This physiological thriller is amusing and engaging right from the start. Act one introduces us to the characters, all of which I found interesting but one more particularly so was Purvel Schlignatz. He’s a graduate student who is focused and open-minded, but gets convinced to do things that he sometimes does not subscribe to and I was not comfortable with the influence that Pelvin Penisovich had on him.
The drama and romance blended easily and were equally entertaining. I loved how Purvel Chlignatz was ready to risk everything just to be with Kitty Walters. I closely followed the drama that led to Pelvin Penisovich and Dronah Stackbut’s break up and learned a few things about friendship along the way. The romantic themes explore how pals and lovers sometimes get betrayed, and the result is anger that could be destructive.
Dolly Gray Landon’s story is exciting if not interesting and filled with characters with quirky names having engaging conversations. Melody wasn’t a favorite for me, but not for a lack of character development, quite the opposite. Her attitude and lack of empathy made me dislike her character. She was full of herself and abused the influence she had. I, however, appreciate that the author made her one of the main characters, as her role added more spice in the book. I also got to learn a few new words, as the jargon used by the Stool candidates was compelling. ‘Nadaism’ is one of the words I found to be amusing throughout the book.
Everything from the plot, literary stylistic devices used, character and writing style were excellent. I would recommend this book to anyone who enjoys reading plays and wants to enjoy a good story. Keep a dictionary handy as this story will surely increase your vocabulary.
Wealth, power, the socialite life, education, relationships, and peer influence are some of the themes covered in the book. The author’s sense of humor is subtly apparent throughout and serves to deliver a larger satirical story that kept me laughing, entertained, and quickly flipping pages.
Pages: 306 | ASIN: B07P3L7C7R
Tags: a High Black Comedy in Verse with Music for Six Actors, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, Dolly Gray Landon, ebook, education, fantasy, fiction, Gary Lloyd Noland, goodreads, humor, ilovebooks, indiebooks, influence, kindle, kobo, laugh, literature, Lon Gaylord Dylan, love, nook, Nothing is More, novel, play, publishing, read, reader, reading, relationships, romance, satire, script, shelfari, smashwords, society, story, writer, writer community, writing
All Roads Home by Lisa Diaz Meyer is a fictional short story collection. Covering several genres, the book is divided into six parts titled The Outposts, The Enduring, The Oddities, The Particulars, The Fragments and The Play Versions. With each section and story being utterly unique, this book really is a mixed bag of offerings. Nowhere is this more obvious than, besides the four sections of short stories all varying greatly in their genre, the collection also consists of a part of poetry and The Play Versions which really are that: five of the stories in the collection written in play format!
The first section of the collection deals with a world that is hard hitting. In the story titled The Safe Room, this links back to the previous short story in its representation of women, cancer, and childbearing. With such stark descriptive passages of the cloning and curing process detailed, this section hits upon the more awkward of subjects that aren’t always spoke about comfortably.
Dealing with religion verse science, this section may be quite an eye-opener, considering its placing at the very start of the collection, but its subject matter does indeed turn the tables making you question just who, if anybody, has such a right at this stage.
The Enduring section starts off with a story which is most certainly that – enduring for its characters. What begins as a heartfelt story of a mother’s struggles quickly turns itself on its head when the story ends. However, nothing physical has changed, her situation remains dire, but she has found peace in her heart and mind and can now approach her situation from a more positive perspective. This story emphasizes Lisa’s ability to change tact and emotion in just a few short pages and sums up the book in its entirety.
All of Lisa’s characters, though only with the reader briefly, are very easy at catching our attention and therefore it’s easy to recognize their plight and see the story from their point of view. That Lisa can create such emotions in her readers through characters that appear fleetingly is a wonderful achievement.
For me, The Enduring was a favorite section. Packed full of emotions, there is one story where the action begins, plays out and ends in a matter of just two short pages! If you’re not too sure whether this selection of stories is for you, I urge you to read The Christmas Break first. Immediately this highlights Lisa’s fluidity in prose as well as her ability to create a fascinating collection of characters, and all within a few short sentences.
