Seven Days in Lebanon is based on your family history that has been passed on to you from your grandmother. Why was this an important book for you to write?
My grandmother was an amazing woman not only because of surviving such horrific events in her life, but also because she always believed that God influenced her choices. When she dedicated her life to raising me, I never realized at the time how much she taught me. It was important for me to preserve her stories, and her memories the only way I knew how; The only way I knew that I could. A novel that all her future generations could keep and learn from. I was determined to immortalize my grandmother’s memory.
Did you have a complete picture of the events you wanted to tell in this book or did you undertake some research?
There were so many stories that my grandmother told not only me but other family members and friends, that I knew I had to include all of them. I chose to use a framework technique to keep the reader interested. Flashbacks were also important to create a genuine sense of how my grandmother must have felt during some of the events. Nevertheless, there were many hours of research to keep the story authentic, and historically correct.
What were some things that surprised you when you first learned of this story?
When I discovered that the Ballerina that my great grandmother, Natasha, knew was the famous Mathilda Kschessinska, the former lover of Tsar Nicholas, it added a new dimension. Later I also remembered that Natasha met the Prince of Kiva when he was a young child. This was ironically the same Prince that saved my grandmother’s life and married her.
What is the next book that you are working on and when will it be available?
My next novel is, The Mermaid’s Grandson. Although this novel includes fantasy, it introduces a completely new spin on previous stories. The reader will be able to relate to many of the experiences and learn that the line between fantasy and reality is much more related than one believes. My personal objective is to have it ready for print by November 2019.
On a frigid winter morning in St. Petersburg, Russia 1917, eighteen year old Olga Von Eggert must leave her country and family. The Bolshevik army is on a mission to destroy all aristocrats. When Olga fails to join her entourage at the designated rendezvous, Prima Ballerina Mathilda Kschessinska notifies the Khan of Kiva, a mutual acquaintance. The Khan’s son, Prince Razek Bek Khadjieff, defies his father’s orders and sends his strongest Cossack soldier to save the young Baroness. Nearly ninety years later, Damian Tolbert, a Frenchman living in Paris bids $100,000 on an antique diary with the initials NV on the leather cover. Once the journal is translated from Russian to French Damian is determined to find the rightful heir to this antique keepsake. Several years later, by coincidence, or perhaps fate, Damian discovers Anastasia Sullivan, the only living descendent to the journal, in an odd town called Lebanon, Ohio. Rather than answers, Damian finds more missing pieces to his puzzle. Will the “Mind Marauders ” finally leave his psyche? And, who is this mysterious artist, Anastasia Sullivan? This historical novel is inspired by true events of the author’s grandmother, Olga Von Eggert Khadjieff.
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Friends of the Tsar is inspired by your personal experiences and your family history. Why was this an important book for you to write?
The diversity of my knowledge, which was given to me by spirit, was something too important to have lay dormant. The knowledge I accrued from many camping and four wheel driving trips was gained through life and death situations I encountered. If, by getting this information out to the world could save just one life, then I will have had good reason to write it.
The many miracles that kept my family and I safe on these learning adventures were so profound in that they were logic-defying, and I thought what better way to tell of my miracles than through an Australian character who entertained the Zuckschwerdts, my grandparents, with the narratives while snowed in.
What were some things that you felt had to stay true to real life and what were some things you took liberties with?
I felt that the horrific conditions in which my grandparents were successful in decamping from Russia had to stay true to life, also their personality.
I took liberties with the negative aspects of their plight because it would have been too depressing for a reader to continue reading. Too many family members were murdered by the Bolsheviks.
I also wanted to honour them with an acknowledgement of their plight after which they were positive in the rebuilding of their future together.
I felt like faith and family were important in the book. What were some themes you wanted to capture in this book?
The pivotal themes I wanted to capture were miracles, spiritual awareness, hope, danger awareness in nature, remembering ones heritage, and faith and family.
What is the next book that you are writing and when will it be available?
My mother, on the other side, wants me to write children’s books. My previous vocation as artist allows me to illustrate the books myself, and my eagerness to encourage young people to speak up when put in danger, especially when dad’s driving is too scary, strengthens my resolve.
It won’t be until this time next year that a book would be ready for publication, should I decide to do so.
1917–The Russian Revolution. Danger and chaos abound, and the aristocratic Zuckschwerdt and Orloff families are desperate to escape to safety. Enter Blue, an Australian cattle-breeder with a big heart. Blessed by a heap of miracles from the Outback and beyond, he shares his gripping adventures with the snowed-in families. Blue has survived everything from bushfires to crocodile attacks.
