Apocalypsia by Jerry Veit is a saga in the best sense of the word. I was able to read the complete edition of this work, which consists of three books and three parts per book. They detail a post-apocalyptic Earth after what appears to be, for all intents and purposes, the end. Demons comb the land, freed from Hell and what is left of humanity struggles to survive and trust one another. It is left to small bands of warriors to come together and unite the warring factions, otherwise they will all perish with the rising of a new demon army.
The vision that Veit has for this world is expansive. It is also a fun blend of science fiction, fantasy and post-apocalyptic. These elements may seem to much for the casual reader but for Veit they are all ingredients that lend themselves to the epic that this work is. The edition I have, has a couple, very thick appendices, which was helpful for the wide cast of characters Viet details in all of these stories. Some of the terms, locations and overall history of this Earth is also given. All in all the world building that Veit skillfully brings to life is very present and rich for the reader to sink into and lose themselves.
I found Veit’s prose to be stilted in places and I wonder if his work would hold up better in an audio book or audio drama form. He did not shy away from any action and made sure the story kept moving through these pages, especially as the conflict became more and more intense until the dramatic conclusion. He does follow the time tested formula of having a band of hero’s and a singular villain, bent on destruction. The setting he built around this formula is what refreshing for this type of tale and the considerable scale he chose to write it in. The story itself could have been confined to two books but with drawing it out into a third he was able to deepen the plot just enough to please the reader. I won’t say anything else in that regard, lest I spoil the story.
What was difficult was the way that Viet chose to tell his tale. He took some grammatical liberties that a seasoned reader may have trouble reading at first. The most notable one is that Veit does not use traditional dialogue tags or quotation marks but instead uses names labeling who speaks (i.e. ADRIAN: Welcome to Apocalypsia). This is similar to how one labels dialogue in screenplays, which I am aware is in Veit’s background.
All in all Apocalypsia is an epic tale of loss, bravery and learning what it is to be human. Lovers of quests and end of the world tales will find something to enjoy here.
Pages: 387 | ASIN: B0726374N1
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The Slave Boy is the sixth installment of the Orfeo Saga and follows Cyrus as he lives his life in Kuragalu. Cyrus is feeling restless and bored as he lives his life without any foreboding danger lurking in the shadows. Even though there are thoughts of what life would be like married in a traditional Kassite way, he is eager to find an adventure and sets off to Babylon to find old friends and new lands. Here they land themselves in a familiar career path of merchants however a seemingly easy road into money is tarnished when they are captured and sold into slavery. Cyrus may escape but his new mission of protecting a member of the Royal family may prove to be his most difficult task yet. Meanwhile, Cyrus also has his eyes set on stopping a siege that could kill many innocent people. Life changing decisions will leave Cyrus in a position that will change his life forever.
The Slave Boy, written by Murray Lee Eiland, is a story of courage, passion and friendship. Prepared to be thrown into the world where slavery, Royal families and war mongering politicians will stop at nothing to take over power within their country and beyond.
Murray Lee Eiland has written this novel with a beautiful air of understanding and respect towards cultures within places such as Iran. I appreciated the context of history woven throughout the plot and how he easily fit the characters into the historical tones of the story. I also liked how the chapters were short and concise which left no room to ramble or over describe situations or people. Because of this, I found myself eagerly continuing the story and was always filled with excitement and anticipation at what may happen next.
The character progression of Balik was one that I thoroughly enjoyed. He begins the novel as a drunk- lost in the old time ways, desperately searching for a place in a world that no longer accepts the heroes of war. Cyrus saves him from himself and the cheap stench of wine and injects life and a sense of adventure into his old employer.
The Slave Boy explores both governments and Royal families which adds an element of politics throughout the deep throes of adventure. Further into the story, relationships with Royals offer benefits and power, however is this what the characters want or need? At times the novel almost felt like a James Bond style movie with spies, slaves and Kings mixing together to find out the deepest of secrets within the kingdoms.
I appreciated the historical note at the end of the novel, allowing the reader to have an understanding of what was real and what was made up. As it concludes the novel, it leaves the reader to consider and ponder on what life people may have had within these areas of the world.
I would recommend this to anybody who enjoys a novel loosely based on historical events, full of adventure and life changing lessons.
Pages: 238 | ASIN: B06WVFPGP3
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Protector of Thristas takes place fifteen years after the tumultuous One Day War and Lisen is faced with something far more challenging than ever before. What were some important themes for you to capture in this novel?
