This physiological thriller is amusing and engaging right from the start. Act one introduces us to the characters, all of which I found interesting but one more particularly so was Purvel Schlignatz. He’s a graduate student who is focused and open-minded, but gets convinced to do things that he sometimes does not subscribe to and I was not comfortable with the influence that Pelvin Penisovich had on him.
The drama and romance blended easily and were equally entertaining. I loved how Purvel Chlignatz was ready to risk everything just to be with Kitty Walters. I closely followed the drama that led to Pelvin Penisovich and Dronah Stackbut’s break up and learned a few things about friendship along the way. The romantic themes explore how pals and lovers sometimes get betrayed, and the result is anger that could be destructive.
Dolly Gray Landon’s story is exciting if not interesting and filled with characters with quirky names having engaging conversations. Melody wasn’t a favorite for me, but not for a lack of character development, quite the opposite. Her attitude and lack of empathy made me dislike her character. She was full of herself and abused the influence she had. I, however, appreciate that the author made her one of the main characters, as her role added more spice in the book. I also got to learn a few new words, as the jargon used by the Stool candidates was compelling. ‘Nadaism’ is one of the words I found to be amusing throughout the book.
Everything from the plot, literary stylistic devices used, character and writing style were excellent. I would recommend this book to anyone who enjoys reading plays and wants to enjoy a good story. Keep a dictionary handy as this story will surely increase your vocabulary.
Wealth, power, the socialite life, education, relationships, and peer influence are some of the themes covered in the book. The author’s sense of humor is subtly apparent throughout and serves to deliver a larger satirical story that kept me laughing, entertained, and quickly flipping pages.
Pages: 306 | ASIN: B07P3L7C7R
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Corporate Comedy by Thobias is a crazy funny yet totally believable account of one man’s life in India’s corporate sector. His experiences that made up his professional career are so entirely funny and entertaining, you may not want to read this book in public. In some ways this book is extremely ridiculous in the things that take place in the corporate world. These people are frustrating and yet laughable. They seem like characters from a movie! Yet the whole point is the story of a man who climbs the corporate ladder and his experiences. It’s a profession many think would be a great one, but the realities of what this man went through makes the reader see it all in a brand new light.
While this book is longer than some, it moves quickly. The story line flows smoothly and keeps moving at a quick pace. I like to laugh so it doesn’t take much, but I found myself laughing inappropriately loud and a bit embarrassingly, to be honest. I got some seriously weird looks from my own flesh and blood, I can only imagine if I would have been trying to read this somewhere more public, like the bus or at the park! I wouldn’t have been able to help myself. I ended up reading this book in one quick weekend.
Corporate Comedy by Thobias can be considered a comedy biography burrito. It’s both things all wrapped up in a warm outer shell. I truly felt myself feeling sorry for those in the corporate sector that are the middle man. Those that end up having to travel and be away from their loved ones. I used to think all that traveling would be fun, but in a way this book made me see it in another light. I am not quite sure how these people can manage to do it all.
I loved the descriptions of some of the locations and characters. They weren’t too wordy and overwhelming as some books do but are good enough that you can really visualize the character or location. I also loved how you would find yourself cheering for the main character. When he gets to the point where he stands up for himself I found myself rooting for him to really say how he feels! These people are so ridiculous at times I almost couldn’t deal with all of it!
It may be set in India but the situations and interactions could be in any corporate building located around the world. I really think that I will start seeing those busy men and women in a whole different light than before. It’s no wonder these people seem like totally unrelatable people by the time they reach a higher up position. If you enjoy quirky workplace comedies then you will absolutely enjoy Corporate Comedy. It’s hilarious and truly enjoyable from the start.
Pages: 246 | ASIN: B06Y12NZFG
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Mervyn vs. Dennis is one of the funnest books I’ve read this year. Mervyn struggles with keeping his strange and intrusive boss out of his personal life. What was the inspiration for the relationship between Mervyn and Dennis?
