Future World Rolls follows two FBI agents with psychic abilities as they start recruiting for a mission that will change human history. What was the inspiration behind the setup to this fascinating story?
Research into the 19-year-long career of one individual, a remote seer for the US government. He reported on the existence of ‘buck naked’ green men on the moon and its irregular placement as a protective screen against the solar flares of the sun. By whom? One may well ask.
As always, your characters are unique and fun to read. What is your process like to create such lively characters?
I always loosely base them on real, memorable people like Stan Laurel and the Big Bopper. Disparate? Maybe.
You masterfully imbue your work with music throughout the story. What were some key themes in your choice of music for this book?
Pure relevance to the storyline, plus hefty research into the ways in which these series of songs originated. I used this method to carry on the themes they might have used if they’d stayed on course, like Buddy Holly staying with The Crickets. In some instances, I began writing original tunes as imaginary offshoots. A classic example is the 2190 Overture, which could be sung by the likes of Queen in the same vein as Bohemian Rhapsody.
What is the next book that you are working on and when will it be available?
I am well into the first few chapters of book 3 of the Carousels of Life, Simply Spiffin’, Future Criminologist. It is all in my mind, to keep on track.
It starts in the mid-20th century with two talented FBI Special Agents being tasked with recruiting people to undertake a really unusual mission. In the process, they are themselves abducted to take a leading role in that mission, which is intended to save the human race from alien conquest.
It involves time travel into the future, as they lead their hostile hunters on a merry chase across the centuries. They have the full support of other sympathetic races in their imaginative survival techniques, allowing them to go on the offensive.
The characters within embark on a series of adventures that are truly moving in their significance. Based initially on our own Planet Earth, the story employs reported alien sightings and events.
Future World ROLLS to its very core!
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Ken Cressman’s book, Intrepid, is a futuristic adventure set mostly in space. We follow main character, Justin Thorn, and his engineer friend, Steven Wilson, as they take on a mission they never could have seen coming. Wars have broken out over race, religion, and even sports teams, dividing the United States. Martial Law has been declared. Military branches have dissolved, and the leftover scraps have been joined together to form the Military Defense Force. Justin, a former MDF pilot, has an anti-gravity capable ship named Pegasus pieced together from former military aircrafts, and the feds want it. Justin won’t let his ship leave without him. He volunteers to set out toward Mars. The mission is unclear. They will either fix faulty communication devices, rescue the nine people on the planet, or retrieve bodies. One of the nine is Justin’s ex and the love of his life, and all they know is there has been no communication between Mars and the Space Agency for months.
This is an edge-of-your-seat kind of book. Whatever can go wrong, does go wrong. A whole different set of obstacles is present during space travel than here on earth. Gravity, anti-gravity, air pressure and breathability, depleting food and fuel levels, meteor showers. It seems like every time things start going smoothly, something goes catastrophically wrong. Between Justin and Steven, they might as well have MacGyver on board though. They put their heads together to take on every problem that arises. The problems leave you woeful for the exhausted characters, but it keeps the excitement high. Risks are high, but so are rewards.
Justin is a loveable character. He is sort of a self-made man. He was a pilot with the military, but is now self-employed. He has taken advantage of the latest technology, and has built a ship equipped with anti-gravs (anti-gravity). He basically has formed a transport service, zooming goods around the globe. He does have space experience, and that comes into play when the Mars mission presents itself. He is also loyal. He doesn’t want to take the job if it means leaving Steven, his engineer and general know-it-all and problem-solver, behind. He also feels the need to be part of the team that goes to check on Kelsey, a member of the Mars research team who is also his former girlfriend and current love. Justin bravely puts his life on the line more than once for the good of the crew and the mission.
The book is packed with cutting-edge futuristic technology. Maia is also on board. Maia is an artificial intelligence computer system. Maia is ever-present and a pivotal tool when obstacles arise. Cressman does an excellent job of explaining the more technical parts of the book, including Maia. Technological advances are broken down where someone who is not scientifically or technically inclined can understand everything easily.
The element of the unknown also plays a big role in Intrepid. Space is vast and unimaginable without a million problems. The crew has no idea what they will find when they get to Mars. Will the research team all be dead? Will they find anything at all? Will there be a simple fix to their communication equipment? Will they walk into some sort of ambush? Will anyone make it back to Earth alive? The reader will find themselves questioning every next step as they follow the crew on their mission.
Ken Cressman makes everything so relatable and readable. It is technical at times, but the technology is effectively explained. I was all but biting my nails as the story progressed. I’d like to read more Cressman work.
Pages: 286 | ASIN: B07BB6R7YR
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Architects of the Illusion is about adopted royal sisters Eva and Ashy, members of a bird-like alien species. After Ashy is convicted of killing Eva’s husband, she is exiled to a refugee planet in another system, all the while maintaining her innocence, even though all evidence points to her as the killer. Eva turns to training and discipline, and, inspired by her late husband’s political career as a means to affect real chance, becomes a mercenary. Years later, Ashy escapes and sets off to find her own way in the universe, wondering if she’ll ever stop running, or if her sister will ever believe and forgive her. As an invading force threatens the planets with mutant monsters and destructive chaos, Eva and Ashy must confront their pasts if they are to save their futures.
