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Stormfront Rising
Stormfront Rising is a big, rowdy fantasy adventure built around danger, discovery, and the kind of companionship that’s forged when everyone is wet, wounded, outnumbered, and still cracking jokes. Jason N. Long opens with a ship caught in an unnatural storm, purple lightning crawling across the sky, and a kraken turning disaster into outright catastrophe. From there, the novel keeps widening its horizon, drawing readers into a world of rival empires, elemental dragons, dangerous magic, strange oceans, and cities with histories that feel much larger than the characters passing through them. The maps, faction guide, and detailed systems of measurement reinforce the sense that this is a fully imagined place.
The book’s real engine, though, is its band of survivors. Leo, Zoe, Thorn, Ben, Toby, and the wider cast have distinct voices, skills, and emotional burdens, and their relationships give the story its warmth. Leo’s practical instincts, Zoe’s dangerous confidence, Thorn’s enormous personality, and Ben’s anxious intelligence create a lively rhythm that carries through the quieter stretches as well as the fights. Their banter can be filthy, affectionate, cruel, and unexpectedly tender, often within the same conversation. That mix makes them feel less like a polished heroic fellowship and more like people who’ve learned to love one another while standing knee-deep in trouble.
Long approaches fantasy with a tinkerer’s enthusiasm. Weapons have mechanisms, magic has consequences, cultures have customs, and politics shape nearly every choice. The story blends seafaring adventure, military fantasy, dark comedy, cosmic speculation, and dragon mythology into something proudly excessive and deeply personal. Its action is physical and graphic, but the violence has weight because the characters carry their losses forward. Even the jokes often sit beside grief, fear, or loyalty, which gives the novel an emotional texture beneath all the blood, monsters, and spectacle. The author’s acknowledgement of his “three-body problem” and “quantum queries” hints at the scientific curiosity running beneath the fantasy framework.
By the time its many conflicts converge, Stormfront Rising feels like the opening movement of a saga that has been living in its author’s imagination for years. It’s ambitious, unruly, funny, violent, and sincere, with a world large enough to reward readers who enjoy learning names, factions, histories, and rules as they travel. Most importantly, it understands that epic fantasy works best when the fate of nations is tied to people we’d willingly follow into a storm.
Pages: 471 | ASIN : B0GXFGQ2BM
Angelica Book 2: Rise of the Dark Shadows
Angelica, Book 2: Rise of the Dark Shadows, by Aneasa Perez, is a faith-based children’s fantasy adventure centered on courage, prayer, and teamwork. When a supernatural darkness begins bringing nightmares to the children of the Northern Lights Kingdom, Angelica and her animal companions set out to find its source. Their journey moves through dreams, icy rivers, storms, guarded valleys, and a final confrontation with a dragon, giving the story a clear quest structure that’s easy for young readers to follow.
As a Christian children’s book, the story builds its action around spiritual ideas such as the Shield of Faith, the Rope of Courage, the Sword of Truth, and the Light of the Word. These symbols are worked directly into the adventure, so the lessons don’t sit apart from the plot. Angelica leads through prayer, encouragement, and quick thinking, while the other characters contribute their own strengths. The result is a children’s Christian fantasy that presents faith as something active, shared, and connected to everyday choices.
The book also has a strong visual identity. Its full-page illustrations use dramatic contrasts between shadow and light, especially in Ruby’s dream, the appearance of the angelic army, and the dragon’s defeat. The dark blues, fiery oranges, icy landscapes, and glowing skies make each stage of the journey feel distinct. The character designs are expressive and approachable, and the large action scenes give this illustrated children’s adventure the feel of an animated fantasy story.
What stands out most is the book’s emphasis on unity. Angelica succeeds because she listens, speaks courage to her team, and allows each companion to play a role in restoring the kingdom. Young readers who enjoy fantasy creatures, brave heroines, spiritual themes, and fast-moving quests should find plenty to engage with here. Rise of the Dark Shadows is a Christian fantasy picture book that turns ideas about truth, faith, resilience, and friendship into a colorful battle between darkness and light.
