Steel, Blood and Fire is a genre-crossing novel with elements of a fantasy, military, and history as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I was, in part, inspired by Glenn Cook’s Black Company series, along with the Malazan Book of the Fallen series by Steven Erikson. So much so that I wanted to try my own hand at it.
I found Vykers to be a very well written and in depth character. What was your inspiration for his emotional turmoil through the story?
Here, I think I was most inspired by Odysseus, and his long journey home from Troy. Vykers has a lot of Odysseus’ arrogance — and deadly competence, as well.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
That’s a tough one! Of course Vykers is fun to write. But so is Rem, the actor. That character allowed me to poke fun at the acting profession and relive a few of my own foibles. Then there is Spirk, the idiot. I have a special place in my heart for characters who are not quite up-to-speed, for want of a better term. He also provides a lot of the story’s comic relief. Finally, Aoife was enjoyable for me, because she reminds me of my sisters and wife, to some degree. I really liked looking at the story through her Earth Mother’s eyes.
I understand that you’re also an actor and stand-up comedian. How have those experiences helped you write your stories?
I think those things definitely shape my voice as a writer, the way I hear dialogue, and indulge in opportunities to shameless nonsense. But being an actor has also given me a fair amount of experience wielding a long sword, which comes in handy when writing fight scenes.
What is the next book that you are working on and when will it be published?
Actually, you have (kindly) review the first book in an existing four-book series. Steel, Blood & Fire is followed by As Flies to Wanton Boys, Corpse Cold, and, most recently, The Abject God. I am currently working on the series finale, The End of All Things, which I expect will to release in late 2018.
On the march, around the campfire, and in the taverns, they tell incredible stories about Tarmun Vykers, the Reaper – how he’s never been cut in battle, how he once defeated hundreds of men by himself, how he exterminated an entire people over an insult. These stories make Vykers seem like a god, but he is a man, an arrogant, ruthless and bloodthirsty man. For all that, he may be the only thing standing between the human race and utter annihilation at the hands of the mad wizard who calls himself the End-of-All-Things. Against this backdrop, smaller, lesser folks struggle to fulfill their own destinies, folks like Aoife, burdened with a secret so dark she is driven to do the unimaginable and seek an alliance with fey powers no mortal has ever encountered.
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Two Polluted Black-Heart Romances follows the lives of a vampire, fairy and mummy as they try to escape the wrath of a paranormal group bent on revenge. What was the initial idea behind this story and how did that transform as you were writing the novel?
This was a follow up to One Smoking Hot Fairy Tail. In that story, the main character is hunted for her wings. The otherworldly world I created, opens up and you get a glimpse inside. In this new novel, I wanted to show a much deeper look insider. And I wanted to show how complicated, strange, and fun, some of the lives of these otherworldly creatures can be. My initial idea was to have something very large for all of them to be afraid of. But then I wanted something even larger to be out there to make the original big thing look small. Imagine if you were afraid of Godzilla and then an alien that could swallow the planet showed up. Yeah, something like that. J
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I always enjoy writing Sabrina London, the female lead. She is constantly growing and learning from her mistakes….her many…many mistakes. I also enjoyed writing for Joe, the new guy. The sentient slime character. He’s fun and funny. He also provides good contrast to the other characters and otherworldly races.
What draws you to the fantasy genre? When you start writing is this where your stories go naturally, or do you have the intention of writing fantasy?
I am drawn to the fantasy world. Totally. I prefer writing in a realm where anything and everything is possible. But I think my writing is secretly fueled by things more…steamy. When I watch a fantasy show on TV and it is devoid of sex or sexuality, I tend to feel empty. But when you give me something like Game of Thrones or Spartacus, which are filled with all sorts of naughtiness…then I feel like the story is complete.
If Hollywood came knocking, who would you cast to play your characters?
I love to cast my books. I do so on all my blogs and on my FB pages. For Sabrina, I think of Joanna Krupa as being exactly what she looks like. But as an actor I would cast Beth Behrs from Two Broke Girls or Jessica Sipos from Ascension. I would pick Beth because she is pretty and statuesque and funny. AND she pretty much already knows how to play a spoiled rich girl who had a fall from grace. So it makes total sense. I would pick Jessica because she has the sex appeal to play Sabrina.
For Moselle there is only one choice: Priyanka Chopa, from the TV show Quantico. When writing the books, I imagined a Sofia Vergara type of woman. But I think Priyanka is an even better fit now, and could pull off looking like an ancient Egyptian in flashbacks.
Cade…well, I have a image of him in my head. Slight built. Looks out of time. Like one of those classic Hollywood guys; James Dean at his peak. I always say it would be hard not to pick Ian Somerhalder, but he has already done this role. Still, I like him as an actor and he is the right body type and look.
Hollywood rang my doorbell once. But I was not dressed, and by the time I got to the door they were gone…
What is the next book that you are working on and when will it be available?
I am writing book three in this series. THREE BURNING RED RUNAWAY BRIDES. It will be released in late 2018.
Welcome to Los Angeles—but not the LA you know. Here, humans coexist with vampires, mummies, fairies, and other nonhuman entities. Everyone’s just trying to get by for the most part—but some are having more difficulty than others.
A vampire named Cade, a fairy named Sabrina, and a mummy named Moselle are on the lam after exposing the existence of the Otherworldly Assembly, a shadowy organization of paranormal beings. The assembly has sent terrifying assassins called wraiths to exact revenge. The nonhuman trio is in for a real horror show, and they don’t know the half of it—another threat looms, and its destructive ambitions are vast.