Most of us have made a friend that we later regretted. I wanted to take that idea to its furthest extreme. Likewise, unless you’ve never worked or been extremely lucky, you’ve probably had a boss who made your life a living hell. Both of these situations are familiar comedy tropes but I wanted to combine them into something fresh. In both personality and outlook, Mervyn and Dennis couldn’t be more different. Mervyn is liberal and open-minded whereas Dennis is bigoted and mean-spirited. I wanted to explore whether two such disparate men could ever reconcile their differences or if they’d clash until the bitter end. During the writing process, this was something I was careful not to over-plan. I had some ideas of how their relationship would end up but I wanted it to evolve organically just like a real friendship or enmity.
What I liked about this story is that Mervyn is just trying to make it through life like many people. When you were building Mervyn’s character and background what was one thing you hoped came through in the end?
I wanted Mervyn to be likable, despite his flaws. Mervyn is extremely skilled at getting himself into embarrassing situations but I always wanted the reader to be on his side. Although he has moments of irrationality, I was careful to make his actions believable. Whether he makes the right choices is up to the reader but I wanted those choices to make sense, no matter how poor they might be. Mervyn has roots in picaresque fiction, British comic literature and modern sitcoms. He’s slightly too unhinged to be an everyman character but hopefully he’s relatable enough for the reader to become invested in his story. Comic novels, by their nature, tend to have eccentric characters. Sometimes this results in shallow personalities and caricatures but I wanted all the characters in my book to have believability and depth, especially Mervyn himself.
When Mervyn firsts meets Dennis he pretends to be racist so they can connect. Why did you choose that as the catalyst that propels their relationship?
Mervyn pretending to be racist is set up as a joke but nearly every event in the story is caused by that initial lie. Dennis is emboldened by Mervyn’s faux racism, showing how even a careless racist joke can cause a butterfly effect. Likewise, when Mervyn brings a swastika mug to work in an attempt to shock, it inspires Dennis to do something even more extreme. Although the novel is primarily a comedy, I wanted to explore the causes and consequences of prejudice. Alongside this, however, I was careful to avoid having a didactic message. It’s fairly common knowledge that racism sucks. People do need reminding sometimes but they don’t need it spelled out. What interested me most were the roots of Dennis’s hatred and the depths of his denial. In the wake of Brexit in the UK and the shadow of Trump in the US, racism is unfortunately topical right now, and there’s never been a more crucial time, in my life at least, to take a stand against it.
What is the next book that you are working on and when will that be published?
I’m currently rewriting three of my earlier novels. First off, there’s Grand Theft Octo, another comedy. It’s more satirical than Mervyn vs. Dennis, with less overt social commentary. It’s the story of Jonathan Doe, an entrepreneur of businesses the world has never seen including freelance taxidermy and (you better believe it) octopus teasing. Originally a 140,000 word epic, I’m on target to trim it by at least half. Next up, there’s The Papyrus Empire and its sequel The Black King. They’re dark thrillers that kick off a series about a global secret society. I’m hoping to have Grand Theft Octo ready in the next few months with The Papyrus Empire to follow. To keep up to date, please join my mailing list.
Deep in debt, Mervyn Kirby gets a job he doesn’t want by pretending to be racist. His new boss Dennis Lane thinks he’s found a kindred spirit. When Mervyn confesses he’s not really racist, Dennis thinks it’s just part of the act. Day by day, to Mervyn’s horror, Dennis worms his way into Mervyn’s private life. Despite his fears, Mervyn is torn: his new job pays well but he despises Dennis and everything he stands for. How far will Mervyn go to free himself? How far will Dennis go to become friends? Will they settle their differences or end up killing each other? And why are so many shifty people carrying pineapples around town?
Posted in Interviews
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Stage Door Comedies provides a cheeky glimpse into the quirky characters surrounding theater life. What has been your experience in the theater industry and how did that bring you to writing a collection of stories?
I trained as an actor in 1985 then undertook what would nowadays be called ‘an internship’ as an unpaid stage manager/lighting/sound operator on the London, England Fringe (professional Off-Off-West End). Fast-forward twenty years and I started writing plays. When I had an offer from two London Fringe theaters to premiere my first play Limehouse I knew I had broken into the business as a writer. That was my calling card.
The book is based in England and Paris, with each providing a unique backdrop that flavors the stories with each local’s unique atmosphere. Was there a reason why you chose these locations as the backdrops for your stories?