With wolves and winter nipping at their heels, the Zuckschwerdts prepare to depart for the lucky country. Plunged into hostilities and espionage in Petrograd, they make a break for the high seas, only to find themselves in a deadly game of bluff with a German U-boat skipper.
Blue is in a predicament of his own when three of the Orloff daughters fall for his red earth charms. Will he find true love with one of them? And will his Aussie anecdotes help the family understand that awareness and preparation can spell the difference between life and death? As miracles begin to unfold, the Russian refugees discover the power of faith.
Inspired by Jon de Graaff’s personal experiences and his grandparents’ family history, ‘Friends of the Tsar’ is a thrilling tale. Spiked with humorous twists, tragic turns, perilous encounters, and life-saving lessons of survival. It offers spiritual insights into forgiveness and unconventional love.
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In the early 1900’s in old Russia, the beginnings of the Russian revolution are forming. The aristocrat class is in danger and families are making plans to escape before the war takes not only their homes and properties, but their lives. Olga is a young doctor and the only daughter of Natasha Vishnievsky. Her father arranges for her to escape, unfortunately things do not go as planned. Seven Days in Lebanon is a book filled with history and based off the real life of Olga Von Eggert Khadjieff, Eleanor Tremayne’s grandmother. The book covers three generations of women’s lives in the family and is weaved together through journal entries, memories, and an ambitious well off artist looking for meaning in his own life.
The story starts out in Russia, but quickly moves into Olga’s escape from the Bolshevik army and the journey she takes is not an easy one. Fate kept her alive on more than one occasion and her skill as a doctor kept her alive more than once as well. The beginning of the book goes into detail about her escape from Russia and, eventual marriage to Prince of Kiva, through journal entries and stories that Olga is telling her granddaughter Anastasia. Olga’s mother Natasha kept a journal of notes, family history, and memories meant for Olga. However, it was never reunited with her and ended up in the hands of Damian Tolbert a rich French artist that writes and shoots photography.
The story’s point of view jumps around a lot, going from Olga, to Anastasia, sometimes her parents, and to Damian. The time lines are also mixed and mingled, it is not told in a linear fashion rather just like it would be listening to a family member, bits and pieces here and there and you have to assemble it all together in order in your own mind. It is confusing at first but soon you realize that the writing style is slightly different for each point of view. It draws you in despite the jumps. Knowing this novel is based on real events that took place in the life of the author’s grandmother, Olga, makes the story that much more interesting. These are first hand events and stories passed down from one generation to the next, a lost tradition.
There are some harsh topics and some graphic details involving death, and rape, and murder. However, they are told from the perspective of facts and not in a sensational manner. It is just how things were back in that time. There are times the stories feel like a history lesson and times like a day dream. The mix of styles makes this book intriguing and you want to keep reading it. The sad and brutal events are mixed with hope and promise of a better future.
Aside from the history element, seeing Anastasia discovering her heritage is probably my favorite part. How things from the past, little things like that raven imagery all start build a bigger picture for her and she grows into her heritage that prior to Olga’s death she said she didn’t care about. This is a great telling of a family and their history told in a manner that is fun and engaging and not like that of an autobiography or history book. This would be a great choice for anyone looking for a book club book or discussion group.
Pages: 386 | ASIN: B07NJJTGYJ
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Friends of the Tsar, by Jon de Graaff, is a story about the author’s “Aristocratic Grandparent’s harrowing escape from the Russian Revolution of February 1917.” The story starts near Petrograd, Russia in 1916 with Vera and George, with George and his mother, Adelaide, saving Vera from a wolf attack. They are at the country estate of George’s father, Baron Alexander Zuckschwerdt. Adelaide and Alexander are very much aristocrats. Vera and George are not on board with the aristocratic ways of their parents. Vera, who also came from an aristocratic family, started rejecting her parents’ ways after Bloody Sunday when even children were killed during a protest.
Vera has ten sisters. Three of them come to stay with her. Monica is 16. Mary is 15. Natty is 10. Vera often gets strong premonitions when something bad is about to happen. Blue is Alexander’s friend. He is an Australian cattle breeder. He comes to stay as well. Blue saves Natty from choking. He learned how to do it on a chance visit with friends. Vera sees it as meant to be. Blue tells story after story of things that happened that seem to have a lot of coincidences. Vera does not see them as coincidences at all. He dismissed them as being luck in the past. He now thinks differently.
The family finds itself in trouble. The country is in trouble. Their money is not worth as much. The people in the country are starving. The family decides that they need to leave. Blue offers to let them stay with him in Australia. Alexander books passage for himself, George, Blue, Vera and the girls for February 27, 1917. The story goes on from there to cover how they escaped and the challenges they faced as they did.
