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Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
Witness in the Dust by Lorrie Reed
The Glass Pyramid by Vesela Patton
Visit the Literary Titan Book Awards page to see award information.
I, Monster
I, Monster tells the story of Hans, a boy born into poverty, abuse, and neglect who grows into a man consumed by cruelty. What begins as childhood bullying and violence slowly shapes him into a predator, then into a soldier, and eventually into a commander of a concentration camp. Through Hans, the book explores how systematic brutality and dehumanization can turn an ordinary person into an architect of horror. It is not a story of redemption but of descent, a chilling portrait of the way cruelty feeds on itself until nothing remains but emptiness and power.
The writing is sharp, relentless, and full of imagery that sticks in the mind long after you finish the book. The brutality is not sensationalized but presented with a stark clarity that made me feel both horrified and transfixed. At times, I wanted to look away. At other times, I found myself compelled to keep reading, almost against my own comfort. The author’s ability to take me into Hans’s mind disturbed me, because I caught myself understanding the logic of cruelty, even while despising it. That balance between revulsion and reluctant empathy is what made the book so powerful for me.
The prose can be heavy, almost poetic in its repetitions and its grim rhythm. It worked in creating atmosphere, yet sometimes I felt like I was drowning in it. Still, that might have been the point. The book doesn’t want to let the reader breathe too easily. It forces us to live in the same suffocating darkness as its main character. I appreciated that. It’s not an easy read, but it left me thinking hard about the banality of evil and how ordinary pain can harden into extraordinary cruelty.
I, Monster reminded me of Ordinary Men by Christopher Browning, since both confront the terrifying truth that cruelty often grows not from monsters at birth but from ordinary people shaped by their times and choices. I would recommend I, Monster to readers who are willing to confront the darkest corners of human nature. If you want a raw, unsettling exploration of how monsters are made, this will stay with you long after the last page.
Pages: 216 | ASIN : B0FN6T64YQ
The Manifestation of Evil: Part One – The Birth of the Antichrist
The Manifestation of Evil tells the story of Asya, a young girl whose seemingly ordinary life in Ankara slowly unravels under the weight of sinister visions, haunting figures, and a destiny tied to forces beyond her understanding. Her journey is both spiritual and terrifying as she faces abuse, betrayal, and visions of the Morning Star, who claims her as the bearer of a prophecy that could reshape the world. Intertwined with her narrative is the rise of Igor Alexander, a ruthless Russian leader whose political ambitions escalate into a global confrontation, setting the stage for a sweeping clash of faith, power, and prophecy. Together, these threads create a sprawling tale of innocence and corruption, of individuals caught in the machinery of evil and destiny.
The writing is vivid, richly descriptive, and often cinematic. At times, though, the descriptions lingered long in certain places, which slowed the pace when I was eager to know what would happen next. I admired how the author captured the small details of ordinary life and then shattered them with sudden dread. That contrast made the moments of fear hit even harder. Some passages carried a touch of melodrama, and at times I felt steered toward a reaction.
The ideas in the book are bold, unsettling, and often heavy. The blending of prophecy, political intrigue, and personal trauma was thought-provoking. The narrative dares to tackle immense themes like the nature of evil, the vulnerability of children, and the dangerous ambitions of nations. At times, the larger themes took center stage, giving the characters a more symbolic presence within the story. There were moments, especially when Asya confided in Imam Ali, when her courage shone and reminded me why I cared. Those were the passages that stayed with me even after I finished the book.
I would recommend this book to readers who enjoy apocalyptic fiction rooted in faith, political thrillers with spiritual overtones, or stories that wrestle with the darkest corners of belief and power. It often challenged me to reflect on how fear and hope can coexist. If you are drawn to intense, layered stories that blur the line between the spiritual and the political, you’ll enjoy this book.
Pages: 193 | ASIN : B0F8VVHSW7
Fast-Paced Storytelling
Lord of the Crimson Dawn follows a hitman on assignment in Mexico who winds up being turned into a vampire, but not like others; he can walk in the sunlight and has unmatched powers that have never been seen before. What was the inspiration for the setup of your story?
I had a lot of inspiration. Growing up, I had my favorite vampires, like Christopher Lee, Frank Langella, and Gary Oldman. But I was heavily inspired by a mixture of Underworld and The Blade movies and comics. I enjoyed writing this genre. I’ve always loved the fast-paced storytelling, like Indiana Jones movies. I just added the blood and gore to the mix.
Jack is a fascinating character. What scene was the most interesting to write for that character?
