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The Good Witch of the South

Sam lived an idyllic life, one befitting a princess of Oz. The only severe blemish she suffered was the mysterious disappearance of her father years earlier. Since then, Sam, her sister Elle, and their mother Glinda had lived happily together, albeit always missing his presence. Their peaceful existence began to crumble when rumors of a new Wicked Witch started to swirl, and soon Sam was prone to terrifying visions of the future that showed utter destruction of everything she held dear. With the help of some old friends, Sam set out to discover her destiny and help good triumph over evil once again.

The Good Witch of the South by T.C. Bartlett follows Sam as she embarks on an epic adventure to save not only her family but every inhabitant in the land of Oz. Bartlett has created a beautiful world that includes enough elements from the original Oz stories to appeal to fans of the classic, but the story could just as easily stand alone in the fantasy genre. The story is familiar, with the coming-of-age heroine, the apparent underdog group of unlikely allies, and devastating death all represented, but it’s done in such a way that it is an irresistible read. Sam’s relationship with her sister and her mother are so well written they easily reflect everyday familial ties, and as she learns to grow into the person she needs to be, the relationships she forms with the others around her mature as well.

I think The Good Witch of the South is about family, and what defines such. The complex story of how her family came together provides the catalyst for a large part of the action, as well as driving much of Sam’s motivations. At the same time, Sam’s journey of self discovery provides an allegory for the transition to adulthood that she is experiencing at the same time. It is a very relatable thread that runs throughout the larger plot.

I found the timeline of The Good Witch of the South to be somewhat unclear in parts, which was a slight distraction, but ultimately it was not an insurmountable obstacle. The characters were wildly different and each provided a necessary piece of the puzzle which kept the narrative flowing and prevented it from getting stale, while the fight scenes offered excellent imagery. The Good Witch of the South is inspired by the classic Wizard of Oz but takes things in a much more mature, deep, and different direction that it stands on its own as a captivating fantasy adventure story.

Pages: 354 | ISBN: 1733908625

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The Story Transformed

Karma Kitaj Author Interview

Karma Kitaj Author Interview

Beguiled follows young Miriam as she struggles to follow her dreams through a turbulent time in history. What was the initial idea behind this story and how did that transform as you were writing the novel?

Initially, I had the idea to write a story of the kind of life my mother, born in 1910, might have had, if she’d had the gumption. Which she did not, so the story of Miriam Levine, 1st generation Russian-Jewish girl, is entirely fictional. There are a few biographical markers, e.g., Miriam’s Pop was active in the leftist-unionist organization called the Workmen’s Circle. My maternal grandfather was as well. Similarly, he was a cultured fellow, albeit not formally educated, and introduced my mother to cultural events from a young age. The character Miriam developed her aspirations to go on stage from the experiences her Pop exposed her to from a young age.

The story transformed itself immediately from anything biographical to an exciting adventure of Miriam and her girlfriends as they make their way through a difficult time in history punctuated by WWI, the “Spanish” flu, women’s getting the vote, the Roaring 20s, the relationship between young people and their immigrant parents, and the status of women.

Miriam is a well developed character that I grew attached to. How did you capture the thoughts and emotions of a young woman in the 1900’s?

Research, research, and more research helped me to describe a girl of the early 1900s. I read many books about the times, including novels of women of that period.

Perhaps more importantly, I’ve been a psychotherapist and life coach all my adult life, so am accustomed to hearing people’s stories and helping them to make sense of their lives. So, the emotions of a woman of this period seemed little different to me from my clients’ stories. Yes, women have approached the glass ceiling and many are in marriages that are fundamentally equal or mutually enhancing, but with the outing of many in the MeToo movement, it’s clear that women’s place has not appreciably changed vis a vis powerful men.

I liked how the politics and drama of the time was not front and center, but served as a backdrop to Miriam’s story. Did you do any research for this story to keep things accurate?

As stated above, I pored over many historical books of this period, as well as historical novels about the early 1900s. Having been in graduate school for a PhD back in the 1980s, I learned how to do research and to enjoy it. I was not, however, a big history buff, so my becoming absorbed in this research was a surprise to me. One funny thing: in one of my last drafts, I realized that NO character ever was described as smoking. So, I had to go back and add smoking Lucky Strikes, Camels, pipes, and cigars to many scenes.

WWI was certainly in the background only in Beguiled. Miriam and her friends barely seemed to register that there was a world war going on in Europe, until Miriam arrives home and discovers that her father’s Workmen’s Circle is having an important emergency meeting to discuss US entry into the War. Then a young German boy barges in to say that his family was beaten bloody right in their neighborhood, an unthinkable thing in their multi-ethnic close community.

Many people have suggested I write a sequel to Beguiled, but that would take me into the Depression of the 1930s and I don’t know if I want to go there, particularly since our country seems liable to get there itself.

What is the next book that you are working on and when will it be available?