I’ve taken on several archetypes in these books with an eye towards shifting what originated as masculine-oriented myths into their feminine equivalent. Lisen is the hero of a story in which she must overcome many obstacles, including her own self-doubt, to rise at the end of the original trilogy to the destiny she cannot escape. I looked at heroes, such as Luke Skywalker and King Arthur, and asked myself how this would look not simply with a “girl” as the hero but with a gentler and more sympathetic way of presenting the momentous events that occur in the story. The battle at the end of Blooded is a case in point. Lisen found a way to break through the fighting and turn the combatants towards a negotiated resolution rather than one in which many people died or were left physically or emotionally injured.
So, when I decided to explore Lisen and the others as adults, to look at the relationships and their children fifteen years on, I made another decision–to raise the bar and tackle an archetype I refer to as “the king must die and live again.” This myth can be found in many nature-focused cultures. The leader of the people sacrifices his life (or acts the sacrifice out in ritual) and goes to the underworld, then rises again, all of which is symbolic of the “burying” of seeds in the fall and their rising as plants in the spring. It is a form of fertility ritual. It is also, in some ways, the Christ story, but this time it’s a young woman.
I think this book did a fantastic job displaying how emotional a mother-daughter relationship can be, and family relationships as well. How did you develop these complex relationships? Anything pulled from real life?
My mother was not the nurturing type which left my father with that role in my life. In fact, Korin’s nickname of “Fa” is the way my father, in his later years, signed birthday cards and such. But there was more to it than that. As I foraged deeper into the story and the wounded relationship between Lisen and Rinli, I realized one very important thing. I had to be very careful about how I framed the discord between the two of them. The critique group I belonged to at the time loved the portrayal of the mother-daughter conflict, but I began to recognize that I had created a very “earth-centric/potentially sexist” struggle. In my experience, women in our culture learn at a very early age that they must challenge one another over the attention of a man. Men are taught a similar lesson, but it manifests differently. Men thump their chests and growl at one another (figuratively) or go out and kick a football around, whereas women get mean. And it often begins in the relationship between a mother and daughter and their desire for the male in their lives–the husband/father. It’s fairly subtle in most cases, but it’s there, and once girls become teenagers with all those hormones raging, they may not “desire” their father, but they want what their mothers have and the fight is on.
I couldn’t let this be the basis for Lisen and Rinli’s conflict, so I struck out on my own to find something that didn’t smack of the sexism in the “typical” tension that can tear a mother and daughter apart. And although I may have no control over the enculturated eyes the reader brings to the story and her interpretation of what she sees in that relationship, I had to be true to my commitment to present Lisen and Rinli sparring not over the mean-girl stuff that can mess with a mother and a daughter but over the betrayal Rinli feels at her mother’s use of her as a bargaining tool to bring a war to an end. Add to that the fact that Lisen is not the nurturing parent in the family, and it becomes clear, in my eyes, at least, that their relationship was likely doomed no matter what Lisen did.
Rinli is resistant to the idea that she has her mother’s magic abilities. How did you handle magic in this novel that was similar and/or different from the previous novels?
In some way, I think the magic became more central to the story than it had been previously. I have always played the push as something unacceptable but sometimes necessary, even to Garlans who are pretty accepting of most hermit magic. As a Thristan, Korin distrusts hermits and what they can do, and Lisen has a powerful gift. This presented its own set of problems in the first trilogy and ultimately tore them apart. Now, with Rinli growing up and it becoming obvious to both of her parents that she has inherited her mother’s gift, Lisen and Korin have to make their peace over the magic thing and then band together to convince Rinli that the only way to stay safe amongst magic-fearing Thristans is to master her gift in order to control it. This is where that conflict I mentioned above manifests with Lisen trying her damnedest to reach out to Rinli and Rinli turning away. (I had one reviewer say, “So many times I just wanted to scream ‘Say I LOVE YOU!'” which would, of course, have simplified things a great deal. But it was about the magic in Lisen’s mind, and “I love you” wasn’t in her lexicon.)
What is the next book that you are working on and when will it be available?
I began a followup to Protector of Thristas with the idea that it would be the final book in the series. I had to find a way to put down the characters and the world I’d created in order to move on to something new. Five books. The series would be five books. I was adamant with myself. Then as I wrote and wrote and wrote, I began to realize that this was going to be one hell of a long book. I set a word limit at which point I would break it up into two books. I’m still on first draft, and I am within 2500 words of that limit I set. It’s definitely going to be 2 books. Because I’ve been making changes that affect earlier scenes as I go along, I must finish the entire tome before officially splitting them up. (And even then, I’m probably going to produce draft 2 of both books together, incorporating all the necessary tweaking at one time, before I turn to book 5 of the series and complete it.) All of this is to say, that this has taken far longer than I wanted it to take, but I continue to move forward.
