing historical fiction takes time, detailed research, and inspiration. I always spend time traveling to the geographic locations that I plan to use in my books I’m mulling time periods, traveling, and pulling my next story together without any release date in mind.
The Twisted Crown takes readers from the bustling streets of Boston at the height of the Abolitionist movement to the war-ravaged landscape of Reconstruction-era South Carolina.
In 1867, Eva Phillips, who was born a slave yet lived in freedom, travels across the chaotic landscape of South Carolina in search of the mother who gave her away. During her journey, she is befriended by a black political activist promoting the rights of the newly freed slaves, a wealthy northern Carpetbagger, and a gutsy lady gambler who teaches Eva how to survive in the tumultuous Post-war environment.
When the spirited young widow’s quest draws her into a dangerous web of theft, lies, and murder, she becomes the target of a long-awaited confrontation that forces her into a fight for her life.
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American River: Tributaries follows three immigrant families struggling to pursue their dreams during the turbulent 1960’s. What served as your inspiration while writing this book?
My love of Northern California, the place where I grew up, and the wonderful history of the area. I was also inspired by my love of art and music and my passion for social justice issues. Immigration and ethnic diversity are the cornerstones of the story.
This book has so many fascinating characters that are well developed. What were some themes you wanted to capture in your characters?
Basically, the story focuses on the creative search for meaning, knowledge, compassion and understanding in a tumultuous world filled with prejudice, obstacles, jealousy, and betrayal. As my characters encounter these obstacles, they discover their own strengths and weaknesses and grow beyond their self-centered ambitions.
I thoroughly enjoyed the historical backdrop to the story and how well researched it was. What historical milestones were important for you to highlight in this book?
The Gold Rush had a tremendous impact on the population and culture of California. Before the Gold Rush, the population consisted mainly of Native Californians and Californios (settlers and landowners of mixed Spanish, Native Californian, and African descent). But gold fever brought people to California from all over the country and the world. The Anglo Americans (of English, Irish, or Scots descent), other Europeans (including Italians, Russians, Greeks and East Europeans), Chinese, Japanese, African Americans, and many more who came and stayed. This changed the makeup of the state’s population making it one of the most ethnically diverse in the country. So, this cultural diversity sets the scene for later entanglements.
Most of the story takes place in the 1960s, that decade that Time Magazine recently termed “The decade that changed a generation.” So, I take the reader down memory lane as my characters encounter the major issues of the time: immigration, racial prejudice, migrant workers, gay rights, women’s rights and the Vietnam War.
This is book one in the American River Trilogy. What can readers expect in book two, American River: Currents?
In Book Two, American River: Currents, a cavalcade of disasters—both personal and public—threatens to overwhelm the scattered members of the McPhalan, Ashida, and Morales clans. Alliances fray, relationships dissolve, divisive secrets are revealed, and promises are broken as the members of three California families struggle to salvage their shattered dreams. The story follows the character’s journeys to places as distant as Cleveland, Ohio, Venice, Italy, and Kyoto, Japan. From the concert halls of Europe to the artist’s lofts of Manhattan, American River: Currents is filled with passionate and resolute characters who refuse to let go of their unique visions of success—even as life’s tumultuous currents threaten to sweep them all away.
Owen McPhalans Mockingbird Valley Ranch is still a thriving family business in 1959. But when his wife, Marian, leaves Mockingbird to follow her dream of becoming a successful artist, she ignites a firestorm that impacts the descendants of all three families. As artists, musicians, writers, and politicians inherit their immigrant parents hopes, they are torn apart by ambition, prejudice, and deception while struggling through the turbulent 1960s. From the concert halls of Europe to Kyotos ancient avenues, and Manhattans artists lofts to San Franciscos North Beach, they each learn the price they must pay in order to realize their dreams. But just as the river is drawn to the sea, they eventually find themselves pulled back to the place that forged the original link between their destiniesa place called Mockingbird.
American River: Tributaries follows three California families as the descendants of Irish, Japanese, and Mexican immigrants embark on unique journeys to pursue their dreams amid an unsettled 1960s world.
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The Philosophical Future discusses the social and psychological challenges facing people in the 21st century. Why was this an important book for you to write?
Man is of course a creature of needs, which are easily misunderstood and in a confrontational world often taken by the individual as absolute imperatives. Violent actions and reactions, and more broadly aggressive behavior in general, tend to satisfy only, and too often, wrongly perceived needs of an instant. Long-term consequences are imprudently ignored. But it is too late as a rule to correct the mistake.
