The Bug Boys vs. Professor Blake Blackhart follows Alex and Ian who still have nanobots inside them and retain the ability to take on the different aspects of bugs they swallow. What direction did you want to take this book that was different from the first story?
Well the first book was the origin story. How the kids got their powers, and a lot of get-to-know-you stuff, where they live, etc. In the second book, I didn’t have to go over all that again, at least not as much, so I focused on upping the ante with bigger bugs, robots, action, and a proper super villain character. I also wanted to explore what being a hero was all about.
The writing in your novel is very artful and creative. Was it a conscious effort to create a story in this fashion or is this style of writing reflective of your writing style in general?
This is my writing style. I like to keep things moving along at a brisk pace, and I always jump on an opportunity to see the funny side.
I felt this story was very well written. What’s your experience as a writer?
Thank you! As a kid I was always a story teller. More recently I set up my own movie review blog, and after a couple of years doing that I decided I was ready to construct a full novel. Since I’ve watched and analysed so many films (and books, I read a lot too) I think I’ve got a good handle on what’s needed in a story. It also doesn’t hurt to review one’s work with critique groups either!
Will there be a book three in The Bug Boys series? If so, where will it take readers?
There will, eventually! Tentatively titled, The Bug Boys and The Bullet Ant Queen. This one will spend a lot more time exploring the alien’s planet (The Bug Boys are going to visit!), while I explore the subjects of change, and the environment. This one will likely take a bit longer to put together as I also have another novel I’m working on. Something for adult readers, a little afterlife dramedy!
The fantastic superhero adventure that began with The Bug Boys continues! Alex Adams and Ian Harris take on Blake Blackhart, a disgraced Oxford professor. He discovers the boys’ source of power and plots to use the Secti’s alien technology to wreak havoc across the galaxy.
With a proper real-life supervillain in the village, the boys must step up their superhero game if they are to put a stop to the professor’s nefarious schemes. Along the way, they make new friends, and they encounter new bugs and superpowers. With the fate of the galaxy in the balance, the boys dig deep within themselves to truly understand what it means to be a hero!
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Pegasus follows captain Thorn as he and his crew embark on a fateful trip that will leave their ship sabotaged. What were some themes that you felt were important to highlight in this story?
This story is set about a hundred years in the future after a series of global conflicts that has destroyed governments and devastated the natural environment. But it’s not a bleak, dystopian future. My main viewpoint was that after things settle down, the Earth begins to heal itself and the survivors find a way to work together to make the world a better place. But people being people, there are still those who want to exploit the environment for their own gain. This is what’s happening on the moon, and it’s the discovery of this damage that drives the story. At one point, Thorn is standing on the moon looking at Earth; this beautiful, fragile, and completely unique jewel in the vast blackness of space, and he realizes how precious it is. It’s the only home we’ve got, and we’ve got to protect it. The theme is further explored on a smaller scale as this crew of very different people realize they have to work together if any of them are to survive.
Thorn is a laid back, hard-on-his-luck man full of quirks and a relatable backstory. Was there someone that served as inspiration for his character? How did he change as you wrote the story?
This is the first in what I hope will be a series of books. In my other series, David Larkin is the nearly perfect hero; smart, strong, brave, and almost always right. My wife observed that Larkin is who I want to be, and Thorn is who I really am. She might have a point. Thorn doesn’t consider himself a hero; he’s just a guy trying to do a job. He is sometimes selfish, sometimes cranky, and resentful of these people he’s forced to live with in a very confined space. But over the course of the story he comes to appreciate the different skills that these people can contribute to their mutual survival, and when he loses a crew member, he is truly touched and deeply saddened.
Steven Wilson, a huge part of the success of Justin Thorn’s mission, is a character I would like to see further developed. What was your initial idea behind his character and where do you see him going in the future?
Thorn readily admits that he doesn’t have a lot of technical knowledge, and Steven contributes skills that Thorn lacks. He’s a bit of a geek, very smart, with a lot of knowledge and a creative way of applying it. He’s the brains of the outfit. In their second adventure together, Steven will once again find a creative solution to a life-threatening situation to hopefully save everyone.
