Amelia Sinclair, a foreign correspondent liaison for CWG news network, had worked on the bottom floor of the UN in a renovated steam-room for the last four years. Upon receiving a suspicious email with the subject line as her name written in Farsi, she opened the link embedded within to see a horrifying video. Fellow journalists, whom she knew personally, confronted with masked assailants. Going Dark follows Amelia as she tries to help her fellow journalists, one of which, whom she was very close to.
Simultaneously, the beginnings of a media frenzy are in the works as the government tries to prevent a leak of the video. To add to the chaos, a bomb detonates in Damascus, just outside of the hotel where the journalists had been staying before they were kidnapped. With 25 pronounced dead in Damascus, 4 American journalists kidnapped, and a seemingly related murder of a man on the streets of Brooklyn, everyone is on high-alert.
The author, Jolene Grace, gives two distinct perspectives throughout the novel. The first is the journey of Amelia Sinclair, from the UN basement level media department to a loft in Brooklyn. The reporter finds herself hurried along by her superiors as she tries her best to protect her fellow journalists who are held captive; whilst she herself is considered to be a suspect in their detainment.
The second perspective is from the inside of The White House, where the President is working on how to spin the situation to his advantage to gain a second term, whilst others are trying to hurry the CIA to gather intelligence. Equally, discussions are being had as to who to bribe and who can be trusted. This gives the novel a lot of freedom to explore espionage on multiple levels. An example of these two perspectives working together is when a sniper takes aim at Amelia Sinclair; Agent Jets is nearby and tries to help, whereas from inside the white house he has dropped off the radar.
Going Dark is full of tension, built up by a switching of perspectives at crucial moments, allowing the reader to hear both sides of the story. As the government tries to keep a lid on the story that numerous media outlets are trying to expose to the public, the reporter Amelia Sinclair tries to save her fellow reporters whilst being hunted down.
The reader, the characters and at times Amelia herself, question why she received the video in the first place. However, we also get the sense that she knows more than she is letting on. Among the possibility that there’s a government mole, leaked CIA safe-house locations, government tracking and a sniper on one’s doorstep, it’s hard to know who is the ‘good guy’ and who to trust.
Through it all there is a real sense of connection with the characters. For instance, Amelia is plunged into a situation where everything seems out of control. Sitting in a Philadelphia CIA stash-house and all she wants to do is call home to her daughter, Ava, and make sure she’s safe.
Jolene Grace creates so much tension in the book as none of the characters know, or at least don’t seem to know, the full story of what is going on. The author develops the characters superbly, and a real sense of empathy is created. But there is a fragility in knowing them as it’s hard to tell if they will live to see the next chapter or not. Everyone is at risk and everyone is on high-alert.
Pages: 399 | ASIN: B07H8WV36R
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How We End Up is an intricate contemporary story that follows the lives of three strangers and shows how people can intersect at life changing moments. What was the initial idea behind this story and how did that transform as you were writing the novel?
I used to walk the beach in a park near my house. The park gets numerous visitors, mostly families, and I would frequently walk by young children playing in the surf. This area is known for its rip currents, and there are always news stories about people being caught in one and having to be rescued. It occurred to me that one day I might have to jump in after someone, particularly a child. Fortunately, I never had to. It got me thinking about how these rescues are often called “miracles,” but the story stops there. It did not, of course, tell us the aftermath, so I began formulating a story that shows us how they were brought together and tells us what happens to these people over a long span of time.
I felt that this novel was about the characters and how people change over time. What were the driving ideals behind the characters development throughout the story?
The central male character, Jackson, rescues nine-year-old twin girls. Although they they are twins, I saw them as being very distinct from each other, and I imagined they would lead dissimilar lives. Not only are their sexual orientations different, but one is worldly and self-destructive, while the other begins as a bit naïve, which leads them both to disastrous circumstances. Jackson, who achieves literary fame by writing about the rescue, suffers from a case of hubris, which results in his star falling. Their personas and their relationships, particularly their romantic entanglements, are affected, often negatively, by both the inner conflicts of the three characters and by chance. I see this as something we all endure. Some things we decide upon by choice, while others are left to happenstance and over which we have no control. All of these experiences lead to “how we end up.”
