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The Call of Thunder
The Call of Thunder, by Sarah Blynne, follows Havanna, a young woman marked by loss and destiny. Torn from her parents during a violent raid as a child, she grows up in hiding within the mountain village of Ketra. Her life balances between ordinary tasks like running the eatery and extraordinary challenges such as resisting the urge to reveal her lightning-born powers. Legends of Descendants, monstrous Dormants, and the looming shadow of the Dormant King shape her world. Alongside friends, rivals, and potential love interests, Havanna struggles with identity, duty, and the yearning to break free of secrecy while danger lurks just beyond the village gates.
Reading this book felt like being carried along by a current that shifts from gentle to wild. The writing is vivid and often cinematic. The opening scene of Havanna’s escape filled me with both panic and heartbreak, and that urgency never really let go throughout the novel. The world-building is strong, layered with history and myth that feel alive rather than forced. At the same time, the dialogue sometimes struck me as a bit too modern for the medieval-like setting. Still, I admired how the author balanced action with quieter, emotional moments.
Havanna’s character truly makes this book unique. She’s stubborn, flawed, fiery, and vulnerable all at once. Her grief over her parents, her frustration at hiding, her clashes with Darius, her tender bond with Aria–all of it felt raw and real. I found myself frustrated with her when she lashed out, yet cheering for her every time she picked herself back up. The undertones of a love triangle with Victor and Claeron added charm to the storyline. What I enjoyed most were the training scenes and moments where Havanna questioned her place in a world that expects her to be both hidden and heroic.
I would recommend The Call of Thunder to readers who love fast-paced fantasy adventures with a strong female lead, plenty of tension, and emotional depth. It’s ideal for those who enjoy stories about chosen ones grappling with responsibility and identity. If you appreciate a mix of sword fights, mystical powers, heartfelt friendships, and a dash of romance, this book will keep you hooked until the last page.
Pages: 267 | ASIN : B0DHNLHF59
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
The Cauldron: A Struggle for Survival by Joe Clark
A Jericho’s Cobble Miscellany by Tom Shachtman
Childhood’s Hour: The Lost Desert by E.E. Glass
Visit the Literary Titan Book Awards page to see award information.
Literary Titan Silver Book Award
Celebrating the brilliance of outstanding authors who have captivated us with their skillful prose, engaging narratives, and compelling real and imagined characters. We recognize books that stand out for their innovative storytelling and insightful exploration of truth and fiction. Join us in honoring the dedication and skill of these remarkable authors as we celebrate the diverse and rich worlds they’ve brought to life, whether through the realm of imagination or the lens of reality.
Award Recipients
Witness in the Dust by Lorrie Reed
The Glass Pyramid by Vesela Patton
Visit the Literary Titan Book Awards page to see award information.
Falling into Shadow
Falling into Shadow follows multiple characters: Kyra, Sophie, Dante, and Renette. Each is grappling with survival, power, and the shifting balance of their world. Kyra’s desperate flight from Shadow Demons sets a brutal tone. Sophie, an Ionian Knight, carries the burden of protecting others while wrestling with betrayal and political intrigue. Dante is caught between family expectations and his own fractured past. Renette navigates the clash between ambition and the pull of her roots. The threads weave together into a sweeping tale of survival, politics, and looming war in a fragile world that feels as real as it is dangerous.
What I loved most was the immediacy of the writing. It feels cinematic, almost like watching a series unfold on screen. The pacing is relentless in places, then slows down just enough to let you breathe, and that kept me hooked. The action scenes hit hard. They’re vivid, raw, and sometimes gruesome in a way that made me flinch. Yet, they’re balanced with quieter moments that reveal doubts, guilt, and flashes of humanity. I found myself rooting for characters even when they made questionable choices. Kyra’s guilt and Sophie’s frustration, Dante’s longing for approval, Renette’s heartbreak; they all felt painfully real.
Still, there were times when the dialogue carried a little too much explanation, almost like it was doing double duty as worldbuilding. It didn’t ruin anything for me, but I noticed it. And some of the big concepts, like the Eidan’s glimpses of the future or the cloaked armies, had such massive implications that I wanted more space to sit with them. The book barrels forward, and part of me wished for more lingering in those big, head-spinning ideas. But then again, that urgency is part of what made it addictive.