What is the next book that you are writing and when will it be available?
My next book is entitled Intrepid, and this time Thorn and Steven are going to Mars to attempt to rescue the scientists at the outpost there. But when they arrive, things go horribly wrong and the survivors must find a way to get their crippled ship back to Earth, millions of miles away. It should be out by the end of the year.
Captain Justin Thorn is hired to transport equipment and supplies to a mining colony on the moon. When they arrive, Thorn and his crew discover a shocking secret that could jeopardize all life on earth. On their return ship they find that their ship has been sabotaged, leaving them unable to return to Earth without burning up in the atmosphere. Trapped in orbit and with time and air running out, they attempt a daring maneuver that could either save their lives or kill them all.
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Alex and Ian return in the sequel to The Bug Boys, back to the town of Rossolington after the collapse of the mine. The boys still have the nanobots inside them and retain the ability to take on the different aspects of live bugs they swallow. They are still working with the Secti to bring new insects back to the Nest planet, but the Secti are impatient and want a better selection of insects so they start to create their own portal outside the boys. Meanwhile, bugs start showing up from a forth portal that no one knew existed. Professor Blake Blackhart, has also ingested nanobots and tapped into their abilities, as well as improved upon them. Professor Blake however, does not have good intentions and becomes the book’s super villain to the boy’s superhero personas. Add into the story a new student Linda and her mom, the new PE teacher that takes an unhealthy interest in Alex and Ian and things get very interesting in the declining mining town of Rossolington.
The Bug Boys vs Professor Blake Blackhart is an engaging and fun novel for young adult readers and adults alike. You have your classic good vs evil theme, and kids’ vs adults. A group of four kids taking on the super villain and his sidekick kitten. Yes, a kitten. A kitten that is also infected by nanobots and has been surgically altered to be a weapon. Hoffman uses humor that draws kids in, lots of detailed descriptions about farts, the noise, the smell, the way it makes them feel. All humor that appeals to typical young adult boys. Eating bugs, but needing to keep them alive, entertaining and gross. The awkward time of puberty where boys suddenly discover girls and those awkward moments are brought out in the interactions with Linda.
Hoffman also manages to address some serious topics through this adolescent humor. Alex has to come to terms with the fact his dad is not infallible. This realization, that his father has fears, is not perfect and can make poor choices is one that hits him hard. Alex must learn to accept his father and his short comings if he can. After almost losing his father in the mine to be dealt another blow is difficult. This is relatable to young readers as they are hitting the age where they might start seeing the childhood hearos for who they really are and realizing they are not the perfect examples of humans they originally thought them to be. These can be hard times for a young teen to experience, seeing characters in a book they like can help them come to terms with reality, and give them a laugh along the way.
While Alex and Ian want to be superhero’s, they learn there is more to being a superhero than just putting on a costume and having super powers. They learn limits, asking for help, working as a team and reaching out to others when they realize they can’t do it all on their own. There are a lot of good lessons for young adults packed into this short novel. There is enough action to keep kids interested and wanting to read more. Hoffman even at the end gives readers a cryptic scene that leads us to believe we can expect more from the Bug Boys.
Pages: 154 | ASIN: B076737HRN
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The Guardians of Eastgate by Sherry Leclerc, is a classic fantasy tale. Maelona Sima is one of four champions of the race named seers. As a champion Maelona is tasked with protecting one of the four keystones that protect the realm of Sterrenvar from evil. When an evil sorcerer rises up, seeking to enslave the peoples of Sterrenvar, Maelona at the keystone at Eastgate is the first line of defense. But will the prejudice and oppression against the seer people work against her? Maelona teams up with a human prince, Gareth, and a wolf shapeshifter, Blaez, but the question remains, will it all be enough to stave off this tide of darkness?
Leclerc’s book is a fantastic fantasy novel accented with the inevitable threat of evil and darkness confronted by a ragtag group of “heroines and heroes”. Since this is the first book in a series there is a sense that there is plenty more story to come. There is something for everyone though, between world building, action and romance between Maelona and Blaez. Leclerc’s writing is easy to follow and the book itself is not long, just under 200 pages.