With superb powers of observation, a beautiful and haunting writing style on many of the pages, alongside an ability to push topic boundaries (Hitler and Jesus at a dinner party, need I say more!) this is truly a collection you must read for yourself.
If Lisa is this good at creating such an enthralling collection of short stories, I can only imagine what she would be like with a full-length fictional novel!
Pages: 280 | ASIN: B00WVWFL86
Tags: alibris, all roads home, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, cancer, childbearing, christmas, collection, ebook, faith, fantasy, fiction, goodreads, hitler, horror, ilovebooks, indiebooks, jesus, kindle, kobo, lisa diaz meyer, literature, mother, mystery, nook, novel, oddities, paranormal, play, publishing, read, reader, reading, religion, romance, science fiction, script, shelfari, short story, shorty story, smashwords, story, supernatural, suspense, teen fiction, thriller, women, womens fiction, writer, writer community, writing
Astonishingly prolific and with unbridled passion, William Shatner stands out as a stunning actor, writer and director with the zeal for mystical life or what some would notate as alien life. The author, Dennis William Hauck, runs an acoustic biography of a partner while working on the film Mysteries of the Gods. Dennis paints the preconceptions of William as an eccentric man who swings like a pendulum from condescending and boring to a nitpicking perfectionist character.
The book is themed with “human evolution” what the author calls “transformation of a man” but focuses on once an influencer of the Hollywood Enterprise to the lost face in the industry.
I have three words for this book; exemplary, fluent and cozy-rosy. Dennis’s artistic nature proves worth it to read the book as he weaves vague facts, whimsical musings and random thoughts into a bedazzled art piece. This book uses scintillating prose that brings out his crafty abilities, which inspire creative concepts in the publishing world.
My first thoughts were that an enticing aspect of William’s expressions and entitlement toward his position as a spokesperson for the alien community is surprising at first. However, a progression through the chapters evokes a mindset of withdrawal from the world. Literally, a journey through his life experience and success stands in the way of belief that such a prominent actor could turn psychic; Dennis does a good of making the reader wander between the two extremes.
Behind the scenes of the Star Trek franchise stood a celebrated modern icon who believed in telepathic experiences and cosmic intelligence, but without proof. Evidenced by the bizarre album The Transformed Man, it becomes easier to note how the author qualifies the metamorphosis of William’s character from one with a fascinating social life and dreamed-of career to a life of strained relationships with fellow actors, ego-centric behavior and unlikeable attention for women.
Dr. Andrija Puharich, a neurologist with keen interest in parapsychology, tends to bend her professional view towards the deep-seated belief that Uri Geller and Gene Roddenberry shared; these were characters who either could equally bring “sense” into extraterrestrial intelligence. For instance, Geller could bend metals or even disintegrate them. I believe this book effectively convinces its target audience to believe in what William stood for.
Dennis makes a closing case by reflecting on the temperament of his protagonist and relates the misconception William had towards his alien friends who, unfortunately, did not “come back” for him. The appreciation of normalcy in human life cannot be underplayed as this autobiography leaves the reader with deep contrasting thoughts of aliens and reality.
William Shatner – A Transformed Man by Dennis William Hauck is an exciting book to read as it probes a celebrity bio with a tale. This book has done more than just impress the publishing market; it has also popped out curious questions that keep the mind wondering what exactly was the thought-process of script writers, actors and directors behind the iconic movie, Star Trek.
Pages: 404 | ASIN: B0756NP2HS
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Joe is an average kid on spring break when he’s abducted by alien spies. This sets off a series of events that are both fun and entertaining. What was the initial goal when starting this novel and how did it change as you were writing it?