As regards where we go from here, having sent a young person as flawed as Rinli through the experience of dying and rising from the dead, I discovered (upon working on the final two books) a character who is not doing well emotionally at all. It’s been an interesting trip. Rinli was originally intended to be the character to whom Lisen would pass the baton, but she turned out to be a character very different from what I had expected when I began. Her last words at the end of the book blew me away, coming as they did as I was writing that last scene, and they set the tone for the remaining story. I had to ask myself “what does a world broken by Mantar’s Child look like?” It took a while to answer that question. Now first draft is finally winding down for books 5 and 6, and all I can say is “whew, what a ride!” “When will it be available?” I’m hoping for some time early in the new year for book 5 and spring for book 6.
Fifteen years after the One-Day War, Lisen, now Empir Ariannas, has developed into a just and capable leader. Together she and Korin have created a union of two souls based on respect, commitment and love, and their family has grown. In addition to Rinli, their daughter who made her first appearance in Blooded, two more children have joined the family, completing their complement of three complicated adolescents.
Now the sixteen-year-out Rinli prepares to take on the mantle of Protector of Thristas, a title destined for her in the treaty that ended the war. The Empirs of Garla have carried this title for hundreds of years, and Lisen anticipates changes once she hands this single title on to Rinli at the girl’s investiture. But the prophesy of Mantar’s Child, upon which Lisen and Korin depended in the treaty negotiations fifteen years earlier, refuses to remain but a convenient myth, and with the advent of the fulfillment of the prophecy, an epic begins.
Although Protector of Thristas includes the familiar faces and settings of the young adult Lisen of Solsta trilogy, it begins a new adventure for an older and often wiser Lisen and her allies. Looking at their world through their matured eyes, the book takes on the heroic tragedy that the trilogy could only hint at. Return to Garla. Enter its mystical environs for a new encounter with Lisen and her world’s gender-free culture. The adventure awaits.
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The False Prophet is set in a post apocalyptic America and follows Donald of Fisher, our unlikely hero, as he must confront an army raised to conquer the land. What was the inspiration for the setup to this exciting novel?
The question applies to the first novel, The Stonegate Sword as well as The False Prophet although it is not necessary to have read the first book in order to understand the second. The initial idea was to create a character with a world view similar to present-day America and place him in a society with very different values, such as Medieval Europe. I considered a time-travel approach, but then hit on the idea that in the future the world could enter a second Dark Age. So the main character, Donald of Fisher is a lore-man, steeped in the study of the past from an early age. Then circumstances forces him to take up a sword and take on the role of a warrior. The conflict between the evil figure in the west owes a bit to Tolkien and a bit to the prophecies of the last days in Biblical prophecy. I made no attempt to create the details associated with the Antichrist, except that if the imagery in Scriptures is taken literally, it sounds as if the final battles will be fought with antique weapons. I realize that this could be figurative language, but I decided to take it literally, and that implies, again, that a dark age lies in the future.
The story follows two characters, The False Prophet and Donald of Fisher, which I felt were two contrasting characters. What themes did you want to capture while creating your characters?
The story follows the archetypal “hero’s quest.” Don is the hero and must face adversity. The False Prophet is the anti-hero and he does not actually appear in the first novel, being only a rumor, a malignant force driving the forces of evil. In the second novel, he is revealed to be a ruthless despot of the kind with whom we are all familiar. The Prophet’s armies are the driving force behind much of the conflict that Don must face and overcome, though human frailties (his own and those of his companions) are other obstacles in his path.
There were many biblical undertones throughout the novel. Where do you feel you paralleled the Bible and where did you blaze your own path? And how did that help you create an engaging story?
The story of the novel does have some similarities to the Bible in that the Israelites were often raided by their enemies and the kind of weapons were similar. The military tactics I describe are probably not similar to those used in Bible days, although some of the principles are timeless. The use of walled cities reminds one of the Bible and also Medieval Europe. The political situation in the free cities east of the mountains reminds me of Israel during the time of the Judges, when there was no king, and “everyone did what was right in their own eyes.” The apostasy or falling away from the faith is prophesied in the Bible. The rediscovery of lost technology, for example, cannons, is a new path. The idea of a man of sin arising in the last days is found in the Bible.
The False Prophet is the second book in the Stonegate series. Where does book three take readers?