To avoid this familiar trap, nothing avails save the self-aware use of individual will — a learned capability — to survey each situation as it arises, and then rationally decide on and carry out a plan of action (including non-action) suitable to the circumstances. In an overly crowded world, and given today’s climate of festering person-to person and group-against group hostility, however, nothing appears to succeed other than violence or a threat of it. Whatever deprives the “other” of his ability to remain a self-respecting combatant can be employed. This wholly negative world view leads down an unsustainable road — in fact to social chaos.
Calls for meaningful change fall on mostly deaf ears. They do not convince. Nonetheless, the burden for positive change rests with individual minds. Such social unanimity as does occur is forced, and unless or until enough self-discipline takes hold in individual minds, and without coercion, this millennial consummation seems just as probable as another..
This book was written with such global issues in mind. Its significance lies in the message which it conveys to minds honestly aspiring to achieve a personal knowledge of what they may expect to encounter in the way of social, psychological, and moral trials in years to come.
You have an M.A. from the University of Wisconsin and an Ed.D. from the University of California, and you taught at many different schools. How has this experience helped you write this book?
Teachers, much akin to dispensers of religious doctrine, today more than ever share a burden of communicating to students more than mere facts or supposed facts originating with cultural authority. The effective teacher has also himself both learned and understood the “material” of his lessons. Even so, automatic transfer from one mind to another is a misconception. Not all learning experiences can be summed up in this formula. Even the substance of what there is to be learned erodes in this migration.
The basics of language and social skills can of course never be taken for granted. This includes all knowledge that can be reduced to a common parlance, including number, letter, names, places, dates, and even some rules of interpersonal behavior. The tyro can usually master this domain with aid from a teacher who himself studied and retained not only the rote aspect but some of the life-value of its content. Still, more than ever beyond this one needs certain more fundamental elements to make his way in life.
Most individuals, sadly enough, while they do achieve a grasp of these lesser aspects of behavioral competence, fail to move past them. Even many teachers may not learn to question themselves, to seek beyond their already memorized data base to explore the deeper significance of being human. For all further, higher knowledge, the kind needed to live with meaning, though built on a firm foundation of “the basics,” requires a yet greater step, and the true teacher recognizes this. All such higher knowledge demands a learner, as well as his teacher, who together strive for genuine understanding — so that each of them in the web of his own experience questions both himself as well as the “why” of things, basic and abstract alike.
I think this book does a fantastic job of delivering complex ideas in an understandable and meaningful way. What do you hope readers take away from your book?
To those whose developing interests include a genuine curiosity about conditions of life over the longer tomorrow, and assuming they are looking for an unvarnished view of today’s global scene, with some adumbration of what lies ahead, this book aims to provide some, but not all, and never absolute, answers. It is not indeed a prediction but an advisory. It deals only with the possible, in an age of few if any certainties.
Most young people, but also readers in general, tend to live on two levels of thought: On one hand they have a vision of society as some kind of mechanical entity; its fundamental workings go on at a comfortable distance; unless one becomes caught in their legal entanglements, they can be ignored. On the other hand, when society calls on them as individuals to participate actively in its formal activities (such as jury duty), thought and intelligence must be brought to bear; even so, the passive state of mind dominates. Typically (even in the jury room) one follows the herd.
For this typical reader this book then cannot help but sound a wake-up call. Neither mechanistic nor presumably-more active approaches to life in society in fact suffice. Knowledge of the whole and of its salient moving parts and of one’s own capabilities for adaptation to the turmoil of future existence — these will be key to genuine success in the art of living.
Where do you think society is headed and what can an individual do to ensure they are successful in that future?
The question of where society is headed and how it is likely to get there cannot be answered without giving thought to the individual’s plasticity of character and his motivations as a moral being. If individuals en masse pay no heed to what serves the common good, then the way forward becomes rife with predictable social decline. But this view overemphasizes the dark side. Neither man’s overall world outlook nor his web of relations in a complex environment ever reduce to a simple unidirectional pattern, at least in the short run.
History reveals one singular truth: In its gradual development, and often without conscious control, society “fixes” some problems, analyzes others without acting on them, and simply ignores those it cannot deal with. So we cannot rationally envision either a future utopia or dystopia. There is no end-point. The real wild card remains the “average” individual’s capacity for directing his powers either to improve the common good along with his own sense of social stability, or to give way to mental and moral negation, with destructive results in society.