When you first sat down to write this story, did you know where you were going, or did the story develop as you were writing?
The “skeleton” of the story was apparent to me from the start, but as I continued writing, the details—specific events, relationships, and the consequences of the characters’ reckless behavior—appeared. This is pretty much my writing modus operandi in general. For me, writing is a discovery process.
What is the next book that you are working on and when can your fans expect it to be out?
My next book is about a character who leads five different lives, each detached from the others. It is somewhat experimental, maybe, but this is all I presently can say about it. If fortune smiles upon me, I might finish it within 6-8 months; after that, I would think publication would follow in about the same amount of time.
BEING RESCUED IS NOT THE SAME AS BEING SAVED.
Jackson Levee, a professor and writer, plucks two drowning twin girls from the Gulf of Mexico. Their attractive single mother has her own ideas about how to thank the hero. Jackson and their family go from being complete strangers one day to intimate friends the next. Jackson soars to literary fame after writing about his rescue of the twins, while the girls mature into beautiful but troubled young women. Over the next twenty-five years, everyone’s recklessness in love, marriage, and life produces wild and devastating results, forcing the three of them to struggle as they try to realize their destinies and find balance in life.
Douglas Wells crafts an intoxicating story teeming with passion and exhilaration to danger, addiction, and despair.
Posted in Interviews
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Einstein’s Fiddle begins with a man by the name of Davy Calhoun doing the unthinkable act of abandoning his child on a doorstep of a stranger’s home. You will then be transported to the past where you learn the events that have occurred to lead Davy to this very moment. Follow a journey of a lost and broken man that borders reality and dreams and flits between the past and present. Teenage romance, twisted events and a road trip will take you through the moments Davy Calhoun’s entire world turned upside down. What could have possibly possessed a man to make such an extreme decision?
Einstein’s Fiddle, written by W.A. Smith, will take you through the life of a man full of despair. Broken hearts, broken dreams and a broken future sets the tones of Davy Calhoun’s life. Loyal friendships, complicated relationships and family secrets will take the reader on an epic journey of love, life and redemption.
The plot would sometimes take an emotional twist as you delve deeper into Davy’s life. Throughout the novel, you meet various people of Davy’s past, and the characters come with their own set of perks and lurks. The folk throughout the story range from your neighbours, to best friends and long lost lovers and each person will help shape Davy into the man that he is.
Puppy fondness, pure infatuation, sweaty lust and unrequited yearning are just some of the phrases W.A. Smith uses to lure the audience into an addictive trance where you will be unable to turn away until you are satisfied you know what happens next. Follow along as Davy stumbles from childhood to manhood and the emotional confrontation that shapes his personality and life choices.
Throughout Einstein’s Fiddle, Smith flips between the past and the present and although the transition is sometimes confusing, it provides a deep understanding of Davy’s character, his family life, friendships and first loves. With the first events feeling so shocking, I felt drawn to find out exactly why he could have made the terrible decisions that he does.
Smith’s style of writing is classy and descriptive, providing a template for beautiful imagery that at times makes you feel as though you are watching a movie rather than reading a book. I almost felt like the novel could have had its own soundtrack and theme song! The reader will be pleasantly lost in the words and you will feel an instant attraction to Davy as his character’s progression takes twists and turns throughout the timeline of his life. Davy’s thoughts are often filled with twisted memories that are masked by the sting of liquor and unfortunate events will leave you feeling empathetic to his character.
If you are looking for a novel that will make you laugh, cry and feel deeply, then this is the novel for you. I would recommend this for those looking for a well-written novel with relatable and heartwarming characters. I wouldn’t be surprised if we see W.A Smith up there with the big named authors of the future and look forward to reading his other works.
Pages: 463 | ASIN: B01MXM99FT
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