Beguiled by Karma Kitaj is definitely a MUST read. One of the greatest things about Beguiled is it hooks you right from the start. Within reading the first two paragraphs I was hooked, I knew right away that this was going to be a book that I couldn’t put down until I had finished it.
The story of Beguiled starts out with a young woman leaving her husband. Upon leaving her husband with her young son this woman finds herself on her parent’s doorstep as she really has no other place to go. As the first chapter closes the reader is taken back in time to this young woman’s childhood. Beguiled isn’t just a romance story, it is a story about growing up and finding your own way in the world.
Beguiled follows the life and adventures of a young girl named Miriam and follows her story as she grows into a young lady. Miriam is a young Jewish girl with Russian immigrant parents who grew up during the 1920’s. The story goes into the hard childhood of Miriam and how no matter what she did she could never please her mother. Miriam’s father loved the theater and took Miriam to as many shows as he possibly could. The love of theater instilled a strong desire in young Miriam to become an actress, despite what her mother thought.
The story takes place during the 1920’s where women were not seen as equals to men. Beguiled does touch upon some political aspects, but the story is not overly political. Beguiled is filled with historical events and is written in a way that allows you to really connect with the characters. Women’s suffrage is touched upon in Beguiled and the author also tackles some other social situations.
As you progress deeper and deeper into Beguiled you will find yourself pleasantly surprised at the way the story is told. As you read one page and then another you can’t help but find yourself wanting to know what is going to happen next in Miss Miriam’s life. Beguiled isn’t a typical romance story filled with wanderlust and girls who are seeing stars; there is only the slightest suggestion of romance towards the very end of the book. The main story behind Beguiled is that of a young girl who grows up and finds out just who she really is and how she can actually make a difference in the world.
Although this story does go back in time, it doesn’t jump around from past to present as many other stories do. Something else that I really like about this book was how each chapter identified the year it was taking place in. If you know your history you can easily follow along with the events that were taking place and perhaps anticipate what was about to happen next.
Pages: 349 | ASIN: B079924GDK
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Beguiled is about every person who ever had dreams that were interrupted by cultural mores, by discrimination, or by their own shortcomings. Miriam Levine, born in 1900, dreamed of going on stage, until an almost fatal mis-step forced her to postpone her “real life.” A serendipitous offer compelled her to confront her inner demons and society’s expectations. As Glinda, the Good Witch of the South in the Wizard of Oz, she recites at age 16: “You’ve always had the power, my dear, you just had to learn it for yourself.”
The story is inspirational for young people and their parents who dearly wish to access the American dream. The historical context of the decades before the Great Depression, the role of immigrants and women’s suffrage parallels tough political dilemmas that the US faces today.
Will Miriam have the gumption to follow her dreams? Will those dreams yield her the happiness she seeks? Or will she find that her childhood fantasies “beguile” her to seek ‘fool’s gold?’
Posted in book trailer
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A Transformed Man details an astonishingly prolific man with unbridled passion as an actor, writer and director with a zeal for mystical life. Why was this an important book for you to write?
I have always been interested in personal transformation and how a person’s beliefs influence their actions. After working with Shatner, I realized what an amazingly energetic and prolific man he was. As his career progress, he was always very open and public with his beliefs and feelings. For me, he was the perfect research subject the perfect example of a transformed man.
This biography is very detailed. What kind of research did you do to ensure accuracy of the subject?
I interviewed people who knew him personally, including the cast and crew of Star Trek, and researched hundreds of public sources and media. Then, I organized everything chronologically, and published a thousand annotated credits of his acting career in a book in the Greenwood Press Performing Arts series called William Shatner: A Bio-Bibliography. That made it much easier to compose an in-depth biography of him that was concise and accurate.
What is one thing that surprises you the most about William Shatner?
His passion for life. He is totally engaged in everything he does. People have no idea how perceptive and sensitive he is. He is also an athletic guy, who stays very active even at the age of 87.
What is the next book that you are writing and when will it be available?
I am working on a biography of the Elizabethan alchemist Dr. John Dee that focuses on his mathematical and scientific contributions.
This biography of William Shatner adds some surprises beyond the all the stories of his eccentric behavior. It reveals what really makes the man tick. The author has done his footwork, talking to all the cast and crew and sifting through sixty years of archives, and he has come up with many amazing insights, including the shocking source of the Star Trek franchise. This is a moving portrait of a fascinating man, an in-depth and often unsettling biography of a modern icon. This is a book for people who don’t give a damn about Star Trek.
Posted in Interviews
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Stage Door Comedies provides a cheeky glimpse into the quirky characters surrounding theater life. What has been your experience in the theater industry and how did that bring you to writing a collection of stories?
I trained as an actor in 1985 then undertook what would nowadays be called ‘an internship’ as an unpaid stage manager/lighting/sound operator on the London, England Fringe (professional Off-Off-West End). Fast-forward twenty years and I started writing plays. When I had an offer from two London Fringe theaters to premiere my first play Limehouse I knew I had broken into the business as a writer. That was my calling card.
The book is based in England and Paris, with each providing a unique backdrop that flavors the stories with each local’s unique atmosphere. Was there a reason why you chose these locations as the backdrops for your stories?
The story about my casting in Paris is true; I did approach theaters – including American outfits – for an English-speaking cast and did hit a brick wall. London is fortunate to have so many small-scale venues for new play tryouts and so many ‘pop-up’ comedy venues. I put Paris in Stage Door Comedies because my drama school Artistic Director studied there with Louis Jouvet at the Theatre des Champs Elysees. You could say it’s my school.
In this book you show us the underbelly of the theater industry and all the weird happenings and intricacies of the individuals who call the shots. Were there any characters that you especially enjoyed writing for?
Limehouse and A Suitable Lover are play-to-fiction adaptations of my first two plays which received offers of production on the London Fringe: others, I workshopped in rehearsal for conversational ‘say-ability’ (a comedic craft I honed in stand-up comedy). I directed and acted in Limehouse, an autobiographical twosome about quitting the theater, in a short run. It marked a return to a small-scale London venue. Would I direct again? No thank you, very much, at least, not for stage. In America you don’t have the British class system. What is success? Why do we pursue it? I guess as they say there is a bit of all the characters in the author of Stage Door Comedies.
What was it like to be an alternative comedy monologist at Steve Strange’s Cabaret Futura?
The 1980s was the era of the New Romantics and Karma Chameleon figure Boy George in the London clubs. At Cabaret Futura I did a one-person duologue playing both the comedian Jack Benny and his wife using two chairs back-to-back on the stage as props. I was also an MC at a comedy cellar near to the Royal Opera House Covent Garden.
I understand Stage Door Comedies is your first published book. Are you planning to continue writing? If so, when is the next book due out?
I have some more stories up my sleeve on the theme of the random nature of Fame – many are called but few are chosen. Why is one actor on the West End or Broadway while another is fated to ply their trade in a seedy, backstreet pub theatre? As Oscar winning actor Michael Caine said, it’s the years of rejection and humiliation they pay you for.
Author Links: Webpage
For the admirers of those entering the stage door, the attraction is in what they represent. In London’s Notting Hill, a BAFTA award winner is sick and tired of people using him as a stepping-stone or step-ladder to the the big time instead of putting in ‘the hard slog’. The hustlers find that talent is not enough – it is a serious game.
Posted in Interviews
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