“There is no cure for birth or death, save to enjoy the interval”
This is easier said than done. How does one enjoy said interval? How is the enjoyment made possible in times of back breaking responsibility? The search for answers to the how-question has led to tedious inquiries into life’s meaning. It has led all individuals to try harder than they should to understand the age into which they are born. Whether it is an unconscious effort or intentional, seeking freedom and fulfillment is a human condition. Without proper knowledge of the field, the search will be futile and frustrating. Learn first; earn the tools to navigate through life efficiently.
This book is about expanding and maturing the view of the future, it is about understanding the role of the past in the future, it is about understanding the extent of social and psychological challenges that deter wholesome living in this century, it is about introducing the novices to a picture of how civilized thoughts and ideas develop, to introduce people to the quintessence of human thinking. To help people contend with the role of religion despite rampant secularism.
Charles Reid has come up with a roadmap unlike nothing that has even been suggested before. He is not just telling the reader to live fully. He is handing us the necessary tools to do exactly that. He is giving a guide to take advantage of every minute. He is ensuring that birth and death do not become regrettable events. His ideas are simple enough but intricate the more you think about them it. He goes further to break down his ideas of a philosophical future into little tidbits. The breakdown is effective as it allows a deeper understanding of the subject matter.
Enthusiasm and passion are paramount to the successful conveyance of a message. This book has those in loads. The author has great passion in the subject matter as is evident in his eloquent portrayal of a philosophical definition of happiness, freedom, and fulfillment. He does not rush over any knots. Everything is exhaustively explained and explored. The Philosophical Future is very well written. It is a suggestion rather than a lecture. It is an invitation to comprehend the true meaning of things. The author does not force his deas aggressively but rather places a bowl at the table to share. This is an important trait especially in a matter that is so subject to individual opinion.
This book is highly recommended to young people. They still have the time to entertain new ideas, to introduce new angles into their search for happiness, to develop a new dimension for their view of the future. The age-advanced should not be left behind either. It is never too late to tweak your thinking. You might use or you might pass it on. This book is well suited to either demographic.
Pages: 276 | ASIN: B079LH9GMH
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Heart Breaker is a dramatic story about one woman’s traumatic and tumultuous life. What was your inspiration for this story?
I had met a girl a lot like Amber during my time on an online “dating” telephone service years ago. She always seemed to have bad luck yet she was very smart and capable of doing a lot more with herself than what she was doing. Her story sort of debunks the lifestyle you see in movies with the “hooker with a heart of gold.” It’s so hard to keep the “heart of gold” when nothing in your life ever goes right. I would like to hope this girl has found some kind of peace in her life. She deserves to.
Amber is an interesting character that is sometimes impulsive and rash. What obstacles do you feel were important to highlight the characters development?
The Amber we meet at the beginning and the Amber we see at the end is a character completely transformed. She has learned the error of her ways in an uncomfortable and heart-wrenching way. It’s important to remember that her decision to do what she does to Jeffrey comes from the way she had been treated. I think we become a lot like the people we are around. Unfortunately, Amber’s abduction by Miguel has negative consequences for her as she ultimately becomes almost as heartless and vicious as he was to her. For Amber to just move forward like nothing had happened to her, that was almost impossible to convey. People always take bad experiences with them for a very long time. She just happens to act on her impulses because of what was done to her.
Was there anything from your own life that you were able to put into the story?
Surprisingly, yes. The forest fire story Amber tells Jeffrey that happened to her as a young girl. That was actually an event in my own life from when I was in the Boy Scouts that I was able to put in the novel. I have had almost as much bad luck as Amber. Some people will not relate to Amber at all. However, I feel she’s totally relatable in my opinion because everybody has had a streak of bad luck in their lives. Hers is just more continuous than the average everyday person. Also, some of Miguel’s suicidal thoughts have some element of realism because they are based on some of the more disappointing aspects of my own life. It was important to see Miguel as more than just a monster. I wanted to add some humanity to him. I hope readers, if they can’t sympathize with him, will understand why he is remorseful in the end.
What is the next book that you are writing and when will it be available?
“The Separation,” a new sci-fi book, is coming out in November. I’d like to follow that up with a third book for my truly moving book series (which consists of “One Love,” “To Never Know”). Not sure what the story will be. Several ideas floating through my head right now.
Heartbreaker is the story of a down on her luck young woman named Amber. She comes to New York City and gets into more trouble than she ever imagined when she becomes an independent escort. When a client kidnaps her, she begins to value her life more than she realized she could. This is the story of Amber’s journey to overcome her past and present on her quest for a better tomorrow.
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Remember To Recycle explores a twisted state of dystopian society run rampant with political tension and censorship as experienced through the eyes of a sordid slew of characters. How did you decide on the starting point for this novel and how did that help create the rest of the story?
Thank you for asking. I based the novel on current reality based on in-depth study of foreign policy and traditional patterns of involvement by intelligence agencies who use propaganda to skew public opinion toward a military agenda.
I began the book inspired by the guys who go through my recycling bins to take what they can sell; I made a recycler character who has a clever scheme to take what he learns about the people in the neighborhood that way. The idea made me chuckle, and I wanted to see what kind of goofy brilliance he might display. I also had often joked around with a housemate about the empty buildings across the street which are owned by the church. We’d see people go in and never come out. I was also inspired by our jokes about the counter-intuitive business choices of the local ice-cream truck driver. The truck indeed broadcasts the recording of a scolding woman’s voice, just like in the novel.