Book three will take place a generation later. The False Prophet was not destroyed, and the evil in the West rises again. It is up to the children of Don, Rachel, Carla and Howard to bring the saga to its final conclusion. Donald, now a middle-aged man, past his prime, attempts to mount an invasion of the West to overthrow the Prophet, but his attempts are met with disunity among his friends and overwhelming might of his foes. As to be expected, the victory depends on help from a totally unexpected quarter.
Stonegate remains the key, and Donald returns to that great walled city and his beloved Rachel just as the hosts of enemy are also closing in. Part adventure, part love story, this epic saga covers the vast panorama of New Mexico deserts and Colorado Rockies in a possible future that looks very much like the medieval past. But duty, love, courage, and honor remain and are even more important than ever.
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In Book II of the Lisen of Solsta series, Tainted takes readers back to the land of Garla and introduces us to the dangerous land of Thristas. What was the inspiration for these fantastically imagined worlds?
Truthfully, I based them on my home of Southern California with the cooler areas to the west of the mountains and the desert to the east. My picture was more of Rome or Greece at the height of their power than of some middle European medieval land, and the white-marble and columned Avaret Keep exemplifies the architectural feel I was looking for. When it came to Thristas, I love the desert. Lisen’s response of awe as she and Korin come through the Pass and she sees Thristas for the first time expresses my feelings about the deserts of California. Most people see deserts as dry, sterile places, but they teem with life–both animal and plant life. My inspiration was to show the breadth and depth of this life and its influence on a people who had lived there for many generations, establishing a culture separate from Garla’s and giving their lives a meaning dependent on no one save themselves.
Lisen develops as a dynamic, heroic character, constantly fighting her surroundings and learning more about herself. How did you tackle character development in this story that is different from book 1?
Lisen is, of course, a work in progress. It is absolutely essential that she struggle to find who she is in this mess that she sees as her life. All bets are off for her. It’s do or die, and as she begins to realize that she cannot win without cheating and that she must win in order to fulfill her mother’s hope for her, she also recognizes that she must find a way to become a person who she isn’t quite yet. I loved exploring her hidden spaces and corners, seeking out the fortitude within her to make it possible for her to do what she does at the end of the book. And when the degree of her ferocity came to me one day driving home from the grocery store in the guise of that moment when she cuts off her braids and then tells Nalin she never was a hermit, I knew I’d found the Lisen she needed to find on her journey.
There is a holiday in this story called Evenday/Evennight. How did you come up with this idea and develop it in your story?
You will note that in Garla, they call it Evenday because they live and work under the light of the sun. On the other hand, the Thristans call it Evennight because the center of their lives, the time conducive to productivity, is in the dark, away from the searing heat of that very light the Garlans worship. This day on earth is called the vernal equinox, and I saw the Thristans as being closer to nature and therefore more likely to attach a more spiritual importance to it than the Garlans. Hence their centering of an entire ritual around it, while the Garlans celebrate it more casually. A lot of the Thristan culture revolves around something akin to the nature-centered cultures of our own world, including Wicca.
Where does the third book in the Lisen of Solsta series take readers?
Two major questions remain. What happens to Korin and the special “package” he carries away from Lisen and Avaret at the end of Tainted? And what the heck are they going to do about the unstoppable Lorain? Lisen has seen Thristas for herself and is apparently the first Empir to have done so, and that alone puts her in a unique position in her dealings with Thristas as their “Protector.” I think, however, that the most fascinating aspect that opened itself up to me for inquiry was how the miracle of child-bearing might affect a man. I explored and hopefully resolved the questions and conflicts raised by the events in the first two books by digging deeper into both Garlan and Thristan culture and by opening up the possibilities for redemption for Lisen but only if she can accept the fact that as Empir she has responsibilities that sometimes require desperate and even cruel measures to fulfill them.
“In Fractured, Lisen Holt, Valley girl, beach lover, learned she doesn’t belong on Earth. Re-adapting to Garla, the place of her birth, proved difficult, but the greater challenge was learning that she is the Heir-Empir and must confront her brother for the throne. Witnessing her only friend’s murder, defending her own life with forbidden power, and succumbing to possession by her friend’s soul left Lisen fractured, with little hope she’d ever recover.
The story grows darker in Tainted with Lisen and her guardian companion, Korin, traveling to the great desert of Thristas. They hope to find safety in the anonymity of the barren wilderness, out of the range of Garlan spies. There, Lisen learns the ways of Thristas and its fierce people who view Garla’s Empir as a tyrant. In an effort to prove their sincerity, Lisen and Korin participate in the Farii, the spring fertility ritual which changes everything for Lisen. She returns to Garla with a brilliant but damning plan that she believes will ensure her victory against her brother.”