Pages: 32 | ASIN : B0H53FJ2TW
Mad Dog Morgan
Mad Dog Morgan is a supernatural horror graphic novel that blends occult horror, haunted-house fiction, and the bruising spectacle of professional wrestling. Mitch “Mad Dog” Morgan is a washed-up wrestler carrying years of addiction, humiliation, and regret when he enters a house that feeds on wounded people. Watching from nearby is Hilda, a sharp, wheelchair-using young woman who can see the house and hear the souls trapped inside it. Their stories gradually converge, turning the book from a grim character study into a dark fantasy wrestling graphic novel with a surprisingly heartfelt partnership at its center.
Morgan is compelling because his physical strength exists alongside a deep belief that he’s already wasted his life. His history in the ring, his abusive childhood, and his dependence on alcohol all shape the choices he makes without reducing him to a collection of problems. Hilda brings a different kind of toughness. She’s observant, strategic, funny, and willing to confront Morgan when he starts slipping into self-pity. Their growing trust gives the supernatural violence emotional weight, especially as Morgan begins to recognize that the house’s monsters are people whose suffering has been twisted against them.
Maxi Dallo’s artwork gives the horror comics storytelling a filthy, restless energy. Heavy shadows and scratchy lines make rooms feel damp, unstable, and faintly alive, while Patricio Delpeche’s purples, greens, oranges, and violent reds push the imagery toward fever-dream territory. Wrestling moves are staged with satisfying force, but the most memorable sequences often involve warped bodies, staring eyes, living shadows, and layouts that fracture as Morgan’s sense of reality collapses. The house feels less like a setting and more like a patient predator, which suits the book’s mix of psychological horror and body horror.
Mad Dog Morgan is about what happens when pain becomes an identity, and what it takes to loosen its grip. It’s raw, profane, grotesque, and often funny, with tenderness arriving through practical acts of loyalty. Readers who enjoy supernatural horror graphic novels, dark fantasy comics, wrestling drama, and stories about damaged people choosing to help one another will find plenty to dig into here. The book hits hard, but its real strength comes from the empathy behind every blow.
Pages: 184 | ISBN : 978-1964226224
Built on Unconditional Love
The Devil Inside follows a father and daughter pulled into a haunting tied to H.H. Holmes, where ledgers, mirrors, and breathing pages reveal that evil survives through memory and the stories that keep rewriting it. What inspired you to reimagine H.H. Holmes?
H.H. Holmes has always fascinated me because he’s one of history’s most infamous serial killers, but most books about him simply retell the crimes we already know. I wanted to explore something different. I started asking myself, What if Holmes never really disappeared? What if death wasn’t the end for him? What if he found a way to rebuild his Murder Castle and continue his work through memory, obsession, and the people drawn to him? That “what if” became the foundation of the novel. Rather than writing another historical thriller, I wanted to blend real history with supernatural horror and create a story where Holmes becomes something far more terrifying than a man. You could say I wanted to bring him back to life.
The novel uses recurring images of ink, ledgers, gold script, ash, and breathing architecture. How did those motifs develop as you wrote the story?
Those images grew naturally as I explored the idea that evil leaves traces behind. Holmes wasn’t just collecting victims in my version of the story. He was preserving them. The ledgers became a way of recording souls, the ink represented memory refusing to fade, and the gold script symbolized temptation because it always appeared beautiful before revealing something horrific. Even the house itself became a living participant in the story. I wanted the building to feel as though it remembered every victim and every secret, almost as if the walls were breathing alongside the people trapped inside. Those recurring images helped tie the supernatural elements together while reinforcing the idea that some horrors never truly disappear because they simply wait to be remembered. As I continued writing, those motifs took on a life of their own and became another way of showing that the past is never truly gone. It lingers, waiting for someone to uncover it.
Julie and Frank’s relationship gives the horror a strong emotional center. How important was that father-daughter bond to the novel’s structure?
For me, it was the heart of the novel. Horror is always more powerful when readers genuinely care about the people facing it. Frank approaches everything as a scientist who believes there must be a logical explanation, while Julie is forced to experience things that defy reason. Their relationship creates a balance between skepticism and belief, but more importantly, it’s built on unconditional love. No matter how frightening the haunting becomes, Frank never stops trying to protect his daughter. That emotional bond gives the story its humanity and raises the stakes because the battle isn’t just about surviving evil. It’s about a father refusing to lose his child to it.
What do you hope readers are still thinking about after they turn the final page of The Devil Inside?