I felt that the story could not decide on what the book was going to be. As I went from chapter to chapter, I felt like many of the chapters could have been stand-alone chapters and were not connected very well. It lacked continuity. There are different stories being told that don’t seem to reach any conclusions. At first, I thought the book was going to be a love story about Vera and George. After the first chapter or so, they seemed forgotten and the book focused on Blue’s stories. Then it would jump to near misses while trying to escape and spy stories. I found myself confused a few time. The language seemed a bit stilted and formal and did not flow like normal dialogue in places.
There is a good story in the book though it would benefit from a bit more organization. The author writes well. Some of the stories were definitely interesting. Some of the story lines had definite possibility and begged for further development as the characters were intriguing and were usually placed in exotic locations.
Pages: 126 | ASIN: B071ZQ6CG8
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DR: How did you come up with Gina S. Miyoko?
MKB: I honestly don’t remember except that she arose from a dream I had, the plot of which (yes, my dreams often have plots) I don’t remember. I knew I wanted to write her as the protagonist of a mystery novel, and I knew I wanted her to be different from the female P.I.s I’d read. I love mystery and crime fiction but I noticed that all the female protagonists were alienated and broken and party to dysfunctional relationships. I wanted Gina to be flawed and have enough pain in her life to be relatable, but I also wanted her to be part of a very functional, if quirky family and support network. Among the Japanese names I was considering, Gina Suzu Miyoko meant ”Silver Bell Temple”; Tinkerbell became an inevitable nickname. And her personality just grew out of that.
DR: And Russian Orthodox witches?
MKB: Around the time I was developing Gina and the characters that would surround her, I was reading a book entitled THE BATHHOUSE AT MIDNIGHT: An Historical Survey of Magic and Divination in Russia (WF Ryan). I was reading it because the novel I was working on at the time (MAGIC TIME: ANGELFIRE, from Harper-Voyager) had a Russian ex-pat as one of the central characters. Okay, and also I’m Russian-Polish on my father’s side and have been fascinated with the folklore and history of slavic culture since I was a child. Probably more so because my grandmother was so adamant that I not be taught anything about the Old Country but be brought up thoroughly American. In any event, the book sparked the idea that I wanted Gina’s mother to be Russian and fascinated by arcana. She was originally going to be a psychologist, but by the time I started writing the book that became THE ANTIQUITIES HUNTER, she had morphed into a cultural anthropologist and folklorist.
As tends to happen with these things, as I began to write the characters, they essentially told me who they were. I’m sure you know the feeling—as if the character is inside your head whispering sweet somethings to your Muse.
DR: Can you talk about Tinkerbell on Walkabout—the novelette that describes how Gina became a detective?
MKB: I wanted to document Gina’s genesis as a PI, but the plot actually came about as a weird synthesis of several real-life moments. I lived in Grass Valley for about 35 years and set it there in part because of an experience I had being a founding member of Nevada County Citizens for Racial Unity, a group that formed after a black man who’d just moved to the area was beaten up by a bunch of white teenagers in a local park. That caused us to consult with the California Highway Patrol about the forces of racism in the area. What our CHP liaison told us about gangs from Colusa and Yuba counties trying to gain a foothold in Nevada County gave me most of the plot elements I wanted for the story. A visit to Charlotte, North Carolina one Christmas occasioned me seeing the mostly scrupulously tidy wrecking yard I have ever laid eyes on and that gave me a key element in Gina solving the crime that lies at the heart of the story.
DR: Did you research PI procedures like the post-it notes and Who/What/When etc?
MKB: I have to laugh. The post-it note method is something I’ve used to plot novels for years. It seemed to me that my post-it process would be as ideal for working out the nuances of a real world mystery as it is for plotting a novel. My editor suggested editing the scene in which you first see Gina use the post-its so that she just wrote on the white board. I declined and explained the beauty of post-its to her by having Gina demonstrate it for the reader.
DR: How did you become interested in the problem of looting of antiquities? Why the Southwest?
MKB: I have loved archaeology for as long as I can remember. I subscribed for years to Archeology magazine, and KMT (Kemet – which is the old Egyptian name for Egypt). I happened to read an article about a female undercover agent for the National Park Service and the sort of work she and her teammates did, chiefly in the Southwest where there are a lot of vulnerable caches of artifacts, mostly on First Nations land. But I’d also been following several international cases at the time—the Elgin Marbles that the British Museum had to return to Greece and the blackmarket cases that big US auction houses and museums alike had been implicated in. I was also following the rediscovery of the Rosalila (an utterly fantastic nested temple at Copán in the Honduras) and some amazing finds at Bonampak, which is in Chiapas, Mexico.