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The Genocide Gene is the third book in the thrilling Onryo Saga and continues the adventures of the teenage superheroes in their fight to save humanity. I felt this story was very well written. What is your experience as a writer?
In addition to term papers in grad school, I wrote fanfiction about my favorite shows growing up. It was great practice to hone my craft and experiment with my original concepts. As fun as that was, nothing beats creating original characters and guiding them on a hero’s journey.
One thing that stands out to me in The Genocide Gene is the creativity embedded in this world. What was your inspiration for creating such and imaginative world?
As I was researching Africa, I had to come up with ways to integrate what I had learned into a creative storyline. I read about the business of portable gas stoves, so I had a battle in a factory. I read about the African boda-boda drivers, so I envisioned a chase scene on their mopeds. Every time I read something interesting, I wondered how I can utilize it in an exciting way.
I also created my own African country so that I could integrate the culture, history and issues of other countries into it, such as civil wars and age-old divisions brought about by European colonization. That way, I could write about the political problems of places such as Uganda, the Congo, South Africa and others all at once.
The Genocide Gene has an intriguing setup to a novel that is high in social commentary. What was your moral goal when writing this novel and do you feel you’ve achieved it?
Bringing people together in harmony has always been my main goal, whether it be American liberals and conservatives or feuding African tribes. I wanted to present a war-torn nation keep impoverished and dysfunctional due to prejudice and hatred, but it was important to show people of other backgrounds getting along in spite of what their groups teach them. While the political extremists seek to tear their nation apart through fear, those who serve the cause of unity and understanding are the only ones who can bring peace to their people. While my conclusion can’t happen in real life, I can only keep the faith that the people of these lands find ways to bring about prosperity.
When will the fourth book in the Onryo saga be available and where will it take readers?
The Tree of Zaqqum will take readers to Israel/Palestine, and others Middle Eastern locations too. My heroes will have to stop a mysterious mastermind and his followers from destroying cities with stolen WMDs and quantum technology. Their friendship is further tested as Chikara gains a new ally that may become something more.
I’m still in the research phase at that moment, but the story is coming together piece by piece. I’m guess it may take two years to complete.
“It has been only a few months since Chikara Kaminari was given strange powers and a mission from her precognitive mother. Joined by her friends Renka and Gen, she traveled the world and stopped a band of super-powered extremists from imposing their will upon humanity. Now, a new menace has surfaced to threaten the lives of millions.
In the segregated African nation of Ghadhia, two fanatical brothers are scheming to ignite a new civil war and commit genocide against the tribes they have been raised to hate. The heroic trio must unite with new friends and old enemies to stop them, facing African terrorists, Afrikaner supremacists and enraged mobs along the way. But as Chikara and her friends journey further into the heart of darkness, their deepest fears and hidden feelings threaten to tear their friendship apart.”
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The Genocide Gene is the third book in the thrilling Onryo Saga and continues the adventures of the teenage superheroes in their fight to save humanity. Chikara, Renka and Gen are the superhero trio with mystical powers that they inherited from a ring with a mysterious black rock. The trio is on a crime fighting spree when Chikara receives a message from her late mother that takes the superheroes on an adventure to Sierra Leone. Meanwhile, a team of brothers are planning to eradicate tribes in a deadly attack and soon enough the teenagers are caught up in a whirlwind of African supremacists, terrorists and evil politicians. Friendships and alliances will be put to the test as they battle their way through a storm of evil extremists. Will their friendships survive this heroic escapade or will it finally be the end of the Japanese crime fighters?
The Genocide Gene, written by Rocco Ryg, is the third edition of the Onryo Saga and as always he delivers an exceptional story line packed with action and charm. The story begins back in 1985, with a cover-up involving a mysterious black stone which gives people ungodly powers. This powerful stone forges the path to a catastrophe that will echo its effects in years to come.
It then flashes forward to the year 2012 where everyone’s favourite Japanese super heroes have banded together with their mystical powers to clean up the streets of drug crimes, child trafficking and murdering of innocent souls.
Like a voice beyond the grave, Chikara is contacted with a message left by her late mother where she requests that Chikara, Renka and Gen venture to the deep throes of Africa. Friendships will be tested and lines crossed as you delve deeper into the twisted underground world of Sierra Leone, forcing the reader to confront terrorists, gangsters and teenagers with magical abilities. You will reminisce with old friends and be left with a bitter taste as they dance with old enemies and form unlikely alliances in a bid to do what they do best- saving lives.