Jack is one of my favorite characters I created. There were a few scenes I enjoyed, but what I really enjoyed writing was the scenes where he wasn’t sure what was a dream and what was reality, and then he discovers that it was all real while he was being transformed into a vampire.
What intrigues you about the horror and paranormal genres that led you to write this book?
Growing up, I enjoyed all types of horror films, from the old-time monsters to slasher films. I also enjoyed reading vampire novels along with other monster and demon novels.
Will this novel be the start of a series, or are you working on a different story?
Yes, this will be the start of a new series, and yes, I am working on a new story as well as a new story for my Demon Hunter series.
Author Links: GoodReads | Amazon
Heir of Flame and Shadow
Heir of Flame and Shadow picks up where Daughter of Light and Dark left off, continuing Mina’s journey through a world steeped in shadow, betrayal, and dangerous magic. At its heart, this story is about survival and self-discovery in the face of unbearable odds. Mina struggles with her cursed gift, torn between the burden it places on her and the hope it brings to others. Alongside her, a cast of allies and enemies twist the path forward, pulling her into battles that are both physical and deeply emotional. Themes of identity, family, sacrifice, and the fragile line between love and pain shape the arc of this sequel, while the backdrop of supernatural powers and dark kingdoms raises the stakes to life-or-death levels.
I enjoyed how raw the writing felt. The prose is not polished to perfection, but that roughness gave the book a pulse, like the words were breathing with Mina. The imagery is often harsh, almost jagged, and it fits the tone of the story. I found myself swept along by the energy, even when the pacing slowed. The dialogue carried weight, sometimes heavy with pain, sometimes sharp with betrayal, and occasionally softened by fleeting moments of tenderness. At times, I wanted more quiet space to sink into the characters’ hearts, but the relentless drive of the narrative made sure I was never allowed to get too comfortable. I liked that. It kept me unsettled, the way Mina herself was.
The exploration of trauma and control felt unflinching, and it stirred up emotions that weren’t easy to brush aside. There were moments when I had to pause, not because the writing faltered, but because the weight of what was happening pressed too close. That’s a rare thing for me, to feel almost winded by a book. At the same time, the bond between characters, even when fractured, reminded me of how messy and stubborn love can be. It isn’t always gentle or safe. Sometimes it’s sharp enough to draw blood. And that messy truth gave the fantasy world a raw humanity that made it believable.
I’d recommend Heir of Flame and Shadow to readers who aren’t afraid of dark themes and emotional turbulence. If you like your fantasy with teeth, if you want magic tangled with pain, and if you enjoy characters who are complicated and scarred, this book will speak to you. It’s not for someone looking for a lighthearted escape. It’s for readers who want to be rattled a little, who want to sit with shadows and still see the flicker of flame inside them.
Pages: 262 | ASIN : B0FKZJDW49
Lord of the Crimson Dawn
Lord of the Crimson Dawn follows Jack Salez, a hitman who lives by a strict code until one assignment in Mexico pushes him into a strange world of shadows, vampires, and dangerous truths. What begins as a straightforward job quickly turns into something far darker and more personal as he becomes tangled with Maria, a woman who is more than she appears. The book mixes crime thriller grit with supernatural horror, taking readers on a ride that feels both raw and eerie.
I found myself pulled in by the pacing right from the start. The writing doesn’t waste time. It drops you into Jack’s world with sharp edges, hard choices, and a rhythm that keeps you turning pages. At times, it felt over the top, but that’s part of the fun. The action scenes have a bloody, cinematic style, and I liked how they were cut with quieter moments that gave me a glimpse into Jack’s mind. The flashbacks to his past gave the violence some weight, and while the language is blunt, it fits the character.
The supernatural angle caught me off guard in the best way. I thought I was settling in for a hitman thriller, and then suddenly I was thrown into Mayan mythology, vampires, and curses. It was strange, sometimes even messy, but it kept me curious. I liked that the book didn’t make it easy to figure out what was real and what wasn’t, especially when Jack himself started questioning his grip on reality. The mix of horror and crime gave it an unusual flavor, and I appreciated the risk the author took in blending genres this way.
I’d recommend Lord of The Crimson Dawn to readers who enjoy fast, dark thrillers with a supernatural twist. If you like stories that move quickly, characters who blur the line between good and bad, and a touch of the uncanny creeping in at the edges, this book will hit the spot. It’s for someone ready to dive into grit, blood, and mystery with a hitman who finds himself in over his head.
Pages: 183 | ASIN : B0FL17C8SK
My Own Take On Elden Ring
Mercy: Tears of the Fallen follows a cast of broken warriors, seers, rebels, and rulers as they claw through violence, political upheaval, and their own personal demons. What was the inspiration for the setup of your story?