It was that last item that gave me the location for some of the action in the book. I sort of let all of that percolate and it seemed natural to have my protagonist have the experience I’d dreamed of having—seeing those antiquities first hand. More than that, I wanted her to have a hand in saving some of them. The lack of funding for preserving these sites is a real and persistent problem in the world of archaeology.
DR: These days cultural appropriation is a sensitive topic. How did you go about portraying Hispanic, Asian, and Native characters in a respectful manner?
MKB: I suppose every writer has their own approach; mine is to love the people I write about and to recognize that they’re people first, not representatives or symbols or archetypes of a particular culture. But, in writing them, I have to recognize that their cultural framework will condition their responses to things. So, to Rose Delgado, though she’s married to a non-Hopi, living in Sausalito and working all over the country, she’s still Hopi. That means that Hopi lands are still sacred to her and that she takes the theft of native artifacts personally. Her job is more than just a job because of her cultural background and her investment in it is different than the other members of her team.
To me, Gina’s tattoo is exemplary of the cultural intersectionality I’m portraying. It’s a Russian Orthodox True Believer cross with a Buddha seated at the nexus in a lotus blossom. The cross is for her mom, the Buddha for her dad. Gina calls herself a Russian Orthodox Buddhist, which is an echo of what I told people who asked about my religion before I became a Baha’i. I’d say I was a Hindu-Buddhist-Christian. So, what I was trying to capture in Gina was a character who was an intersection of three cultures—Japanese, Russian and American.
I’ve been privileged to have been surrounded by people from diverse cultures all my life and I think that if you approach characters of any culture with curiosity, love and an attitude of learning, you’ll strive to portray them as complete, three-dimensional human beings.
DR: Is there such a thing as SASH (Society for the Appreciation of Sherlock Holmes), and would you join?
MKB: There’s a Sherlock Holmes Society of London, but as far as I know, there’s none in the Bay Area—at least not like the one Gina’s dad, Edmund, is part of. I made it up. Or maybe Edmund did. I would totally join SASH if there was one around. I love Sherlock Holmes—in fact, I have a Sherlock Holmes pastiche idea I’d love to write.
DR: What have you written recently?
MKB: I’ve been doing a lot ghostwrites lately. And they have been diverse and interesting. I just finished up a YA set in Seattle, and am still working on one that also makes use of my deep love of archaeology. Beyond that, my dear agent is shopping a crazy range of novels I tossed at him, including an SF novel with a peculiar genesis that I’d love to see be the first of a trilogy, a YA paranormal/contemporary fantasy featuring a 14 year-old-protagonist who discovers she’s a witch from a long line of witches, a magical realism yarn that is my take on the old Russian fairytale, Frog Princess, and a paranormal romance that I collaborated on with a couple of show runners from LA.
DR: What lies ahead? What lies ahead for Gina Miyoko – are new novels in the works?
MKB: I’ve been working on what I hope will be the next book in the Gina Miyoko series—working title, THE FORGETFUL FOLKLORIST. I’ve got about eight or nine novels sketched out and more ideas popping into my head all the time. I’ve also been outlining a steampunk novel I’d like to write, involving yet more artifacts. (I got the idea from a book cover someone asked me to design, then didn’t want.)
DR: How does The Antiquities Hunter fit into your repertoire of published works?
MKB: It’s a real outlier among outliers. I started out writing science fiction. In fact, I’d published a bunch of stories in Analog before I shifted gears and wrote four epic fantasy novels all based on dreams. Then I discovered magical realism and fell madly in love with it. That caused my writing to take a weird turn that peaked with ”The White Dog” (Interzone). In moving over to crime fiction, I’m really pursuing something that’s fascinated me as a reader for years. I’ve been in love with mysteries and detective fiction forever. So, even though THE ANTIQUITIES HUNTER looks like a departure from the outside, from where I sit, I’m just writing what I’ve always read. I also realized, when I looked at the fiction I’ve written, that most of my stories have a mystery embedded at the core—sometimes blatantly, as in ”The Secret Life of Gods” and ”Distance” (Analog), or in a veiled way as in my novels THE SPIRIT GATE (originally from Baen, in reprint from Book View Cafe) and STAR WARS LEGENDS: SHADOW GAMES (Del Rey/Lucas Books).
DR: What authors have most influenced your writing? What about them do you find inspiring?