Prepare to be on the edge of your seat as you follow extremists on the hunt for those who can heal, and feel the terror as enemies are enveloped with an evil presence. My favourite part of Rocco Ryg’s novels is that he is able to intricately weave multiple story lines together in such a way that the reader will be engrossed from start to finish. I love seeing how the characters grow and how they challenge themselves in situations using their individual powers. The Genocide Gene also explores a rich diversity of cultural differences and gives you a taste of gangster life across different nations.
Staying true to the themes of action crossed with a dash of politics and mystical powers, The Genocide Gene will be sure to satisfy your need for a superhero tale. I would recommend this for all who are in need of an adventure. Will they be successful in Chikaras mission from the grave or have the superheroes finally met their match?
Pages: 268 | ASIN: B01M0KF137
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The Lifeblood of Ill-Fated Women revolves around the story of two Valkyries, sisters Astrid and Yrsa, in a world still ruled by Nordic Gods. What was the inspiration for this novel and the Norse mythology used throughout?
Spoiler alert in that question. Lol.
My inspiration was two fold.
One, I really had not read or seen much about Valkyries in years. They are very interesting mythological beings, but not really focused on in movies, cartoons, or TV. Seems like a wasted opportunity, so I took it. I wanted to write a story about a woman who was questioning her reality on several levels. Is she alive, is she dead, was she adducted by aliens, is she in hell? etc.
Two, I felt like Norse mythology is something people, readers, movie-goers, are willing to openly accept easier than some other myths or cultural beliefs. Maybe because of it being so fantastical. Sometimes we believe the things that are harder to believe and accept quicker than those things more based in reality.
For example…. So many people watch and follow ghost shows and believe all that we are shown, but then laugh at the hunters chasing Big Foot in the forest. Paranormal vs. A living being (although myth). Seems like it would be easier to believe in a missing link than spirits from another realm right? Well, maybe that’s just me.
Note: I believe in both actually. 🙂 And aliens.
Regardless, Norse myth is fabulous. And there are a few good fiction books you can find and read. I read one prior to writing this book. Good reference material to pick over. That and my old original Deities and Demigods D&D book. 🙂
What kind of research did you have to do to make sure you got the mythology correct?
As stated about, I bought and read one book. Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs by Lindow. I also used my old hardbound Deities and Demigods D&D book for inspiration.
I spent a LOT OF TIME online researching what “curse words” and foul language would have been used in the Viking Age. I could not deal with or accept the use of modern four letter words being said by my characters. I really lost sleep over it. I finally found some replacement words that were close to the time period or language. Not perfect, but I felt like the reader would understand what I was going for.
I never like watching movies set in ancient times with characters spewing modern day bad words….unless we are talking about STARZ’s SPARTACUS. That was awesome, and with all the over the top blood and guts it was fine. 🙂
As a writer who researches, I like to find the facts and then decide how best to use or alter them to fit into my works of fiction.
When Astrid falls in battle and wakes up with no memory the reader is brought into Astrid’s mind to be witness to her paranoia, fear, confusion and inner struggles. What were the obstacles you felt were important to highlight to connect readers with Astrid and develop her as a character?
Everyone struggles with these things on some level.
Astrid is a big, strong, proud Viking warrior. Who can relate to that? BUT they can relate to all her inner struggles. Who hasn’t questioned their reality? Who wasn’t felt afraid of something one moment, then loved it the next. Think of skydivers. Fear and then joy in a matter of seconds.
Astrid was originally designed as a near cave woman. She grunted and groaned. Took what she wanted. Feared nothing. But an early draft was read by my editor and she pointed it right out. Astrid was unrelateable. I did not want that.
My plan was to write a fantasy-horror story with a character who just cannot figure out if she is alive or dead. Her beliefs would pull her thoughts into both directions; a tug-of-war. While she struggled, the story played out. Things would be happening all around her and she would have to decided what to do, regardless of her inner struggles. That’s life. We all are faced with that.
I was really sick with the flu or something the other week. Two days of being the sickest I had been in 20 years. And guess what, I needed to go get my new drivers license photo. Time had ran out. I was faced with an obstacle on top of another obstacle. Life gets complicated.
In some books or movies, it seems like the hero only has one major concern. That’s unrealistic to me. Yeah, go save your kidnapped daughter Liam Neeson, don’t worry about needing to buy more ammo, or the authorities, or laws, or weather, or your own wounds, or….