The “choppiness” of Leclerc’s chapters left more to be desired, since they seem to cut in every four to five pages. This tended to throw me off more than kept me turning pages. Because chapters can be natural stopping points I wanted the book to take advantage of longer more engaging chapters rather than serving all of the good parts up so quickly.
It was an interesting choice to make a standard figure of fantasy, the seer, into an entire race of people who are guardians. In some ways, it makes sense based on their foresight abilities but I felt like the race needed to have more depth, which could easily be built in the coming books. The Guardians of Eastgate is brimming with potential that should be brought to fruition but is hampered by the short narrative arc. The next book should prove to be more exciting if such world building continues to be developed and deepen the point of view of the characters there in.
Readers will enjoy this novel for how technically well written it is. Wait for the next installment because this story is begging to be expanded.
Pages: 165 | ASIN: B07579TCBC
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Tyler Wandschneider’s Lockheed Elite is a thoroughly enjoyable sci-fi crime adventure akin to an episode of Firefly than anything else. We jump between the perspectives of a cast of intergalactic anti-heroes as they dance on the edge of the law, caught between the authoritarian Galactic Command and the ruthless criminal underbelly of the galaxy. The plot is spiced up with more than a few twists and thoroughly human and flawed characters that keep you engaged right up until the end. If you’re a fan of the science fiction genre, you won’t go wrong with picking up this book.
I think the word that really summarizes Lockheed Elite is: competent. The writing doesn’t sparkle off the page; it’s straightforward in its delivery. There’s a certain relief to not having to dig through layers of purple prose to find any kind of enjoyable story. It’s an easy read, especially if you’re already au fait with the science fiction genre.
The writing was absorbing precisely because it was easy to digest. I found myself chewing through ten to twenty pages at a time before I even realised it. If the goal of a writer is to engage the reader, then Tyler Wandschneider has certainly achieved it.
This is not to say the writing is flawless; it occasionally struggles with articulating emotions. Characters will pontificate on the stakes or over-explain themselves, even at points where the tension and pacing should be amping up. The effect is something of a stumbling block in some of the most exciting scenes, as we read through one character or another describing how and why they feel a certain way.
The book develops it’s characters slowly throughout the novel, letting them build into complex characters towards the end of the novel. Although characters don’t feel like they have their own voices in the beginning, it feels more real towards the end of the book.
Lockheed Elite is engaging, and it kept me reading all the way through to the end. Despite my above quibbles, I really did enjoy it. I think Wandschneider has done a great job in writing a solid, exciting book. I only wish that it perhaps had a bit of a stronger start and I think this would be a stellar example of a science fiction genre piece.
Pages: 416 | ASIN: B073VHM3QG
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Tyler Wandschneider’s Lockheed Elite is a thoroughly enjoyable soft sci-fi crime adventure – more akin to an episode of Firefly than anything else. We jump between the perspectives of a cast of intergalactic anti-heroes as they dance on the edge of the law, caught between the authoritarian Galactic Command and the ruthless criminal underbelly of the galaxy. A predictable plot is spiced up with more than a few twists and thoroughly human, flawed characters that keep you engaged right up until the end. If you’re a fan of the science fiction genre, you won’t go wrong with picking up this book.
I think the word that really summarises Lockheed Elite is: competent. The writing doesn’t sparkle off the page; it’s straightforward in its delivery. But straightforward isn’t a negative word in this context. There’s a certain relief to not having to dig through layers of purple prose to find any kind of enjoyable story. It’s an easy read, especially if you’re already au fait with the science fiction genre.
The writing was absorbing precisely because it was easy to digest. I found myself chewing through ten to twenty pages at a time before I even realised it. If the goal of a writer is to engage the reader, then Tyler Wandschneider has certainly achieved it.
This is not to say the writing is flawless; it’s occasionally hamfisted in its delivery, especially when trying to describe emotions. Characters will pontificate on the stakes or over-explain themselves, even at points where the tension – and thus the pacing – should be amping up. The effect is something of a stumbling block in some of the most exciting scenes, as we have to sit through one character or another describing how and why they feel a certain way. The characters, too, can feel generic. As with all genre fiction, a certain amount of archetypal cliché is to be expected, but it’s important to expand on those clichés too. The book takes too long to flesh those characters out, leaving many of them feeling like empty slates until it’s too late.