Men are not prisoners of history, as is often claimed. But there is just so much any generation can do in a practical sense to unleash itself from on-the-ground conditions and the relatively passive state of mind it inherits. Revolutions come and go, yet underlying capabilities cling to their natural limits. The process is slow, unseen, and does not involve conscious volition other than to a limited degree. So the likeliest condition of society a century hence, barring an atomic or planetary disaster, will represent in essence only a repetition in substance (though not in detail) of what have been the commonplace evils of our time: over-population and consequent mass poverty; ever increasing global hysterias; police-state governments; continued lack of education and subsequent bewilderment over how to live a meaningful individual life in a complex and demanding environment. The true individual may disappear as this process works itself out. Yet fortunately, his eventual reappearance cannot entirely be ruled impossible either. And how this unresolved dichotomy is then resolved will make all the difference.
This book surveys the breadth of mankind’s postmodern malaise, which is achieved through a discussion of the major challenges, social and psychological, which every individual faces in the effort to live fully in the twenty-first century. These challenges lay in broadly familiar domains: self- and group-consciousness; common man and his place in a future society in which mental activity dominates; work and leisure; knowledge and values accruing from it, both for self and others; possibilities in education; civilization, with its “Dark Age” phenomena and its dreams of progress; the role of the past in contemporary life; and power, both in society and within the sovereign individual who, though bound by physical and intellectual limits, functions as a seeker after the freedom and self-fulfillment which are so wholly integral to the human condition. And finally a serious question: What fate awaits the perpetual non-conformist, whose views, however unwelcome in his own time and in a contemporary environment, may in fact anticipate future living conditions?
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What’s Going On? How Can We Help? takes readers on a deep dive into the political, social, and economic challenges we face on a recurring basis. Why was this an important book for you to write?
I felt that our politicians and commentators often focus on the symptoms to our current challenges, I wanted to dive deeper and uncover root causes. I also felt that a lot of discussions around these topics seldom end with a single action item. I wanted to know what’s really going on, and more importantly, how could I help.
This book was well researched as well as expertly written. What is your experience in this field and how has that helped you write this book?
This is an area that I have studied all throughout my education and continued long after university. I read every book that I can get my hands on when it comes to social and environmental challenges. I also read a lot of history books in an attempt to identify our recurring mistakes.
What do you find is one common misconception people have about their role as a citizen and how can we overcome it?
I feel that many of what I would deem as poor citizen choices come from a disconnect. In my opinion this is a fundamental factor to unsustainable and unethical decisions.
I don’t think that the majority of people would eat unsustainable products if they saw the acres of rain forest that had to be cleared every second. I don’t think the majority of people would buy palm oil if they personally had to set fire to the trees, inhabited by the last family of orangutans. I don’t think the majority of people would buy designer clothing if they could see the textile factories poisoning the rivers in Bangladesh and subsequently poisoning the local communities and wildlife. Nor would we buy smartphones if we saw the four-year-old children working in the harmful and unregulated cobalt mines in southern Africa, nor coffee if we saw the child slave workers of the Ivory Coast, plastic bottles if we saw them inside a dying turtle’s stomach, the list goes on and on. The unpleasant truth is that the clothes we are wearing, the food we are about to eat, and the items that fill our homes, are likely to carry some form of suffering. I think one of the worst things we can do is to hide from the facts and bury emotions. I believe that the excuse of ignorance is no longer justifiable. Becoming connected again, seems to me, to be crucial – reconnecting with each other and reconnecting to the consequences of our actions. We may have to leave behind ‘comforts’ and re-design our lifestyles, but it is, to say the least, very worthwhile.
It can often be incredibly overwhelming to try to be a good citizen. Something that I find helpful is to focus on the present moment and to try and be as conscious as possible by asking myself questions. I often ask myself, am I helping this person, is this purchase sustainable, am I contributing to a better world? And, at the very least, am I not causing harm?
Am I acting in a certain way because I think it’s the right thing to do or am I doing it just to earn money, or because it’s comfortable?
Being conscious and compassionate in the present moment is a powerful antidote. Much like someone on a recovery program can achieve sobriety one day at a time, I believe that we can greatly improve our environments one action at a time, if we try to make the next decision a conscious and compassionate one. It’s also important to note that this isn’t about preaching nor judging others, but instead researching and taking ownership of our shared challenges, and as a result, inspiring others through positive direct action.
What is the next book that you are working on and when will it be available?