This is a well written novel that leaves open the possibility for other stories to follow. Do you have another story in the works?
Book two is currently being written. It takes place several months after book one. I envision this series as 3-5 books long.
“Astrid the White isn’t an average princess. She has always stayed by the side of her father, King Kol, and learned warfare and weaponry from the best Vikings in the land. When she awakens in the city of Birka and hears the sounds of war, she rushes proudly into the fray. She is more than capable of taking down any enemy wishing to disturb the peace.
This enemy, however, isn’t what she expected. Before Astrid even gets outside the walls, a golden light knocks her out.
She comes to in the snow, in full battle armor. Astrid first suspects that this is a challenge from her father–or even the gods themselves. By acting correctly, she can gain the favor of Odin, the Allfather.
Astrid wants to complete the test, but it becomes more and more difficult as she explores this new part of the world and encounters both monsters and monstrous men. As creatures from the darkest legends reveal themselves, Astrid will discover that her journey isn’t about acting correctly or passing Odin’s test. It’s about pure survival. Before she can even think about finding Birka, she will have to defend herself against the demons of this new world.”
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This God, I, is a novel based around a group of teenagers turned Japanese superheroes as they band together in a battle against evil. Where did the inspiration for the thrilling action come from and how did it develop as you were writing?
I’ve always been a fan of comic books, anime and the action genre, so I’ve had ideas brewing in my head on how to construct a story full of car chases, paranormal battles and science fiction. For the scenes with domestic terrorists, I read about the history of nationalist extremism in the United States, such as Ruby Ridge, Waco and the Oklahoma City bombing, and tried to emulate what I learned. For super-powered fights, I had to come up with creative ways the heroes and villains could use their surroundings.
Japanese anime styled characters cross political extremists which sets the tone for this action packed adventure. What were some ideals you hoped would drive the narrative of the story?
Every character needs a believable motivation, and a political agenda can provide just that. Our cultural backgrounds and political views are a reflection of who we are as people, and I sought to create characters that would embody their various ideals and principles. While the extreme villains use their powers to force their ideas onto the world, the heroes have to be open-minded, consider all sides and work together to come to a reasonable conclusion. It was important for the heroes to put their values above the need to win at all costs, lest they end up just as bad as the people they’re fighting.
The superheroes come from a range of backgrounds and have a varied mix of super powers. How did you balance the characters powers to keep them interesting yet believable?
Every superpower has been thought of before, so it was important that my characters would utilize them in different ways, such as turning a roller coaster into a giant robot or controlling a crowd’s emotions to ignite a protest. It was also essential for every ability to serve a purpose, either to move the plot forward, reveal more information and create an action-packed spectacle.
This God, I is book 2 in the series. Where will book 3 take the characters?
In “The Genocide Gene,” Chikara and her friends travel to Africa to stop two demented brothers from starting a civil war and committing genocide. Along the way, they have to save hundreds of kidnapped schoolgirls and take on merciless rebel groups.
“Japanese superhero Chikara Kaminari has accepted her destiny: to save mankind from powerful political extremists. Joined by her friends, the empathic Renka and the shadow-controlling Gen, Chikara journeys to America to rescue her friend Michiko from the Ayn Rand- obsessed billionaire, Chillingworth.
As they search for their adversaries, Chikara and her friends encounter a murderous cell of homegrown terrorists called RAMPAGE (Revolutionary American Militant Patriots Against Government Enslavement). This militia of neo-nazis, white supremacists and anti-government extremists will stop at nothing to bring down the public sector, and only the three heroes can stop them before their war on the state claims innocent lives.
The future hangs in the balance as Chillingworth lures the world’s most powerful leaders to the United Nations. Using Michiko’s mind-controlling voice, he seeks to lead the Earth into a new era of selfishness and Anarchy. The heroes have to stop him, but the conservative Chikara and the socialist Gen have different definitions of the term “save the world.” While one wants to stop the plot, the other wants to control the politicians his own way. The three must put aside their disagreements and work together before America’s most extreme ideologues tear the world apart.”
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Zurga’s Fire takes place in historical Greece and the rest of the Mediterranean and is broken up into four books filled with short tales of adventure. What was the inspiration for this third book in the Orfeo Saga?
The fictional universe laid out by Tolkien in Lord of the Rings was probably the series that got me thinking along the lines of an extended saga. I liked the way Tolkien used ancient sources to create heroic fiction. At the same time I wanted to be more historical like Robert Graves and his series I, Claudius. I wanted to write something that would not be fantastic, and which would not re-tread well known history. The Bronze Age offered scope to speculate. There are few written sources, but what there is offers scope to invent characters and place them in historical context.