MKB: My greatest prose heroes are Ray Bradbury, W.P. Kinsella (whom I cast in DISTANCE with his permission), and Tim Powers. These are the writers whose use of language, storytelling chops, and sheer imagination made me hungry to write. Bradbury and Kinsella have written some of the most beautiful and evocative prose in the English language and Powers has given me epiphanies about the many ways reality can collide with the fantastic.
I admire Dean Koontz, JK Rowling and Sue Grafton as well, especially for their character development chops and the uncanny way they connect the reader to their characters from page one. I also have to credit Harry Turtledove (who’s written some of my favorite Analog stories) with making me stray into alternate history, with my novelette ”O, Pioneer” (Paradox) which takes an upside down and backwards look at Christopher Columbus’ ”discovery” of the Americas.
DR: Why do you write what you do, and how does your work differ from others in your genre?
MKB: I write what I do because either a character demands to be written about (Gina Miyoko being a case in point) or an idea demands to be explored. I thrive on exploration. It’s why I love road trips (What’s around that next curve?), research, archaeology (What is that thing I just dug up?), first contact stories, and mysteries of every kind. Writing is exploration I undertake to satisfy my insatiable curiosity about what if.
I’ve been told that I write fantasy with rivets, meaning that my fantasy work tends to take a very pragmatic approach to the fantastic. It works the other way, as well. My Gina Miyoko stories have an undercurrent of the supernatural to them if the reader chooses to read the pragmatic references to obereg (the good luck charms her mom is forever sneaking into her pockets), Holy Water, and spells as being more than just a concession to Nadia Miyoko’s avocation. This means that my fiction often falls through the cracks. When I sent ”The White Dog” to Interzone, the editor wrote back and said essentially, ”I loved it, but where’s the fantasy element?” I responded, ”In the eye of the reader.” He bought the story and it was a finalist for the British Science Fiction Award.
DR: How does your writing process work?
MKB: Mileage varies … a lot. With short fiction, I’ll sometimes scribble a handful of questions that become notes and when I see a beginning and end, I start writing. With novels, I sometimes get out the sticky notes. I had a great little flow chart app I used for a while, but they stopped making it. I use Evernote to toss bits and pieces into, as well. The sticky note brainstorming is still the best method I’ve found of plotting a novel because it allows me to visualize relationships between characters, their motivations and other plot elements.
Once I’ve charted something that way, I write a synopsis that becomes a living document that I can add to as I work. At some point the characters start yakking and doing things and I have to start writing. I used to have to write everything in #2 pencil on lined paper first, then edit as I committed it to the computer. Then I’d do that until roughly the last third of the book when the boulder started rolling downhill. But for some time now, while I still love writing notes long hand, I do all my writing at the keyboard. I’ve only ever had a laptop, because I feel the need to be portable. Sometimes a silent house is the best place to write, and sometimes a noisy coffee shop is best. I’ve also learned to give myself permission to do what I heard one writer refer to as ”moodling”. It looks (and feels) like I’m not doing anything, but my mind is hard at work looking for connections. And when enough connections are made between elements and characters, the writing happens.
Whenever I sit down to write, I always read back what I did previously. I tried Hemingway’s stopping in mid sentence and it only led to frustration.
DR: What advice would you give to an aspiring writer?
MKB: First, write without editing. Ray Bradbury famously said of writing, ”Don’t think.” He advised hiding your editor hat and just getting the bones of a story or a scene down without worrying about whether you found the right word. THEN, put on your editor hat and edit. This can make the difference between a story ending up attached to an email on its way to an editor’s inbox or ending up in an obscure file folder.
Second, learn your tools—words. Know what they mean, what they imply, how they taste, how they sound. Read your prose out loud before you submit it. Here, I find Mark Twain’s advice sage: ”Use the right word, not its second cousin.”
Third, be flexible. The method you used to write one story may not work for the next one. That’s okay. It doesn’t mean you’re broken or that your process is broken. It just means it’s different this time. This was a hard-learned lesson for me. It took reading Lawrence Block’s learning experience with regard to flexibility (in one of this Writer’s Digest columns), to understand that I wasn’t losing ”it”; ”it” had just morphed a bit.
I’ve learned a lot from the experiences of other writers and from their prose. One of the most valuable learning experiences for me is to read other writers’ prose with an awareness of my own responses to it and analyze why it makes me feel how I feel. Then I try to apply that in my own work.