EDWARD: It started out as a 14 page script; typed on loose leaf paper, back in high school when I was big into super 8 film (before VCRs or home computers were invented). Then it sat until I decided to convert it into a book (the iMac was invented but the iPod wasn’t.) and then it sat until two years ago when Al and I decided to give the self-publishing world a go. I figured if I was only able to write one book in my lifetime, (and it seemed to be taking that long) I would make it the book I’d want to read, so my target audience was one. And I’ve been my own best customer. There was pressure to follow market criteria for a successful book; a dazzling cover, writing to a customer base, grammar and punctuation, but I don’t do well that way. I’m a little rough around the edges and unrefined and my story is too.
ALLEN: As this was an idea Ed had back in our school days, I think we both wanted to maintain as much of our original “fun concept” and yet bring it a more grown up feeling. We wanted others to fall in love with Joe as we had over the years.
It seemed like you had a lot of fun writing this book. What was your favorite part to write?
ALLEN: As part of our process we would both send each other changes we wanted and Ed would choose what he thought was best. I would open up his changes and often be laughing out loud minutes later. Ed always had the better sense of humor. For me the beginning is the most fun to write as it is the most important part, without a good start readers won’t keep reading.
EDWARD: The most fun and most frustrating was weaving Poe’s ‘Raven’ into a chapter, but I also enjoyed turning the play by play of the Ali/Fraser, ‘Rumble in the Jungle’ into a diplomatic fray. Unfortunately Longfellow, Tennyson and Whitman took a beating too. Sometimes things don’t work out well like my attempt to turn a car chase into a foxhunt but that did spawn the British/Aussie feud between the helicopter pilots. I also enjoyed paying homage to all the sci-fi I grew up with by weaving a lot of trivia into the book, the numbers 42, 2001, 1999 and terms like space seed, Thunderbirds, and countless more.
Joe is an interesting character, that encounters many odd situations and aliens. What were the driving ideals behind the characters development throughout the story?
ALLEN: I have always felt we took the best of both of us and smashed it together to create Joe. So he is truly an average earthling. Other characters developed by trial and error. Whatever seemed best to throw Joe into some crazy situation seemed the direction that the other characters went. Then we tried to keep them as believable as possible.
EDWARD: I always found that ordinary people in extraordinary situations make the best stories. I also figured if we gave any character a name, they needed an idiom, because all people have their little quirks and it seems to make them more real. Other than that the characters drove the story, I was along for the ride and didn’t really know how it was going to turn out at times.
What is the next book that you are working on and when will it be available?
ALLEN: We have a book in screenplay form coming very soon called “The Pen”. It is about a Squire helping his Knight win the affections of a damsel, while they defend the land from a ruthless enemy from the Knight’s past. Squire helps his Knight win the affections of a damsel, while they defend the land from a ruthless enemy from the Knight’s past. Squire helps his Knight win the affections.
EDWARD: I always have a bunch of half started storylines on my computer, but we are halfway through the first draft of what promises to be a more traditional sci-fi serial that Al developed (sorry Poe I took another shot at you in this one too). The Arturo Express (as mentioned in JOE) is beginning to form. And I’d love to write a Dr. WHO script.
It starts out with a very contrived first chapter setting events into motion for our hero, Joe, as he is accidentally abducted by alien super spies. They screamed like girls because the war is cold. And yet the book still continues with no well-defined antagonist, as a thief in the night complicates things further when data, the super spies are after, is stolen. This brings in the detective force with the android advantage. Soon after you fall into a precipice of idiocrasy, only to find that a painstakingly slow chapter ensues until we meet several minor characters one of which has a chapter named after him. A massive chase begins with Joe as the objective, and an old lady hits on a south of the boarder inamorta. A supplemental chapter is added because I couldn’t resist a childish bathroom joke. This just in! Joe finds out, that after her boyfriends, he’s not frightening. A quick night on the town with a montage is followed by mimosas and tomato juice. While Henry sits in the park. Intellegence? I dare say not. But there is a house party that leads into a musical interlude of Peer Gynt Suite I. Repetitive redundancy repeats itself with another chase of the same alien through the same town again…because…why not. And then we get to the last chapter which ends the book.
Posted in Interviews
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