Zurga’s Fire introduces the issue of nomads and how they impact civilization. I had been researching nomads for my other interest, Oriental carpets. Nomads were very effective warriors, and they could overwhelm sedentary societies. They did have one weakness, and that was leadership. Every group from that lead by Attila to Ghengis Khan eventually fell apart. A charismatic leader is essential for nomads. In Zurga’s Fire the leader of the nomads is eventually undone not so much by a face to face challenge, but by a crisis in leadership.
Why did you go with the format of short stories told as a collection?
This is a very good question. I really did not think about the format before I started writing the series. I wrote many short stories over a period of years that were never published. Looking back that was probably a good thing. I always liked reading short stories. I think I have a short attention span. The result is that I am quite comfortable writing short stories and I have structured my Orfeo Saga that way too. Many books in the Orfeo Saga are made up of two different stories which are divided into books. In contrast my other series about a Los Angeles based private eye (the Bart Northcote series) are entire novels.
I felt that the characters in this book were complex and well thought out. What was your favorite character to write for?
I think that the character I had the most fondness for was “Zurga.” I gave him a rather ridiculous name because the character went by many names. This name suggests that you cannot take the character seriously. Zurga likes to deceive people as to his true intentions, as well as build up a mythology around himself. Zurga realized early on that he would not be fully accepted. No one would ever select him as a leader. In contrast his protege Orfeo can become a leader. Again I was well aware of Orpheus in the Greek pantheon. While Orpheus was a gifted lute player, he is also credited introducing civilization to savages. My Orfeo character has some similarities with Orpheus, but I have taken all supernatural elements away.
I think of Zurga’s Fire as a historical adventure tale. Did you do any research to keep the setting and characters true?
I studied ancient and modern nomads for years. I read about them, their social structure, history, and particularly art. Many of my research trips were to see nomads making textiles, particularly Turkish speaking people. I knew that for the Bronze Age there were not good historical sources, so I filled in the blanks with what I understood from more modern nomadic groups. I tried to capture their lifestyle in the novel, without going into the nuts and bolts of their society. The interesting thing is that the Greeks had recently settled by the Bronze Age. In the novel they were well aware of the kind of enemy they faced. The same pattern repeats throughout history many times. A group settles and then the next group of nomads impinges on them. Every sedentary group has the same choice. They can fight or they can flee. For Zurga’s Fire I wanted to show how the nomads being horse riders and archers had an advantage. Sedentary society, with farmers, had fewer people who would naturally take on a warrior role. They could fortify cities to stop nomads, but that does not always work. That is the tension I wanted to accentuate in the book.
What does the next book in the Orfeo Saga take readers?
The next book is also divided into two main parts. The first part takes the characters to the New World. There has been a huge amount of scholarly speculation about the contacts between the Old and New Worlds. I think that there must have been limited contact between these two areas, but I am not sure that it occurred as early as the European Bronze Age. However, there was likely early contact. There was a report that a scientist had found traces of cocaine as well as nicotine in Egyptian mummies as early as 1000 BC. I think it is important to look at evidence with an open mind but have a healthy skepticism about big claims.The Orfeo Saga volume 4 has a bit more humor in it than other books in the series. I also thought it was important for Orfeo to take a greater role in his own fate. His teacher disappears during this story.
Part II of the book deals with the rise of Sparta. This is not as far-fetched as some people think. Archaeology is pushing the date for Spartan civilization further back in time. I try to post interesting links to the archaeology on my Facebook page.
The Getae inhabited the region on either side of the Lower Danube River, in what is today northern Bulgaria and southern Romania. They were in contact with ancient Greeks from an early date. Herodotus – writing in the 5th century BC – extols their martial spirit: “…when it lightens and thunders, they aim their arrows at the sky, uttering threats against the god; and they do not believe that there is any god but their own.”
They ruthlessly incorporate conquered people into their society through enslavement, and are prepared to kill those who are not useful to their plans. They have no need for the luxuries of city life. Fighting in troops of mounted archers, they mock individual heroes. Getae have a long history of reducing enemies in deadly hails of arrows while not getting close enough to lose warriors in single combat. Here Orfeo and his warriors must deal with an expanding Getae empire during the heroic age of Greece. Vastly outnumbered, can they stop an invasion that threatens not only their lives, but also their entire culture?
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