But I complain about these small things because I truly enjoyed this book and I see so much potential. It’s engaging and it kept me reading all the way through to the end. I think Wandschneider has done a great job in writing a solid, exciting book. This is a stellar example of a sci-fi genre piece.
Pages: 416 | ASIN: B073VHM3QG
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Remember To Recycle explores a twisted state of dystopian society run rampant with political tension and censorship as experienced through the eyes of a sordid slew of characters. How did you decide on the starting point for this novel and how did that help create the rest of the story?
Thank you for asking. I based the novel on current reality based on in-depth study of foreign policy and traditional patterns of involvement by intelligence agencies who use propaganda to skew public opinion toward a military agenda.
I began the book inspired by the guys who go through my recycling bins to take what they can sell; I made a recycler character who has a clever scheme to take what he learns about the people in the neighborhood that way. The idea made me chuckle, and I wanted to see what kind of goofy brilliance he might display. I also had often joked around with a housemate about the empty buildings across the street which are owned by the church. We’d see people go in and never come out. I was also inspired by our jokes about the counter-intuitive business choices of the local ice-cream truck driver. The truck indeed broadcasts the recording of a scolding woman’s voice, just like in the novel.
Though entertainment is the ultimate point of the book, my main serious goal with the book is to balance the propaganda about the White Helmets, though characters in the United States who had hear the stories about a group like them on the nightly news or watch the Hollywood movie about them.
This novel follows the introduction to Nancy and her relationship to the Agents of the Nevermind in book one, Glossolalia. Nancy has done sordid things in her past, but she was forced into it. In this book, she’s again given the chance to be a hero and make amends for her role in political intrigue, even if it means using the dirty skills she was raised with. Some methods are so dirty, she hardly even lets herself know just how sordid she can be. But like all the other POV characters, she has a good heart.
I chose the beginning scene because it was cinematic, with the dramatic contrast arising from Nancy relaxing at her unusual dwelling, chuckling at the anomalous sound of the ice-cream truck that never seem to make any sales. That prepares us for dark humor in the book. She’s being startled by the loud sound of a hard snowball smashing the glass of the window beside her head. She puts on her costume when she realizes someone outside might be looking at her, so we see how she’s been living “underground,” hoping no one recognizes her, in a somewhat primitive location, but someone mysteriously is communicating with her.
She finds a painted rock inside the snowball and the image reminds her of herself and her one friend, a lovely artist named Becky. Nancy has followed another such anonymous note to lead her to Becky in the past. So that beginning creates questions about the dynamics of some major characters, as it sets in motion Nancy’s sleuthing, and involves the reader in the mystery.
I remember the excitement of thinking of the snowball, with ice-cream and a rock inside, at the beginning. Most of the book was already written, but that image created a colorful motif that I went back and inserted through the novel. It was gratifying the way it drew a lot of elements together.
You’re able to weave together the intricate lives of a ragtag group of characters. What themes did you want to capture while creating your characters?
I focused on the theme of the heroism of examining and exposing social engineering, and the difficult choices, nobility and sacrifice that can entail.
I felt this story was very well written. What’s your experience as a writer?
I appreciate that. I’ve been writing all my life, as well as studying the form, not only for my benefit but for my students, as I teach fiction writing and edit manuscripts. I’ve explored a variety of genres; psychological suspense, which is the overarching category all the diverse books in the series fall into, fascinates me because of human psychology making propaganda and other forms of deception easy and bewildering, creating the need for answers. I love the feeling of figuring out the answers to such mysteries, such a rush, a shudder. It’s the perfect genre to dramatize the ability of intelligence agents working behind the scenes to gaslight the public. So, I read and watch movies and TV shows in that genre a lot, to understand what works best. I’m always studying more about fiction and screenwriting techniques. I learn as much from the screen as the page, and organize my books like movies.