The story about my casting in Paris is true; I did approach theaters – including American outfits – for an English-speaking cast and did hit a brick wall. London is fortunate to have so many small-scale venues for new play tryouts and so many ‘pop-up’ comedy venues. I put Paris in Stage Door Comedies because my drama school Artistic Director studied there with Louis Jouvet at the Theatre des Champs Elysees. You could say it’s my school.
In this book you show us the underbelly of the theater industry and all the weird happenings and intricacies of the individuals who call the shots. Were there any characters that you especially enjoyed writing for?
Limehouse and A Suitable Lover are play-to-fiction adaptations of my first two plays which received offers of production on the London Fringe: others, I workshopped in rehearsal for conversational ‘say-ability’ (a comedic craft I honed in stand-up comedy). I directed and acted in Limehouse, an autobiographical twosome about quitting the theater, in a short run. It marked a return to a small-scale London venue. Would I direct again? No thank you, very much, at least, not for stage. In America you don’t have the British class system. What is success? Why do we pursue it? I guess as they say there is a bit of all the characters in the author of Stage Door Comedies.
What was it like to be an alternative comedy monologist at Steve Strange’s Cabaret Futura?
The 1980s was the era of the New Romantics and Karma Chameleon figure Boy George in the London clubs. At Cabaret Futura I did a one-person duologue playing both the comedian Jack Benny and his wife using two chairs back-to-back on the stage as props. I was also an MC at a comedy cellar near to the Royal Opera House Covent Garden.
I understand Stage Door Comedies is your first published book. Are you planning to continue writing? If so, when is the next book due out?
I have some more stories up my sleeve on the theme of the random nature of Fame – many are called but few are chosen. Why is one actor on the West End or Broadway while another is fated to ply their trade in a seedy, backstreet pub theatre? As Oscar winning actor Michael Caine said, it’s the years of rejection and humiliation they pay you for.
Author Links: Webpage
For the admirers of those entering the stage door, the attraction is in what they represent. In London’s Notting Hill, a BAFTA award winner is sick and tired of people using him as a stepping-stone or step-ladder to the the big time instead of putting in ‘the hard slog’. The hustlers find that talent is not enough – it is a serious game.
Posted in Interviews
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Sally Roger, in her recent book Stage Door Comedies, provides a cheeky glimpse into the quirky characters surrounding theater life. The book is composed of several short stories revolving around people in the theater industry. Roger obviously has a lot of experience working behind the curtain and she gives us a feel for day to day life of the actors, writers, producers, and stage hands who are always trying to keep their careers moving forward – sometimes through very strange, and comical, means.
The book is based in England and Paris, with each providing a unique backdrop that flavors the stories with each local’s unique atmosphere. Characters wander through the West End of London and ring up the Globe Theater, or walk down Boulevard St Michel and get coffee at Montparnasse. But the stories are, in essence, character studies of a wide variety of entertaining people who are almost always trying to push forward obsessively in their careers. With the stories set in these world-renown metropolises known for their arts, we get the feeling that this is the way it really is. This isn’t some little town trying to put on a stage play – this is the weird process a Parisian must go through to find the perfect actor for the main role. In one of the first short stories, an over-the-hill director, tired of being used as a stepping stone by strangers looking to make it big, tries to figure out the meaning behind a bizarre waiter’s rantings – does he want something from the director or is he just crazy – as well as his long-ago connection to a middle-aged actress who has invited herself into his home. In a later story, trying to find an English-language company that will produce her play in Paris, an observant young woman visits the unusual office of a local production company, where American expats seemingly revel in the Bohemian lifestyle of Paris.
Roger shows us the underbelly of the theater industry – all the weird happenings and intricacies of the individuals who call the shots, as well as those who want to ride their coattails. And for this, I give Sally Roger’s Stage Door Comedies a 4 out of 5 stars. As a collection of short stories around a singular theme, it works rather well. She obviously has quite a bit of hands-on experience in theater and therefore she is able to take a biting look at those who work in the industry. However, there’s no real continuity among the different stories, and with some being only a few pages long – I felt like she could’ve gone deeper into the mind, the actions, or pasts of the characters. With that aside though, her writing style is quite engaging and I found myself quickly starting the next story, enjoying the quirky characters and being able to peek into an industry and all its inhabitants that most of us only see from other side.
Pages: 108 | ASIN: B01CBR20WA
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