A Deal With God tells the tale of sweethearts Rebeccah and Leon whos fates are intertwined after a romantic summer night. What were some themes you wanted to capture in their relationship?
I believe the reason “Deal” has been so popular with readers and reviewers alike is because the interpersonal relationship between the characters are so real. The truth is there relationship between Leon and Rebeccah was very rocky. She blamed him for everything that was wrong in her life. The night before his marriage to Deana he tells her he is shocked to be remarrying because his first marriage was so bad.
This book is inspired by a true story. What were the real events that you used in this book?
The real event in question is that she actually died in the car wreck in chapter 2. Most characters in this book are based on actual people with real personalities and emotions. I love asking readers if they can tell me which parts of the book are real and actual verses what I made up.
We learn about Deana’s life and her hardships at the beginning of the story which builds a beautiful persona. What were some things that surprised you the most about Deana?
To keep the man who raped her from ever finding her when he got out of prison they changed her name and put in her in a boys orphanage in a different school zone. My old asst coach said it best: “If you asked Murphy (Deana) to run through a brick wall she would be back in a few minutes with a sledge hammer.” The story is unique in the feature it gives you the best of both fiction and non-fiction literary worlds.
Deana Murphy endured a life and death of brutality and hardship. She met every challenge God gave her and it made her stronger and stronger. God had a plan for her and she would need every ounce of this strength. Deana always dreamed of a bigger life. However, she never realized smaller can be just perfect. She wants romance and love, but she never realized sometimes it can take a little Divine intervention. In return, though, Deana senses the payback price will be steep. it is something big but God does not fully disclose the task. Desperate for a second chance, Deana agrees to do “anything ” God desires.
Deana Murphy had been unlucky at love. Yet the man who was perfect for her lived in one of the smallest towns in the United States. When God gave her a second chance at life, he was actually playing matchmaker. He sends her to rural Georgia, deep in the country to meet Leon Samuel’s. Sparks fly and love prospers as these two paths intertwine. This book features the greatest pick up line any woman can use on a man .“A Deal with God” is the romance novel readers have been waiting for.
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Corporate Comedy by Thobias is a crazy funny yet totally believable account of one man’s life in India’s corporate sector. His experiences that made up his professional career are so entirely funny and entertaining, you may not want to read this book in public. In some ways this book is extremely ridiculous in the things that take place in the corporate world. These people are frustrating and yet laughable. They seem like characters from a movie! Yet the whole point is the story of a man who climbs the corporate ladder and his experiences. It’s a profession many think would be a great one, but the realities of what this man went through makes the reader see it all in a brand new light.
While this book is longer than some, it moves quickly. The story line flows smoothly and keeps moving at a quick pace. I like to laugh so it doesn’t take much, but I found myself laughing inappropriately loud and a bit embarrassingly, to be honest. I got some seriously weird looks from my own flesh and blood, I can only imagine if I would have been trying to read this somewhere more public, like the bus or at the park! I wouldn’t have been able to help myself. I ended up reading this book in one quick weekend.
Corporate Comedy by Thobias can be considered a comedy biography burrito. It’s both things all wrapped up in a warm outer shell. I truly felt myself feeling sorry for those in the corporate sector that are the middle man. Those that end up having to travel and be away from their loved ones. I used to think all that traveling would be fun, but in a way this book made me see it in another light. I am not quite sure how these people can manage to do it all.
I loved the descriptions of some of the locations and characters. They weren’t too wordy and overwhelming as some books do but are good enough that you can really visualize the character or location. I also loved how you would find yourself cheering for the main character. When he gets to the point where he stands up for himself I found myself rooting for him to really say how he feels! These people are so ridiculous at times I almost couldn’t deal with all of it!
It may be set in India but the situations and interactions could be in any corporate building located around the world. I really think that I will start seeing those busy men and women in a whole different light than before. It’s no wonder these people seem like totally unrelatable people by the time they reach a higher up position. If you enjoy quirky workplace comedies then you will absolutely enjoy Corporate Comedy. It’s hilarious and truly enjoyable from the start.
Pages: 246 | ASIN: B06Y12NZFG
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Who would have thought that a story about a turkey would bring a reader to tears? Within the pages of A Pardon for Tommy by Patricia Nmukoso Enyi readers will find just that. Chelsea Malibu is the protagonist of our story. We begin with her waking from a nightmare in her college dormitory. Chelsea is a survivor of Hurricane Katrina and still suffers from its aftermath. She is a young woman now, but she cannot let go of the horror she faced at the tender age of twelve. The story walks us through what Chelsea experienced during the hurricane, how it affected her and what happened to her family. Throughout her ordeal Chelsea had one pillar of support: the never questioning Tommy the turkey. Tommy was a prize her father had won and expected to eat on Thanksgiving with his family. However, life has a funny way of throwing you off track.