Oh, and when you’ve written that story and read it out loud, making sure that (as Twain said) you’ve used the right word, not its second cousin, send it to the magazine or agent or publisher you really want to see it with, not something less. When I sent my first story to Stan Schmidt at Analog, the wisdom in all the writing magazines I’d read was that I should send it to a small non-pro market first and work my way up. And I should send something short that stood a better chance of being accepted. I went against that advice and sent a 19,500 word novella to my favorite magazine and got accepted.
Short form: Always shoot for the moon.
This interview was provided by PrentisLiterary.com.
Gina “Tinkerbell” Miyoko is not your typical private eye. Armed with a baby blue Magnum, a Harley blessed with Holy Water by her dramatically disposed mother, and a Japanese mingei tucked in her pocket (a good luck charm from her Sherlock Holmes-obsessed father) Tink spends her time sniffing out delinquent dads in the San Francisco Bay area and honing her detective skills.
But when her best friend Rose, an undercover agent, discovers there’s a stalker on her tail, she hires Tink as a bodyguard. Someone must be trying to intimidate Rose and scare her out of testifying in an upcoming case on looted Anasazi artifacts. But when Tink tries to flush-out the stalker, things take a far more dangerous turn.
Now, with a dead black-market dealer and an injured Rose on her hands, Tink must take her best friend’s place and follow the looters’ trail towards a powerful and lucrative antiquities collector in Cancun, Mexico. Equipped with an ingenious disguise and a teasingly coy persona to match, Tink is determined to find out who is behind the attack on Rose and the illegal trafficking of these priceless artifacts. Along the way, she will find help in the most unlikely of partners…
Deep in the jungle and far from civilization, Tink must decide who she can trust as she tries to unearth the ones responsible behind the pilfering and bloodshed―and still make it out alive.
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The Lost Photographs is an exciting adventure story that follows three adventurers as they set out to uncover the truth of Noah’s Ark. What was the inspiration that made you want to write this riveting novel?
I have always been intrigued by the story of Noah’s Ark. Fuel was fed to that fire in the 1980’s when I watched a TV special about a team of Russian soldiers finding and photographing Noah’s Ark on Mount Ararat in 1916. I have thoroughly researched that story, and I believe it to be true.
I think you did a a wonderful job of building interest with the backstory of the lost photographs of the ark. What kind of research did you undertake to get things right in this novel?
1. The above mentioned story.
2. 1916 Russia, present day Russia, and the present day attitude of the Turkish
government regarding Mount Ararat.
3. Mount Ararat and the Ahora Gorge.
4. Russian aircraft 1916
5. Prefab portable buildings, diesel generators, ice melting machines, and heavy lift
helicopters to build a large complex over the site on a glacier above the Ahora Gorge.
Your characters were exceptionally developed which made them endearing and fascinating. What were some themes you wanted to capture while creating your characters?
First, I wanted to draw my readers quickly into the story when I wrote about Yuri and Jelena. Young love and tragedy set the stage for the rest of the novel. When Jelena peeks through the window and sees Yuri the fourteen year old boy she loves laying dead right before her eyes, it is heart breaking. I tied that story back a hundred years later when Matt, Ann, and Jim are in a Russian cemetery late in the night hoping they will not be caught digging up the dead. They shine their flashlight beams down into the coffin onto the face of Yuri. They then lay the five photos of Noah’s Ark on Yuri’s body as they turn each one over and gasp at the discovery. Those two scenes are essential.
I wanted all of my present day characters to be totally dedicated to finding Noah’s Ark. That is their passion. I also wanted them to have fun. I created Jim’s character to be Matt’s best friend. I wanted them to be able to laugh and be able to tease each other and also to protect each other when needed as best friends do.
The theme of the beautiful, talented, and dedicated Ann Tyler needs no explanation.
What is the next book that you are working on and when will it be available?
My second novel, Burned in Stone, is a sequel to The Lost Photographs and is already published. Both novels have been awarded 4 stars by Literary Titan. I am extremely honored to have received those awards as a first time author.
This is it! This is how all three of us will die because there’s no way I’ll ever cut the rope to save myself and send Jim and Ann to sure death. Terrified, he felt his fingers begin to slip down the ax handle.
Dr. Matthew Lane has been in a lot of scrapes with his fellow archaeologist Jim Morgan. But neither is prepared for the trouble that lies in store as they search for what could be the biggest discovery in centuries. Matt is convinced that the testimony from the Russian soldiers who swore they photographed Noah’s ark protruding from the glacier in the summer of 1916 is true. They claimed all the documentation, measurements, description of the interior cages and photographs were turned over to the czar just before the revolution.
A Russian immigrant, Ann Tyler, has carried her grandmother’s secret with her for more than a decade. She knows the hiding place of The Lost Photographs that could prove the existence of Noah’s ark. Has she finally found a trustworthy confidant?