Beguiled was just released on May 1st 2018, so I’m devoting some time to publicizing it before embarking on my next story. But, I’ve had the idea of locating an appealing news story of a woman who lived in another era. I enjoy researching historical fiction and being an archaeologist in searching out details of a bygone period. In order to find this appealing person, I’ll need to immerse myself in the Boston Public Library’s newspapers from the last century or even before. There are also archives of women’s letters housed at the Schlesinger Library at Harvard, where I’ve done research before. I look forward to being able to do this, once my initial marketing campaign is over.

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Beguiled is about every person who ever had dreams that were interrupted by cultural mores, by discrimination, or by their own shortcomings. Miriam Levine, born in 1900, dreamed of going on stage, until an almost fatal mis-step forced her to postpone her “real life.” A serendipitous offer compelled her to confront her inner demons and society’s expectations. As Glinda, the Good Witch of the South in the Wizard of Oz, she recites at age 16: “You’ve always had the power, my dear, you just had to learn it for yourself.”

The story is inspirational for young people and their parents who dearly wish to access the American dream. The historical context of the decades before the Great Depression, the role of immigrants and women’s suffrage parallels tough political dilemmas that the US faces today.

Will Miriam have the gumption to follow her dreams? Will those dreams yield her the happiness she seeks? Or will she find that her childhood fantasies “beguile” her to seek ‘fool’s gold?’

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Red and Blue: A Reimagined Fairy Tale

Red and Blue: A Reimagined Fairy Tale by [Dubriel, Jolie]

Jolie Dubriel’s Red and Blue is a fascinating, re-imagined tale that combines both classic fairy tales and nursery rhymes with many twists and turns. Dubriel takes old favorite characters and story lines you knew, loved, and memorized during your childhood story times and weaves them together as one beautiful story of secrecy, heartbreak, and the power of love. Obstacles and setbacks are sprinkled in along the way on the journey from once upon a time to happily ever after. Nostalgic characters Little Red Riding Hood and Little Boy Blue are now grown-up characters who play the lead parts. Humpty Dumpty, Old King Cole, and other classic figures also pepper this amazingly creative compilation.

Like any classic fairy tale, this book is not without tragedy. As is par for the course, there are separations of young children from parents and premature deaths of parental figures. There are hearts broken and healed. Red and Blue are coming of age characters who are growing up, discovering who they are, who they want to be, and who they begin to have feelings for. Stories from the past surface that throw wrenches in plans and change life trajectories. The story is full of conflicts and characters trying to solve them. The dynamic as old as time, good vs. evil, is also prevalent in parts of the story.

I love a good anthropomorphic animal or inanimate object, and those characters seen in the Kingdom of Rhyme do not disappoint in this area. Animals and objects are personified throughout the story. Fish, salamanders, cats, and dogs walk around in suits as servants and guards in King Cole’s castle. A dish runs and talks with a spoon through the forest. A cow jumps over the moon. These are the kinds of things that a nostalgic childhood reader will love. The half human/half animal or object cast of characters are reminiscent of those kinds of splits found in The Wizard of Oz, Beauty and the Beast, The Sword in the Stone, and Bedknobs and Broomsticks.

I like the twist that Red’s story takes regarding her relationship with wolves. Red and her grandmother have their classic encounter with the Big Bad Wolf, and miraculously survive. Later, her loving stepfather gifts her with a little wolf pup that grows to be her best friend and companion. It’s refreshing to see the girl have the upper hand over a wolf in one of these tales.

What classic tale would be complete without magic? The ultimate symbol of magic in this story is Little Boy Blue’s golden horn. He is unaware of its power, but has been cautioned to keep it with him always. Blue has grown up with the horn strapped to his back while working on a farm. It is only later that Blue will discover his true identity and the power that the horn truly holds.

I really enjoyed how Dubriel took so many classic and loved stories and characters and wove them together into one cohesive story. It is truly a feel-good kind of read. It is a love story that keeps its innocence. There is some tragedy and conflict, but I think it’s appropriate for pretty much anyone. Middle schoolers through adults will enjoy this book. Jolie Dubriel may have written a “new classic” with this book.

Pages: 192 | ASIN: B079WCF5ZF

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Beguiled

Beguiled is about every person who ever had dreams that were interrupted by cultural mores, by discrimination, or by their own shortcomings. Miriam Levine, born in 1900, dreamed of going on stage, until an almost fatal mis-step forced her to postpone her “real life.” A serendipitous offer compelled her to confront her inner demons and society’s expectations. As Glinda, the Good Witch of the South in the Wizard of Oz, she recites at age 16: “You’ve always had the power, my dear, you just had to learn it for yourself.”

The story is inspirational for young people and their parents who dearly wish to access the American dream. The historical context of the decades before the Great Depression, the role of immigrants and women’s suffrage parallels tough political dilemmas that the US faces today.

Will Miriam have the gumption to follow her dreams? Will those dreams yield her the happiness she seeks? Or will she find that her childhood fantasies “beguile” her to seek ‘fool’s gold?’

Buy Now From Amazon.com

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