The pain that Chelsea experiences in this story is raw and real. Tommy isn’t just a pet turkey: he symbolizes her family. The family that was ripped apart by the hurricane during which her father went missing after trying to save her life. Chelsea is clearly traumatized by the events and the life she lives after relocating to live with her mother, brother and maternal grandmother isn’t as easy as it should have been. Aside from the emotional trauma, Chelsea is faced with discrimination and bullying. Her family is fractured, and no matter how much she prays it won’t become whole again.
While there are some mistakes in the grammar and the styling of the novel leaves a lot to be desired, the content of the tale more than makes up for it. Readers can feel the agony that Chelsea experiences in these pages. She is young and there is so much she doesn’t understand about what is happening to her. There are so many changes in short succession that it would make even an adult’s head spin. There is so much uncertainty in her life that it’s as if time stops for her. Because of this, Chelsea clings to Tommy, the turkey, for comfort. This turkey is the only thing that connects her to her missing father. The physical existence of the turkey allows her to have something she can touch to remember her father.
In the novel, it has been six years since the devastation of Hurricane Katrina. Our protagonist has avoided returning to the city where her life was so gravely changed. With the impending death of her beloved turkey Chelsea boards a bus to return. It is here that we are privy to the events that took place in that city. A Pardon for Tommy by Patricia Nmukoso Enyi is a beautiful, sad, and harrowing tale of a survivors experience with one of the deadliest events in modern history. This is a perfect book for young adults or those who enjoy more realistic fiction tales. Will Chelsea’s family ever become whole again? Will she ever find out what happened to her father? And most importantly, will Chelsea’s nightmares ever disappear? Read for yourself to find out.
Pages: 150 | ASIN: B0725M51SV
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Deity’s Soulmate follows a young goddess Gardenia as she sets out to create a better universe than the one mankind is in. What was the initial idea behind this story and how did that transform as you were writing the novel?
The initial idea for the story actually didn’t blossom in book 1. I first started writing book 3 where Gardenia was banished by an evil sorcerer and a young man had to hunt down talismans to get her back so the war would end. After finishing half of book 3, I realized that my title- Gardenia’s Castle wasn’t of interest. Why should people care about her castle? Who is Gardenia? So the idea was born to show her beginning.
Deity’s Soulmate went through many drafts and two editions before I was satisfied with it. Characters have been added, conflicts had changed, and illustrations have helped transform the story into what it is now in the second edition.
Gardenia is a complex and deep character. How do you capture the thoughts and emotions of a goddess type character?
By making her human-like. I wanted Gardenia to be young, naive and it helped that I started working on her character in high school when I was young and naive, but only published it as a young adult. As I grew up so did my character. There was admittedly a long break where I didn’t think about her and so I was able to have a new outlook when I returned to her story.
It also helped that I wanted her to grow up along the way and meet characters that would complement her, mainly the dragons. I believe that the dragons were able to bring out her character the best.
This is a stellar second edition of Deity’s Soulmate. What were some things you wanted to change in this second edition?
Thanks to one of my editors, I realized that I needed to create more conflict. She told me to work on conflict for both of my published works so I thought for awhile on how to do that with Deity’s Soulmate. The conflict with the Fates happens in book 2 which I couldn’t really bring out in book 1 so I added Hera and her daughter. I, honestly couldn’t believe that I didn’t have Hera in the first book and adding her had been a great addition.
I also wanted to make the romance more realistic by adding an infatuation for Gardenia. My mother always told me that first relationships always fail and that’s a good thing because one needs to have a first relationship in order to succeed in the relationships that’s for forever so I added a young man into the story for Gardenia to like and I believe that helped her complexity.
Those two additions helped the story line and added little bits and pieces all over the second edition to make it great.
What are some of you sources of inspiration as a writer?
People, cats, and random objects. The two people that really inspired me to keep going with their honest feedback were the two editors (Kali and Laura). They were never afraid to tell me that I lacked elements in my stories which is important for an author. They pushed me forward and I will always be thankful to them.
My cats are amazing. They tend to be around when I write and one look at one of them makes my heart soar. They help to calm the storm whenever I’m lacking in inspiration and push me forward.