When Ann joins Matt and Jim to search for The Lost Photographs, they begin a journey none could have predicted. Richard Carroll deftly weaves together this fast-paced adventure based on the old stories of Russian soldiers discovering the ark on Mount Ararat. Uncover the enduring enigma of the ancient ark and the crusade to conceal the truth. This novel is based on a well-documented story that many people believe to be true.
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In the year 2086, Earth is exhausted. The seas have been emptied, the bedrock and soil stripped of their resources, and the superheated atmosphere churns with terrible storms. Those who can afford to do so live in the limbo of virtual reality, and the billions who suffer in poverty have no work, no clean water, and no security from the chaos.
The only hope for those trapped on a dying Earth are the Changed—the seven bioengineered post-humans who work in their separate manufacturing facilities orbiting high above the planet. Raised from birth for their work and fully matured at ten years old, their genius provides the nanomaterials that have begun to cleanse Earth of the pollutants that have wiped out almost the entire ecosphere.
But for Olga Voronov, youngest of the Changed, the isolation and endless toil are not the greatest of her challenges. Down on Earth there are those who resent and fear her talents—and would prefer that humanity not be given the second chance that only she could make possible…
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GROND – The Raven High by Yuri Hamaganov is a sci-fi book set around 70 years in the future. On a post-apocalyptic Earth, there are no resources or clean water left, and the pollution has caused giant storms across the planet. Our main character is Olga, a young girl who is one of seven biologically engineered post humans called ‘The Changed’. They work in ships above Earth using their abilities to create nanomaterials that help remove the pollution below. This book follows on from the events of the first, and starts with our main character Olga in training.
The start of the book, and for parts throughout, is very dialogue heavy, and occasionally it can almost feel like a script with fast speech between the characters. However, this is no way a hindrance as the dialogue is interesting and smooth – you feel as if you are reading a real conversation between two people. Dialogue for writers is often hard to perfect, it can feel as if people either have the knack or they don’t. If this is the case Hamaganov definitely has the knack.
What makes the writing even more impressive is that the author also translates these books himself from Russian to English. Portraying dialogue and actions sequences in two different languages is no small feat and Hamaganov has executed it well. However, occasionally there are a few incorrect sentences or words in the book but these in no way make the novel unreadable and are easily forgiven.
The action in this book is enjoyable, and while it is happening you realise you care for the characters involved. Olga’s ‘nanny’, an android there to train Olga for her purpose, is an excellent addition to the character line-up who acts as a parent figure and genuinely cares for Olga’s success and safety. As a reader, this is a character who adds a caring and nurturing theme to the book, and makes you empathise more with Olga and any danger she may face.
Overall, if you are looking for a fun sci-fi novel to read, this is a good one to pick up. It’s fun and not too long, and you can be sure that if you enjoy it enough there will be another 6 books as the author plans to make this an 8 book series.
Pages: 190 | ASIN: B06XCFT4D1
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In Paracelsus we see the horrors of an ongoing war of subterfuge and nuclear weapons as it spans nearly fifty-years and encompasses the world. What was the initial idea behind this story and how did that transform as you were writing the novel?
The idea came to mind when I read about Alexander Lebed, (who placed third in the 1996 Russian election and was also chairman of the National Security Council. Lebed led negotiations with the Chechen President, Aslan Maskadov, and signed agreements in the town of Khasavyurt in Dagestan which ended the first Chechen war.) He claimed that Russia had produced and lost track of suitcase sizes nuclear weapons whose primary purpose was sabotage. The Russian Federation rejected Lebed’s claims and stated that such weapons had never existed. Within six years he was dead, killed in a helicopter crash on April 28, 2002, after it collided with electric lines during foggy weather in the Sayan mountains.
Subsequently a GRU defector, Stanislav Lunev, confirmed that such nuclear devices existed and speculated that they had been deployed. He then worked as a GRU intelligence officer in Singapore in 1978, in China from 1980, and in the United States from 1988. He defected to U.S. authorities in 1992. Since then he has worked as a consultant to the FBI and the CIA. As of 2000, he remained in the FBI’s Witness protection programme. Lunev asserted that portable tactical nuclear weapons known as RA-115 “Suitcase bombs” had been prepared to assassinate US leaders in the event of war. Russian authorities denied the existence of such weapons and then announced that all Atomic demolition munitions “ADMs “were in the process of being unilaterally destroyed? This raised my interest somewhat.