The strength of this book is the characters. You really grow to care for Eva and Ashy, both as individuals and as estranged sisters. Eva’s mercenary lifestyle forcing her young son far away for his own safety, Ashy’s constant flight from the law and lawless – they’re both sympathetic characters, removed from the world both by their own choices and external influences, and both struggling to examine their relationship as sisters. Themes of love and duty are examined, leaving both characters and readers to wonder if familial bonds can ever be fully broken, or if they even want them to be healed. The secondary characters are also thoroughly unique and fleshed out, both through physical description and dialogue. The author has them often speak aloud to themselves when they’re alone, and while it can seem a little conveniently explanatory at times, there’s no denying that it always reveals more about the character. The author also has the characters speak about events in their past as part of their natural dialogue, without further explanation, allowing the reader to infer themselves, and making the whole thing feel a lot more organic, as if you were talking among old friends – mentioning past events without describing it shot-for-shot in a flashback, because you were all there. This is often hard to achieve in books, as a lot of writers feel they have to explain everything for their readers, but when handled correctly, the hints and quick dialogue with minimal set up work perfectly for better immersion.
The settings and world building are handled really well. Cities, space stations, even whole planets, are beautifully described without getting too bogged down in flowery language or extraneous explanations – they almost become characters themselves. The many varied alien species are also described well, with details about their physical appearances revealed naturally within the context of the story, as opposed to a solid paragraph of description, and their appearances are unique, yet plausible, and intriguing as you consider the evolution that brought them to their present forms. The actions scenes are appropriately heart pounding and tense, especially the exploration of the dying space station, and the quiet scenes are allowed to play out to further invest us in the characters. I will say there is a lot of colloquial language used in the dialogue, which I appreciate for attempting more natural banter than speech-like conversation, but it also has a few too many “like,” “it’s just,” and “errs” that bring it into present day, as opposed to distant future. Gangs of ellipses also litter the dialogue, but in the end, these linguistic and grammar problems do not ruin or negatively influence the book overall for me. Blending science fiction, a little bit of the unexplained, and the nature of human relationships, Architects of the Illusion has something for everyone.
Pages: 314 | ASIN: B00AW6AXZO
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Stage Door Comedies provides a cheeky glimpse into the quirky characters surrounding theater life. What has been your experience in the theater industry and how did that bring you to writing a collection of stories?
I trained as an actor in 1985 then undertook what would nowadays be called ‘an internship’ as an unpaid stage manager/lighting/sound operator on the London, England Fringe (professional Off-Off-West End). Fast-forward twenty years and I started writing plays. When I had an offer from two London Fringe theaters to premiere my first play Limehouse I knew I had broken into the business as a writer. That was my calling card.
The book is based in England and Paris, with each providing a unique backdrop that flavors the stories with each local’s unique atmosphere. Was there a reason why you chose these locations as the backdrops for your stories?
The story about my casting in Paris is true; I did approach theaters – including American outfits – for an English-speaking cast and did hit a brick wall. London is fortunate to have so many small-scale venues for new play tryouts and so many ‘pop-up’ comedy venues. I put Paris in Stage Door Comedies because my drama school Artistic Director studied there with Louis Jouvet at the Theatre des Champs Elysees. You could say it’s my school.
In this book you show us the underbelly of the theater industry and all the weird happenings and intricacies of the individuals who call the shots. Were there any characters that you especially enjoyed writing for?
Limehouse and A Suitable Lover are play-to-fiction adaptations of my first two plays which received offers of production on the London Fringe: others, I workshopped in rehearsal for conversational ‘say-ability’ (a comedic craft I honed in stand-up comedy). I directed and acted in Limehouse, an autobiographical twosome about quitting the theater, in a short run. It marked a return to a small-scale London venue. Would I direct again? No thank you, very much, at least, not for stage. In America you don’t have the British class system. What is success? Why do we pursue it? I guess as they say there is a bit of all the characters in the author of Stage Door Comedies.
What was it like to be an alternative comedy monologist at Steve Strange’s Cabaret Futura?
The 1980s was the era of the New Romantics and Karma Chameleon figure Boy George in the London clubs. At Cabaret Futura I did a one-person duologue playing both the comedian Jack Benny and his wife using two chairs back-to-back on the stage as props. I was also an MC at a comedy cellar near to the Royal Opera House Covent Garden.
I understand Stage Door Comedies is your first published book. Are you planning to continue writing? If so, when is the next book due out?
I have some more stories up my sleeve on the theme of the random nature of Fame – many are called but few are chosen. Why is one actor on the West End or Broadway while another is fated to ply their trade in a seedy, backstreet pub theatre? As Oscar winning actor Michael Caine said, it’s the years of rejection and humiliation they pay you for.
Author Links: Webpage
For the admirers of those entering the stage door, the attraction is in what they represent. In London’s Notting Hill, a BAFTA award winner is sick and tired of people using him as a stepping-stone or step-ladder to the the big time instead of putting in ‘the hard slog’. The hustlers find that talent is not enough – it is a serious game.
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