There are a couple of really exciting projects in the pipeline at the moment. To keep up-to-date it’s best to check our Facebook page.
FREEQUILL dives deep to uncover the origins of our re-occurring challenges; exploring the murky waters of capitalism, consumerism, and our ancient monetary system. Key topics are carefully broken down along an approachable and entertaining journey, packed with fresh perspectives and real-world examples. The highly considered solutions range from a whole new political system to simple tricks and tips that you can implement today.
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The Witch Trials is an interesting historical drama centered around the life and times of a middle-class woman living in France during the 16th century. What served as your inspiration while writing this book?
I imagined how difficult it would be during the middle ages to be a strong, intelligent woman, constantly having to hide their true self for fear of ridicule or rebuke. Then it hit me, I should write a story illustrating that. I also am inspired by world history and how all cultures and countries tie in together and effect one another both knowingly and unknowingly.
I enjoyed the historical accuracy in this book. What kind of research did you undertake to get things right?
Allot. Which is why I usually shy away from writing these type of books. However, I wanted my first published books to showcase my writing skill and I felt the best way to do that was to have an organized field of reference. I love learning about history and seeing how that contributes to todays society. As the medieval time period is my natural obsession, I picked a topic that many people know of, but dont really know the historical background to, within that time period. I used typical college outline format as a baseline and timeline reference and filled in the blanks with my imagination. My next series after Witch Trials, a novel currently in edit, will showcase my imagination more in depth.
Sylvie’s character is an intriguing character who struggled for a dream beyond what many women settled for at the time. What were some themes you wanted to capture in her character?
1. Knowing that you have something so invaluable to those around you and feeling a spiritual calling to share it, but fearing to release it. (More captured in book 2 of Witch Trials).
2. Discovering a tolerable balance as a women in this time period; knowing when to show strength and when to hold back.
What is the next book that you are working on and when will it be available?
Witch Trials is a short story series. So I am currently working on book 2 now. I expect it to be released in time for Christmas. I am also working on a fantasy novel currently in edit.
Once upon time, women struggled to gain notoriety capable of any feat besides household responsibility. The struggle was life and death in the resistance of recognizing the inevitable rise of women. Starting life in Italy with a wealthy protestant family. Sylvie idolizes her father Dr. Fiore. Sylvie has her hopes set on being one of the first female doctors known to the area. But when Sylvie is married off to a wealthy craftsman named Leon, in France, she quickly realizes that this dream may be out of her reach and possibly run the risk of death. Is Sylvie’s dreams worth dying for? This book starts our journey in a small town of Eze in Southern France in the late 1600’s and tells a fictional story based from real time events in our history. This is book one of a new short story series.
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A futuristic look at one woman’s life is what readers will find in Julia’s Memories by Dave Drӧge. The book is told from Julia’s point of view as she dictates her life to her PR robot. It’s an intense read that follows our protagonist as she navigates her life in this new world. However, her story takes place in 2050, which is not far off from where we are today. Readers in their twenties and thirties will find themselves identifying with Julia as she describes what is a not-so-distant future, but one we may not be comfortable with just yet. While there are no flashy light saber battles in this unique science fiction story, this is a story of a woman’s experience with her life which transcends time.
The first thing to keep in mind about this book is that it is an English translation. That being said, it becomes easier to ignore the spelling or grammatical issues that crop up from time to time. They are not so great that they detract from the content of the story, but they are there nonetheless. There is a lot of content in this dense book. Not only is the word count dense, the content is dense. This book is a sort of existential look at a person’s life. With that comes philosophical thinking and a viewpoint that is unique.
If philosophical thoughts and conversations about what makes up humanity are your thing, then this book is definitely something that you will enjoy. Drӧge certainly dives right into the existential theme that he has built this novel upon. Seeing this world through Julia’s memories gives readers the ability to distance themselves from it and see things in a different way. While there are things that have occurred quite differently from our current timeline, there is no doubt that reading a book that takes place in 2050 is daunting to those who will live to see it. Less than 50 years away yet with the technological advancement one comes to expect from future-exploration books.
While there are a few drawbacks to this book, I found it to be an interesting read, if you can get past the seemingly insurmountable walls of text that will greet you on every page. This book offers a fascinating exploration into the human condition, it picks it a part piece by piece and examines each one.