The primary questions I asked myself when setting out to write this story were:
What if Aragorn lost everything after the War for the One Ring?
And what if Sam had to kill Frodo in order to save Middle Earth?
Taking those into my story as I explored my newly crafted world helped me identify key themes and modes of that very exploration.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?
Inspiration for the setting came primarily from Elden Ring. There are so many deeply minted stories hidden in the Lands Between. And I truly wanted to create my own world with Elden Ring being a primary influence. I played a lot of World of Warcraft growing up, and so geographically as far as the continents and factions/races are concerned, one may find several similarities or at least be able to identify the inspiration there.
As far as the darkness of the setting goes though, Elden Ring has to take the biggest nod.
When creating the dynamic characters in this novel, did you have a plan for their development and traits, or did they grow organically as you were writing the story?
I had a plan for where each of the main ones started and where I wanted them to end up at the end of the four-volume epic. Other characters introduced themselves to me and I decided to explore their personalities and thoughts and mannerisms to really bring the life out of the story. Everybody is the hero of their own story—and I felt the need to put that on full display each time I entered a character’s perspective.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
The next book (MERCY: ILL IS THE FATE) is slated for release on March 31st, 2026. The cover reveal is September 25th. In this second installment, fans can expect a close-out of a lot of the questions I raised in the first volume.
This being a four-volume series, books one and two serve as a single “arc” just as books three and four will serve as the second “arc” of the story. And I’m very excited to share what’s in store (Already 10,000 words into drafting the third volume). And if anybody is curious as to more of the story, I have the “Blood Rebellion” Short story and the first four chapters of Tears of the Fallen available through my newsletter on my website!
Author Links: GoodReads | X | Instagram | Website
A paragon left for dead, Alevist Lightseeker sought peace—but peace had other plans.
Thirty four years past, the blade he buried must rise again. As he hunts the ones who shattered his world, another exile awakens—Erevayn. A man drunk on grief and bound by blood. A minstrel must bring the two together in a war against a rising ill fate.
Viyala, a lost love, unexpectedly returns and sparks a fire in Erevayn—but will it be enough to quell his thirst for vengeance? And will the world unfolding around her offer the chance for the future she has long desired?
Salasmir, Blade of the Reckoning, must answer the call of duty once again.
Hayde and Neera, twins of the Stained, hunt for sacred artifacts for their false king. Steyvin and Ilatu must travel across the Sundered Sea in order to do the same, but for their once wise father—who holds damning secrets of his own.
The Tears awaken—and call to the broken.
Two men, one path, and no Gods left to help them.
Some martyrs stay dead. Others—become legend.
Infernal Wonderland
When I first cracked open Infernal Wonderland, I wasn’t sure what to expect. What I found was a sprawling, neon-drenched fever dream of a story. It follows Jadecan, an akiko, who stumbles into the submerged Amber City, a broken metropolis that feels alive and dead all at once. From the very first chapter, the world is suffocating, strange, and brimming with danger. Automatons sell people for parts, reptilian gangs lurk in the shadows, and a drug called Ichor twists minds and bodies. The book unfolds in five parts, each one pushing Jadecan deeper into madness, violence, and strange alliances, while the PA system keeps whispering about revolution like a ghost that refuses to die.
This is a unique book. Sometimes thrilling, sometimes disorienting, and often unsettling. Killam has this way of painting a scene that engages your senses. There were moments where I wanted the story to breathe, to let the horror and beauty of Amber City sit with me instead of racing ahead to the next grotesque fight or cryptic exchange. Still, the book’s voice stuck with me. It’s sarcastic, it’s grim, and it doesn’t let you forget that the world is cruel. I found myself both grinning at the dark humor and wincing at the relentless blood and guts.
What really hooked me, though, was the mix of philosophy and pulp. Amidst all the gore and chaos, characters stop to talk about the meaning of life, about want versus need, about existing without actually wanting to exist. Those conversations gave the book an odd tenderness that surprised me. I could feel the author reaching for something bigger.
Infernal Wonderland is haunting and oddly beautiful. It’s not a book for someone looking for a straightforward plot or a clean arc. It’s for readers who want to sink into a unique atmosphere, who don’t mind being jarred, and who can handle equal parts gore and poetry. If you’ve ever loved stories like Bioshock or Blade Runner but wished they were darker and stranger, this book will feel like home.
Pages: 421 | ISBN: 978-1-957195-18-6
LITERARY TITAN 