It was then that Red Mercury started to appear in articles across all media types. It was widely dismissed by authorities as a hoax designed to snare would be terrorists who wished to purchase it for nefarious purposes. Nevertheless Samuel T Cohen, an American physicist who worked on building the atomic bomb who was also described as “The father of the neutron bomb “, claimed for some time that red mercury is a powerful explosive-like chemical known as a Ballotechnic. The energy released during its reaction is allegedly enough to directly compress the fissionable material in a thermonuclear weapon. He claimed that he learned that the Soviet scientists perfected the use of red mercury and used it to produce a number of softball -sized pure fission bombs weighing as little as 10 lb (4.5 kg), which he claimed were made in large numbers. Again the contradiction intrigued me and I set about pitching a nightmare scenario where one weapon is employed against the other.
As I have been employed in the refuelling of nuclear reactors for the last thirty two years the probability of further development in nuclear weapon systems over the last seventy years seemed inevitable to me. Neutron bombs are now feasible therefore other advancements in this very secretive field of science have no doubt developed unilaterally.
I felt that the characters were intriguing and well developed. What were the ideals that drove the characters development throughout the story?
The characters are all based upon real characters and as you surmised each event was based on an actual event right down to the munitions, ships and operations that they were actively engaged in at that particular point of time in the story. Paracelsus has in my opinion six protagonists and whichever the reader chooses to affiliate with depends upon their social, political or religious persuasions. (One person’s terrorist is another’s hero.) I tried to balance this between each and remain unbiased, expressing an understanding of each characters motive through some backgrounding of their earlier lives.
In Paracelsus corrupt businesses blur the line between government and industry while ideological extremism spreads. What the inspiration for these turn of events in your novel?
The collapse of the Soviet Union and the rise of the oligarch including the clandestine energy deals brokered between Russia and its neighbouring states also included the circumventing of agreed sanction limits on the sale of Russian commodities to both known terrorist organisations and rouge states. This was occurring whilst Muslim extremism began to rise across much of the globe primarily in countries liberated from dictators by western forces. It occurred to me that these adversaries could be brought together and ultimately contest each other on many levels, allowing me the freedom to expand the narrative across almost fifty years and four continents.
What is the next book that you’re working on and when will it be available?
I hope to conclude the battle between Nasser and Colonel Ryan in the next book STRONTIA and stretch the story into true science fiction whilst utilising real scientific advancements – including Nano technology and the recent CRISPR 9 biological advancements to set the stage for the rise of a completely new anti-hero. I am not sure when STRONTIA will be available as Paracelsus took me years to research and write.
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Igor Komarov works directly for the Russian President. His job is to take covert action against people the Russian President deems to be enemies of the state. Komarov is tasked to locate and retrieve a piece of software that has the potential to start another cold war. The software was developed using the latest quantum computers and can hijack and destroy any computer around the world. To get the job done Komarov must lose all connection to the Russian government and team up with the Russian mafia. Komarov and his mafia connections come up with a plan to steal the software, but before they can put their plan into action several other government agencies and mafia organizations are onto them. Now Komarov has to steal an advanced computer program off of a dangerous island while the NSA, GCHQ, and an ex-SAS operative tries to stop him.
The President’s Fixer is a fast paced action thriller that rivals Robert Ludlums Bourne series. The President’s fixer gets right into the action in the first dozen pages. The book opens with an assassination and from there it’s a lot of high stakes plot building that is cut up with short violent action scenes. I read this book all in one day because it was short and riveting. What I like about this book was that no one person seemed to be the bad guy; or doing evil things just to be evil. There was a purpose and direction behind everyone’s actions. I thought that Komarov would be the main character in the story, but he shares the spotlight with many other intriguing characters. My favorite character is the ex-SAS agent Tom Traynor. Quiet and calculating; he seems to be one that stands back, watches things unfold, and then acts with deadly precision when ready. I can’t wait to read more about Tom in the next book in the series. Many of the characters that are introduced are well trained deadly professionals and it was interesting to see them confront one another because when they are both after the same thing violence ensues and it’s entertaining to see which highly trained killer will come out on top.
The complex connections between people and places was interesting, but it was also something that was confusing at times. Because the book is so fast paced and condensed, and because there are several characters you have to keep track of, it gets a little difficult to follow along with who is doing what for which reasons. And because it was the thing that all the characters were after, I wish there was more technical description of how the quantum software was developed.
The President’s Fixer is a fast paced espionage thriller that doesn’t disappoint. Be warned, you will definitely want to read the next book in the series after you read this. Action packed, riveting, engaging and I can’t wait to read more.
Pages: 127 | ISBN: 9781310408519
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