Readers will find an interesting life-story in Julia’s Memories by Dave Drӧge as the book explores the memoirs of the title character. While this book has been translated, it is linear and easy to follow. That doesn’t make it any less of an impressive declaration of the human condition in a not too distant futuristic world. This book is definitely the novel to pick up if you want to philosophically muse about what it means to be human.
Pages: 364 | ASIN: B07DWJQQ1M
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Life is more difficult now than it was a few years ago. More and more people have to work multiple jobs just to stay above water. Utilities cost more than they used to and money is losing value. By the time one receives their salary, it’s already spent. With high trade deficits and national debts, people have much less purchasing power. What is happening now that was not happening before? How have we gotten to this point? What conversations do we need to have to change things? How can there be more employment opportunities? How can the citizens live to work as opposed to working to live?
Alex Gall has produced a well-written account of everything people should be saying but will not. The language used in the book is strong but not abrasive and drives the point home effectively and firmly. The authors passion and commitment to the subject matter is commendable and infectious. I consider myself to be an average citizen, I read the occasional hot headline. But this book made me look a little further, and a little deeper, and find something that was shocking and appealed to the citizen in me. This book is delivered from the point of view of a concerned citizen painting a picture, a person who is inviting others to a well thought out and open conversation.
I would appreciated more references of source material because, as stated previously, this book will leave you digging for more information and getting more involved in politics. Some statistics or studies to back up the subject matter would have been appreciated. This book is well researched and is laid out in an easy to follow manner in a compact and readily available format. At times I felt the content a bit dense, or maybe the topics overwhelming. I had to put the book down and think about what I just read. This book certainly causes one to reflect. But once you come out of your reflection, once you put the book down, you will come away with an overriding need to do something.
There are some sensitive topics covered but the author uses a neutral approach which is inviting. His approach to the subjects is completely ‘take it or leave it’. This is one of the best qualities of this book. The fact that the author lays out his position without dragging people with him. The intensity of the book and the truth in the subject matter will carry you effortlessly.
This book does a fantastic job of starting a serious and necessary conversation. This is necessary for anyone who wants to be an informed citizen.
Pages: 260 | ASIN: B079YP7LGM
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In the book Portals of Time, The Quest for Un-Old-Age, a team of ten Gripps were put together from the prison system to travel to other times, universes, or even dimensions to find the answer to the question, “how do we get more time”? The problem with their society was that people were aging before their time and, diseases of the elderly were showing up in the youth. Many teams were sent out to find information to Un-Old-Age some came back and some didn’t, the teams that came back with helpful information were pardoned from prison. Each team member had a talent or unique knowledge that was essential to the success of the mission.
This team, the Eye of Time Exploration Team, landed on Acronos. Upon first landing they have to travel across a sea and are attacked by sea monsters feeding off of their fear and when they reach the main land they encounter the guardians of this mystical land in the form of two dogs that will ultimately be their guides through this strange world. The team goes through a series of events known as: Hedges of Hedora, the river of time, the forest, time warps, and time vortexes, as well as meeting teachers, Bo and Ben, Fabius and Filloloper, along the way that give them the answers to Un-Old-Age in riddles but ultimately the team has to figure out what the messages are. It is never outright told to them. Each Gripp takes a different amount of time to learn the lesson but there are always a couple that never get it.
The book was hard to put down, I would spend hours at a time reading it. It covers so much indirectly and directly at the same time when it comes to society, spirituality, and the mentality of a society as well as our society. The weaving of all of the previously mentioned, with quantum physics, was so well done that I never lost track of the story line and it was so easy to make the connections in the book to our real world. I liked that it made me think about my own existence and belief system. I really like the Harmony poems describing the harmonies and the quotes that were highlighted throughout the book and then the way they were broken down by chapter at the end of the book.
I would advise to look for extra un-needed words in some places and a needed word or two in other places. The only other thing that I would have done would be put the description of the different Gripps at the beginning of the book instead of at the end of the book. Other than that, this is a beautifully written book, one that I think many people would enjoy for it’s unique vision of the world and it’s subtle yet profound commentary on society.
Pages: 412 | ASIN: B0797PTD46
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Human beings are on a cycle where obstacles seem to appear and fade only to reappear later. This is making it very difficult for progress to be effected. Human beings are having a difficult time dealing with the same age-old issues. The same hurdles over and over. The biggest cause of this is that only the symptoms of the problems are addressed. Rarely do we dig deeper to find the root cause. To really take stock of where we are as individuals and the human race in general and the journey that got us here. If you cut a plant’s stem, it will sprout again. However, if you pull the roots, it will be the last you see of it. If another similar weed does grow, it will be a completely different plant. This is the approach required to deal with the obstacles to progress.