This is book two in the Agents of Nevermind series. Where will book three take readers?
It continues the theme of the Agents who combine deception, mind control, blackmail, and occult practices. I’ve been including history about that intersection in the books, returning to certain historical figures such as John Dee and Edward Kelley, and their use of Enochian language as a spy code as well as an attempt at magick.
The novel is called Encore, and is Gothic. A highly-acclaimed performance troupe has a special requirement to make their shows work: the audience can’t be aware if any of the actors are replaced by a standby (similar to an understudy.) Their resident hypnotist, Dune, who is rumored to be an Agent of the Nevermind, accomplishes that by hypnotizing the standbys to believe they’re the actors they’re mimicking, and even coat their own auras with the residuals of their actors.
His wife is the star, but must leave the troupe due to cancer. Her standby and Dune have strong chemistry. He kidnaps her while she’s hypnotized to believe she’s his wife, and takes her to an alchemist’s castle. Underlying the story is the real history of a few powerful countries’ competing mythologies meant to gain supporters for them in wartime.
I hope this book will move readers to appreciate themselves for who they are.
What if the homeless men going through your recycling know more about your life than you do? Like who is going to die. One of the recyclers, Dave, wearing disguises he keeps under a bridge, memorizes the information in people’s bins. He, like many others, idolizes the Rescuers, a supposedly neutral, unarmed humanitarian aid group in a Balkanized country, as the possibility of WWIII looms. The Nevermind Agents lie on the evening news to garner support for proxy wars. They say the Rescuers are unarmed, neutral, and giving humanitarian aid to a Balkanized country. Their movie about them is a blockbuster. Rescuer costumes are the bit hit for Halloween. But it’s time to unmask them. And that requires a plan so ingenious, even the planner can’t know how it’s done. Living not far away from Dave’s bridge, Becky donates generously to the Rescuers, making her finances even more insecure. She doesn’t know what to think when she finds things in her apartment moved slightly. The toothbrush is wet. There’s a stain on the ironing board. The cat food is nearly gone. Is it her imagination? Is someone messing with her mind? Could it be Stan, breaking in because he loves her? He certainly loves putting her body into mysterious BDSM contortions for their videos. But what’s that muffled moan she hears in the background when she calls him on the phone? Becky hires her friend to spy on Stan. The woman has gone underground since escaping from the Nevermind; she wears a wig, and a mask meant for burn victims. She has traveled across the country to befriend Becky, taking a chance on an anonymous message recommending she do so, though she doesn’t yet know the reason.
A Thriller for Thinkers
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Black Ink Pearl the screen play was adapted from your award winning novel Black Inked Pearl: A Girl’s Quest. What were some challenges you encountered while adapting your novel?
Well, first I had to learn something about screenplay writing, so so different from a novel. Hadn’t a clue!! But was passionate about doing it so signed up at more than I could afford (worth it) for a course with Voyage Media. It was brilliant. Though this one wasn’t the script I got mentored on then (by marvelous and incredibly patient – I really was clueless to start – Kathleen McLaughlin) they must have taught me the craft well as have just – wait for it – heard that my ‘Black Ink Pearl’ script (subtly changed title from the book, nothing clever or deep, just to differentiate it) the Genre Winner for scifi/fantasy in the internationally acclaimed (whew!) Capital Fund Screen Play Contest 2017. Doesn’t mean it gets produced, but its certainly a step closer. It will now – this is the process for the winners – get put in front of producers (who normally, don’t I know it, ignore any sent-in scripts) in the leading companies worldwide, including China. Still looking for other producers to consider it, so let me know if you know of any. It’s a great read, honest, fantastic in both senses, great actin and characters. Anyway hold your thumbs.
Am just finishing a second, this time based on a Walter Scott novel. If adapting a novel the trick, I now know, and it’s a good one, enjoyable, is to leave out two thirds of the scenes of the original and rewrite, perhaps utterly change, most of the rest but at the same time still be inspired by that original story that first caught and moved you. Also always always always – so hard for a novelist – to show, never to tell; show through actions words, and not adverbs or attributed (by you ) inner emotions (if it’s written properly the emotion comes through in the dialogue and the acting, leave it to them). Have had such fun learning all this and seeing the characters of the novels I love through new eyes.