I have a collection of dragon figurines and those helped bring the dragons alive in Deity’s Soulmate. My sister, the artist was able to take elements of different figurines to create Ri, the dragon on the cover. She was able to see the scales of artmanship and bring Ri to life.
Also, sometimes inspiration comes from just holding a regular notebook with a pen. When I was waiting for my sister to try on clothing at a store, I sat on a chair and tapped my pen on my notebook surfacing an idea for my current work in progress – Into the Flames.
A sheltered schoolchild in a realm of condescending gods and goddesses, Gardenia goes to Earth on a dare to witness the unsavory side of mankind for herself. Believing she can do better, she undertakes the formation of an entire galaxy, but without permission from Zeus.
Zeus disciplines her by assigning an epic 13-fold creational lesson destined to take her a century to complete. But he is taken aback once more when she makes an odd choice. She vows to fulfill this knowledge quest by tracking down a lost race of dragons, and discovering the secrets they’ve kept since time began.
Searching the universe to meet even one dragon may be a fool’s errand, but that’s the least of her worries. For ancient wartime resentments linger between the nations of dragons and deities, and some dragons would attack Gardenia on sight!
Yet she ventures out undaunted, learning unexpected things about nomadic life, tender love, and mortal peril along the way. The biggest surprise of all, though, goes by the name of Ri. Ri may be the man of her dreams, the voice in her head, the dragon she’s seeking, or all these things and more…
Meanwhile, the Fates brew sordid plans of their own and Hera jealously sets traps and trials for Gardenia at every chance. What’s a young goddess to do? Flight or fight?
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When an alien species detects the dissolution of a planet in a neighboring solar system, they send out a group of skilled teenagers to save what they can of the planet. This is an intriguing setup to a novel that is high in social commentary. What was your moral goal when writing this novel and do you feel you’ve achieved it?
My goal in writing this novel was to attempt to describe this world from the point of view of outsiders – people who had not been born and raised on Earth; people not conditioned and tainted by the absurdities of everyday life on this planet. Aliens. As a vegan, an atheist and an anarchist, I am dismayed on an, almost, hourly basis by the irrational behavior of my fellow species. We call ourselves ‘civilised’ and ‘highly evolved’ yet we participate in practices so horrific that, when committed against humans, are, quite rightly, thought of as shocking and unlawful yet, when perpetrated against non-human animals, are considered perfectly acceptable – or, usually, not considered at all. We call ourselves ‘intelligent’ yet we homo sapiens, we self-proclaimed ‘wise men’, are, not only, allowing the very environment we totally rely on for our own lives to be destroyed to slake the greed of a tiny number of other human animals but we are blissfully helping them to do so by believing their lies and consuming their unnecessary and harmful products. Some would call us ‘enlightened’ but up to 95% of all humans truly, truly believe that they will be transported to some kind of paradise after they die! Why should they care if life on the physical world were to be destroyed? I suppose that could explain why we do not care about the destruction of the rain forests, the desertification of vast swathes of the land, the befouling of the atmosphere and the creation of massive dead zones in the ocean. Also, how civilised or evolved or intelligent or enlightened can we be if we are killing and being killed by each other for nonsensical reasons such as the ancient writings of those ‘Religions of Love and Peace’ or the greed-based ideologies of power-hungry politicians? There are countless other stupidities I could mention here but the divisions based on race, colour, gender, sexuality, ability, age and, yes, even nonsensical superstitious belief, spring to mind – all of which I do discuss in the novel. Obviously, I cannot mention all of those forms of discrimination without also mentioning speciesism which plays a huge role in informing the aliens and, naturally, the book. Did I achieve my goal? From a practical angle – that is, putting myself in the minds of total outsiders and viewing the world afresh – I like to think that I did pretty well. However, in other aspects of the work, I am not so sure.
the hell world is full of detailed characters and places. How long did it take you to imagine, draft, and write this world?
The whole process took about 2 years from conception to pre-publish and then about 9 months to get the novel out. There was a lot of research involved – all of the figures I cite as being facts, to the best of my knowledge, are actual facts – the sixty-billion non-human land animals slaughtered for food every year, as just one example. I did, perhaps, use some poetic licence when detailing some of the projections of the aliens – on predicted human population levels, where, I think, I suggested that the numbers of humans alive in 2050 would far exceed the predicted eleven-billion – but I do not believe I took too many liberties on their behalf.
Their are many animals on this hell world. Were these animals allegories for humans on Earth? What was your favorite animal to create and write for?