Though entertainment is the ultimate point of the book, my main serious goal with the book is to balance the propaganda about the White Helmets, though characters in the United States who had hear the stories about a group like them on the nightly news or watch the Hollywood movie about them.
This novel follows the introduction to Nancy and her relationship to the Agents of the Nevermind in book one, Glossolalia. Nancy has done sordid things in her past, but she was forced into it. In this book, she’s again given the chance to be a hero and make amends for her role in political intrigue, even if it means using the dirty skills she was raised with. Some methods are so dirty, she hardly even lets herself know just how sordid she can be. But like all the other POV characters, she has a good heart.
I chose the beginning scene because it was cinematic, with the dramatic contrast arising from Nancy relaxing at her unusual dwelling, chuckling at the anomalous sound of the ice-cream truck that never seem to make any sales. That prepares us for dark humor in the book. She’s being startled by the loud sound of a hard snowball smashing the glass of the window beside her head. She puts on her costume when she realizes someone outside might be looking at her, so we see how she’s been living “underground,” hoping no one recognizes her, in a somewhat primitive location, but someone mysteriously is communicating with her.
She finds a painted rock inside the snowball and the image reminds her of herself and her one friend, a lovely artist named Becky. Nancy has followed another such anonymous note to lead her to Becky in the past. So that beginning creates questions about the dynamics of some major characters, as it sets in motion Nancy’s sleuthing, and involves the reader in the mystery.
I remember the excitement of thinking of the snowball, with ice-cream and a rock inside, at the beginning. Most of the book was already written, but that image created a colorful motif that I went back and inserted through the novel. It was gratifying the way it drew a lot of elements together.
You’re able to weave together the intricate lives of a ragtag group of characters. What themes did you want to capture while creating your characters?
I focused on the theme of the heroism of examining and exposing social engineering, and the difficult choices, nobility and sacrifice that can entail.
I felt this story was very well written. What’s your experience as a writer?
I appreciate that. I’ve been writing all my life, as well as studying the form, not only for my benefit but for my students, as I teach fiction writing and edit manuscripts. I’ve explored a variety of genres; psychological suspense, which is the overarching category all the diverse books in the series fall into, fascinates me because of human psychology making propaganda and other forms of deception easy and bewildering, creating the need for answers. I love the feeling of figuring out the answers to such mysteries, such a rush, a shudder. It’s the perfect genre to dramatize the ability of intelligence agents working behind the scenes to gaslight the public. So, I read and watch movies and TV shows in that genre a lot, to understand what works best. I’m always studying more about fiction and screenwriting techniques. I learn as much from the screen as the page, and organize my books like movies.
This is book two in the Agents of Nevermind series. Where will book three take readers?
It continues the theme of the Agents who combine deception, mind control, blackmail, and occult practices. I’ve been including history about that intersection in the books, returning to certain historical figures such as John Dee and Edward Kelley, and their use of Enochian language as a spy code as well as an attempt at magick.
The novel is called Encore, and is Gothic. A highly-acclaimed performance troupe has a special requirement to make their shows work: the audience can’t be aware if any of the actors are replaced by a standby (similar to an understudy.) Their resident hypnotist, Dune, who is rumored to be an Agent of the Nevermind, accomplishes that by hypnotizing the standbys to believe they’re the actors they’re mimicking, and even coat their own auras with the residuals of their actors.
His wife is the star, but must leave the troupe due to cancer. Her standby and Dune have strong chemistry. He kidnaps her while she’s hypnotized to believe she’s his wife, and takes her to an alchemist’s castle. Underlying the story is the real history of a few powerful countries’ competing mythologies meant to gain supporters for them in wartime.
I hope this book will move readers to appreciate themselves for who they are.
What if the homeless men going through your recycling know more about your life than you do? Like who is going to die. One of the recyclers, Dave, wearing disguises he keeps under a bridge, memorizes the information in people’s bins. He, like many others, idolizes the Rescuers, a supposedly neutral, unarmed humanitarian aid group in a Balkanized country, as the possibility of WWIII looms. The Nevermind Agents lie on the evening news to garner support for proxy wars. They say the Rescuers are unarmed, neutral, and giving humanitarian aid to a Balkanized country. Their movie about them is a blockbuster. Rescuer costumes are the bit hit for Halloween. But it’s time to unmask them. And that requires a plan so ingenious, even the planner can’t know how it’s done. Living not far away from Dave’s bridge, Becky donates generously to the Rescuers, making her finances even more insecure. She doesn’t know what to think when she finds things in her apartment moved slightly. The toothbrush is wet. There’s a stain on the ironing board. The cat food is nearly gone. Is it her imagination? Is someone messing with her mind? Could it be Stan, breaking in because he loves her? He certainly loves putting her body into mysterious BDSM contortions for their videos. But what’s that muffled moan she hears in the background when she calls him on the phone? Becky hires her friend to spy on Stan. The woman has gone underground since escaping from the Nevermind; she wears a wig, and a mask meant for burn victims. She has traveled across the country to befriend Becky, taking a chance on an anonymous message recommending she do so, though she doesn’t yet know the reason.
A Thriller for Thinkers
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