I hope readers walk away wondering where evil really comes from. Is it something we create, something we inherit, or something that survives because we continue telling its story? The Devil Inside asks whether monsters die with their bodies or whether they continue to exist through memory, fear, and obsession. More than anything, I hope readers are left questioning the things we choose to remember and the things we desperately try to forget because sometimes those are the stories that refuse to stay buried.
Author Links: GoodReads | Facebook | Website | Amazon
What begins as a haunting becomes something far more disturbing: a legacy of obsession born in the shadow of Chicago’s Murder Castle, where a killer learned to turn flesh into data and memory into machinery. As the past reasserts itself through hidden ledgers, buried tunnels, and recorded breaths, Julie is drawn into a design that refuses to end.
To break the cycle, she must descend into places where light cannot reach, where history does not stay buried and the Devil is no longer a man, but an idea that survives through memory, ritual, and inheritance.
The Devil Inside Me is a gothic, slow-burn psychological horror novel that blends possession, historical evil, and emotional dread. Elegant, unsettling, and relentless, it explores temptation, redemption, and the terrifying cost of remembering what was never meant to survive.
Makanda
Makanda is a horror novel rooted in southern Illinois, where local legend, forensic investigation, cryptid folklore, and biological terror all feed into the same creeping nightmare. The story begins with Janice Redfield investigating mutilated bodies in Giant City State Park, then stretches back to 1973 to show how the area’s old fear of the Big Muddy Monster never really disappeared. By the time the book states, “Terror was on its way,” it’s not just setting a mood. It’s warning the reader that the past and present are about to overlap in a very bloody way.
What makes the book feel personal is how much time it spends with Janice and Frank Redfield. Their marriage is funny, affectionate, blunt, and lived-in, full of teasing, coffee, anxiety, sex jokes, hiking, hunting, and the kind of shorthand that only comes from deep love. Frank’s anxiety and Janice’s emotional exhaustion give the horror a human center, so the monster isn’t just something stalking the woods. It’s something pressing against the fragile comfort of their everyday life.
The creature itself is a mix of cryptid nightmare and biological experiment, and that combination gives the book its identity. The science around spores, hosts, cocoons, cytoplasm, and genetic recombination turns the local monster legend into something physical and evolutionary. At the same time, the story keeps the folklore texture alive through old memories, whispered fear, sightings, and people who know more than they want to say. When the book later says, “The hunt was on,” it lands because the monster has become more than a rumor. It has a target.
The novel is also graphic, and its violence is meant to be felt. Bodies are torn apart, heads are destroyed, and death is often described in close, messy detail. But the gore isn’t the only thing driving the story. The book keeps circling grief, abuse, racism, trauma, and the damage people carry after seeing something they can’t explain. Gladys and Jonas bring in the scientific curiosity, Janice and Frank bring the emotional weight, and the older townspeople bring the history that makes Makanda feel haunted before the monster ever steps into the light.
Makanda is a creature-horror novel with a strong sense of place and a lot of heart beneath the blood. It’s about the woods, the stories people tell about them, and the terrifying idea that legends might simply be misunderstood biology waiting for the right conditions to return. The book works best when it lets its characters talk, joke, worry, and love each other before the horror crashes in. That makes the final stretch hit harder because by then the reader isn’t only afraid of what’s in the trees. They’re afraid of what it can take from people who’ve become real.
Pages: 404 | ASIN : B0GY67TRWH
Where Shadows Dwell
Where Shadows Dwell, by Bob Leone, follows Lisa Parks, a pregnant Demon Hunter, and her husband, Pastor Jason Parks, as a strange medallion points the world’s Gifted Convocations toward a terrifying possibility: the entrance to the Abyss may be found, opened, and used to unleash the worst darkness the world has ever known. What begins with campfire tension, river rapids, church life, and Jason’s private gambling spiral grows into an international supernatural mission that moves through Vandenberg, Israel, Lebanon, Syria, Jordan, and finally the Dead Sea. Along the way, the book blends spiritual warfare, marriage, prophecy, comic banter, military urgency, and apocalyptic stakes, building toward a massive battle where angels, demons, Paladins, Gifted warriors, bulldozers, salt, prayer, and sheer stubborn faith all collide.