This is an area where I obviously failed in my writing because the portrayal of the dominant animals, the Kaahu, on the hell world was not allegorical – they are humans and the hell world is Earth. There were no metaphors, no cryptic clues; the novel was set here and now on this planet with you and I as players in the story – there are many, many pointers to this fact in the book! My favourite character is Hentanayre – she’s a bubbly, intelligent young female alien (an ap Vandan) who loves all animals (except, maybe, the Kaahu) and, just like me, is terrified of heights – we have a lot in common!
What is the next book that you are working on and when is that book due out?
I am in the planning stage of a new novel – again, written from the viewpoint of aliens… mainly. I do intend to intersperse the narrative with a human voice here and there. It will also be written, again, from a vegan, atheist and anarchist perspective – so plenty of anti-carnist, anti-god and anti-hierarchical stuff. My working title is ‘It’ but I have no idea when it may be finished or published – I am in no hurry.
the hell world is a work of fiction that seeks to highlight the absurdity of the human condition as seen from the vantage point of outsiders – an alien view. It is a critique of the now in the genre of science fiction; an attack on all of the ridiculous ideologies that have retarded, and continue to retard, the evolution of those, self-proclaimed, wise men (homo sapiens) of the planet. These nonsensical philosophies, be they socio-political, economic, military or religious, have all crippled human animal evolutionary development for millennia. But not just that. Of much more importance is the impact that just this one species of animal has had, is having and will continue to have on all other lifeforms of this beautiful world and on the planet itself – though, I fear, not for too much longer. An unthinkable, unmentionable, unconscionable number of individual, sentient beings are slaughtered for human consumption in their multiple-billion every single year. Habitats essential to other lifeforms have been, and continue to be, destroyed on a regular basis, affecting the very existence of thousands of species of animal and vegetable life – in itself an act of mass suicide for human animals as all of those other lifeforms are part of the cycle of life. All are interdependent – taking away one leads to a domino-effect and, albeit at first slowly, the whole structure starts to collapses. We have passed that initial, gradual degradation stage – it has long since gone. Also an environmentalist, n o o n e cannot comprehend the idea that human animals are nonchalantly destroying the planet – an action which can be likened to people steadfastly hacking away at the foundations of a borrowed house and constantly defecating in every room whilst kidding themselves that they can pass that house on to their children. Couple those atrocities to the insane befouling of all of the water and the entire atmosphere of the planet by this species, the unconscionable weapons of mass murder they possess, then add-in the sheer number of these human animals and their determination to increase that total without limit points to just one, inevitable conclusion: The total annihilation of, not only themselves, but of life itself on this one world in a million or billion or trillion or, perhaps, the only planet like it in the entire, vastness of the universe. We will never know because, the sad truth is, it is much too late for the human animal, much too late for other species of life and much too late for the planet.
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Bar Nights is a chronicle of the life of Arlo Smith who walks away from his life after finding his wife in bed with another man. Arlo’s finds his life in a troublesome spot in the beginning of the novel. What was your inspiration for his family situation and how he removes himself from it?
The inspiration never really came from anything first hand. One day I just started writing the book because I had nothing else to do, and I had already scrapped several ideas for other books, some of which became short stories. I think mostly though, that feeling of desperation that comes with having had enough of a certain situation that’s been going on for far too long, was something I’ve been through before. How Arlo feels, that sense of apathy, but also pleasure, with starting over, was my biggest takeaway from my own personal life that applied to the birth of the character “Arlo Smith”.
The plot to Bar Nights seems simple, a man tries to bury his pain with alcohol, but there’s complexity in Arlo’s pain and the people he meets. What was your writing strategy in terms of plot design when writing this story?
Thoughts and thought processes. A lot of the time we don’t actually think about the process of “thinking”, and sometimes the point in which we change direction in our thoughts is lost completely. The way I employed the use of “chapters” in Bar Nights and the rest of The Mire Man Trilogy reflects that. The plot design really had no design, at least while writing Bar Nights. I just started writing it one day and kept going with it. There wasn’t really a story, in a literal sense, I was aiming for. Bar Nights was originally intended to be just a short book about a guy living in a bar and all of the people he met there, nothing more.
Arlo is locked in a vicious cycle of self-hate, addiction, and depression that is reflected in the people he meets. Did we get to meet everyone you planned to write or did you take out any characters?
I did take out a few, but at the time that they would have existed in the story of Bar Nights, they were very minuscule. Once I decided to make Bar Nights the first book in a trilogy, I placed those characters in the following books in the trilogy as supporting characters that would hopefully help Arlo more on his journey.
I feel like Bar Nights is an examination of addiction and desperation. How do you feel Arlo deals with these things that’s different from other people?