Falling into Shadow is a ride worth taking. It’s brutal, imaginative, and packed with heart. I’d recommend it to readers who love fast-paced sci-fi with strong characters and aren’t afraid of a little blood and grit. Reading Falling into Shadow felt like a mix of the gritty survival of The Expanse and the mythic, character-driven drama of Dune, only with a rawer edge and a faster pulse. If you like stories that mix political intrigue with personal stakes, this one will pull you in and not let go.
Pages: 518 | ASIN : B0FB3RZ1DM
Childhood’s Hour: The Lost Desert
Childhood’s Hour: The Lost Desert by E.E. Glass unfolds in a dark and unnerving world where memory, identity, and survival constantly collide. At its heart is Loste, a man who emerges from the mysterious Fray with no clear past, only fear and a desperate drive forward. He stumbles into a land of sapphire sands, uncanny creatures, and strange sentient companions like Nadhez, whose furred presence and bound loyalty blur the line between guide and hallucination. The novel draws heavily on the clash between what is real and what is illusion, blending cosmic dread with intimate moments of connection. Every page balances wonder against horror, and every encounter threatens to dissolve into the static haze of madness.
The prose is lush, almost dreamlike, yet it never lingers too long on beauty without reminding me of the lurking terror beneath. I felt caught in the same paranoia as Loste, scanning every moment for the telltale crackle of the Fray. That immersion was brilliant, though it sometimes left me exhausted, like I had trudged through the dunes alongside him. The rhythm of fear and relief, tension and stillness, worked on me in waves, and I admired how the author never let comfort last for long.
What I liked most was how human the book felt despite its alien setting. Loste’s fractured identity, his mistrust of others, and his fragile hope for connection all hit me in the gut. Nadhez, with his easy laughter and sharp teeth, became a figure I wanted to trust, even when I doubted his reality. The dynamic between them gave me flashes of warmth, then snatched it away with reminders of cruelty and despair. That tension felt real, and it left me questioning my own instinct to trust. I also appreciated the playful absurdity woven through, the honking seal pup, the comic relief of bodily mishaps, which gave the darkness a sharper contrast.
Childhood’s Hour is not a book for the faint of heart. For readers who enjoy strange, surreal fantasy that bends toward horror while still offering moments of raw human tenderness, it is unforgettable. I’d recommend it to readers who like their fiction unsettling and immersive, who don’t mind being disoriented, and who find beauty in the uncanny.
Pages: 550
The Young
The Young follows Fren and his father Sven, set against a backdrop of myth, gods, and creatures that threaten their fragile peace. From the first chapter, with a beast slain in a barn, the book throws us into a world teeming with danger, lore, and tension. We travel with them through forests, mountains, and trials, meeting strange beings and witnessing clashes between loyalty, destiny, and survival. The narrative is thick with mythology, as gods of day and night loom over every choice, and family bonds hold fast against chaos.
I found myself pulled in by the rawness of the writing. The language is heavy at times, almost old-fashioned, but that gave the book a unique texture. It felt like hearing a campfire tale told by someone who believes every word. The pacing could be uneven, with sudden shifts from action to dense lore, yet I liked that quality. It kept me guessing, never settling into a predictable rhythm. The father–son dynamic is what I liked most. Their arguments, their promises, the undercurrent of love hidden beneath stern words, it all felt honest and, at times, heartbreaking.
The sheer amount of world-building, the gods and legends, and histories layered in sometimes slowed me down. Still, I admired the ambition. This was not a timid story. It aimed high, reaching for epic stakes, and in many moments, it hit that mark. I could almost see the world stretching far beyond the page, full of places and creatures only hinted at. The unpredictability gave it a raw energy, and I respected that.
I’d recommend The Young to readers who enjoy fantasy that dives deep into lore and who don’t mind being thrown into the thick of it without a map. If you like your stories intense, filled with strange creatures, and guided by themes of family, faith, and survival, this book is worth the journey. It’s not a light read, but for those who want a tale that feels both mythic and personal, it has plenty to offer.
Pages: 128 | ISBN : 1504321642
LITERARY TITAN 