Meanwhile, a human named Jackson is recovering from a near-death experience. Old memories and new loves flood his brain, and he’s having trouble finding an outlet for all these feelings—that’s when Sabrina the fairy catches his eye.
Two Polluted Black-Heart Romances, a fast-paced adventure filled with high stakes and unexpected twists, continues the action-packed saga that began with One Smoking Hot Fairy Tail. When unimaginable dangers threaten the planet they all share, humans and nonhumans find a common cause and must work together to prevent disaster.
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The Passer by Robin Christophersen is a welcome genre-blending story by a first-time novelist. We follow Dr. Eleanor Bouchard, accomplished actress and professor, attempt to put her life together after the death of her boyfriend. On the one year anniversary of his death she is visited by an otherworldly visitor with an unsettling message. Eleanor is then thrown into a mystery where she must not only figure out the message’s meaning, but also understand herself. New powers begin to awaken in her for the first time, which only adds more murkiness to dark waters. Matters become complicated further when a former flame, Daniel Archer, who has suffered the tragic loss of his wife comes stumbling into her life along with his step-daughter, Amelia. Eleanor begins to feel strange connections to the two of them and discovers that their meeting may not be so coincidental in the first place.
The Passer is an interesting read. Christophersen mixes romance, paranormal and even a bit of mystery to make an increasingly intriguing story. You would not suspect it even being an indie read, given the polish that is displayed on the pages. I was not expecting to be hit with so many “genre” elements, but they all manage to work well and complement one another. The book itself is a fast read and I was a dozen pages in without even blinking.
Eleanor as a protagonist is easy to follow, even if she is almost “too” accomplished, given her two professions. The professorship and her role as a Shakespearean actress seems almost intimidating, even to the reader, but her grief and struggle gives the reader a very tangible doorway into her mind and soul. The fact that she is on her own path to self-discovery despite being so accomplished is an excellent technique to use for the reader to be carried alongside the character on her journey.
The novel is deftly paced and reaches a satisfying conclusion. There were points that felt drawn out, but I think Christophersen balances this with the other genre elements. The quotes from Shakespeare, I feltm were heavily on the nose, considering what Eleanor does, but I could let that go, Christophersen clearly has a passion for Shakespeare and I can make a little room for the Bard. The plot may even be weighted down with the extra elements and confusing plot tangles, but by the end Christophersen untangles these and gives the reader a very satisfying story.
Overall, I believe The Passer to be an excellent read for those looking for not only an interesting plot, but a book that brings something new to the table of genre-blending. A very satisfying debut novel from a brand-new author. If this is the first book that Christophersen produces, readers should be on the lookout for the next.
Pages: 444 | ASIN: B00G2QC69Y
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Stage Door Comedies provides a cheeky glimpse into the quirky characters surrounding theater life. What has been your experience in the theater industry and how did that bring you to writing a collection of stories?
I trained as an actor in 1985 then undertook what would nowadays be called ‘an internship’ as an unpaid stage manager/lighting/sound operator on the London, England Fringe (professional Off-Off-West End). Fast-forward twenty years and I started writing plays. When I had an offer from two London Fringe theaters to premiere my first play Limehouse I knew I had broken into the business as a writer. That was my calling card.
The book is based in England and Paris, with each providing a unique backdrop that flavors the stories with each local’s unique atmosphere. Was there a reason why you chose these locations as the backdrops for your stories?
The story about my casting in Paris is true; I did approach theaters – including American outfits – for an English-speaking cast and did hit a brick wall. London is fortunate to have so many small-scale venues for new play tryouts and so many ‘pop-up’ comedy venues. I put Paris in Stage Door Comedies because my drama school Artistic Director studied there with Louis Jouvet at the Theatre des Champs Elysees. You could say it’s my school.
In this book you show us the underbelly of the theater industry and all the weird happenings and intricacies of the individuals who call the shots. Were there any characters that you especially enjoyed writing for?
Limehouse and A Suitable Lover are play-to-fiction adaptations of my first two plays which received offers of production on the London Fringe: others, I workshopped in rehearsal for conversational ‘say-ability’ (a comedic craft I honed in stand-up comedy). I directed and acted in Limehouse, an autobiographical twosome about quitting the theater, in a short run. It marked a return to a small-scale London venue. Would I direct again? No thank you, very much, at least, not for stage. In America you don’t have the British class system. What is success? Why do we pursue it? I guess as they say there is a bit of all the characters in the author of Stage Door Comedies.
What was it like to be an alternative comedy monologist at Steve Strange’s Cabaret Futura?
The 1980s was the era of the New Romantics and Karma Chameleon figure Boy George in the London clubs. At Cabaret Futura I did a one-person duologue playing both the comedian Jack Benny and his wife using two chairs back-to-back on the stage as props. I was also an MC at a comedy cellar near to the Royal Opera House Covent Garden.
I understand Stage Door Comedies is your first published book. Are you planning to continue writing? If so, when is the next book due out?
I have some more stories up my sleeve on the theme of the random nature of Fame – many are called but few are chosen. Why is one actor on the West End or Broadway while another is fated to ply their trade in a seedy, backstreet pub theatre? As Oscar winning actor Michael Caine said, it’s the years of rejection and humiliation they pay you for.
Author Links: Webpage
For the admirers of those entering the stage door, the attraction is in what they represent. In London’s Notting Hill, a BAFTA award winner is sick and tired of people using him as a stepping-stone or step-ladder to the the big time instead of putting in ‘the hard slog’. The hustlers find that talent is not enough – it is a serious game.
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