Different? I think that his methods of madness are only different because at first, he really doesn’t have much to lose. Once he finds his way to the bar “Purgatory”, that’s it for him. He really doesn’t have anyone who cares enough to tell him to stop. And if he never met Constance, for all we know, he would have died there. So in a sense, all he really uses to deal with his addictions, is apathy. Complete, pure, remorseless apathy. He knows he has problems, and he reflects upon them constantly, but he really doesn’t care enough to examine them on a level that may or may not lead to his redemption. Not yet anyway.
Bar Nights is the first book in the Mire Man Trilogy with Madlands being the third book. How do you feel Arlo has developed over the series?
Well, in Bar Nights, even though it’s the first book, we sort of meet Arlo at his middle. In the second book, Paradise City, we’re taken back to “where it all began”, so he’s still a child in those days, and definitely hasn’t reached that purified level of “sheer apathetic asshole”. By the third book, Return to the Madlands, Arlo is pushed passed his “breaking point” in the first book, and beyond to a point in which he is literally faced with the choice of “live your life like this and die like this” or “live your life like THIS, but still… die like this”. The difference being in the choice of the latter, he’d be taking a chance, forsaking what he “set out for” from the very beginning altogether. His story arc definitely reaches a point he never expected (and I never expected while writing it).
“Bar Nights”, the first volume of the “The Mire Man Trilogy”, is a story revolving around Arlo, a man who’s just turned 39. Fed up with the way his life has turned out thus far, he leaves his cheating wife, out of control preteen slut daughter and her “fiance”, his unbearably demeaning job, and hits the highway.
It isn’t long before his car dies on him, and he’s forced to take shelter in the only place available at the time: the for-rent room above a dive bar, named “Purgatory”, positioned seemingly in the middle of nowhere.
Convincing the owner to let him work off his rent, he spends his days drinking and care-taking the bar, running odd jobs for his boss, and spends his nights tucked away in his room drunkenly passing out to the sounds of whoever is playing the music downstairs…until one night he ventures out into the storm eternally encapsulating his world. And their paths unexpectedly converge.
The meeting sets in motion a relentless and remorseless onslaught of emotions, bringing Arlo to the absolute breaking point of insanity and introducing him to a realization that redefines why he ended up at “Purgatory” to begin with.
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M.L. Sparrow, author of the fantastic novel No Rest for the Wicked, takes time to answer questions about her book. We learn about how she created her characters, their relationships, and how she tactfully writes sex scenes.
What was your inspiration for creating the kind of relationship that Anthony and Elira have?
There actually wasn’t anything that specifically inspired me to write the kind of relationship between Anthony and Elira – it just kind of happened while I was writing! I knew what sorts of personalities I wanted my characters to have and from there I just developed their relationship the way I thought it would go!
What is the message that you hope readers take away from No Rest for the Wicked?
That love is blind. It shouldn’t matter what your background is, what race or religion you are; people should be loved for who they are inside and the opinions of others shouldn’t sway your opinions if you are truly happy.
Elira didn’t make things easy for Anthony nor for herself as she fought against falling for him. Why do you think she fought so hard?
I think the main reasons were self-doubt and a lack of self-confidence. Being brought up the way she was, and experiencing the things she went though, she didn’t really know much about love, especially not romantic love. She doubted his intentions, but she also doubted herself and worried that she wasn’t good enough for him, which was why she fought him so hard at every turn.
I liked Moira’s character. Did you ever have a housekeeper like that?
No. Moira’s character was another thing that just happened whilst I was writing. Originally I only meant for her to be a simple background character, but she pushed her way to the front and I’m glad she did, because I really enjoyed creating her character.
What was one thing that was difficult for you to write in this story?
The sex scenes, definitely. When I started writing this story I’d never written anything aimed at adults and I’d certainly never written a sex scene. At first I found it really difficult to write them, because I didn’t want to shy away from it, but then I didn’t want it to be too crude either. In the end though, I think they turned out alright!
When a rich gentleman finds a beautiful young woman lying in the snow, on the brink of death, he takes her back to his house and, when she has recovered, employs her as a maid. Immediately Elira realizes that Anthony Luther is no ordinary man and nothing about the house she now lives in is as it seems, for Anthony is a powerful wizard. Inexplicably drawn together, they begin a tentative romance, but it’s not just Elira’s uncertainties and the rules of upper-class society which drive a wedge between them; rivalries and a precious family heirloom, a priceless necklace of unforeseen power handed down through generations, threaten not only the couple’s happiness, but also their lives and the safety of the people around them.