What I enjoyed most was the way the book lets the ordinary and the cosmic sit beside each other without apology. Lisa can be carrying an invisible sword one moment and worrying about pregnancy hormones the next. Jason can leap into a violent river to save William, preach with conviction, then quietly unravel under the shame of sports betting. That contrast gives the story its most human pulse. I found Jason’s gambling subplot especially affecting because it isn’t treated like a dramatic villain turn. It’s smaller, sadder, and more recognizable than that. He keeps telling himself one more bet will fix everything, and the emotional honesty of that self-deception gives the book a grounded ache beneath all the demons and ancient maps.
The writing has a warm, conversational confidence that often feels like sitting with a storyteller who loves both danger and domesticity. There’s humor everywhere, sometimes broad, sometimes sly, and the best lines have a crisp, lived-in rhythm, like Lisa telling William not to “sit on the edge of glory” after the whitewater rescue. The book is at its strongest when it uses that humor to sharpen tenderness rather than soften danger. I also appreciated the ideas underneath the action: faith as endurance, leadership as burden, marriage as a form of courage, and prayer as something active rather than decorative. At times, the large cast and rapid movement across missions, meetings, and locations can feel crowded, but even that crowdedness suits the book’s sense of a world suddenly pressed to its breaking point.
By the end, I felt Where Shadows Dwell was less interested in easy triumph than in the cost of being chosen. The world may be saved, but Lisa’s final view of the military convoy makes victory feel uneasy, even bruised, which I found more satisfying than a simple celebration. This is a heartfelt, high-stakes Christian supernatural adventure with a strong emotional center and a generous sense of humor. I’d recommend it to readers who enjoy spiritual warfare fiction, ensemble action, biblical mystery, and stories where faith is tested not only by monsters but by fear, pride, secrets, and love.
Pages: 429 | ASIN : B0H2W9B378
Frostbend
K.M. Bennett’s Frostbend is a haunted house novel with its feet planted firmly in family trauma, small-town memory, and the messy bond between sisters. Isla Desmond returns to Frostbend after the death of Lionel, the man who terrorized her childhood, and what should be a grim but practical trip becomes something much stranger. The old Desmond mansion isn’t just a setting here. It feels active, hungry, and deeply tied to everything Isla has tried to leave behind.
The book works best when it lets the house speak through sensory details. The mansion is full of rot, dust, old polish, ruined rooms, and memories that don’t stay politely in the past. One of the strongest lines captures that mix of tenderness and horror: “It was the prosaic smell of their mother’s sweetness covering their father’s sins.” That’s really the heart of the novel. Every room holds two stories at once: the life Isla and Willa once had and the violence that warped it.
Isla is a compelling lead because she’s sharp, guarded, and often difficult in a very believable way. She’s not written as someone who has neatly processed what happened to her. She’s someone who has built a life out of control, distance, and sarcasm, then gets dragged back to the one place where none of those defenses work. Willa gives the story much of its warmth. Their relationship is prickly, funny, painful, and gradually healing, with moments like “But you’re my crazy bitch” showing how Bennett lets affection come through in imperfect, authentic language.
There’s plenty of supernatural horror in Frostbend, especially as the mansion, Lionel’s presence, and Isla’s strange ability become more intense. Still, the emotional story is just as important as the ghost story. The book is about what abuse leaves behind, how secrets calcify inside families, and how survival can look cold from the outside. Bennett also gives Frostbend itself a strong identity, from diners and funeral food to local history and buried art, so the town feels like more than a backdrop.
Frostbend is a dark, heartfelt gothic horror novel about confronting the place that made you and deciding what parts of yourself you still want to keep. It has creepy imagery, a bruised but stubborn heroine, and a sister relationship that gives the story its pulse. Readers who enjoy haunted houses with emotional weight, family secrets, and a strong thread of supernatural revenge will find a lot to settle into here.
Pages: 251 | ASIN : B0H1QM8V36
Literary Titan Gold Book Award: Fiction
The Literary Titan Book Award honors books that exhibit exceptional storytelling and creativity. This award celebrates novelists who craft compelling narratives, create memorable characters, and weave stories that captivate readers. The recipients are writers who excel in their ability to blend imagination with literary skill, creating worlds that enchant and narratives that linger long after the final page is turned.
Award Recipients
Visit the Literary Titan Book Awards page to see award information.