Also to use that funny layout (‘Final draft’ it’s called) that is apparently the ‘industry standard’. And not too many pages – 100 seems to be about right for a full-length feature film.
And don’t expect anyone to be prepared to read it, do it just for love and passion. All the same keep trying and (essential) get as much much feedback and as many times as you can (I had really great fdvice from WEScreenplay judges, not too expensive) and don’t even think of entering contests till you’ve got a high mark from one of them (I learned that the hard way
Have been encouraged since then to read somewhere that if you’re successful in one genre people may tell you to stick to that, but actually you’re likely to be successful in another, so – but only if you really WANT to – don’t’t be afraid to try it.
Wow – how did I get into all this from one simple question …
Film rights are held by Garn Press. Where are you in the process of turning this screenplay into a movie?
Holding our thumbs that we get a deal. We just just might …
If we do get an option, we’d divide the proceeds between us in our agreed proportion, while the (lesser) amount for the screenplay, in which I hold the copyright, would come to me. The good thing about an option for, say, 3-6 months, is that even if they decide ot to proceed with the movie we get to keep that money and once the option time expires can try elsewhere..
The big hope to find a producer with funding and enthusiasm to actually make the movie (or just possibly, a television series, but would be best for the big screen). Both I and the publishers (Director is wonderful Denny Taylor, by now a real friend) would both love to see our mystic fantastic story disseminatedto wider audiences, I think it would really really work as a movie and that is inspirational sybolism – not pushed at them – would get through: but we’d ONLY want it if as a high-concept movie, we’re not in it just for some trashy commercial fix however lucrative.
Let’s say you’ve got the movie deal and you have to pick some actors for your film.Which actress/actors do you think would be perfect fits for your characters?
Emilia Clarke (fabulous in ‘Game of Thrones’ – also filmed in Ireland as this one could and should be) ) as the lead, Kate. She;’s interested I hear
Daphne Alexander (now gathering a great reputation in London and Broadway) as Deirdre, Kate’s mother (or as Kate if Emilia couldn’t), sh’ed be brilliant, and warms to the novel, I know she’d be prepared to be involved.
Idris Elba as the hero Christy – he’s such an intelligent as well as talented actor/person, and shares my feeling for Africa.
Judi Dench (I was at school with her, so know her and her commitments, she just might be persuaded) as the Queen of Heaven.
Rawiri Paratene as (the complex and difficult) character of) God. He’s less well known up here than in his native New Zealand but I thought he was the real star as the grandfather/tribal chief in ‘Whale Rider’
Do you have any other plans for your novel Black Inked Pearl: A Girl’s Quest?
Absolutely: an audio book is on the way with a brilliant illustrator, also a colouring book around the novel’s key themes. It’s already had a spin-off in its prize-winning fairytale prequel, ‘Pearl of the seas’ (that will soon be an audio book too, with musical background), and there will now be a whole series, taking children, gradually, through aspects of the story from age nought upwards in a series of (probably) five children’s books, text by me, fabulous illustrations again by amazing silk artist Rachel Backshall.
All these just arrived, no deliberate planning by me. Enjoy it.
Bye for now everyone, get back with any comments or questions.
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected.
Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
On a secret back way to heaven guided by a little beetle, Kate repeatedly saves her still scornful love, but at the very last, despite Kate’s fatal inability with numbers and through an ultimate sacrifice, he saves her from the precipice and they reach heaven. Kate finally realises that although her quest for her love was not vain, in the end she had to find herself – the unexpected pearl.
The novel, born in dreams, is interlaced with the ambiguity between this world and another, and increasingly becomes more poetic, riddling and dreamlike as the story unfolds. The epilogue alludes to the key themes of the novel – the eternity of love and the ambiguity between dream and reality.