Freequill declares right from the get-go that attempting to change the world is a big fete. He admits that the road will be bumpy and thorny. But, you will quickly realize that this road map leads to a better future, one that can calm the storm, settle the chaos and promote a more cohesive future for the human race. This daunting task is broken down into chewable tidbits. Bits that are simple enough to achieve but still highly intelligible and sensible bits to work with.
The book is quite well written. An activist piece of literature would probably throw the rules of grammar out the window but this book observes those to the letter. The sentence structure is beautiful. The tone and spirit of this book appealed to an intrinsic part of me. A part that made me want to change things. The structure and format of the book is progressive. It builds up slowly, letting the reader wet their toes first before drawing them deeper.
This is not a rant. This maybe a war cry but it is eloquent, articulate, well versed and well researched. It is obvious from the material and presentation that it took a lot of time, research, and energy to put this together. To give an accurate image of the situation and with it, an actionable plan of action.
The hardest part is the first step. This book is your first step. This book will ensure that your first step is not done in the dark. My perspective of things changed after reading this book and I felt more enlightened or, at least, informed. Caution: you will have a strong desire to do something about your new view of things. You will be compelled and provoked to take people with you on the journey. This is necessary read for every global citizen.
Pages: 234 | ASIN: B079SWY64Q
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Pharaoh’s Arrow is a picture book that tells a fascinating story using authentic hieroglyphics and historic papyrus paintings. What was the inspiration that made you want to put this book together?
I have taught elementary school for over 25 years. I have always found that using picture books is a great way to teach subjects like history and art to students. Picture books bring history alive. I found in teaching about Early Societies that there was an abundance of information books but not picture book narratives. I wanted to create a resource that teachers or any Egyptology fan could use and enjoy that included factual information but was also entertaining. I have always been fascinated by Ancient Egypt, so I thought this would be a great way to break into writing and illustrating picture books.
Each piece of artwork in the book was done by you on papayri. What was that process like?
The illustrations are actually done on paper to replicate the look of papyrus. I included directions in the back of the book, so readers can create similar drawings. The secret is to colour with pencil crayon, as this medium will resist paint. Then I painted over the coloured illustration using brown and yellow tempera paint. I used a large paint brush and painted both directions leaving the brush strokes showing. Last, I covered the wet paint with a disposable cloth and rubbed the cloth then removed the cloth. That is how the look of papyrus is achieved. It is simple yet works. I hope readers will try it out. I made a Youtube video to demonstrate the technique and colouring pages are found on my website https”//georgeneeb.ca
I felt that you did a great job of getting the facts of ancient Egypt correct. What kind of research did you undertake for this book?
I spent months researching how the Egyptian drew everything. I looked through lots of information books about Ancient Egypt. The Egyptians had a distinct way of drawing. Their style is simple yet graceful. I’ve heard the Egyptians described as the first graphic artists. People were drawn in profile but with forward facing eyes and shoulders. It is almost a contorted look. I also researched how trees, homes, palaces and animals were drawn. Egyptians didn’t uses perspective and size differences were usually due to importance, so sometimes the Pharaoh was drawn larger than everyone else. This made illustrating the book challenging because I couldn’t draw a lot of varied perspectives, such as a bird’s eye or an ant’s eye point of view. I really could only do some close ups in order to keep faithful to Egyptian style.
What is the next book that you are working on and when will it be available?
My next book is totally different. It is a story about an overweight girl that longs to be a super hero, but her mother and aunt really pressure her to act like the other girls and try to be pretty and popular. When some bullies befriend her, she has to decide if this is the person she wants to be. I did the illustrations using cut paper and also dyed paper backgrounds. The book is in the editing stage, so I hope it will be ready by late summer. I am also writing a book about an Emperor and a dragon in Ancient China. It will be illustrated to look like Chinese silk paintings have come to life to tell the story.
Akia loves living in an oasis far from the Nile River with her father. But when she is faced with another family tragedy, Akia embarks on a plan of revenge that takes her to the ancient capital of Memphis and to meet Almighty Pharaoh. She quickly learns that vengeance isn’t as easy as it may seem! Come visit Ancient Egypt through a tale told in rhyming couplets, authentic hieroglyphics and historic papyrus paintings come to life. Ages 8 – 11 or any Egyptology fan!
Posted in Interviews
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