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Apocalypsia by Jerry Veit is a saga in the best sense of the word. I was able to read the complete edition of this work, which consists of three books and three parts per book. They detail a post-apocalyptic Earth after what appears to be, for all intents and purposes, the end. Demons comb the land, freed from Hell and what is left of humanity struggles to survive and trust one another. It is left to small bands of warriors to come together and unite the warring factions, otherwise they will all perish with the rising of a new demon army.
The vision that Veit has for this world is expansive. It is also a fun blend of science fiction, fantasy and post-apocalyptic. These elements may seem to much for the casual reader but for Veit they are all ingredients that lend themselves to the epic that this work is. The edition I have, has a couple, very thick appendices, which was helpful for the wide cast of characters Viet details in all of these stories. Some of the terms, locations and overall history of this Earth is also given. All in all the world building that Veit skillfully brings to life is very present and rich for the reader to sink into and lose themselves.
I found Veit’s prose to be stilted in places and I wonder if his work would hold up better in an audio book or audio drama form. He did not shy away from any action and made sure the story kept moving through these pages, especially as the conflict became more and more intense until the dramatic conclusion. He does follow the time tested formula of having a band of hero’s and a singular villain, bent on destruction. The setting he built around this formula is what refreshing for this type of tale and the considerable scale he chose to write it in. The story itself could have been confined to two books but with drawing it out into a third he was able to deepen the plot just enough to please the reader. I won’t say anything else in that regard, lest I spoil the story.
What was difficult was the way that Viet chose to tell his tale. He took some grammatical liberties that a seasoned reader may have trouble reading at first. The most notable one is that Veit does not use traditional dialogue tags or quotation marks but instead uses names labeling who speaks (i.e. ADRIAN: Welcome to Apocalypsia). This is similar to how one labels dialogue in screenplays, which I am aware is in Veit’s background.
All in all Apocalypsia is an epic tale of loss, bravery and learning what it is to be human. Lovers of quests and end of the world tales will find something to enjoy here.
Pages: 387 | ASIN: B0726374N1
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The Slave Boy is the sixth installment of the Orfeo Saga and follows Cyrus as he lives his life in Kuragalu. Cyrus is feeling restless and bored as he lives his life without any foreboding danger lurking in the shadows. Even though there are thoughts of what life would be like married in a traditional Kassite way, he is eager to find an adventure and sets off to Babylon to find old friends and new lands. Here they land themselves in a familiar career path of merchants however a seemingly easy road into money is tarnished when they are captured and sold into slavery. Cyrus may escape but his new mission of protecting a member of the Royal family may prove to be his most difficult task yet. Meanwhile, Cyrus also has his eyes set on stopping a siege that could kill many innocent people. Life changing decisions will leave Cyrus in a position that will change his life forever.
The Slave Boy, written by Murray Lee Eiland, is a story of courage, passion and friendship. Prepared to be thrown into the world where slavery, Royal families and war mongering politicians will stop at nothing to take over power within their country and beyond.
Murray Lee Eiland has written this novel with a beautiful air of understanding and respect towards cultures within places such as Iran. I appreciated the context of history woven throughout the plot and how he easily fit the characters into the historical tones of the story. I also liked how the chapters were short and concise which left no room to ramble or over describe situations or people. Because of this, I found myself eagerly continuing the story and was always filled with excitement and anticipation at what may happen next.
The character progression of Balik was one that I thoroughly enjoyed. He begins the novel as a drunk- lost in the old time ways, desperately searching for a place in a world that no longer accepts the heroes of war. Cyrus saves him from himself and the cheap stench of wine and injects life and a sense of adventure into his old employer.
The Slave Boy explores both governments and Royal families which adds an element of politics throughout the deep throes of adventure. Further into the story, relationships with Royals offer benefits and power, however is this what the characters want or need? At times the novel almost felt like a James Bond style movie with spies, slaves and Kings mixing together to find out the deepest of secrets within the kingdoms.
I appreciated the historical note at the end of the novel, allowing the reader to have an understanding of what was real and what was made up. As it concludes the novel, it leaves the reader to consider and ponder on what life people may have had within these areas of the world.
I would recommend this to anybody who enjoys a novel loosely based on historical events, full of adventure and life changing lessons.
Pages: 238 | ASIN: B06WVFPGP3
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